989:
Nintendo's five executive staff, and the withdrawal of all current and proposed programming plans by
Nintendo, Kyocera, and "many content providers", that had been intended for launch in 2000; though Nintendo's 19.7% ownership portfolio remained intact. St.GIGA continued Satellaview broadcasts after this point; however, the company could only broadcast reruns of games previously transmitted as Nintendo had discontinued its supply of new original content as of March 1999. Facing economic difficulties again, St.GIGA discontinued its Satellaview broadcasts on 30 June 2000 in order to return focus to music broadcasts as had been done prior to the Nintendo deal.
161:
25:
1041:. Broadcasts continued until 1 October, when the company was forced to sell its licensing rights to World Independent Networks Japan Inc. (WINJ). WireBee immediately began bankruptcy procedures, and all recording instruments and 241 tapes of nature sounds were auctioned off at open market for a total divided sale price of ¥5 million. Discussions concerning Club COSMO's involvement under WINJ's oversight in a new reality show were circulated briefly at this time, however to date no such show has been produced.
475:
ran the
Satellaview's servers until June 2000, leaving the video game industry entirely to focus on its radio stations and music licensing. After a significant downturn in its finances and nearing bankruptcy, St.GIGA merged with radio station provider WireBee in 2003 and was rebranded as Club Cosmo. In 2006, St.GIGA's content licensing rights were sold to World Independent Networks Japan (WINJ), which broadcast reruns of St.GIGA music until 2007.
152:
962:, St.GIGA also broadcast a wealth of information on talk shows and celebrity idols, including a variety show. Broadcast times were fitted to match the schedules of students, and the station's audience demographics shifted radically much to the disappointment of the station's former ambient music fans. Before long the station had ceased transmissions of all "Time & Tide" programs (those featuring
579:) was selected as an innovator in the field. Soon after accepting the position, Yokoi crafted a radical proposal for the station concept. The initial reaction at WOWOW was skeptical; however within a few months of traditional satellite radio broadcasts, Yokoi's concept was given probationary adoption, and Yokoi was subsequently given full discretion to shape the company's future.
988:
Carrying a "cumulative debt of 8.8 billion yen" as of March 1998, a
Reuters report on 21 August 1998 indicated St.GIGA's rejection of Nintendo's debt management proposal as well as the broadcaster's failure to apply for renewal of its governmental satellite license. This resulted in the withdrawal of
474:
that allowed games to be played through satellite broadcasts. Though the peripheral was successful, St.GIGA's financial state and inability to secure a proper broadcast license dissolved the relationship between the two companies, with
Nintendo ceasing production of new content in March 1999. St.GIGA
685:
broadcasts) over analog broadcasting frequency bands that were shared with its parent, the satellite broadcasting company WOWOW. Highly artistic and experimental, the St.GIGA sound became extremely popular within certain segments of the population, and the station was recognized for its innovative
644:
method where songs of one genre would gradually flow into and intersperse with the songs from the prior genre until the new genre became predominant. The intent, according to Yokoi was to allow the listener to relax in a wave of sound "like a baby sleeps in the womb." "Tide of Sounds" broadcasts
1044:
In 2006, WINJ began broadcasting reruns of St.GIGA's original "Tide of Sound" and "Time & Tide" broadcasts during a 2–4 p.m. time slot; however, on 1 November of the same year, these broadcasts were suspended on the pretext of broadcasting equipment maintenance. The program was scheduled to
478:
St.GIGA is credited as being the world's first digital satellite radio station. The
Satellaview has received praise for being ahead of its time, particularly for St.GIGA's method of distributing and broadcasting high-quality audio and recordings. Its music has also inspired other Japanese radio
837:
By 1994, St.GIGA's financial difficulties resulted in the cutting back of "Tide of Sound" broadcasts. The company's portion of the subscription-funded audio broadcasts were to be replaced under subcontract by an all new series of advertising-funded
Satellite Data broadcasts, managed under the
677:
as the "Voice". Throughout the life span of "Tide of Sounds" broadcasts, the part of the "Voice" would be played by a number of notable
Japanese poets, including, among others, Ryo Michiko. "Voice" performances often consisted of all new poetry composed specifically for the show.
800:
665:(DAB) service. In order to receive this DAB service, the subscriber was required to obtain a special decoder, to pay an initiation fee, and subsequent monthly fees. "Tide of Sounds" broadcasts often took the form of high-quality digital recordings of
1249:
944:
broadcasting time, and because the broadcast game data have never been rereleased by
Nintendo, these games have become extremely rare. The subculture of collectors and enthusiasts that has grown online have exerted much effort engaged in electronic
768:
St. Giga and other satellite radio broadcasters found it hard to attract paying subscribers as Japan's recession made consumer reluctant to invest in the expensive antennas and tuners needed to pick up satellite broadcasts.
69:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
782:
St.GIGA sold a variety of products ranging from program guides to "sound calendars" to fragrances. The company also released a number of CDs under St.GIGA's own label as well as a variety of foreign labels such as the
55:
823:
Unlike St. Giga's regular programming, the new data service will feature paid advertising. Nintendo president
Hiroshi Yamauchi that Nintendo expects to sell 2 million adapter/cassette packages a year.
487:
Broadcast between 11 March 1990 and 28 November 2007, St.GIGA has undergone a number of changes of both carrier satellite and broadcast band. The following is a condensed history of these changes:
873:, allowing players to download broadcast data. The resulting games were then stored on requisite specialized rewritable storage cartridges at an additional launch price of 14,000 yen ($ 143).
582:
In accordance with Yokoi's conception, St.GIGA's broadcasts initially followed no externally fixed (or artificial) timetable. Rather, they were based upon the cyclical motif of a 24-hour "
940:
Due to the rewritability of the cartridges, the fact that "SoundLink" broadcasts were not downloaded to the game cartridges but rather were streamed live during the noon–2 a.m.
79:
628:(featuring live sound-broadcasts of the ocean shore). The beginnings and ends of programs were not clearly demarcated and instead utilized the unprecedented "Tide of Sound"
1221:
1354:
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throughout the 24-hour broadcasting period. Under this innovative schedule, the station broadcast a variety of primarily ambient music programs including
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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565:" because the executives agreed that they knew nothing about music. In deciding whom to hire as director for the subsidiary, Hiroshi Yokoi
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919:. Additionally, a number of these broadcasts featured an updated version of St.GIGA's earlier "Tide of Sounds" "Voice," now called "
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74:
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661:." Unlike most commercial-driven radio broadcasts, this was made possible for St.GIGA due to its reliance on a subscription
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peripheral created by
Nintendo. This device bolts onto the underside of the Super Famicom in a manner similar to the later
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by extracting old data from heavily rewritten data cartridges in order to faithfully reproduce the games via emulation.
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Content in this edit is translated from the existing Japanese Knowledge article at ]; see its history for attribution.
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28 November 2007 – All affiliated broadcast bands are terminated and the satellite broadcast certificate is revoked.
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recording broadcasts and its nonstandard methodology. By 1994, St.GIGA was struggling financially due to Japan's
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revoked the broadcasting certificate under Act 54 of Article 24 of the Japanese General Broadcasting Statute.
952:
Aside from St.GIGA's "SoundLink" or broadcasts accompanying the transmission of data for its "Soundlink Games"
876:
The broadcast content ranged from video-game-related Satellaview news and specific interest journals such as
525:
1 December 2000 – St.GIGA began simultaneous broadcasts on Radio 333ch (Data broadcasting via 633 and 636ch).
534:
2005 – Club COSMO's 5ch broadcasts became analog (31 March) and the switch to 333ch was completed (10 May).
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affecting the demand for its ambient music, as consumers became reluctant to invest in satellite tuners.
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with which it became associated for the remainder of its lifespan. St.GIGA was rechristened Club COSMO
386:
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105:
1285:"Nintendo Drops Satellite Plan, Video-Game Company Halts Plan To Deliver Games Directly To Homes"
447:. The company was established on 2 April 1990 as a subsidiary of the television station provider
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would provide a live vocal track to accompany games, setting plot and describing in-game goals.
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From 23 April 1995 to 30 June 2000, St.GIGA broadcast video game data for such games as
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Beginning on 23 April 1995, St.GIGA broadcast video-game-related data to owners of the
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Digital Audio Broadcasting: An International Perspective on Compact-Disc Quality Radio
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By 2001, St.GIGA was nearly bankrupt and entered into merger talks with WireBee Inc.
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to the source of your translation. A model attribution edit summary is
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750:(containing the full text of Yokoi's original concept proposal), and
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St.GIGA also broadcast its B-mode audio programming (a series of all
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Ocean of Sound: ambient music, mondes imaginaires et voix de l'éther
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recorders to travel abroad to record at such exotic locations as
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resume in the 2007 fiscal year. However, on 14 November 2007,
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Trends in Dreaming - St.GIGA's Hiroshi Yokoi's General Office
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The initial popularity of the music funded trips by St.GIGA
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satellite, and in September it began broadcasting on BS-5ch.
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to this template: there are already 1,162 articles in the
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Current of dreams: An introduction St.GIGA programming
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concept, unique vision, and nonstandard methodology.
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a machine-translated version of the Japanese article.
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1480:"ワイヤービー、セント・ギガを子会社化――ワンコンテンツ・マルチユースによるストリーミング配信を展開"
557:decided to expand their services into the field of
1525:. The Mitani Tadayuki Law Office. 18 January 2010.
494:1990 – St.GIGA began broadcasts on BS-3ch via the
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49:Click for important translation instructions.
36:expand this article with text translated from
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364:World Independent Networks Japan (2003–2007)
16:Defunct Japanese satellite radio broadcaster
1456:. Nikkei, Inc. 10 June 2002. Archived from
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528:21 March 2003 – St.GIGA becomes Club COSMO.
397:Satellite Digital Audio Broadcast Co., Ltd.
144:Satellite Digital Audio Broadcast Co., Ltd.
842:, St.GIGA's largest shareholder at 19.5%.
575:(who had recently designed the successful
522:30 June 2000 – Last Satellaview broadcast.
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537:2006 – WINJ begins St.GIGA rebroadcasts.
519:April 1999 – Nintendo withdraws support.
508:23 April 1995 – Broadcasts begin to the
1535:Iwanaga, Shinichi (13 September 2007).
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1321:"Nintendo aims high with "Satellaview""
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1607:Japanese companies established in 1990
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501:August 1991 – St.GIGA switched to the
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1197:Toop, David & Réveillon, Arnaud.
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545:Origins and early success (1990–1994)
1448:"St.GIGA,民事再生手続きが終了,ディジタルBS放送専業で再出発"
745:Yume no choryu: St.Giga hensei soron
18:
1632:Super Nintendo Entertainment System
1409:
1387:"Obscura Machinia #5 — Satellaview"
1343:
1252:. Billboard-Hollywood Media Group.
1203:. Editions Kargo. Pp. 164-5. 2000.
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993:Decline and dissolution (2000–2006)
13:
1622:Radio stations established in 1990
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966:music) including the much-admired
838:"rescue" and executive control of
645:operated under a principle of "No
491:2 April 1990 – St.GIGA is founded.
14:
1643:
1563:
1353:Kemps, Heidi (9 September 2015).
1313:
1096:"どうした?どうなる?WINJ [メディア情報]"
165:St.GIGA's former headquarters in
1297:. 21 August 1998. Archived from
1256:. pp. 78–84. Archived from
1108:. 1 October 2006. Archived from
462:In 1995, St.GIGA partnered with
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1592:Defunct radio stations in Japan
1537:"メディアの興亡 / BSラジオ局WIN-Jに総務省が引導?"
1508:
1440:
1389:. No. 87. United Kingdom:
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1248:McClure, Steve (23 July 1994).
1355:"Nintendo's Forgotten Console"
1227:Am. U. J. Int'l L. & Pol'y
1213:
809:which were only playable with
268:(12 years, 363 days)
114:You may also add the template
1:
1543:(in Japanese). Archived from
1172:. Nikkei, Inc. Archived from
1140:. Nikkei, Inc. Archived from
1078:
609:, various jazz programs, and
1492:. 9 May 2002. Archived from
1416:IGN Staff (21 August 1998).
1397:. March 2011. pp. 82–83
1363:. Vice Media. Archived from
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1331:. May 1995. pp. 18–19
663:Digital Audio Broadcasting
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412:Eisei Dejitaru Ongaku Hōsō
212:Eisei Dejitaru Ongaku Hōsō
61:Machine translation, like
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1164:"BSラジオ放送のセント・ギガ、民事再生法申請"
1132:"BSラジオ放送のセント・ギガ、民事再生法申請"
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328:Satellite radio stations
317:Hiroshi Yokoi (director)
116:{{Translated|ja|セント・ギガ}}
1516:2-4(2)160 衛星デジタル音楽放送(株)
1229:273, 289, 295-7 (1992).
1008:Kabushikigaisha Waiyabi
470:, a peripheral for the
258:31 March 2003
125:For more guidance, see
878:Game Tiger's big House
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818:
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563:persons on the streets
549:In 1990, the Japanese
240:2 April 1990
1521:25 March 2010 at the
1418:"Giga Bites the Dust"
933:, with which St.GIGA
865:'s attachment to the
857:'s attachment to the
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127:Knowledge:Translation
98:copyright attribution
1490:Kadokawa Corporation
1367:on 20 September 2019
551:satellite television
1112:on 26 December 2020
904:The Legend of Zelda
457:economic stagnation
279:Merged with WireBee
146:
1428:on 24 January 2020
1260:on 18 January 2020
1219:Valenti, Gregory.
942:Super Famicom Hour
890:Gemu Tora no OoAna
830:Billboard Magazine
819:
806:BS Super Mario USA
775:Billboard Magazine
142:
106:interlanguage link
1514:Tadayuki, Mitani
1496:on 8 October 2015
1453:Nikkei News Media
1391:Future Publishing
1325:Future Publishing
1169:Nikkei News Media
1137:Nikkei News Media
735:St.GIGA Stylebook
439:, was a Japanese
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336:Soundtrack albums
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1571:Official website
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1110:the original
1101:Radio Nikkei
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1026:Kurabukosumo
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217:Company type
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102:edit summary
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1551:26 December
1500:26 December
1432:26 December
1395:Retro Gamer
1295:WarnerMedia
1116:26 December
947:archaeology
910:Super Mario
859:Nintendo 64
851:Satellaview
815:Satellaview
789:Deep Forest
671:spoken word
647:Commercials
514:Satellaview
468:Satellaview
358:(1990–2003)
332:Satellaview
303:Area served
188:Native name
169:(2001–2003)
45:(June 2023)
40:in Japanese
1581:Categories
1464:18 January
1401:18 January
1371:18 January
1335:18 January
1305:18 January
1264:18 January
1180:18 January
1148:18 January
1079:References
1002:株式会社ワイヤービー
957:サウンドリンクゲーム
817:subsystem.
719:Martinique
611:Tide Table
592:Music Tide
584:tide table
498:satellite.
434:Sento Giga
419:trading as
313:Key people
287:Club Cosmo
262:2003-03-31
244:1990-04-02
221:Subsidiary
177:Trade name
1254:Billboard
921:SoundLink
577:J-Wave FM
390:(Archive)
284:Successor
203:Romanized
120:talk page
72:Consider
1612:Nintendo
1519:Archived
1057:See also
867:GameCube
861:and the
840:Nintendo
811:Nintendo
691:biomusic
617:タイド・テーブル
553:company
512:add-on,
464:Nintendo
322:Products
227:Industry
167:Yokohama
96:provide
1541:ITmedia
964:new age
928:サウンドリンク
884:ゲーム虎の大穴
729:), and
703:Mikonos
695:England
483:History
422:St.GIGA
382:Website
260: (
252:Defunct
242: (
237:Founded
182:St.GIGA
118:to the
100:in the
42:.
1207:
1106:Nikkei
1020:クラブコスモ
913:, and
715:Tahiti
707:Venice
428:セント・ギガ
348:Parent
339:Tuners
1485:ASCII
1074:Notes
1063:WOWOW
916:Kirby
675:actor
657:, No
653:, No
649:, No
555:WOWOW
503:BS-3b
496:BS-2a
449:WOWOW
356:WOWOW
307:Japan
63:DeepL
1553:2020
1502:2020
1466:2020
1434:2020
1403:2020
1373:2020
1360:Vice
1337:2020
1307:2020
1266:2020
1225:. 8
1205:ISBN
1182:2020
1150:2020
1118:2020
1036:松尾信一
974:潮の潮流
731:Maui
711:Bali
659:Talk
633:音の潮流
598:音楽潮流
276:Fate
205:name
94:must
92:You
56:View
1422:IGN
1290:CNN
849:'s
813:'s
651:DJs
570:横井宏
65:or
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