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Human voice

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formed and articulated. (It is this latter aspect of the sound of the voice that can be mimicked by skilled performers.) Humans have vocal folds that can loosen, tighten, or change their thickness, and over which breath can be transferred at varying pressures. The shape of chest and neck, the position of the tongue, and the tightness of otherwise unrelated muscles can be altered. Any one of these actions results in a change in pitch, volume, timbre, or tone of the sound produced. Sound also resonates within different parts of the body, and an individual's size and bone structure can affect somewhat the sound produced by an individual.
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action are among the fastest in the body. Children can learn to use this action consistently during speech at an early age, as they learn to speak the difference between utterances such as "apa" (having an abductory-adductory gesture for the p) as "aba" (having no abductory-adductory gesture). They can learn to do this well before the age of two by listening only to the voices of adults around them who have voices much different from their own, and even though the laryngeal movements causing these phonetic differentiations are deep in the throat and not visible to them.
376:. However, voiceless speech sounds are sometimes better identified as containing an abductory gesture, even if the gesture was not strong enough to stop the vocal folds from vibrating. This anomalous feature of voiceless speech sounds is better understood if it is realized that it is the change in the spectral qualities of the voice as abduction proceeds that is the primary acoustic attribute that the listener attends to when identifying a voiceless speech sound, and not simply the presence or absence of voice (periodic energy). 550:
and prolongation; although in strictly scientific usage acoustic authorities would question most of them. The main point to be drawn from these terms by a singer or speaker is that the result of resonation is, or should be, to make a better sound. There are seven areas that may be listed as possible vocal resonators. In sequence from the lowest within the body to the highest, these areas are the chest, the tracheal tree, the larynx itself, the pharynx, the oral cavity, the nasal cavity, and the sinuses.
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may be called by other names, such as polypoid degeneration or Reinke's edema. Polyps are caused by a single occurrence and may require surgical removal. Irritation after the removal may then lead to nodules if additional irritation persists. Speech-language therapy teaches the patient how to eliminate the irritations permanently through habit changes and vocal hygiene.
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is the process by which the basic product of phonation is enhanced in timbre and/or intensity by the air-filled cavities through which it passes on its way to the outside air. Various terms related to the resonation process include amplification, enrichment, enlargement, improvement, intensification,
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The sound of each individual's voice is thought to be entirely unique not only because of the actual shape and size of an individual's vocal cords but also due to the size and shape of the rest of that person's body, especially the vocal tract, and the manner in which the speech sounds are habitually
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are caused over time by repeated abuse of the vocal cords which results in soft, swollen spots on each vocal cord. These spots develop into harder, callous-like growths called nodules. The longer the abuse occurs the larger and stiffer the nodules will become. Most polyps are larger than nodules and
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Human spoken language makes use of the ability of almost all people in a given society to dynamically modulate certain parameters of the laryngeal voice source in a consistent manner. The most important communicative, or phonetic, parameters are the voice pitch (determined by the vibratory frequency
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and produces certain characteristic sounds. The occurrence of registers has also been attributed to effects of the acoustic interaction between the vocal fold oscillation and the vocal tract. The term register can be somewhat confusing as it encompasses several aspects of the human voice. The term
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Adult men and women typically have different sizes of vocal fold; reflecting the male-female differences in larynx size. Adult male voices are usually lower-pitched and have larger folds. The male vocal folds (which would be measured vertically in the opposite diagram), are between 17 mm and
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The ability to vary the ab/adduction of the vocal folds quickly has a strong genetic component, since vocal fold adduction has a life-preserving function in keeping food from passing into the lungs, in addition to the covering action of the epiglottis. Consequently, the muscles that control this
1165:"Rothenberg, M. The glottal volume velocity waveform during loose and tight voiced glottal adjustments, Proceedings of the Seventh International Congress of Phonetic Sciences, 22–28 August 1971 ed. by A. Rigault and R. Charbonneau, published in 1972 by Mouton, The Hague – Paris" 233: 134:
and air pressure to vibrate vocal folds. The vocal folds (vocal cords) then vibrate to use airflow from the lungs to create audible pulses that form the laryngeal sound source. The muscles of the larynx adjust the length and tension of the vocal folds to 'fine-tune'
516:, the term vocal register has three constituent elements: a certain vibratory pattern of the vocal folds, a certain series of pitches, and a certain type of sound. Speech pathologists identify four vocal registers based on the physiology of laryngeal function: the 383:
Other aspects of the voice, such as variations in the regularity of vibration, are also used for communication, and are important for the trained voice user to master, but are more rarely used in the formal phonetic code of a spoken language.
400:. Another major influence on vocal sound and production is the function of the larynx, which people can manipulate in different ways to produce different sounds. These different kinds of laryngeal function are described as different kinds of 379:
An adductory gesture is also identified by the change in voice spectral energy it produces. Thus, a speech sound having an adductory gesture may be referred to as a "glottal stop" even if the vocal fold vibrations do not entirely stop.
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If an abductory movement or adductory movement is strong enough, the vibrations of the vocal folds will stop (or not start). If the gesture is abductory and is part of a speech sound, the sound will be called
264:(the illustration is out of date and does not show this well) while their inner edges or "margins" are free to vibrate (the hole). They have a three layer construction of an 419:
refers to the system of vocal registers within the human voice. A register in the human voice is a particular series of tones, produced in the same vibratory pattern of the
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Thurman, Leon & Welch, ed., Graham (2000), Body mind & voice: Foundations of voice education (revised ed.), Collegeville, Minnesota: The Voice Care Network et al.,
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functioning. They occur because the vocal folds are capable of producing several different vibratory patterns. Each of these vibratory patterns appears within a particular
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Thurman, Leon & Welch, ed., Graham (2000), Bodymind & voice: Foundations of voice education (revised ed.), Collegeville, Minnesota: The VoiceCare Network et al.,
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or breathiness that lasts for more than two weeks is a common symptom of an underlying voice disorder such as nodes or polyps and should be investigated medically.
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E. J. Hunter, J. G. Svec, and I. R. Titze. Comparison of the Produced and Perceived Voice Range Profiles in Untrained and Trained Classical Singers. J. Voice 2005.
572:, upon which a large portion of all music (western popular music in particular) is based, may have its roots in the sound of the human voice during the course of 626:
specialist may be able to help, but the best treatment is the prevention of injuries through good vocal production. Voice therapy is generally delivered by a
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of the vocal folds) and the degree of separation of the vocal folds, referred to as vocal fold adduction (coming together) or abduction (separating).
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the sound emanating from the larynx and to some degree can interact with the laryngeal airflow to strengthen or weaken it as a sound source.
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Generally speaking, the mechanism for generating the human voice can be subdivided into three parts; the lungs, the vocal folds within the
969: 580:. Analysis of recorded speech samples found peaks in acoustic energy that mirrored the distances between notes in the twelve-tone scale. 1625: 1561: 1470: 396:
Singers can also learn to project sound in certain ways so that it resonates better within their vocal tract. This is known as
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Titze, I. R. (2006). The Myoelatic Aerodynamic Theory of Phonation, Iowa City:National Center for Voice and Speech, 2006.
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The difference in vocal folds size between men and women means that they have differently pitched voices. Additionally,
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Large, John (February–March 1972). "Towards an Integrated Physiologic-Acoustic Theory of Vocal Registers".
671: 207: 174:, are capable of producing highly intricate arrays of sound. The tone of voice may be modulated to suggest 986:
Smith, BL; Brown, BL; Strong, WJ; Rencher, AC (1975). "Effects of speech rate on personality perception".
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Lucero, Jorge C. (1996). "Chest- and falsetto-like oscillations in a two-mass model of the vocal folds".
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Lucero, Jorge C.; Lourenço, Kélem G.; Hermant, Nicolas; Hirtum, Annemie Van; Pelorson, Xavier (2012).
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Titze, I.R. (1994). Principles of Voice Production, Prentice Hall (currently published by NCVS.org),
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25 mm in length. The female vocal folds are between 12.5 mm and 17.5 mm in length.
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Williams, CE; Stevens, KN (1972). "Emotions and speech: some acoustical correlates".
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Sundberg, Johan, The Acoustics of the Singing Voice, Scientific American Mar 77, p82
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Emotion, Affect and Personality in Speech: The Bias of Language and Paralanguage
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Titze, IR; Mapes, S; Story, B (1994). "Acoustics of the tenor high voice".
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voices being categorized into types. For example, among men, there are
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cartilage. They have no outer edge as they blend into the side of the
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Titze, I. R. (2008). The human instrument. Sci. Am. 298 (1):94–101.
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David Harper, vocal coach: A passion for the voice that never wanes
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A region of the voice that is defined or delimited by vocal breaks.
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also causes variances amongst the same sex, with men's and women's
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used for a particular purpose or in a particular social setting.
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Voice science acoustics and recording, San Diego: Plural Press.
472: 425: 352: 351:, which essentially gives the resultant voice a lower-sounding 249: 217: 203: 144: 123: 80: 68: 1658:, by Karl S. Kruszelnicki, ABC Science, News in Science, 2002. 1844: 1524:"Evaluating Hoarseness: Keeping Your Patient's Voice Healthy" 312: 211: 179: 152: 127: 53: 355:. This is mostly independent of the vocal folds themselves. 1591:
Free Voice analyzer and Biometrics displaying software from
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Clark A. Rosen-Deborah Anderson-Thomas Murry (June 1998).
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register can be used to refer to any of the following:
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Stevens, K.N.(2000), Acoustic Phonetics, MIT Press,
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(2009). 899: 170:The vocal folds, in combination with the 1393: 1382: 576:, according to a study published by the 231: 31: 1652:from the University of New South Wales. 1609:The Voice Foundation's official website 1562:Voice Science, Acoustics, and Recording 1217: 1211: 912:. SpringerBriefs in Speech Technology. 126:(voice box), and the articulators. The 1894: 1446:"Musical roots may lie in human voice" 1423:. John Wiley & Sons; 6th Edition. 1412: 1260: 1220:singing: The Mechanism and the Technic 622:. When vocal injury is done, often an 1665: 1632:Irish Voice festival official website 1303: 1297: 905: 411: 975:from the original on 9 October 2022. 236:A labeled anatomical diagram of the 40:of the human voice reveals its rich 1181:from the original on 9 October 2022 618:, which is stress inflicted on the 535: 359:Voice modulation in spoken language 130:, the "pump" must produce adequate 13: 1602:, 1917, by D. A. Clippinger, from 1554: 1443: 583: 14: 1928: 1600:The Head Voice and Other Problems 1584: 906:Johar, Swati (22 December 2015). 1650:Voice acoustics: an introduction 1515: 1485: 1463: 1437: 1316: 1254: 1245: 1236: 1193: 1108: 677:Intelligibility (communication) 268:, vocal ligament, then muscle ( 1861:part relation with additional 1065: 1022: 979: 930: 890: 873: 856: 831: 1: 1745:Dynamic intonation adjustment 937:Bachorowski, Jo-Anne (1999). 824: 779:, a representation of a chord 634:Vocal cord nodules and polyps 554:Influences of the human voice 1859:Physical just-intoned string 1596:(archived 24 September 2006) 672:Histology of the Vocal Folds 497:is a language that combines 208:human voice as an instrument 7: 1421:The Voice and its Disorders 649: 628:speech-language pathologist 388:Physiology and vocal timbre 10: 1933: 1771:Just intonation in one key 1711:Fretless string instrument 1639:The Voice Works Like a Car 1534:(11): 2775. Archived from 1000:10.1177/002383097501800203 587: 557: 539: 221: 18: 1858: 1829: 1806: 1770: 1757:Fretted string instrument 1744: 1700: 1594:University College London 1218:Vennard, William (1967). 570:twelve-tone musical scale 442:A particular part of the 248:The folds are within the 1497:The Voice 2020 Season 18 1471:"Fine Tuning Your Voice" 1394:McKinney, James (1994). 1137:"Breath-Stream Dynamics" 843:Lionsvoiceclinic.umn.edu 1807:Retunable to a just key 1398:. Genovex Music Group. 958:10.1111/1467-8721.00013 284:between its two folds. 200:used to express emotion 1793:Long-string instrument 1637:How the voice works – 1614:The Anatomy of Singing 692:Manner of articulation 241: 45: 25:Voice (disambiguation) 23:. For other uses, see 254:arytenoids cartilages 235: 198:. The human voice is 35: 1814:Keyboard instruments 1619:16 July 2011 at the 1569:The Human Instrument 757:Voice change in boys 727:Speaker verification 701:nonverbal voice cues 682:List of voice actors 323:), and among women, 321:E2 to C♯7 and higher 280:, which has a small 1503:on 27 November 2021 1344:2012ASAJ..132..403L 1275:1996ASAJ..100.3355L 1086:1994ASAJ...95.1133T 1043:1972ASAJ...52.1238W 988:Language and Speech 916:. pp. 10, 12. 870:, 978-0-262-69250-2 798:Voice risk analysis 722:Speaker recognition 105:unvoiced consonants 1716:Pedal steel guitar 662:Acoustic phonetics 606:, and growths and 604:speech impediments 518:vocal fry register 417:Vocal registration 412:Vocal registration 242: 46: 1889: 1888: 1656:Speak and Choke 1 1604:Project Gutenberg 1475:stayhealthymn.com 1430:978-1-86156-196-1 1405:978-1-56593-940-0 1352:10.1121/1.4728170 1306:The NATS Bulletin 1229:978-0-8258-0055-9 1207:. 11 August 2016. 1051:10.1121/1.1913238 923:978-3-319-28047-9 885:978-0-13-717893-3 839:"About the voice" 788:Voice (phonetics) 526:falsetto register 495:register language 1924: 1762:Wind instruments 1686: 1679: 1672: 1663: 1662: 1548: 1547: 1545: 1543: 1519: 1513: 1512: 1510: 1508: 1499:. 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Carl Fischer. 1215: 1209: 1208: 1205:The Conversation 1197: 1191: 1190: 1188: 1186: 1180: 1169: 1161: 1152: 1151: 1149: 1147: 1133: 1122: 1112: 1106: 1105: 1094:10.1121/1.408461 1069: 1063: 1062: 1026: 1020: 1019: 983: 977: 976: 974: 943: 934: 928: 927: 903: 897: 894: 888: 877: 871: 860: 854: 853: 851: 849: 835: 732:Speech synthesis 703:in communication 657:Accent (dialect) 560:Voice projection 547:Vocal resonation 542:Vocal resonation 536:Vocal resonation 530:whistle register 514:speech pathology 471:A certain vocal 406:Singer's Formant 398:vocal resonation 278:false vocal cord 1932: 1931: 1927: 1926: 1925: 1923: 1922: 1921: 1912:Voice registers 1892: 1891: 1890: 1885: 1860: 1854: 1837:overtone series 1834: 1831:Flageolet tones 1825: 1802: 1766: 1740: 1702:Just intonation 1696: 1690: 1621:Wayback Machine 1587: 1557: 1555:Further reading 1552: 1551: 1541: 1539: 1538:on 24 June 2011 1520: 1516: 1506: 1504: 1491: 1490: 1486: 1469: 1468: 1464: 1454: 1452: 1444:Farley, Peter. 1442: 1438: 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Index

Vocal (song)
Voice (disambiguation)

spectrogram
harmonic
sound
made
human being
vocal tract
talking
singing
laughing
crying
screaming
shouting
humming
yelling
vocal folds
unvoiced consonants
clicks
whistling
whispering
larynx
lungs
airflow
pitch
tone
tongue
palate
cheek

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