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that originally was an entirely separate movement. While working on the first movement, I decided that the relaxation that I needed between those A sections was one of the smaller movements I'd already conceived. So I took one and squashed it in. That's one way that a piece can become significantly
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71:. This was a case where the piece turned out to be formally very different from what I first expected. I thought it would be five
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121:"in gratitude for her friendship, generosity, and support, and in honor of her perpetual faith in the creative spirit."
75:, but I started cannibalizing one movement into another and wound up with three. The first movement is like a dance
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The Winds of Change: The
Evolution of the Contemporary American Wind Band/Ensemble and its Conductor
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My new string quartet started off because I wanted to deal with baroque dance
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Aaron Jay Kernis : String
Quartet No. 2, 'musica instrumentalis'
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of the opening medley. Stuck in the middle of these two A's is a
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The Muse that Sings: Composers Speak about the
Creative Process
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The piece was premiered by the Lark
Quartet in January 1998 at
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79:, with a first big A section and a closing A section that is a
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212:Elizabeth A. Brennan, Elizabeth C. Clarage (1999).
67:. There wasn't an image—it developed from purely
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105:It was commissioned by the Lark Quartet by the
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469:The Face of the Night, the Heart of the Dark
541:Concerto for Flute, Strings, and Percussion
109:in New York City, Ohio University, and The
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88:transformed during the act of composition.
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113:of St. Paul, with additional funds from
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142:A History of American Classical Music
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140:Scherer, Barrymore Laurence (2007).
47:in 1998, with a special citation to
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214:Who's Who of Pulitzer Prize Winners
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692:Compositions by Aaron Jay Kernis
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489:Of Reminiscences and Reflections
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51:. His first quartet being named
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107:Elaine Kaufman Cultural Center
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182:Battisti, Frank L. (2002).
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367:Still Movement with Hymn
203:McCutchan (2003), p.238.
161:McCutchan, Ann (2003).
31:(b. 1960), inspired by
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253:CoriglianoQuartet.com
117:. It is dedicated to
115:Chamber Music America
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21:Musica Instrumentalis
532:String Quartet No. 2
374:String Quartet No. 2
330:Pieces of Winter Sky
249:Prizing the Pulitzer
17:String Quartet No. 2
522:Blood on the Fields
100:Merkin Concert Hall
63:and medieval dance
39:, composed for the
697:1997 compositions
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479:Trombone Concerto
475:Christopher Rouse
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222:978-1-57356-111-2
192:978-0-634-04522-6
171:978-0-19-516812-9
150:978-1-4022-1067-9
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43:and awarded the
29:Aaron Jay Kernis
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85:minuet and trio
53:Musica celestis
49:George Gershwin
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343:Flute Concerto
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312:Symphony No. 4
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232:External links
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45:Pulitzer Prize
37:baroque dances
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574:Complete list
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41:Lark Quartet
23:(1997) is a
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500:Stringmusic
445:(1991–2000)
305:Color Wheel
81:development
33:renaissance
686:Categories
297:Orchestral
636:Citations
629:2011–2020
622:2001–2010
615:1991–2000
608:1981–1990
601:1971–1980
594:1961–1970
587:1951–1960
580:1943–1950
216:, p.453.
186:, p.265.
144:, p.221.
73:movements
459:Symphony
401:Category
322:Concerto
91:—
650:Portals
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359:Chamber
125:Sources
65:rhythms
511:Lilacs
384:(2020)
376:(1997)
370:(1993)
351:(2017)
345:(2016)
339:(2014)
333:(2012)
314:(2018)
308:(2001)
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77:medley
676:Music
381:Elegy
61:forms
218:ISBN
188:ISBN
167:ISBN
146:ISBN
35:and
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27:by
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133:^
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