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470:, the composer did further work at the Carmichael family's home. While he visited Carmichael, Pyle asked him to play the song he had been working on. Pyle later commented that Carmichael asked him not to reveal the details of the night he worked on the song with the family's piano, saying "the public likes to think these sweet songs are conceived under the moonlight, amid roses and soft breezes". Carmichael finished the details of the composition on a
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507:. The recording featured a "medium fast and jazzy tempo" with no lyrics. Under the single-word title "Stardust," it was placed on the flipside of "One Night In Havana", assigned the release number 6311, and credited to Hoagy Carmichael and His Pals. Carmichael received a one-sided pressing of "Stardust" from the studio, before he left Indiana in 1928 to work for Mills Music as a composer. The first manuscript for the song was deposited at the
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celebrated the release of both recordings in the same week. It considered Dorsey's version "emotional", and felt the vocals by
Sinatra and the Pied Pipers made the record suitable for "armchair listening". Of Shaw's version, the reviewer remarked on his "fluid clarinet above strings", and determined
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called "a melody of a considerable intensity and with dramatic outbursts," with a "realistic and very full" piano reproduction. Throughout the 1930s, record labels used both the one and two-word versions of the title, though
Carmichael himself favored the one-word title, as evidenced by his private
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that was later thrown away because of its poor state. Baker and
Carmichael's Collegians' singer Violet Deckard Gardner remembered Carmichael humming the tune of the incomplete composition before 1926. Fellow student Stuart Gorrell suggested the title "Star Dust"; Gorrell felt the tune sounded like
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to add the words to
Carmichael's "Star Dust". Parish used as a working title "Then I Will Be Satisfied", but he accepted Redman's suggestion to re-title the song to "Stardust". Author Gene Fernett suggested Redman wrote the verse of the song, but his claim could not be supported. Parish wrote the
259:. He left the law sector and returned to Indiana, after learning of the success of one of his compositions. In 1927, after leaving a local university hangout, Carmichael started to whistle a tune that he later developed further. When composing the song, he was inspired by the end of one of his
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Carmichael wrote the song with inspiration from the end of his love affair with
Kathryn Moore, who would later marry Art Baker, the trumpet player in Carmichael's Collegians. While Carmichael related several explanations of how he was inspired to write it on the University campus, biographer
905:. Monk disliked "Stardust": he described it as "a sad song ... if you know anything about music and harmony". He felt the melody was "lousy" and that performers have to "do a lot of figuring how to play that in order to make it sound good". Another version by Miller was released on the
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deemed the stories "encrusted in myth, much of it the composer's own creation". One night after leaving the Book Nook, a university hangout, Carmichael whistled what would become the opening of the song. The composer later declared that he felt that the tune "had something very strange and
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released it under catalog number 4856, with the title once again "Stardust." The 1931 release became one of his most popular recordings. By 1931, "Stardust" was often played by the orchestras of several US radio stations. While remarking on the popularity of the tune on the radio, the
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described the phrasing as "utterly casual", while he felt that the "imagery and diction strain to be poetic". Furia stressed that Parish "made the subject of the song the melody itself". The sheet music for the vocal composition was published as "Star Dust" on May 10, 1929 in the
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label in 1943. During the 1940s, "Stardust" was recorded by multiple artists either as an instrumental song or as a romantic ballad by vocalists. For the period from July 1947 to July 1948, "Stardust" placed at number one on the Juke Box
Standard Favorites poll
992:. Cole initially refused to record it because of the number of renditions available at the time. Cole, who had been singing the song since 1954, declared: "I hate to sing Stardust, it wears me out". On its release, the song received good airplay. In 1957,
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felt the result is "completely dead and lifeless". The publication attributed this to an imbalance in the number of musicians in the woodwind section, compared to the rhythm section, which the reviewer described as "just competent musicians, no more".
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attributed the song's popularity to "some combination of young
Carmichael's heartland upbringing, Bix's uniquely bardic sensibility, and the unself-conscious emotional directness that characterizes much non-urban American pop music". Nelson's
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was created, and the broadcasters did not renew their contract for the use of an estimated two million tunes. After nine months of negotiation, a settlement was reached in
October 1941 and major networks aired the tunes again. In 1941,
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welcomed Dorsey's "silky trombone" and the "slow vocal style" of
Sinatra and the Pied Pipers. Of Shaw's version, they stressed his "intricate and dazzling clarinet wizardry", and the "medium slow drag" playing style of the band. The
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In May 1953, according to jukebox operators, "Stardust" placed three times on the Ten Pop
Standard Records list. Shaw's version topped the chart, while Dorsey and Miller's versions placed at numbers seven and eight, respectively.
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also remarked on the "intricate clarinet work" by Shaw, while it felt that Dorsey's version featured "expert trombone work" and an "unusual vocal" that the reviewer preferred over Shaw's version. Shaw's recording was arranged by
527:, who worked for Mills Music, often played the song. After hearing Redman's rendition of it, a company arranger suggested playing the song at a "slower tempo and in a sentimental style". Feeling it could be a potential success,
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By 1935, while radio announcers commonly credited the orchestra only, Carmichael was mentioned as the composer of the song during introductions because of its popularity. The same year, saxophonist
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released "Star Dust" on Okeh 8668. The recording retained Carmichael's original key of D. The song soon circulated among black musicians and jazz interpreters, and it was often performed at the
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song using Carmichael's account of how he was inspired to compose the melody, while the lyricist developed a story focused in the concept of lost love. Regarding the lyrics, author
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s review considered the release "among the greatest bits of big band scoring in history". While it considered the song "beautifully arranged with good sax and trumpet solos",
417:. The band appeared at 50 events between 1924 and 1925, while between 1925 and 1926, they played three to five nights a week at different engagements. Carmichael received his
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for the song, he had to whistle the tune to the musicians. Carmichael played the piano, backed by Emil Seidel and his orchestra: Byron Smart (trumpet), Oscar Rossberg (
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opined of Jones's version: "This beautiful melody seems destined to achieve the popularity which it so richly deserves and which is so long overdue." In August 1931,
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considered that "Dylan's approach finds a pleasing, country-tinged arrangement" that the reviewer noted to be "somewhere between" Sinatra and Nelson's version.
772:, the other a new version by Dorsey. Shaw and Dorsey's versions were ultimately released on separate records. Dorsey's recording of the song featured vocals by
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defined it as "an American song of longing, dreams, desires, still stretches across the decades to touch the spirit of anyone who hears it". In 2004, the
409:" in 1924. While still attending Indiana University, the singer formed a band called Carmichael's Collegians. Carmichael and his band performed locally in
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1194:, which lists "culturally, historically or aesthetically important" music that "informs or reflects life" in the United States. Carmichael's entry to the
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recorded the song on March 2 in Paris. Compagnie de Gramophone Française released it with the catalog number K-7527. The song was often performed by
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in 1988. National Public Radio included it on their NPR 100, a 1999 list of the 100 most important American musical works of the 20th century. For NPR,
263:, and on the suggestion of a university classmate, he decided on its title. The same year, Carmichael recorded an instrumental version of the song for
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called Sinatra's "Stardust" his "choicest" track on the album and remarked on his "entirely new approach overlooking the perennially favored chorus".
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music. In 1940, RCA Victor executive Harry Myerson proposed that the label again release a two-sided recording of "Stardust": one side would feature
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has defined it as "one of the most renowned and most recorded standards in all of American music". Carmichael's 1927 version was inducted into the
286:'s 1930 rendition of the song made it popular on radio, and soon multiple acts had recorded "Stardust". Because of the song's popularity, by 1936,
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estimated that Carmichael received a total of $ 250,000 in royalties for "Stardust", while the song made at the time $ 15,000 to $ 20,000 a year.
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commented: "Today, people who never heard of Isham Jones or Artie Shaw or even composer Hoagy Carmichael know his work thanks to Willie Nelson."
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considered the tune "completely in line with her magnificent singing". In 1954, when the copyright of 14 of his songs including "Stardust" was
888:(ASCAP) and radio broadcasters focused on the increase in the price of song royalties. To counter the use of ASCAP tunes including "Stardust",
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829:(trombones). Hayton's arrangements included solos by Shaw, Butterfield and Jenney, while they were focused on the use of the string section.
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was denied, as the court considered that "the assignee paid large royalties". In 1955, during the 25th anniversary of its publishing,
397:. He had learned to play the piano with his mother, who performed at dances and movie theaters. In 1922, Carmichael met and befriended
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The Billboard Book of Top 40 Hits, 9th Edition: Complete Chart Information about America's Most Popular Songs and Artists, 1955-2009
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omitted Stardust's chorus, to instead focus the "musical and lyrical mind on all the neglected nuances of the verse". A review in
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featured an excerpt of "Stardust" played by the fictional Ramón Raquello Orchestra. The 1961 episode "The Hit Songwriters" of
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760:. By 1937, Goodman remarked that Carmichael's tune was the most popular dance number of his repertoire. "Stardust" became a
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and no lyrics. Mills Music then published different sheet music for the song on January 19, 1929, as a piano composition.
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503:), Don Kimmel (guitar), Paul Brown (tuba), Cliff Williams (drums). The session took place at Gennett's studio in
1841:""Stardust"—Hoagy Carmichael (1927), Added to the National Registry: 2004, Essay by Richard Falco (guest post)*"
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different". He worked on the details with different pianos, including one at the Book Nook. According to
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by 1926. In the same year he worked as a law clerk in Miami, but he returned to Indiana after failing
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Between 1958 and 1963, "Stardust" produced US$ 50,000 yearly in royalties for Mills Music. In 1964,
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for two bars which then changes from major to minor, a method also used by two contemporary songs: "
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in ABAC form (instead of the traditional AABA form) that is often repeated. The intriguing opening
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1984:"Letter from Carmichael, Hoagy, to Yarling, M.B., Radio and Publicity Dept., Sears & Roebuck"
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hired him as a composer. Mills Music then assigned Mitchell Parish to add words to the song.
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University of New York Law Center (1953). "Bulletin of the Copyright Society of the U.S.A".
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Los Angeles copyright society (1964). "Copyright and Related Topics: A choice of Articles".
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1288:., and Carmichael's own short 1942 recording is featured at the start of closing credits in
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LexisNexis (2004). "United States Code Service". Lawyers Co-operative Publishing Company.
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Jelly Roll, Bix, and Hoagy: Gennett Records and the Rise of America's Musical Grassroots
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732:. Mills recorded the song himself with his multiple bands, and recorded versions by the
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After working out the details with the band, Carmichael booked a recording session with
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On December 1, 2000, Nelson's version of "Stardust" was used to wake up the crew of
401:. Carmichael often played with Beiderbecke, and he became acquainted with his band,
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Catalog of Copyright Entries, 1929 Music For the Year 1929 New Series Vol 24 Part 3
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pressed two versions of the same song by two different artists on a single record:
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Carmichael pictured while attending Indiana University, where he composed the tune.
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Smash Hits: The 100 Songs That Defined America: The 100 Songs That Defined America
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sampled versions of the song for 2 of his albums; Marjorie Stedeford's version in
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recorded the song in the same year, and by 1929 it was performed regularly at the
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The B Side: The Death of Tin Pan Alley and the Rebirth of the Great American Song
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has two introductory verses that are sometimes omitted. These are followed by a
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4764:"Familiar Tunes To Go Off Air Jan. 1 Unless Old Radio Station Feud is Settled"
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Broadcast Hysteria: Orson Welles's War of the Worlds and the Art of Fake News
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that 1942 recording has garnered nearly 230,000 views of one posting alone.
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have recorded "Stardust". The song was featured in several films, including
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Stardust Melodies: The Biography of Twelve of America's Most Popular Songs
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operators and using the Peatman Survey for radio audiences. According to
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examination and worked for a law firm in that state. With the success of
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The Popular Song Reader: A Sampler of Well-Known Twentieth-Century Songs
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4090:"New York Neighbors Stop and Listen While Hoagy Carmichael Is at Work"
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deemed the song "most notably one of the greatest standards" from the
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released the song as "Star Dust" on Brunswick Records. The same year,
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charts for 540 weeks until 1988. Of Nelson's version of "Stardust",
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external links, and converting useful links where appropriate into
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The Billboard Book of American Singing Groups: A History, 1940-1990
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The Poets of Tin Pan Alley: A History of America's Great Lyricists
2806:"hoagy carmichael/stardust (1942/ best of hoagy's vocal versions)"
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Tin Pan Alley: An Encyclopedia of the Golden Age of American Song
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recorded a ballad version in 1958 in what was later known as the
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Straighten Up and Fly Right: The Life and Music of Nat King Cole
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McKinney's Music: A Bio-discography of McKinney's Cotton Pickers
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also released "Stardust" on Brunswick 6132, a version that the
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3525:"ASCAP Music Expected to Return to NBC and CBS Nets This Week"
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described Fitzgerald as doing "absorbing things with 'Stardust
4252:"Page Boy Becomes Starlet Guide As He Advances on KDKA staff"
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felt that "Carmichael would be proud". Nelson's album topped
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United States District Court S. D. New York (May 11, 1954).
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The Book of World-famous Music: Classical, Popular, and Folk
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Indiana University Maurer School of Law: The First 175 Years
2505:"RSD '22 Special Release: Tiny Tim & Brave Combo - Girl"
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Studwell, William, Hoffman, Frank & Ramírez, Beuhla 2020
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Studwell, William; Hoffman, Frank; Ramírez, Beuhla (2020).
3628:"Hear Bob Dylan's Majestic Rendition of Classic 'Stardust'"
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Thelonious Monk: The Life and Times of an American Original
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promoted the song. His writings attracted the attention of
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4503:"Brunswick matrix C5753. Stardust / Isham Jones Orchestra"
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4120:"Grammy Week Pays Hommage to Presley, Beatles and Yoakam"
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My Country: The African Diaspora's Country Music Heritage
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album was inducted into the Grammy Hall of Fame in 2015.
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on January 5, 1928. The sheet music featured a tune in a
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track over 1,500 times. Carmichael developed a taste for
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The Invisible Art of Film Music: A Comprehensive History
2974:"Nino Tempo & April Stevens Chart History (Hot 100)"
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Jackson, Kenneth, Markoe, Karen & Markoe, Arnie 1998
1500:. United States Copyright Office. U.S. Govt. Print. Off.
475:"dust from stars drifting down through the summer sky".
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Stardust Melody: The Life and Music of Hoagy Carmichael
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Jackson, Kenneth; Markoe, Karen; Markoe, Arnie (1998).
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243:. He formed his own band and played at local events in
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The Scribner Encyclopedia of American Lives: 1981-1985
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on the piano. The tune was included on her 1954 album
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2956:"Billy Ward and his Dominoes Chart History (Hot 100)"
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on what would be his final recording, the 1996 album
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American Society of Composers, Authors and Publishers
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United States National Recording Registry recordings
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Encyclopedia of African-American Culture and History
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Artie Shaw, King of the Clarinet: His Life and Times
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2855:"Sublime Beyond Loss by The Caretaker on WhoSampled"
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3768:
3742:
2782:"Star Dust (1942 Decca DLA-2982 18395B) on Discogs"
2744:
2657:
2645:
2326:
1146:, that covered American standards. Daniel Kreps of
487:for October 31, 1927. Since he had not written any
448:
Composition, first recording and addition of lyrics
4592:
4477:
4343:
3916:Essential Jazz Records: Volume 1: Ragtime to Swing
3819:
2756:
2717:
2681:
2635:https://www.grammy.com/awards/hall-of-fame-award#s
2574:
2405:
2057:Salzman, Jack, Smith, David & Wes, Cornel 1996
1957:
1899:https://www.grammy.com/awards/hall-of-fame-award#s
1628:
1613:
1578:
1566:
1542:
880:In 1940, the tune was among those affected by the
4838:may not follow Knowledge's policies or guidelines
4177:Salzman, Jack; Smith, David; Wes, Cornel (1996).
4040:
3913:
3297:
3064:
3030:
2925:
2693:
2479:
2467:
1724:
1129:Stardust: The Great American Songbook, Volume III
4947:
4426:The Editors of Encyclopaedia Britannica (2006).
4199:
4157:. Vol. 90, no. 357. Richmond, Virginia
3522:
3101:Indiana Originals: Hoosier Heroes & Heroines
2663:
2417:
2264:United States District Court S. D. New York 1954
2167:
1026:, later released as the title track of his 1963
852:recorded his version of the song, which entered
756:, while Dorsey's version featured the vocals of
321:. Shaw's recording sold one million copies, and
251:. Following his graduation, Carmichael moved to
4914:"Stardust" by Frank Sinatra and the Pied Pipers
4362:
4279:
4249:
4087:
4021:. No. 16, 373. The Knoxville News-Sentinel
3959:
3346:
3323:
3232:
3151:
2996:
2393:
2338:
2227:
2143:
2092:
2044:
2032:
2020:
1969:
1886:
1874:
1862:
1760:
1647:
1530:
1494:Library of Congress. Copyright Office. (1929).
4703:
4684:
4665:
4226:
4057:
3647:
3595:
3465:
3392:
3278:
3098:
2705:
2550:
2491:
2369:
2357:
2251:
2239:
1921:
1826:
1772:
1712:
1590:
740:. In 1936, for the first time in its history,
667:as a session jazz ensemble leader, journalist
4741:
4406:. Vol. 57, no. 141. Tampa Bay Times
4384:"Gave us "Stardust" and "Georgia on My Mind""
4365:Encyclopedia of Great Popular Song Recordings
3989:
3894:. Vol. 39, no. 169. Muncie, Indiana
3884:Muncie Evening Press staff (April 14, 1931).
3855:
3625:
3572:
3549:
3418:The Jazz Standards: A Guide to the Repertoire
3181:
2732:
2598:
2562:
2287:
2191:
2179:
1787:
1743:
752:on the other. Goodman used an arrangement by
4687:Joel Whitburn's ... Billboard Music Yearbook
4630:
4146:
3677:
3484:
3205:Collegiate Digest staff (January 15, 1935).
2611:The Editors of Encyclopaedia Britannica 2006
2215:
2203:
2116:
1697:
1065:recorded the song featuring arrangements by
4789:
4722:
4611:
4595:The American Songbook: Music for the Masses
4402:Tampa Bay Times staff (December 15, 1940).
4301:
4117:
4015:"Composer of Song Hit Too Nervous To Sleep"
4012:
3722:
3434:
3369:
3090:: CS1 maint: numeric names: authors list (
3056:: CS1 maint: numeric names: authors list (
2999:"Ten Pop Standards (Old Favorites) Records"
2895:
2768:
2622:
2586:
2455:
2443:
2128:
1682:
1659:
1174:in 1995. The 1940 recording of the song by
897:recorded a version of "Stardust" featuring
711:
440:' 1927 recording of Carmichael's original "
3936:
3696:
3420:. New York City: Oxford University Press.
3415:
3122:Calgary Herald staff (February 14, 1931).
2381:
2314:
2080:
2068:
1981:
1975:
1799:
1190:inducted Carmichael's "Stardust" into the
787:the record is for "straight dancing". The
646:performed the song at the club. The revue
531:"decided on the song having lyrics added.
36:
4874:Learn how and when to remove this message
4761:
4668:Joel Whitburn's Top Pop Albums, 1955-2001
2831:"Stardust by The Caretaker on WhoSampled"
2155:
405:, who recorded his original composition "
4448:Time magazine staff (October 24, 1955).
1178:And His Orchestra was inducted into the
986:to include the song on his 1957 release
861:on October 26, and peaked at number 20.
831:
625:
451:
19:For other songs with similar names, see
4744:"Hoagy Carmichael: 'Stardust Melodies'"
4367:. Vol. 3. Rowman and Littlefield.
3680:Popular Song: Soundtrack of the Century
1514:Fariss, Linda & Buckley, Keith 2019
1160:"Stardust" is considered a part of the
270:In 1928, Carmichael left Indiana after
4948:
4250:Steinhauser, SI (September 10, 1937).
4200:Sanders, Charles (February 24, 1962).
3301:Complete US Singles Charts - The 1940s
3256:Fariss, Linda; Buckley, Keith (2019).
2938:"Glenn Miller Chart History (Hot 100)"
2878:"Tommy Dorsey Chart History (Hot 100)"
2276:University of New York Law Center 1953
1982:Carmichael, Hoagy (12 November 1936).
21:Stardust (disambiguation) § Songs
4280:Stamberg, Susan (December 11, 2000).
4098:. Vol. 27, no. 326 (part 6)
4058:Reynolds, Fred (September 11, 1954).
3960:Noskowski, L de (November 14, 1931).
3775:National Recording Preservation Board
3750:National Recording Preservation Board
3596:Kolodin, Irvin (September 12, 1954).
3523:Johnson, Vincent (October 22, 1941).
3207:"These Headliners Actually Graduated"
3152:Charles, Alfred (December 22, 1940).
1214:
4976:Songs with lyrics by Mitchell Parish
4971:Songs with music by Hoagy Carmichael
4818:
4381:
3858:"The Billboard 1944 Music Year Book"
3745:"2004 - National Recording Registry"
3162:. Vol. 40, no. 51 (part 1)
3033:"Willie Nelson - Top Country Albums"
2908:"Artie Shaw Chart History (Hot 100)"
2669:
4631:Weiser, Norm (September 25, 1948).
925:
705:correspondence and his 1946 memoir
634:In early 1929, Redman and his band
621:
393:, Carmichael developed a taste for
309:, and it was later included in the
13:
4147:Rowe, Norman (December 22, 1940).
4088:Richardson, Dow (April 27, 1930).
2528:"Tiny Tim With Brave Combo - Girl"
2303:Los Angeles copyright society 1964
935:recorded the song, accompanied by
305:By 1940 the song was considered a
96:Gennett Studios, Richmond, Indiana
14:
5057:
5006:Billy Ward and his Dominoes songs
4814:
4501:UC Santa Barbara Library (2021).
4118:Roland, Tom (February 28, 1995).
3648:Levin, Michael (April 24, 1940).
2431:"CHUM Hit Parade - March 9, 1964"
1838:
1356:Chart performance for "Stardust"
1053:' version peaked at number 32 on
996:' version placed at number 12 on
901:, as he was the house pianist at
4823:
4781:
4742:Wilson, Nancy (March 12, 2008).
4689:. Record Research Incorporated.
4657:
4633:"Ops Pick Standard Money Makers"
4469:
4417:
4271:
4218:
4168:
4138:
4109:
4079:
4032:
3981:
3905:
3875:
3669:
3626:Kreps, Daniel (March 10, 2017).
3617:
3541:
3457:
3330:Knopf Doubleday Publishing Group
3315:
3224:
3173:
3143:
3022:
2997:Billboard staff (May 23, 1953).
2847:
1325:and Charlie Spivak's version in
1322:We'll All Go Riding on a Rainbow
1004:released a version on his album
642:after being introduced in 1929.
4903:"Stardust" by Harry Connick Jr.
4762:Wolf, Tom (December 16, 1940).
4204:. Vol. 111, no. 111.
3067:"Willie Nelson - Billboard 200"
2916:. Retrieved November 14, 2022.
2886:. Retrieved November 14, 2022.
2823:
2798:
2774:
2628:
2520:
2497:
2423:
1934:Muncie Evening Press staff 1931
1892:
1832:
1094:, while reaching the summit on
1079:recorded it as the title-track
1069:for his 1970 debut solo album,
4725:Artie Shaw: His Life and Music
3792:University of California Press
3725:"Film Review: 'Captive State'"
3723:Leydon, Joe (March 14, 2019).
3468:Encyclopedia of Recorded Sound
1487:
1461:Nino Tempo & April Stevens
1051:Nino Tempo & April Stevens
1008:, which reached number two on
840:Orchestra recording issued as
656:, which was inducted into the
595:The melody fluctuates between
509:United States Copyright Office
1:
4708:. Clarkson Potter/Ten Speed.
4639:. Vol. 60, no. 39.
4068:. Vol. 113, no. 218
3864:. Nielsen Business Media, Inc
3658:. Vol. 137, no. 115
3527:. Vol. 15, no. 71.
3437:"Willie Nelson Bouncing Back"
1910:UC Santa Barbara Library 2021
1480:
1328:Everywhere at the End of Time
1081:of his album of pop standards
434:Indiana State Bar Association
384:
227:. It has been recorded as an
192:""Barnacle Bill The Sailor""
170:Hoagy Carmichael and His Pals
50:Hoagy Carmichael and His Pals
16:1927 song by Hoagy Carmichael
5036:Jazz compositions in C major
4770:. Vol. 57, no. 174
4013:Pyle, Ernie (July 9, 1936).
3833:MacDonald, Laurence (2013).
3769:Library of Congress (2020).
3743:Library of Congress (2005).
3435:Hance, Bill (May 14, 1978).
2009:Collegiate Digest staff 1935
663:While Carmichael worked for
580:of the chorus starts on the
495:), Dick Kent and Gene Wood (
478:
7:
4936:"Stardust" by Willie Nelson
4925:"Stardust" by Nat King Cole
4778:– via Newspapers.com.
4593:van der Merwe, Ann (2016).
4557:"Carmichael vs Mills Music"
4478:Turner, John Frayn (2004).
4458:. Vol. 66, no. 17
4414:– via Newspapers.com.
4348:. Oxford University Press.
4344:Sudhalter, Richard (2003).
4268:– via Newspapers.com.
4260:. Vol. 54, no. 77
4215:– via Newspapers.com.
4183:Macmillan Library Reference
4165:– via Newspapers.com.
4135:– via Newspapers.com.
4106:– via Newspapers.com.
4076:– via Newspapers.com.
4029:– via Newspapers.com.
3978:– via Newspapers.com.
3902:– via Newspapers.com.
3820:Warner Bros. staff (2019).
3666:– via Newspapers.com.
3614:– via Newspapers.com.
3538:– via Newspapers.com.
3454:– via Newspapers.com.
3221:– via Newspapers.com.
3170:– via Newspapers.com.
3140:– via Newspapers.com.
3007:. Vol. 65, no. 21
2982:. Retrieved April 9, 2021.
2964:. Retrieved April 9, 2021.
2946:. Retrieved April 9, 2021.
1439:Billy Ward and his Dominoes
1192:National Recording Registry
994:Billy Ward and his Dominoes
859:National Best Selling Chart
560:
379:National Recording Registry
373:. It was inducted into the
339:Billy Ward and his Dominoes
10:
5062:
4450:"They're Playing Our Song"
4041:Recording Academy (2020).
3943:W. W. Norton & Company
3914:Nicholson, Stuart (2000).
3298:Fragias, Leonidas (2018).
3065:Billboard staff 2 (2020).
3031:Billboard staff 1 (2020).
2105:Tampa Bay Times staff 1940
1202:. Carmichael's biographer
884:. The dispute between the
317:as the singer, and one by
18:
4727:. Bloomsbury Publishing.
4654:– via Google Books.
4597:. Rowman and Littlefeld.
4484:Taylor Trade Publications
4388:Song Writers Hall of Fame
4304:Ringo: With a Little Help
4233:Farrar, Straus and Giroux
3967:The Sydney Morning Herald
3872:– via Google Books.
3235:Music in the 20th Century
1946:Calgary Herald staff 1931
1360:
1350:
1347:
1344:
1341:
1334:
1155:
1057:Top 100 and number 27 in
590:I’ll See You In My Dreams
534:
432:. However, he passed the
421:in 1925 and had earned a
377:in 1995 and added to the
176:
168:
154:
140:
128:
112:
100:
90:
82:
74:
63:
55:
44:
35:
30:
4511:University of California
4433:Encyclopaedia Britannica
4363:Sullivan, Steve (2017).
4308:Rowman & Littlefield
3886:"In the Press of Things"
3579:Indiana University Press
3347:Friedwald, Will (2020).
3324:Friedwald, Will (2009).
3262:Indiana University Press
3233:DiMartino, Dave (2016).
2745:MacDonald, Laurence 2013
2658:Library of Congress 2020
2646:Library of Congress 2005
2327:Time magazine staff 1955
1988:webapp1.dlib.indiana.edu
1196:Songwriters Hall of Fame
1000:Top 100. The same year,
712:Big band era and success
539:Mills assigned lyricist
4981:Harry Connick Jr. songs
4704:Whitburn, Joel (2012).
4685:Whitburn, Joel (2004).
4666:Whitburn, Joel (2001).
4227:Schwartz, Brad (2015).
3529:Pittsburgh Post-Gazette
3466:Hoffman, Frank (2004).
3399:Oxford University Press
3393:Furia, Phillip (1992).
3353:Oxford University Press
3279:Foster, Pamela (1998).
3099:Boomhower, Ray (2018).
2757:Warner Bros. staff 2019
2718:Sudhalter, Richard 2003
2682:Sudhalter, Richard 2003
2575:van der Merwe, Ann 2016
2406:Turner, John Frayn 2004
1958:Sudhalter, Richard 2003
1629:Sudhalter, Richard 2003
1614:Sudhalter, Richard 2003
1579:Sudhalter, Richard 2003
1567:Sudhalter, Richard 2003
1543:Sudhalter, Richard 2003
1167:Encyclopædia Britannica
1162:Great American Songbook
1114:recorded the song with
630:Sheet music cover, 1929
311:Great American Songbook
4580:Cite journal requires
4542:Cite journal requires
4529:. New York University.
3990:Perone, James (2016).
3856:Marvin, Wanda (1944).
3807:Cite journal requires
3710:Cite journal requires
3573:Kennedy, Rick (2013).
3550:Kelley, Robin (2010).
3182:Chilton, John (1978).
2926:Fragias, Leonidas 2018
2694:Recording Academy 2020
2480:Billboard staff 2 2020
2468:Billboard staff 1 2020
1990:. Bloomington, Indiana
1725:Nicholson, Stuart 2000
1291:Nightmare Alley (2021)
1235:featured a version by
942:Songs in a Mellow Mood
845:
734:Mills Blue Rhythm Band
652:featured a version by
631:
519:with no indication of
457:
294:version that featured
4986:Louis Armstrong songs
4748:National Public Radio
4287:National Public Radio
4206:The Rock Island Argus
4149:"On the Popular Side"
4095:The Indianapolis Star
4043:"Grammy Hall of Fame"
4019:Indiana Daily Student
3777:. Library of Congress
3678:Lewens, Alan (2001).
3485:Jasen, David (2004).
2418:Sanders, Charles 1962
2168:Johnson, Vincent 1941
1226:The War of the Worlds
1126:included the song on
1108:National Public Radio
1098:Top LPs & Tapes.
1083:. In its review, the
1043:The Rock Island Argus
890:Broadcast Music, Inc.
836:Glenn Miller and the
835:
701:Sydney Morning Herald
636:The Chocolate Dandies
629:
618:to "heighten drama".
455:
302:on respective sides.
4966:1920s jazz standards
4844:improve this article
4790:Yagoda, Ben (2015).
4768:The Pittsburgh Press
4723:White, John (2004).
4612:Warner, Jay (1992).
4302:Starr, Seth (2016).
4257:The Pittsburgh Press
3891:Muncie Evening Press
3556:Simon & Schuster
3445:Poughkeepsie Journal
3441:Gannett News Service
3370:Fuld, James (2000).
3188:Bloomsbury Book Shop
2394:Friedwald, Will 2009
2339:Friedwald, Will 2020
2228:Billboard staff 1953
2144:Sullivan, Steve 2017
2093:Charles, Alfred 1940
2045:Steinhauser, SI 1937
2033:Friedwald, Will 2009
2021:Sullivan, Steve 2017
1970:Noskowski, L de 1931
1887:Richardson, Dow 1930
1875:Friedwald, Will 2009
1863:Friedwald, Will 2009
1761:Friedwald, Will 2009
1648:Stamberg, Susan 2000
1531:DiMartino, Dave 2016
1260:Sleepless in Seattle
1254:Another Man's Poison
1136:recorded it for his
1085:Gannett News Service
578:harmonic progression
499:), Maurice Bennett (
389:Soon after entering
364:Sleepless in Seattle
67:January 19, 1929 by
5021:Willie Nelson songs
5011:Eddie Cochran songs
5001:Johnny Mathis songs
4996:Nat King Cole songs
4991:Frank Sinatra songs
4856:footnote references
4670:. Record Research.
4616:. Billboard Books.
3937:Nolan, Tom (2011).
3755:Library of Congress
3682:. Billboard Books.
3416:Gioia, Ted (2012).
3376:Courier Corporation
3304:. Arts & Charts
2706:Schwartz, Brad 2015
2551:Whitburn, Joel 2004
2492:Foster, Pamela 1998
2446:, pp. 212–213.
2370:Whitburn, Joel 2001
2358:Whitburn, Joel 2012
2252:Reynolds, Fred 1954
2240:Kolodin, Irvin 1954
1922:Hoffman, Frank 2004
1849:Library of Congress
1827:Furia, Phillip 1992
1773:Furia, Phillip 1992
1713:Levin, Michael 1940
1591:Boomhower, Ray 2018
1357:
1223:'s radio broadcast
1188:Library of Congress
1180:Grammy Hall of Fame
1172:Grammy Hall of Fame
1072:Sentimental Journey
1033:Sinatra and Strings
813:(tenor saxophone),
658:Grammy Hall of Fame
375:Grammy Hall of Fame
4428:"Hoagy Carmichael"
4154:The Times-Dispatch
3970:. No. 29, 286
3105:Arcadia Publishing
2733:Perone, James 2016
2599:Wilson, Nancy 2008
2563:Kreps, Daniel 2017
2288:Kennedy, Rick 2013
2192:Marvin, Wanda 1944
2180:Kelley, Robin 2010
1788:Chilton, John 1978
1744:Kennedy, Rick 2013
1355:
1215:In popular culture
1132:in 2004. In 2017,
1092:Top Country Albums
914:conducted through
903:Minton's Playhouse
846:
754:Fletcher Henderson
707:The Stardust Road.
632:
458:
391:Indiana University
241:Indiana University
172:singles chronology
5041:Songs about music
5026:Bing Crosby songs
4884:
4883:
4876:
4805:978-0-698-17251-7
4734:978-1-441-11662-8
4715:978-0-307-98512-5
4696:978-0-898-20163-5
4677:978-0-898-20147-5
4623:978-0-823-08264-3
4604:978-1-442-24245-6
4507:UC Santa Barabara
4493:978-1-589-79145-9
4374:978-1-442-25449-7
4355:978-0-195-16898-3
4336:978-1-317-71323-4
4317:978-1-617-13632-0
4242:978-0-809-03163-4
4192:978-0-028-97365-4
4060:"Platter Chatter"
4005:978-1-440-83469-1
3952:978-0-393-08203-6
3929:978-0-720-11708-0
3848:978-0-810-88398-7
3689:978-0-823-08436-4
3588:978-0-253-00747-6
3565:978-1-439-19046-3
3515:978-0-684-80492-7
3496:978-1-135-94901-3
3477:978-1-135-94950-1
3427:978-0-19-993739-4
3408:978-0-198-02288-6
3385:978-0-486-41475-1
3362:978-0-190-88204-4
3339:978-0-307-55998-2
3290:978-0-9662680-1-0
3271:978-0-253-04617-8
3248:978-1-317-46430-3
3211:Collegiate Digest
3197:978-0-950-12901-3
3159:The Baltimore Sun
3154:"Popular Records"
3114:978-1-439-66575-6
2708:, pp. 70–71.
2216:Weiser, Norm 1948
2204:Lewens, Alan 2001
2117:Rowe, Norman 1940
1698:Jasen, David 2004
1569:, p. 99-100.
1478:
1477:
1377:
1354:
1242:Stardust Memories
1204:Richard Sudhalter
1030:. Sinatra's 1962
1024:Stardust Sessions
1013:Best selling LP's
989:Love Is the Thing
807:Billy Butterfield
783:The Baltimore Sun
681:Brunswick Records
586:After You’ve Gone
505:Richmond, Indiana
463:Richard Sudhalter
419:bachelor's degree
407:Riverboat Shuffle
202:
201:
198:
197:
69:Mills Music, Inc.
5053:
4937:
4926:
4915:
4904:
4879:
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4655:
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4627:
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4589:
4583:
4578:
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4566:
4564:
4559:. 121 F.Supp. 43
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3665:
3663:
3655:The Boston Globe
3644:
3642:
3640:
3622:
3621:
3615:
3613:
3611:
3598:"Record Roundup"
3592:
3569:
3546:
3545:
3539:
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3043:
3027:
3026:
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3014:
3012:
2983:
2971:
2965:
2953:
2947:
2935:
2929:
2923:
2917:
2905:
2899:
2896:Warner, Jay 1992
2893:
2887:
2875:
2869:
2868:
2866:
2865:
2851:
2845:
2844:
2842:
2841:
2827:
2821:
2820:
2818:
2817:
2802:
2796:
2795:
2793:
2792:
2778:
2772:
2769:Leydon, Joe 2019
2766:
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2730:
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2715:
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2685:
2679:
2673:
2667:
2661:
2655:
2649:
2643:
2637:
2632:
2626:
2623:Roland, Tom 1995
2620:
2614:
2608:
2602:
2596:
2590:
2587:Yagoda, Ben 2015
2584:
2578:
2572:
2566:
2560:
2554:
2548:
2542:
2541:
2540:
2539:
2524:
2518:
2517:
2516:
2515:
2509:Record Store Day
2501:
2495:
2489:
2483:
2477:
2471:
2465:
2459:
2456:Hance, Bill 1978
2453:
2447:
2444:Starr, Seth 2016
2441:
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2165:
2159:
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2147:
2141:
2132:
2129:White, John 2004
2126:
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2102:
2096:
2090:
2084:
2078:
2072:
2066:
2060:
2054:
2048:
2042:
2036:
2030:
2024:
2018:
2012:
2006:
2000:
1999:
1997:
1995:
1979:
1973:
1967:
1961:
1955:
1949:
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1937:
1931:
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1845:
1839:Falco, Richard.
1836:
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1764:
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1728:
1722:
1716:
1710:
1701:
1695:
1686:
1683:Fuld, James 2000
1680:
1663:
1660:Pyle, Ernie 1936
1657:
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1632:
1626:
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1594:
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1502:
1501:
1491:
1367:
1358:
1339:
1338:
1310:
1102:remained on the
967:Summary judgment
954:
926:Later recordings
873:The Boston Globe
869:
815:Johnny Guarnieri
748:on one side and
622:Early recordings
567:song's structure
423:Bachelor of Laws
352:My Favorite Year
239:while attending
217:Hoagy Carmichael
178:
177:
159:
149:Hoagy Carmichael
145:
124:
123:
119:
86:October 31, 1927
40:
28:
27:
5061:
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4946:
4945:
4935:
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4902:
4880:
4869:
4863:
4860:
4841:
4832:This article's
4828:
4824:
4817:
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4806:
4780:
4773:
4771:
4752:
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4735:
4716:
4697:
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4515:
4513:
4494:
4468:
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4459:
4438:
4436:
4416:
4409:
4407:
4404:"On the Record"
4392:
4390:
4375:
4356:
4337:
4318:
4292:
4290:
4270:
4263:
4261:
4243:
4217:
4210:
4208:
4193:
4181:. Vol. 3.
4167:
4160:
4158:
4137:
4130:
4128:
4108:
4101:
4099:
4078:
4071:
4069:
4065:Chicago Tribune
4048:
4046:
4045:. Grammy Awards
4031:
4024:
4022:
4006:
3980:
3973:
3971:
3953:
3930:
3904:
3897:
3895:
3874:
3867:
3865:
3849:
3839:Scarecrow Press
3808:
3806:
3797:
3796:
3780:
3778:
3759:
3757:
3733:
3731:
3711:
3709:
3700:
3699:
3690:
3668:
3661:
3659:
3650:"Swing Records"
3638:
3636:
3616:
3609:
3607:
3603:Saturday Review
3589:
3566:
3540:
3533:
3531:
3516:
3508:. Vol. 1.
3497:
3478:
3456:
3449:
3447:
3428:
3409:
3386:
3363:
3340:
3314:
3307:
3305:
3291:
3272:
3249:
3237:. Vol. 1.
3223:
3216:
3214:
3198:
3172:
3165:
3163:
3142:
3135:
3133:
3115:
3083:
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2442:
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2429:
2428:
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2416:
2412:
2404:
2400:
2392:
2388:
2382:Gioia, Ted 2012
2380:
2376:
2368:
2364:
2356:
2345:
2337:
2333:
2325:
2321:
2315:LexisNexis 2004
2313:
2309:
2301:
2294:
2286:
2282:
2274:
2270:
2262:
2258:
2250:
2246:
2242:, p. D-29.
2238:
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2222:
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2202:
2198:
2190:
2186:
2178:
2174:
2166:
2162:
2154:
2150:
2142:
2135:
2127:
2123:
2119:, p. IV-9.
2115:
2111:
2103:
2099:
2091:
2087:
2081:Nolan, Tom 2011
2079:
2075:
2069:Nolan, Tom 2011
2067:
2063:
2059:, p. 1433.
2055:
2051:
2043:
2039:
2031:
2027:
2019:
2015:
2007:
2003:
1993:
1991:
1980:
1976:
1968:
1964:
1956:
1952:
1944:
1940:
1932:
1928:
1924:, p. 1101.
1920:
1916:
1908:
1904:
1897:
1893:
1885:
1881:
1873:
1869:
1861:
1857:
1843:
1837:
1833:
1825:
1818:
1810:
1806:
1800:Gioia, Ted 2012
1798:
1794:
1786:
1779:
1771:
1767:
1759:
1750:
1742:
1731:
1723:
1719:
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1549:
1541:
1537:
1529:
1520:
1512:
1505:
1492:
1488:
1483:
1337:
1308:
1237:Fred Flintstone
1232:The Flintstones
1217:
1158:
1036:album arranger
963:due for renewal
958:Chicago Tribune
952:
948:Saturday Review
933:Ella Fitzgerald
928:
899:Thelonious Monk
867:
790:Tampa Bay Times
778:the Pied Pipers
718:Coleman Hawkins
714:
669:Walter Winchell
654:Louis Armstrong
624:
563:
541:Mitchell Parish
537:
501:tenor saxophone
497:alto saxophones
485:Gennett Records
481:
450:
442:Washboard Blues
427:the Florida Bar
399:Bix Beiderbecke
387:
331:Ella Fitzgerald
265:Gennett Records
225:Mitchell Parish
223:later added by
193:
188:
163:Mitchell Parish
155:
141:
135:Gennett Records
121:
117:
116:
24:
17:
12:
11:
5:
5059:
5049:
5048:
5043:
5038:
5033:
5028:
5023:
5018:
5013:
5008:
5003:
4998:
4993:
4988:
4983:
4978:
4973:
4968:
4963:
4958:
4944:
4943:
4932:
4921:
4910:
4899:
4882:
4881:
4836:external links
4831:
4829:
4822:
4816:
4815:External links
4813:
4811:
4810:
4804:
4787:
4759:
4739:
4733:
4720:
4714:
4701:
4695:
4682:
4676:
4663:
4628:
4622:
4609:
4603:
4590:
4582:|journal=
4552:
4544:|journal=
4522:
4498:
4492:
4475:
4445:
4423:
4399:
4379:
4373:
4360:
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4335:
4322:
4316:
4299:
4277:
4247:
4241:
4224:
4197:
4191:
4174:
4144:
4125:The Tennessean
4115:
4085:
4055:
4038:
4010:
4004:
3987:
3957:
3951:
3934:
3928:
3911:
3881:
3853:
3847:
3830:
3822:A Star Is born
3817:
3809:|journal=
3787:
3766:
3740:
3720:
3712:|journal=
3694:
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3413:
3407:
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3344:
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3321:
3295:
3289:
3283:. My Country.
3276:
3270:
3253:
3247:
3230:
3202:
3196:
3179:
3149:
3132:. Vol. 46
3129:Calgary Herald
3119:
3113:
3096:
3062:
3028:
2993:
2992:
2991:
2985:
2984:
2966:
2948:
2930:
2918:
2900:
2888:
2870:
2846:
2822:
2797:
2773:
2761:
2749:
2747:, p. 472.
2737:
2722:
2720:, p. 312.
2710:
2698:
2686:
2684:, p. 113.
2674:
2662:
2650:
2638:
2627:
2615:
2603:
2591:
2579:
2567:
2555:
2553:, p. 176.
2543:
2519:
2496:
2494:, p. 147.
2484:
2472:
2460:
2458:, p. 14B.
2448:
2436:
2422:
2410:
2408:, p. 138.
2398:
2386:
2384:, p. 398.
2374:
2362:
2360:, p. 832.
2343:
2341:, p. 347.
2331:
2319:
2317:, p. 412.
2307:
2292:
2290:, p. 120.
2280:
2278:, p. 109.
2268:
2256:
2254:, p. 14F.
2244:
2232:
2220:
2218:, p. 115.
2208:
2196:
2194:, p. 207.
2184:
2172:
2160:
2156:Wolf, Tom 1940
2148:
2146:, p. 156.
2133:
2121:
2109:
2107:, p. E-7.
2097:
2085:
2083:, p. 155.
2073:
2071:, p. 154.
2061:
2049:
2037:
2025:
2023:, p. 192.
2013:
2001:
1974:
1962:
1960:, p. 140.
1950:
1938:
1926:
1914:
1902:
1891:
1879:
1867:
1855:
1831:
1829:, p. 256.
1816:
1804:
1802:, p. 396.
1792:
1777:
1775:, p. 250.
1765:
1748:
1746:, p. 134.
1729:
1727:, p. 135.
1717:
1715:, p. A21.
1702:
1687:
1685:, p. 528.
1664:
1652:
1633:
1631:, p. 105.
1618:
1616:, p. 106.
1595:
1583:
1581:, p. 104.
1571:
1559:
1557:, p. 131.
1547:
1535:
1533:, p. 108.
1518:
1516:, p. 201.
1503:
1485:
1484:
1482:
1479:
1476:
1475:
1472:
1463:
1458:
1454:
1453:
1450:
1441:
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1432:
1431:
1428:
1419:
1414:
1410:
1409:
1406:
1397:
1391:
1390:
1387:
1378:
1362:
1353:
1352:
1351:Peak position
1349:
1346:
1343:
1336:
1333:
1303:Space Shuttle
1278:A Star Is Born
1216:
1213:
1184:Susan Stamberg
1157:
1154:
1067:Paul McCartney
1028:Stardust album
927:
924:
848:Also in 1940,
797:Times-Dispatch
713:
710:
687:Calgary Herald
649:Hot Chocolates
644:Duke Ellington
623:
620:
588:" (1918) and "
562:
559:
536:
533:
480:
477:
449:
446:
403:the Wolverines
386:
383:
255:to work for a
200:
199:
196:
195:
190:
181:
174:
173:
166:
165:
160:
152:
151:
146:
138:
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53:
52:
42:
41:
33:
32:
15:
9:
6:
4:
3:
2:
5058:
5047:
5046:Pop standards
5044:
5042:
5039:
5037:
5034:
5032:
5029:
5027:
5024:
5022:
5019:
5017:
5016:Al Hirt songs
5014:
5012:
5009:
5007:
5004:
5002:
4999:
4997:
4994:
4992:
4989:
4987:
4984:
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4954:
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4951:
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4922:
4920:
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4911:
4909:
4905:
4900:
4897:
4893:
4889:
4886:
4885:
4878:
4875:
4867:
4857:
4853:
4852:inappropriate
4849:
4845:
4839:
4837:
4830:
4821:
4820:
4807:
4801:
4797:
4796:Penguin Group
4793:
4788:
4784:
4769:
4765:
4760:
4749:
4745:
4740:
4736:
4730:
4726:
4721:
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4711:
4707:
4702:
4698:
4692:
4688:
4683:
4679:
4673:
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4660:
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4625:
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4606:
4600:
4596:
4591:
4587:
4574:
4558:
4553:
4549:
4536:
4528:
4523:
4512:
4508:
4504:
4499:
4495:
4489:
4485:
4481:
4480:Frank Sinatra
4476:
4472:
4457:
4456:
4451:
4446:
4435:
4434:
4429:
4424:
4420:
4405:
4400:
4389:
4385:
4382:SWoF (2018).
4380:
4376:
4370:
4366:
4361:
4357:
4351:
4347:
4342:
4338:
4332:
4329:. Routledge.
4328:
4323:
4319:
4313:
4309:
4305:
4300:
4289:
4288:
4283:
4282:"The NPR 100"
4278:
4274:
4259:
4258:
4253:
4248:
4244:
4238:
4234:
4230:
4225:
4221:
4207:
4203:
4202:"New Records"
4198:
4194:
4188:
4184:
4180:
4175:
4171:
4156:
4155:
4150:
4145:
4141:
4127:
4126:
4121:
4116:
4112:
4097:
4096:
4091:
4086:
4082:
4067:
4066:
4061:
4056:
4044:
4039:
4035:
4020:
4016:
4011:
4007:
4001:
3997:
3993:
3988:
3984:
3969:
3968:
3963:
3962:"New Records"
3958:
3954:
3948:
3944:
3940:
3935:
3931:
3925:
3921:
3920:A&C Black
3917:
3912:
3908:
3893:
3892:
3887:
3882:
3878:
3863:
3859:
3854:
3850:
3844:
3840:
3836:
3831:
3827:
3823:
3818:
3814:
3801:
3793:
3788:
3776:
3772:
3767:
3756:
3752:
3751:
3746:
3741:
3730:
3726:
3721:
3717:
3704:
3695:
3691:
3685:
3681:
3676:
3672:
3657:
3656:
3651:
3646:
3635:
3634:
3633:Rolling Stone
3629:
3624:
3620:
3605:
3604:
3599:
3594:
3590:
3584:
3580:
3576:
3571:
3567:
3561:
3557:
3553:
3548:
3544:
3530:
3526:
3521:
3517:
3511:
3507:
3502:
3498:
3492:
3489:. Routledge.
3488:
3483:
3479:
3473:
3470:. Routledge.
3469:
3464:
3460:
3446:
3442:
3438:
3433:
3429:
3423:
3419:
3414:
3410:
3404:
3400:
3396:
3391:
3387:
3381:
3377:
3373:
3368:
3364:
3358:
3354:
3350:
3345:
3341:
3335:
3331:
3327:
3322:
3318:
3303:
3302:
3296:
3292:
3286:
3282:
3277:
3273:
3267:
3263:
3259:
3254:
3250:
3244:
3240:
3236:
3231:
3227:
3212:
3208:
3203:
3199:
3193:
3189:
3185:
3180:
3176:
3161:
3160:
3155:
3150:
3146:
3131:
3130:
3125:
3124:"Melody Lane"
3120:
3116:
3110:
3106:
3102:
3097:
3093:
3087:
3086:cite magazine
3072:
3068:
3063:
3059:
3053:
3052:cite magazine
3038:
3034:
3029:
3025:
3018:
3006:
3005:
3000:
2995:
2994:
2989:
2988:
2981:
2980:
2975:
2970:
2963:
2962:
2957:
2952:
2945:
2944:
2939:
2934:
2928:, p. 12.
2927:
2922:
2915:
2914:
2909:
2904:
2898:, p. 52.
2897:
2892:
2885:
2884:
2879:
2874:
2860:
2856:
2850:
2836:
2832:
2826:
2811:
2807:
2801:
2787:
2783:
2777:
2770:
2765:
2758:
2753:
2746:
2741:
2735:, p. 79.
2734:
2729:
2727:
2719:
2714:
2707:
2702:
2695:
2690:
2683:
2678:
2671:
2666:
2659:
2654:
2647:
2642:
2636:
2631:
2625:, p. 3D.
2624:
2619:
2612:
2607:
2600:
2595:
2589:, p. 36.
2588:
2583:
2577:, p. 24.
2576:
2571:
2564:
2559:
2552:
2547:
2533:
2529:
2523:
2510:
2506:
2500:
2493:
2488:
2481:
2476:
2469:
2464:
2457:
2452:
2445:
2440:
2432:
2426:
2420:, p. R6.
2419:
2414:
2407:
2402:
2396:, p. 24.
2395:
2390:
2383:
2378:
2372:, p. 91.
2371:
2366:
2359:
2354:
2352:
2350:
2348:
2340:
2335:
2329:, p. 77.
2328:
2323:
2316:
2311:
2305:, p. 88.
2304:
2299:
2297:
2289:
2284:
2277:
2272:
2265:
2260:
2253:
2248:
2241:
2236:
2230:, p. 94.
2229:
2224:
2217:
2212:
2206:, p. 60.
2205:
2200:
2193:
2188:
2182:, p. 73.
2181:
2176:
2170:, p. 26.
2169:
2164:
2158:, p. 23.
2157:
2152:
2145:
2140:
2138:
2131:, p. 95.
2130:
2125:
2118:
2113:
2106:
2101:
2095:, p. 17.
2094:
2089:
2082:
2077:
2070:
2065:
2058:
2053:
2047:, p. 26.
2046:
2041:
2035:, p. 15.
2034:
2029:
2022:
2017:
2010:
2005:
1989:
1985:
1978:
1971:
1966:
1959:
1954:
1948:, p. 23.
1947:
1942:
1935:
1930:
1923:
1918:
1911:
1906:
1900:
1895:
1888:
1883:
1876:
1871:
1864:
1859:
1851:
1850:
1842:
1835:
1828:
1823:
1821:
1814:, p. 20.
1813:
1808:
1801:
1796:
1790:, p. 26.
1789:
1784:
1782:
1774:
1769:
1762:
1757:
1755:
1753:
1745:
1740:
1738:
1736:
1734:
1726:
1721:
1714:
1709:
1707:
1700:, p. 49.
1699:
1694:
1692:
1684:
1679:
1677:
1675:
1673:
1671:
1669:
1661:
1656:
1649:
1644:
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1640:
1638:
1630:
1625:
1623:
1615:
1610:
1608:
1606:
1604:
1602:
1600:
1593:, p. 29.
1592:
1587:
1580:
1575:
1568:
1563:
1556:
1551:
1545:, p. 76.
1544:
1539:
1532:
1527:
1525:
1523:
1515:
1510:
1508:
1499:
1498:
1490:
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1403:
1398:
1396:
1393:
1392:
1388:
1386:
1384:
1379:
1375:
1371:
1370:Frank Sinatra
1366:
1363:
1359:
1340:
1332:
1330:
1329:
1324:
1323:
1318:
1317:The Caretaker
1314:
1307:
1306:
1299:
1297:
1293:
1292:
1287:
1285:
1284:Captive State
1280:
1279:
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1173:
1169:
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1151:
1150:
1149:Rolling Stone
1145:
1144:
1139:
1135:
1131:
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1125:
1121:
1117:
1113:
1109:
1105:
1101:
1097:
1093:
1090:
1086:
1082:
1078:
1077:Willie Nelson
1074:
1073:
1068:
1064:
1060:
1056:
1052:
1047:
1045:
1044:
1039:
1035:
1034:
1029:
1025:
1021:
1020:John Coltrane
1018:
1014:
1011:
1007:
1003:
999:
995:
991:
990:
985:
984:Nat King Cole
981:
976:
974:
973:
968:
964:
960:
959:
955:", while the
950:
949:
944:
943:
938:
937:Ellis Larkins
934:
923:
921:
917:
913:
908:
904:
900:
896:
891:
887:
883:
882:ASCAP boycott
878:
875:
874:
866:
865:
860:
857:
856:
851:
843:
839:
834:
830:
828:
824:
821:(drums), and
820:
816:
812:
808:
804:
803:Lennie Hayton
799:
798:
792:
791:
785:
784:
779:
775:
774:Frank Sinatra
771:
767:
763:
759:
758:Edythe Wright
755:
751:
750:Benny Goodman
747:
743:
739:
735:
731:
727:
723:
719:
709:
708:
703:
702:
697:
693:
689:
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396:
392:
382:
380:
376:
372:
371:
366:
365:
360:
359:
354:
353:
348:
347:Willie Nelson
344:
340:
336:
335:Nat King Cole
332:
328:
324:
320:
316:
315:Frank Sinatra
312:
308:
303:
301:
300:Benny Goodman
297:
293:
289:
285:
281:
277:
273:
268:
266:
262:
258:
254:
250:
246:
242:
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186:
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127:
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93:
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81:
77:
73:
70:
66:
62:
58:
54:
51:
47:
43:
39:
34:
29:
26:
22:
4961:1930 singles
4892:Sold on Song
4891:
4870:
4861:
4846:by removing
4833:
4791:
4772:. Retrieved
4767:
4751:. Retrieved
4747:
4724:
4705:
4686:
4667:
4648:. Retrieved
4636:
4613:
4594:
4573:cite journal
4561:. Retrieved
4535:cite journal
4526:
4514:. Retrieved
4506:
4479:
4460:. Retrieved
4453:
4437:. Retrieved
4431:
4408:. Retrieved
4391:. Retrieved
4387:
4364:
4345:
4326:
4303:
4291:. Retrieved
4285:
4262:. Retrieved
4255:
4228:
4209:. Retrieved
4178:
4159:. Retrieved
4152:
4129:. Retrieved
4123:
4100:. Retrieved
4093:
4070:. Retrieved
4063:
4047:. Retrieved
4023:. Retrieved
4018:
3991:
3972:. Retrieved
3965:
3938:
3915:
3896:. Retrieved
3889:
3866:. Retrieved
3861:
3834:
3826:Warner Bros.
3821:
3800:cite journal
3779:. Retrieved
3774:
3758:. Retrieved
3748:
3732:. Retrieved
3728:
3703:cite journal
3679:
3660:. Retrieved
3653:
3637:. Retrieved
3631:
3608:. Retrieved
3601:
3574:
3551:
3532:. Retrieved
3505:
3486:
3467:
3448:. Retrieved
3440:
3417:
3394:
3371:
3348:
3325:
3308:November 14,
3306:. Retrieved
3300:
3280:
3257:
3234:
3215:. Retrieved
3210:
3183:
3164:. Retrieved
3157:
3134:. Retrieved
3127:
3100:
3074:. Retrieved
3070:
3040:. Retrieved
3036:
3017:Google Books
3015:– via
3009:. Retrieved
3002:
2978:
2969:
2960:
2951:
2942:
2933:
2921:
2912:
2903:
2891:
2882:
2873:
2862:. Retrieved
2858:
2849:
2838:. Retrieved
2834:
2825:
2814:. Retrieved
2809:
2800:
2789:. Retrieved
2785:
2776:
2764:
2752:
2740:
2713:
2701:
2689:
2677:
2665:
2653:
2641:
2630:
2618:
2606:
2594:
2582:
2570:
2558:
2546:
2536:, retrieved
2531:
2522:
2512:, retrieved
2508:
2499:
2487:
2475:
2463:
2451:
2439:
2425:
2413:
2401:
2389:
2377:
2365:
2334:
2322:
2310:
2283:
2271:
2259:
2247:
2235:
2223:
2211:
2199:
2187:
2175:
2163:
2151:
2124:
2112:
2100:
2088:
2076:
2064:
2052:
2040:
2028:
2016:
2011:, p. 8.
2004:
1992:. Retrieved
1987:
1977:
1972:, p. 8.
1965:
1953:
1941:
1936:, p. 4.
1929:
1917:
1905:
1894:
1889:, p. 3.
1882:
1877:, p. 9.
1870:
1865:, p. 7.
1858:
1847:
1834:
1807:
1795:
1768:
1763:, p. 6.
1720:
1662:, p. 5.
1655:
1586:
1574:
1562:
1550:
1538:
1496:
1489:
1467:
1445:
1423:
1417:Glenn Miller
1401:
1382:
1365:Tommy Dorsey
1326:
1320:
1304:
1300:
1289:
1282:
1276:
1270:
1264:
1258:
1252:
1246:
1240:
1230:
1224:
1221:Orson Welles
1218:
1208:
1165:
1159:
1147:
1141:
1127:
1119:
1103:
1099:
1095:
1088:
1070:
1054:
1048:
1041:
1031:
1023:
1009:
1005:
997:
987:
980:Lee Gillette
977:
970:
956:
946:
940:
929:
919:
911:
879:
871:
862:
853:
850:Glenn Miller
847:
827:Vernon Brown
811:Jerry Jerome
795:
788:
781:
746:Tommy Dorsey
738:Cab Calloway
726:Garnet Clark
715:
706:
699:
685:
662:
647:
633:
594:
564:
546:Philip Furia
538:
529:Irving Mills
482:
459:
388:
368:
362:
356:
350:
323:Glenn Miller
304:
296:Tommy Dorsey
292:double-sided
269:
261:love affairs
229:instrumental
205:
203:
184:
78:October 1928
25:
3828:1000733692.
3824:(Blu-ray).
2812:. June 2010
2810:YouTube.com
2786:Discogs.com
1994:5 September
1374:Pied Pipers
1368:(featuring
1272:The Aviator
1124:Rod Stewart
1116:Brave Combo
1096:Billboard's
1089:Billboard's
1075:. In 1978,
1063:Ringo Starr
1055:Billboard's
1017:Saxophonist
1010:Billboard's
998:Billboard's
855:Billboard's
823:Jack Jenney
819:Nick Fatool
809:(trumpet),
742:RCA Records
730:Fats Waller
692:Bing Crosby
673:Isham Jones
665:RCA Records
640:Cotton Club
601:major third
489:sheet music
472:grand piano
438:Red Nichols
430:examination
413:and around
343:Ringo Starr
327:Jo Stafford
284:Isham Jones
280:Cotton Club
272:Mills Music
157:Lyricist(s)
143:Composer(s)
4956:1927 songs
4950:Categories
3771:"Criteria"
2864:2022-01-19
2859:WhoSampled
2840:2022-01-19
2835:WhoSampled
2816:2022-07-06
2791:2022-01-19
2538:2023-08-20
2514:2023-08-20
1481:References
1395:Artie Shaw
1311:s mission
1248:Goodfellas
1176:Artie Shaw
1143:Triplicate
1138:three-disc
982:convinced
770:Artie Shaw
592:" (1924).
525:Don Redman
468:Ernie Pyle
395:jazz music
385:Background
358:Goodfellas
319:Artie Shaw
290:pressed a
288:RCA Victor
276:Don Redman
31:"Stardust"
4864:July 2024
4848:excessive
4645:0006-2510
4637:Billboard
3862:Billboard
3239:Routledge
3071:Billboard
3037:Billboard
3004:Billboard
2979:Billboard
2961:Billboard
2943:Billboard
2913:Billboard
2883:Billboard
2670:SWoF 2018
1468:Billboard
1446:Billboard
1424:Billboard
1402:Billboard
1383:Billboard
1305:Endeavour
1251:(1990),
1219:In 1938,
1134:Bob Dylan
1104:Billboard
1038:Don Costa
1006:Star Dust
1002:Pat Boone
978:Producer
920:Billboard
912:Billboard
817:(piano),
722:Art Tatum
660:in 2009.
604:intervals
479:Recording
381:in 2004.
210:1927 song
64:Published
4888:Stardust
4774:April 4,
4753:April 4,
4650:April 5,
4516:April 2,
4439:April 5,
4410:April 3,
4393:April 9,
4293:April 6,
4264:April 2,
4211:April 6,
4161:April 3,
4131:April 8,
4102:April 4,
4072:April 6,
4049:April 9,
4025:June 12,
3996:ABC-CLIO
3974:April 2,
3898:April 2,
3868:July 11,
3781:April 8,
3760:April 8,
3734:July 23,
3662:April 4,
3639:April 4,
3610:April 6,
3534:April 4,
3450:April 7,
3217:April 2,
3166:April 3,
3136:April 2,
3076:April 6,
3042:April 6,
3011:April 5,
1372:and the
1281:(2018),
1275:(2004),
1269:(1995),
1263:(1993),
1257:(1951),
1245:(1980),
1209:Stardust
1200:Jazz Age
1112:Tiny Tim
1100:Stardust
916:juke box
895:Don Byas
864:DownBeat
766:big band
762:standard
696:Lee Sims
582:IV chord
561:Analysis
493:trombone
307:standard
257:law firm
213:composed
206:Stardust
185:Stardust
83:Recorded
75:Released
4941:YouTube
4930:YouTube
4919:YouTube
4908:YouTube
4842:Please
4834:use of
4563:May 14,
4462:May 14,
3729:Variety
2990:Sources
2532:Discogs
1470:Hot 100
1448:Hot 100
1426:Hot 100
1404:Hot 100
1385:Hot 100
1345:Artist
1313:STS-108
1296:YouTube
1015:chart.
844:in 1943
555:C major
411:Indiana
253:Florida
245:Indiana
219:, with
208:" is a
194:(1936)
189:(1928)
56:Written
4802:
4731:
4712:
4693:
4674:
4643:
4620:
4601:
4490:
4371:
4352:
4333:
4314:
4239:
4189:
4002:
3949:
3926:
3845:
3686:
3585:
3562:
3512:
3493:
3474:
3424:
3405:
3382:
3359:
3336:
3287:
3268:
3245:
3194:
3111:
2534:, 1996
1348:Chart
1335:Charts
1286:(2019)
1266:Casino
1156:Legacy
1059:Canada
907:V-Disc
842:V-Disc
728:, and
677:ballad
614:and a
612:octave
610:of an
574:chorus
571:32-bar
535:Lyrics
370:Casino
367:, and
345:, and
221:lyrics
113:Length
92:Studio
1844:(PDF)
1457:1964
1435:1957
1413:1943
1361:1941
1342:Year
1309:'
1294:. On
953:'
868:'
838:AAFTC
616:third
608:range
597:minor
521:tempo
233:vocal
130:Label
102:Genre
4800:ISBN
4776:2021
4755:2021
4729:ISBN
4710:ISBN
4691:ISBN
4672:ISBN
4652:2021
4641:ISSN
4618:ISBN
4599:ISBN
4586:help
4565:2021
4548:help
4518:2021
4488:ISBN
4464:2021
4455:Time
4441:2021
4412:2021
4395:2021
4369:ISBN
4350:ISBN
4331:ISBN
4312:ISBN
4295:2021
4266:2021
4237:ISBN
4213:2021
4187:ISBN
4163:2021
4133:2021
4104:2021
4074:2021
4051:2021
4027:2021
4000:ISBN
3976:2021
3947:ISBN
3924:ISBN
3900:2021
3870:2021
3843:ISBN
3813:help
3783:2021
3762:2021
3736:2021
3716:help
3684:ISBN
3664:2021
3641:2021
3612:2021
3583:ISBN
3560:ISBN
3536:2021
3510:ISBN
3491:ISBN
3472:ISBN
3452:2021
3422:ISBN
3403:ISBN
3380:ISBN
3357:ISBN
3334:ISBN
3310:2022
3285:ISBN
3266:ISBN
3243:ISBN
3219:2021
3192:ISBN
3168:2021
3138:2021
3109:ISBN
3092:link
3078:2021
3058:link
3044:2021
3013:2021
1996:2018
1140:set
1120:Girl
972:Time
825:and
776:and
736:and
599:and
565:The
415:Ohio
298:and
249:Ohio
247:and
237:jazz
107:Jazz
59:1927
46:Song
4939:on
4928:on
4917:on
4906:on
4896:BBC
4890:on
4850:or
4527:1–2
1474:32
1465:US
1452:12
1443:US
1430:20
1421:US
1399:US
1380:US
764:of
606:in
553:of
551:key
515:of
513:key
231:or
215:by
48:by
4952::
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