Susie Diamond - Knowledge

294:

attraction towards each other eventually threatens the stability of the trio. Having a family of his own, Frank is particularly concerned that if his younger brother Jack pursues Susie he will ultimately disregard her and cause her to leave the group, while Susie insists that she deserves a say in determining what songs the trio will perform, particularly lamenting that she is forced to sing "Feelings" at every scheduled performance. When Frank is pulled away from work for a family emergency around New Year's Eve, Susie and Jack seize the opportunity to make adjustments to their set list and ultimately make love in a late night jazz club after performing alone together. Frank is furious to learn that Susie and Jack have changed the set list without his permission and an argument ensues between Jack and Frank. Susie eventually leaves both the group and Jack due to Jack's refusal to express his true feelings for her, accepting a job singing jingles for television commercials. After mending his relationship with Frank, Susie receives a visit from Jack who apologizes for his behavior towards her; Susie does not clarify if she and Jack will rekindle their romance before walking away.

596:'s Peter Travers believes that Susie and Jack bond because both characters are "losers who've sold themselves on the cheap"; Jack is a skilled musician who despises himself for squandering his talent, which reminds former escort Susie of herself. Pfeiffer agreed that her character essentially becomes "a mirror image for Jack" although both remain very different individuals. While Jack is depicted as timid and cautious about his decisions, Susie rather "embraces life" instead. An adventurous individual, Susie refuses to do only one thing, including perform, for her entire life. Pfeiffer observed that although her character has spent a significant portion of her life as an escort, she remains less of a "whore" than Jack because she retains her individuality, while Jack "has ceased to be a vital human being". When Susie and Jack have their final argument, the profanity Jack uses actually helps establish Susie as the stronger character, according to Mark R. Hasan of KQEK.com. Susie's nicknames for her bandmates reveal exactly how she feels about both brothers individually; while she refers to Frank as " 872: 42: 148:, Susie is a former escort who becomes a professional lounge singer when she is hired to help revitalize the career of The Fabulous Baker Boys, a waning piano duo consisting of brothers Jack and Frank Baker. Susie's addition to the group benefits both the trio's career and her own, but she also inadvertently generates conflict between the two brothers as Frank strongly disapproves of Jack's romantic interest in Susie, ultimately jeopardizing both the brothers' relationship with each other and the trio's future as a musical act. 773:"What gives the film to Pfeiffer is her effortless re-creation of noir-ish fatalism - her only rival at husky chanteuse-ing is Ida Lupino in Road House. She acts as tough as enamel, yet she turns into flesh when Bridges gives her a back-rub. The hard-soft tension is daydream, but Pfeiffer has an assurance that allowed first-time director Kloves to get away with it. Baker Boys wasn't a hit, but anyone who loved ... babes who talked rough but sang sweet was hooked." 286:

duo consisting of himself and his younger brother, Jack. 37 aspiring singers audition to be the group's third member, none of whom are promising candidates until Susie, a call girl previously employed by the Triple A Dating Service, arrives. Despite being an hour and a half late – by which time the brothers are frustrated – and dressed unprofessionally, Susie impresses them with her performance of "

512:. Pfeiffer touted her character "one of the most alive characters that I've played", describing her as an "emotional creature" who is "not afraid to take risks ... doesn't lie to herself. If she makes a mistake, she doesn't blame anybody else. There's a purity in her honesty that I really respect", becoming a strong role model for the actress herself. According to the 361:, most of Pfeiffer's roles had been rather unglamorous; Pfeiffer claims that she typically avoided playing glamorous characters because she found most of them uninteresting until she discovered Susie. Pfeiffer accepted the role because she "thought was a great woman ... someone I really wanted to be like." Film critic 640:

film critic Chuck Bowen, "When Susie sings 'Makin' Whoopee' in a traffic-stopping red dress, mounting Jack's piano as if it's an extension of his very essence ... all bets of detached, business-collaborative stability between the two are understood to be off." Bowen also compared the character's

633:

Guillemette Odicino, the character has been "endowed with a voice and a charm to take the breath." Susie remains a heavily guarded individual until she performs "Makin' Whoopee", which finally allows her to lower her defenses. When Susie performs the song, she is – for the first time – not singing to

493:

Pfeiffer likened preparing herself for the role to a musician preparing to record an album, describing the process as twice as much work. At one point, she confessed to Kloves that she felt she was performing terribly; Kloves insisted that Pfeiffer is a poignant and insightful perfectionist. Producer

424:

in preparation for the role, at the suggestion of Grusin. In addition to performing vocal exercises to strengthen her vocal chords, Pfeiffer would often work 10-hour days in the recording studio before finally returning home to listen to and study her own recordings. Already impressed with Pfeiffer's

352:

had also expressed interest in the part, but Kloves was eventually able to contact Pfeiffer, maintaining that she is the only actress that he himself had ever considered for the role. Although the actress enjoyed the character, to whom she felt connected, she was hesitant to commit to another role so

690:

was released in 1989, the idea of Pfeiffer playing a sex worker immediately generated strong publicity. Pfeiffer's performance of "Makin' Whoopee" was heavily used to promote the film, garnering interest that rivaled most films released the same year. Pfeiffer continued to generate significant press

503:

to portray her character. A scene originally intended for the film in which Pfeiffer's character accidentally allows a bath she has begun pouring herself to overflow because she has become distracted thinking about Jack was ultimately edited out of the final film. Pfeiffer initially had reservations

3344:

Michelle Pfeiffer swept most of the critics kudos for her fabulous performance, but the winner was Jessica Tandy in 'Driving Miss Daisy'; the sentimental factor worked in Tandy's favor, plus it's always easier to win if you performance is contained in a Best Picture nominee, as Tandy's was in 'Miss

848:

would become "one of the movies they will use as a document ... when they begin to trace the steps by which Pfeiffer became a great star", concluding, "This is the movie of her flowering - not just as a beautiful woman, but as an actress with the ability to make you care about her, to make you

498:

appreciated Pfeiffer for portraying Susie as a character who is "so colorful and full of life that even Jack ... has to perk up and pay attention". Pfeiffer decided to play her character in a way that ultimately uncovers "the scared kid inside" despite her profane and world-weary introduction.

489:

because Fitzgerald possesses "a quality artists of that period had that we felt the character Susie might have listened to", describing the end result as "an airy alto, a nice breathy quality, and intelligence in delivery". Despite her extensive training, the vocal coach felt it was important that

474:

for inspiration, maintaining, "I didn't copy anybody, but I heard a lot. For me, it helps to act the song out." Pfeiffer incorporated the "undercurrent of anger" in the lounge singer's performances, drawn from the fact that "a lot of club singers ... haven't had the recognition they feel they

285:

conveys how Susie's induction into the eponymous musical duo affects the dynamic of both the act and the brothers' relationship with each other. As The Fabulous Baker Boys' business manager, Frank Baker decides that they should hire a female singer to help revive their struggling 15 year-old piano

293:

While Susie's addition helps The Fabulous Baker Boys experience success, it also results in complications among the group by disturbing some of the original act's traditions and threatening to come between the two brothers when Jack begins to fall in love with her. Susie and Jack's growing mutual

591:

focuses on "the unfulfilled longing between" bandmates Susie and Jack. Susie is the only woman capable of changing "the aloof, uncommunicative Jack ... by throwing incendiary tantrums and sounding even tougher than he does", slowly inspiring the pianist to change the person he has allowed

604:

and tendency to act unintelligent at times, she calls Jack simply "Baker" because, in her opinion, "there's really only one Baker brother and he's it". The way Susie teases Frank is reminiscent of how Jack used to treat him several years before she joined the band when he had energy to do it.

449:

she had grown more accustomed to singing, explaining, "Those older songs were written for singers; they weren't written for synthesizers and drums ... It was an entirely new way of listening to songs." Additionally, the actress drew inspiration from real-life lounge singers performing at

996:

the following year ultimately benefited her career the most by leaving the largest impression on the film industry, becoming one of her defining roles. One of the actress' earliest notable performances, Susie remains Pfeiffer's most critically acclaimed role to-date, having earned the most

836:

wrote that she demonstrates "an accessibility that defies easy assumptions", commending her ability to win audiences over "without bulldozing her co-stars or positioning herself as some sort of diva to be reckoned with — a foundation that pays off later in the film when Susie reveals her

939:

insists that the award rightfully belonged to Pfeiffer, ranking the spectacle among "10 Times the Golden Globes Got It Right and the Oscars Didn't". Pfeiffer became one of only seven actresses to win Best Actress awards from all four major United States film critics associations – the

290:"; Jack in particular, being more forgiving of the character's unprofessionalism than Frank, believes that the combination of Susie's voice and attractiveness could help bolster their career. Susie is also much less accommodating than the other candidates Frank and Jack interview. 1056:

contributor Jeff Giles wrote that the film "most importantly — highlight the luminous beauty of Michelle Pfeiffer." Also ranking it Pfeiffer's greatest film, Robert Pius of Golderby wrote that the actress "made film history." In a ranking of Pfeiffer's five best film roles,

504:

about performing atop a grand piano, fearing that it would appear "silly" and cause audience members to laugh. However, Kloves encouraged her to commit to the scene. Pfeiffer's short evening dress worn during the musical sequence was designed to be revealing enough without

437:, and recording the songs for Pfieffer to use as reference for enunciation, teaching the actress about using her teeth and mouth to pronounce words and smiling to "lift" her pitch. Admitting that the film's songs were much more difficult than the ones she had performed in 564:. Wounded by life, Susie wears an "armor" that is both impenetrable yet makes others want to experience more of the character. Kaye felt that the role was especially poignant for Pfeiffer, who in real life had still been recovering from an affair with actor 155:. Although Kloves was interested in casting Pfeiffer in the role from the beginning, Pfeiffer was much more hesitant to commit, citing exhaustion after having just recently completed several films at the time until Kloves ultimately convinced her to accept. 673:, citing similarities such as asking her accompanist to perform "More Than You Know" in a slow tempo, swearing into a live microphone and delivering a "sexy rendition" of "Makin' Whoopee", capturing "some of the essence of Julie's style." 1128:, seductively performs "Makin' Whoopee" on top of a grand piano has since become iconic and often parodied. As the film's most famous and iconic scene, it quickly became "the stuff of legend" according to Creative Loafing's Matt Brunson. 651:(1946). Prior to this moment, it almost appears as though a romantic relationship might never actually develop between the two characters. Observing that the character's tough attitude matches the difficult life she has been through, 1424: 1136:'s Jane Graham agreed that the film's title "will immediately conjure up an image of a beautiful woman sliding her way across a grand piano", referring to Pfeiffer's performance as "undoubtedly ... the most memorable aspect" of 1101:

ranked Susie Pfeiffer's fourth "Most Breathtaking" role. In addition to helping establish her as one of her generation's most acclaimed actresses, Pfeiffer's performance also established her as one of the industry's most enduring

917:

were considered to be the category's frontrunners, with the media dubbing the competition between Pfeiffer and Tandy "Old Hollywood Vs. Young Hollywood" due to the age difference between Pfeiffer (31) and Tandy (80) at the time.

396:. Because she does not consider herself a professional singer, Pfeiffer's inhibitions about singing on camera initially contributed to her early reservations about accepting the role, having not done so since her performance in 324:(1988), some studio executives feared that Pfeiffer was still too obscure to attract a significant audience on her own. Having already known her personally, Pfeiffer was the first actor Kloves expressed interest in casting in 927:(1989), a result that upset both surprised critics and the general public. Critics believe Tandy won because Academy Award voters felt sentimental towards her age, aided by the fact that her film had been nominated for an 728:

insisted that the film would simply "evaporate" without Pfeiffer, concluding, "the Bridges brothers are a winning pair. But make no mistake: It's Michelle Pfeiffer who puts the 'fabulous' into Baker Boys". Steve Simels of

490:

Susie's voice sound "pleasant" but still untrained. Kloves maintains that he did not hire Pfeiffer based on her singing abilities, but rather because of the way in which she uses her acting abilities to interpret lyrics.

245:(1989), a controversial outcome at the time that disappointed several critics. Additionally, Pfeiffer was recognized with "best actress" accolades from nearly all prestigious American film award organizations between 1116:

and Susie are responsible for making Pfeiffer "the biggest female film star in the world" at the time, simultaneously "catapult her to the top of every Most Desirable Female survey for most of the 90s." Similarly,

798:'s Mike D'Angelo found Pfeiffer "remarkable" in how "she can make a lengthy, here's-my-psyche-in-a-nutshell monologue and sound natural and impromptu, while still coming across as delectably movie-star glamorous". 1416:"Cinema / More than we'll ever know: The check-out girl from Santa Ana is now the most sought-after actress in Hollywood. But where does Michelle Pfeiffer go from here? And what's behind those smog-laden eyes?" 3505: 2241: 894: 618:(1959). Susie's lack of singing experience is balanced by an "ineffable vocal quality that causes people to listen, because they might be missing something." Steve Vineberg, writing in the journal 336:

as the eponymous Baker Boys once establishing contact with Pfeiffer proved difficult. However, Kloves' script continued to struggle without an actress playing Susie. During this time, actress

314:, who was first offered the role five years before production, only to decline it on several occasions. Despite being one of the most sought-after film actresses at the time due to her recent 1415: 735:

agreed that Pfeiffer "saves Baker Boys from cliché", explaining, "she almost makes her indifferently written bad-girl-with-a-heart-of-gold into something three-dimensional and believable".

587:

observed that "the character's name is Susie Diamond, and she's written like a woman named Susie Diamond, and Pfeiffer plays her ... like a woman named Susie Diamond." As a romantic film,

485:(1942) while recording "More Than You Know" for the film's soundtrack, which the actress identified as one of her favorite songs. Stevens also suggested that Pfeiffer research jazz singer 1890: 1192:

wrote that the film's most famous scene "cements her status as a late 1980s blonde bombshell". InSing ranked the scene eighth on their "30 sexiest scenes in movie history" countdown. The

808:

said Pfeiffer proves she is as talented as she is beautiful. Some critics felt Pfeiffer's performance of "Makin' Whoopee" distracted them from reviewing the film's other merits. For the

3649: 224: 741:'s Katey Rich concurred: "The film is ostensibly about the Baker (and Bridges) boys, but Pfeiffer stole the show" by imbuing her character with soul and vulnerability. Contributing to 822:

critic Matthew Doberman described Pfeiffer's rendition of "Makin' Whoopee" as "enough to make the film worth seeing". While praising the entire cast and characters, Frank Calvillo of

1729: 499:

Although Pfeiffer was ultimately pleased with her singing, she sometimes doubted her own abilities while filming in fear that she might have "outdone" herself. Pfeiffer slightly

2464: 956:– for a single performance, as well as the only one of these seven actresses who did not go on to win the Academy Award for Best Actress for that same performance. According to 176:

in preparation for the film's musical numbers. Furthermore, Pfeiffer researched professional lounge singers in addition to drawing inspiration from the performances of renowned

884: 3444: 1166:

likened the sequence's impact to those of other famous film performances and lines that "are embodied in the cultural consciousness", such as "You talkin' to me?" from

608:

Susie's ballads occupy roughly one-third of the film, performing a combination of both contemporary and classic standards. Rosenberg compared the character to actress

3286:

Her second loss was the most surprising since she was generally considered a lock for Best Actress until Jessica Tandy won for Driving Miss Daisy in a surprise upset.

2596: 272:

continues to be best-remembered, is considered to be an iconic staple of modern-day cinema, while earning a reputation as one of the sexiest scenes in film history.

3515: 560:'s Steve Vineberg wrote that the character boasts "a cannily concealed underlayer of childlike dreaminess," comparing her appearance and wardrobe to that of singer 3908: 2465:"The Crimson Cult, The Man from U.N.C.L.E., My Beautiful Laundrette among new home entertainment titles – This week's reviews of what's new on Blu-ray and DVD" 3357: 518:'s Kathy Huffhines, Susie "has a harder shell, a sharper edge, and a franker sexiness" than previous characters Pfeiffer has played. According to film critic 3103: 2871: 832:

said Susie fails to "escape stereotyping" despite Pfeiffer's commendable performance. Describing the role as Pfeiffer's "richest work", Matthew Jacobs of

393: 1140:, rivaling performances by Marilyn Monroe. Vulture's Angelica Jade Bastién wrote that Pfeiffer elevates the scene "to that small pantheon of definitive 1041:'s Carolyn Doyle Karasyov agreed that Susie "captivated the critics and solidified position as one of Hollywood's leading ladies." Stephen Rebello of 3216: 1162:

film critic Ian Nathan proclaimed that Pfeiffer's "immaculate" rendition of "Makin' Whoopee" had finally achieved "classic" status. Mike D'Angelo of

1523: 1045:

believes that the Academy Award nomination Pfeiffer received for her performance finally "allowed her to pick the projects she desired" henceforth.

310:

from the perspective of its three main characters, exploring their complicated relationship with each other. Susie is portrayed by American actress

199:, who were impressed with both her acting and singing abilities, and frequently dubbed her the film's highlight. Often commenting upon her strong 3076: 802:'s Neil Lumbard described Pfeiffer as "sensational" in a role that showcases both her dramatic and comedic talents, while Guillemette Odicino of 3012: 963: 4019: 3402:... it is Pfeiffer who really does steal the show - this is one of the movies that really de help her on her way to becoming a true star. 2065: 1178:(1987), concluding, "It's easy to forget ... that there was more to the movie—and to Pfeiffer's terrific work therein—than that one intensely 794:'s Travis Mackenzie Hoover described Pfeiffer as "surprisingly nuanced ... in a role that might have been blown off by most other actresses". 369:, believes that Pfeiffer decided to accept the role of Susie because she was still embarrassed by her performance in the unsuccessful musical 172:(1982), Pfeiffer initially experienced reservations about providing her character's vocals herself but ultimately underwent several months of 2305: 2251: 1628: 1816: 1381: 2749: 2627: 548:

described Susie as a "tough-talking, street-smart" character who is "always ready with a quip (or a sharp counter to a quip)". Writing for

3593: 2134: 1348: 1208:

ranked Pfeiffer the 33rd "Greatest Female Sex Symbols in Film History", dubbing the actress' rendition of "Makin' Whoopee" "a play from a

745:, Chaz Lipp agreed that "Pfeiffer feels absolutely authentic in the role", appreciating the actress for interpreting Susie as more than a 4106: 3790: 2091: 416:". For four months (although sources differ, citing any period of time between two months to an entire year), the actress took extensive 404:

would mark Pfeiffer's first professional singing role in seven years. Despite Kloves' insistence that Pfeiffer's singing voice not be

3131: 1959: 344:

were both considered for the role, the latter of whom turned it down because she felt that Kloves' script was "too mushy". Actresses

2809: 353:

soon after having just having recently completed several film projects in a row, initially intending to go on hiatus after filming

3035:... all this in The Fabulous Baker Boys, but the only thing anybody ever talks about is Michelle Pfeiffer on top of a piano. 3454: 1784: 1450: 1842: 1144:

moments that strike with the force of a chemical reaction," comparing it to Rita Hayworth and Marilyn Monroe's performances in

429:, Stevens trained the actress to avoid pronouncing words in ways that would make the film's jazz standards sound too much like 4121: 2429: 475:

deserve or that they had hoped for" into her own interpretation of Susie. Stevens encouraged Pfeiffer to envision herself as

3329:"Fabulous Baker Boys, The (1989): Romantic Melodrama, Featuring Michelle Pfeiffer in Her Best (Oscar Nominated) Performance" 2535: 1250: 945: 528:, the role of Susie allowed Pfeiffer to add an aspect to her filmography, prior to which had been "dutiful" yet "routine". 1941:... including a Best Actress nomination for Pfeiffer – and a darling of nearly every critic that reviewed it ... 826:

declared Susie "the film's most indispensable character", calling Pfeiffer "luminous and poetic in every frame". However,

41: 163:

were also considered for the role, among other candidates. Having not sung on-screen since her first leading role in the

2604: 4101: 3846: 3621: 3270: 3159: 4126: 2637: 1852: 412:

was initially skeptical about Pfeiffer's musical abilities until she ultimately convinced him with her rendition of "

3916: 3650:"Michelle Pfeiffer movies: 15 greatest films, ranked worst to best, include 'Fabulous Baker Boys,' 'Batman Returns'" 3418: 3187: 2032: 1985: 3818: 3734: 1730:""I'm Not Qualified For Anything Else": Writer/Director Steve Kloves on The Fabulous Baker Boys and Flesh and Bone" 953: 252:

Susie remains Pfeiffer's most critically acclaimed performance to-date, responsible for establishing her as both a

2928: 921:

Despite being largely favored to win, Pfeiffer ultimately lost the award to Tandy, who won for her performance in

669:

author Michael Owen considers both Pfeiffer's performance and Susie herself to be a tribute to actress and singer

357:

due to exhaustion. Thus, Kloves spent one week visiting Pfeiffer at her home until she finally relented. Prior to

2715: 3877: 3565: 3298: 2092:"A 'Most Beautiful' Flashback: Watch 1990's Most Beautiful Person Michelle Pfeiffer Sing in Fabulous Baker Boys" 875:

Despite being favored to win the Academy Award for Best Actress, Pfeiffer controversially lost to Jessica Tandy.

1322: 1023: 928: 906: 287: 232: 1491: 714:

said Pfeiffer "proves to be electrifyingly right" but unexpected choice for the role, while Jay Boyar of the

375:(1982), and wanted to prove that she was in fact capable of playing a character who was a combination of both 3243: 451: 1659: 1283: 4116: 3939: 1868: 1188: 941: 2775: 2686: 1925: 1675:

Michelle Pfeiffer's star was just beginning to rise, but she couldn't be counted on to lure in audiences.

1531: 622:, agreed that, despite her unimpressive voice, Susie "wears a lyric tight to her skin, liked a zipped-up 541: 519: 3706: 2898: 2845: 2564: 1156:

believes that "Makin' Whoopee" is largely responsible for Pfeiffer's Academy Award nomination. In 2000,

1121:'s Steve Simels wrote that Susie encouraged Pfeiffer's reputation as the "sexiest woman in the movies". 962:, Pfeiffer won nearly every recognized "best actress" film award that season except for the Academy and 4111: 2274: 850: 204: 3675: 3048: 1595: 818:

finally "soars" once Pfeiffer performs "Makin' Whoopee". Dubbing it "one of her finest performances",

2733:

it was her performances in Dangerous Liaisons and The Fabulous Baker Boys that captivated the critics

495: 4045: 3477: 3386: 3022: 2956: 949: 2745: 2313: 2168: 1066: 554:, Elizabeth Kaye identified Susie as "a woman who must battle to keep her emotions from showing". 3993: 3315:

Eventually, she beat out Michelle Pfeiffer, the critics' darling (to the dismay of many) ...

1844:

Casting Might-Have-Beens: A Film by Film Directory of Actors Considered for Roles Given to Others

1568: 281: 140: 59: 31: 3967: 3328: 2984: 2400: 1755: 749:. Despite complaining than the main cast "become less interesting" towards the end of the film, 1690: 1158: 1141: 980: 967: 736: 697: 195:

A pivotal role in the actress' career, Pfeiffer's performance garnered widespread acclaim from

3537: 3136: 2370: 1224: 1153: 1090: 978:

Pfeiffer had already begun to make a name for herself as an actress by starring in the films

576:'s Frank Cavillo, Pfeiffer "had never been as open or vulnerable on screen until starring in 341: 3594:"Hollywood's Golden Girl on Insomnia, Sacrifices & Sexy Men – into the mind of michelle" 2654: 3680: 3570: 3192: 2814: 1017: 731: 349: 893:(1988) the previous year. Some critics felt she should have been nominated in the award's 8: 3510: 3362: 3164: 1633: 1218: 1011:'s Erin Shelley, Susie's reception finally "cemented Michelle Pfeiffer's reputation as a 999: 855: 827: 2819: 2750:"25 Years Later, Michelle Pfeiffer's Catwoman Is Still the Best Superhero Movie Villain" 2275:"Wow! Michelle Pfeiffer, 58, Proves She's An Ageless Beauty on Interview Magazine Cover" 1817:"'Fabulous Baker Boys' reunion: Jeff Bridges reveals how he helped brother Beau go bald" 755:

agreed that Pfeiffer "deserves the most credit" for keeping the film entertaining. Both

3795: 2924: 2720: 2513: 2496:

Vineberg, Steve (Winter 1990–1991). "Review: The Fabulous Baker Boys by Steve Kloves".

1862: 1496: 1037: 958: 923: 889: 880: 766: 718:

said "Pfeiffer does as much for this movie as her Susie does for the Baker boys' act".

706: 657: 413: 320: 241: 220: 1081:

ranked Pfeiffer's portrayal of Susie the 194th greatest film performance of all-time.

3955:

Her steamy performance of "Makin' Whoopee" atop a piano has become justly celebrated.

3762: 2876: 2633: 2066:"1989's Best Actress-winning performance highlighted a film many would rather forget" 1895: 1848: 1458: 810: 742: 662: 505: 481: 441:, Pfeiffer worked especially hard on improving her phrasing because the material for 311: 265: 200: 145: 81: 2206: 3449: 2505: 2469: 2434: 1255: 614: 584: 561: 545: 514: 463: 459: 426: 362: 1089:

included Susie among Pfeiffer's seven most fashionable film characters, while the

661:

believes that Susie must be "singing from experience" when she performs the song "

3626: 3081: 2780: 1203: 1174: 1053: 871: 779: 746: 550: 524: 486: 417: 405: 189: 2776:"Michelle Pfeiffer Young: A Look Back Through Her Glamorous Hollywood Evolution" 46:

Susie Diamond, as portrayed by Michelle Pfeiffer, singing one of the songs from

2933: 1573: 1194: 1125: 1065:

recognized the performance among Pfeiffer's "10 Essential Roles", which author

902: 761: 636: 609: 565: 556: 500: 476: 467: 376: 315: 228: 208: 196: 185: 173: 4095: 2659: 2569: 914: 860: 804: 725: 720: 642: 628: 471: 455: 433:

songs; Stevens jokenly likened Pfeiffer's original pronunciation to musician

421: 385: 261: 253: 236: 216: 212: 181: 117: 3160:"All the times the Golden Globes got it right (and the Oscars got it wrong)" 2242:"The Act is Even Better with the Blu-ray Release of The Fabulous Baker Boys" 3882: 3823: 3767: 3739: 3221: 3212: 2375: 1492:"Review/Film; Pfeiffer and 2 Bridges Brothers in 'The Fabulous Baker Boys'" 1487: 1108: 1082: 1071: 1069:

described as "tough yet vulnerable, alluring yet never overwrought", while

910: 711: 670: 652: 623: 509: 345: 337: 333: 329: 303: 246: 164: 156: 152: 135: 132: 129: 71: 1785:""Susie and the Baker Boys" by Steve Kloves - Monday, April 18 at 8:55 pm" 1202:

to be the ninth sexiest film of all-time largely due to "Makin' Whoopee".

392:

Pfeiffer provides all of her character's vocals for both the film and its

3711: 2872:"Blu-ray Review: The Fabulous Baker Boys - Twilight Time Limited Edition" 2135:"Michelle Pfeiffer Changes Her Tune For 'Baker Boys' Movies This Weekend" 1564: 1168: 1085:

considers Susie to be one of the "Greatest Film Characters of All Time".

1062: 841: 537: 409: 380: 1097:

of Pfeiffer's "18 Roles Ranked in Order of Terrifying Beauty". In 2017,

701:

crowned the actress "The Fabulous Pfeiffer Girl" in homage to her role.

4071: 2517: 1756:"EW 'Fabulous Baker Boys' reunion: The stars all sing a different tune" 1382:"Too Beautiful? – The Stacks: Why It's So Hard to Be Michelle Pfeiffer" 1209: 1103: 1076: 1012: 849:

feel what she feels." Ebert also identified Pfeiffer as a successor to

544:, while her tough demeanor is little more than an act. Matt Brunson of 430: 257: 177: 3217:"Oscar Scandals: Pfeiffer, Michelle–Losing the Oscar to Jessica Tandy" 887:, her first win and second nomination after having been nominated for 3598: 3566:"Pfeiffer and Clooney get close – The real life of Michelle Pfeiffer" 3542: 3017: 1216:, Pfeiffer would eventually go on to sing in two more musical films, 1179: 1094: 1042: 1004: 997:

enthusiastic reviews of her career thus far. In 2007, Mal Vincent of

634:

the audience, but to her sole accompanist Jack instead. According to

601: 446: 434: 2509: 1075:'s Adam Boult considers it one of the actress' "five best moments". 3108: 3053: 2989: 2961: 819: 799: 790: 751: 371: 168: 3819:"Michelle Pfeiffer: 18 Roles Ranked in Order of Terrifying Beauty" 2341: 853:

actresses Rita Hayworth and Marilyn Monroe, while Rita Kempley of

540:, Susie adheres to the Hollywood tradition of being depicted as a 3851: 3482: 2246: 1098: 897:

category considering her several musical performances throughout

823: 597: 573: 160: 909:, her second Academy Award nomination. According to film critic 3878:"The Fabulous Baker Boys: No 24 best romantic film of all time" 2846:"10 Times the Golden Globes Got It Right and the Oscars Didn't" 2033:"She sings! She dances! She acts! – The Fabulous Pfeiffer Girl" 1891:"NAU Film Series: The 'Fabulous' Bridges Brothers and Pfeiffer" 4072:"7 Things You (Probably) Didn't Know About Michelle Pfeiffer!" 647: 508:

Pfeiffer while she moves, which was choreographed by dancer

151:

Susie was created for the film by director and screenwriter

3244:"Will Michelle Pfeiffer seduce Oscar voters with 'Cheri'?" 3847:"15 of Michelle Pfeiffer's Most Breathtaking Movie Roles" 1960:"Hard Work Is Moving Michelle Pfeiffer Closer To Stardom" 704:

Pfeiffer received unanimous acclaim for her performance.

1061:

crowned Susie "the role of her career ... so far".

1021:

contributor Adam Platt wrote that, after the success of

1003:

called Susie "her greatest role", a sentiment shared by

3188:"From Supermarket to Superstar – The Fabulous Pfeiffer" 1132:

tends to be most remembered for this celebrated scene.

695:

from most theaters due to financial concerns. In 1990,

16:

Fictional character in the film The Fabulous Baker Boys

3013:"The Fabulous Baker Boys (Bilingual) [Import]" 2716:"Michelle Pfeiffer Tells All – Michelle Gets Personal" 328:; he eventually focused on casting real-life brothers 203:, comparisons were drawn between Pfeiffer and several 3271:"16 Actors You Won't Believe Have Never Won an Oscar" 1186:

among Pfeiffer's greatest film roles, Rachel West of

4046:"The 50 Greatest Female Sex Symbols in Film History" 4020:"Bodies of work: 30 sexiest scenes in movie history" 260:. The scene in which Susie seductively performs the 3791:"7 Standouts of Michelle Pfeiffer's Cinematic Stye" 1228:(2007), earning positive reviews on each occasion. 3443:Gorman, Allison; Gorman, Anna (February 2, 2015). 2536:"'The Baker Boys': Tales From the Cocktail Lounge" 2430:"Michelle Pfeiffer: Natural Beauty, Proven Talent" 1414: 1093:website ranked Susie eighth on the organization's 3478:"Michelle Pfeiffer is Back (as if She Ever Left)" 3132:"Globes Flashback '90: Michelle Pfeiffer's First" 3104:"Globes Flashback '90: Michelle Pfeiffer's First" 1212:how-to guide." After providing her own vocals in 4093: 2793:Pfeiffer's performance was universally acclaimed 1251:"'Fabulous Baker Boys' Hits All The Right Notes" 454:in Los Angeles, while listening to jazz singers 1035:established the actress as "a Hollywood star". 3940:"The Fabulous Baker Boys Movie Review Summary" 2955:Hoover, Travis Mackenzie (February 25, 2007). 612:'s character Sugar Kane Kowalczyk in the film 531: 3707:"The 10 Essential Roles of Michelle Pfeiffer" 2495: 3445:"The Roles of a Lifetime: Michelle Pfeiffer" 3442: 3077:"Michelle Pfeiffer, Unheralded Comedy Maven" 2714:Karasyov, Caroline Doyle (October 1, 2002). 2063: 128:is a fictional character who appears in the 1124:The scene in which Susie, dressed in a red 784:s David Thomson, on Pfeiffer's performance. 3419:"The Fabulous Baker Boys | Blu-ray Review" 2132: 970:for Funniest Actress in a Motion Picture. 297: 40: 3673: 2923: 2427: 2030: 1847:. April 25, 2017: McFarland. p. 82. 1753: 3705:Bastién, Angelica Jade (June 26, 2017). 3384: 2957:"The Fabulous Baker Boys – Steve Kloves" 2713: 2597:"Gallery: 10 sexiest movies of all time" 2239: 2166: 1727: 1657: 1448: 1284:"Video: Watch 'The Fabulous Baker Boys'" 885:Best Actress in a Motion Picture – Drama 870: 227:. The actress was also nominated for an 225:Best Actress in a Motion Picture – Drama 3704: 3591: 3503: 3475: 2982: 2773: 2744: 2632:. United States: Chicago Review Press. 2594: 2563:Odicino, Guillemette (April 16, 2016). 2562: 2462: 2026: 1983: 1957: 1888: 1754:Breznican, Anthony (November 6, 2014). 1626: 1412: 1320: 866: 4094: 4069: 4017: 3991: 3902: 3900: 3875: 3871: 3869: 3763:"Greatest Film Characters of All-Time" 3735:"Michelle Pfeiffer: five best moments" 3700: 3698: 3268: 3207: 3205: 3203: 3185: 3074: 3010: 2954: 2839: 2837: 2807: 2803: 2801: 2709: 2707: 2590: 2588: 2558: 2556: 2529: 2527: 2491: 2489: 2487: 2458: 2456: 2454: 2452: 2423: 2421: 2395: 2393: 2364: 2362: 2335: 2333: 2331: 2299: 2297: 2295: 2235: 2233: 2231: 2229: 2227: 2201: 2199: 2197: 2195: 2193: 2191: 2189: 2059: 2057: 2055: 2053: 2031:Kasindorf, Martin (February 1, 1990). 2024: 2022: 2020: 2018: 2016: 2014: 2012: 2010: 2008: 2006: 1953: 1951: 1949: 1923: 1919: 1917: 1915: 1913: 1778: 1776: 1685: 1683: 1653: 1651: 1622: 1620: 1618: 1616: 1559: 1557: 1555: 1553: 1551: 1549: 1486: 3844: 3788: 3732: 3676:"Michelle Pfeiffer: 5 movies we love" 3619: 3563: 3506:"Michelle Pfeiffer's wicked comeback" 3412: 3410: 3299:"Jessica Tandy in Driving Miss Daisy" 3157: 2681: 2679: 2677: 2652: 2533: 2428:Huffhines, Kathy (October 14, 1989). 2371:"The 200 greatest movie performances" 2368: 2342:"BR: Fabulous Baker Boys, The (1989)" 2339: 2303: 2272: 2162: 2160: 2158: 2156: 2133:Willistein, Paul (October 13, 1989). 2128: 2126: 2124: 2122: 2120: 2118: 2116: 2114: 2112: 2089: 1884: 1882: 1880: 1878: 1814: 1810: 1808: 1806: 1723: 1721: 1719: 1717: 1715: 1713: 1711: 1658:Copeland, Edward (October 13, 2009). 1563: 1518: 1516: 1514: 1482: 1480: 1478: 1476: 1444: 1442: 1408: 1406: 1404: 1402: 1316: 1314: 1312: 1310: 1308: 1306: 1304: 1281: 1248: 1244: 1242: 1240: 1172:(1976) and "Get to the choppa!" from 966:. Pfeiffer was also nominated for an 3906: 3647: 3622:"Michelle Pfeiffer's 10 Best Movies" 3476:Haskell, Robert (February 7, 2019). 3416: 3326: 3211: 3129: 3075:Jacobs, Matthew (February 9, 2021). 3046: 2869: 2843: 2625: 2167:Lafrance, J. D. (January 24, 2014). 1984:Hirshey, Gerri (September 3, 1992). 1958:Lindsey, Robert (January 13, 1989). 1840: 1728:Hemphill, Jim (September 17, 2015). 1379: 1375: 1373: 1371: 1369: 1346: 1277: 1275: 1273: 973: 946:Los Angeles Film Critics Association 681: 4070:Fenoff, D. C. (November 13, 2015). 3909:"Michelle Pfeiffer's 10 Best Roles" 3897: 3866: 3695: 3497: 3269:Gennis, Sadie (February 23, 2017). 3200: 2985:"The Fabulous Baker Boys (Blu-ray)" 2834: 2798: 2774:Siegler, Bonnie (October 2, 2023). 2704: 2687:"Michelle Pfeiffer: A Life in Film" 2585: 2553: 2524: 2484: 2449: 2418: 2401:"Peggy Holmes Interview for Disney" 2390: 2369:Wales, George (September 1, 2013). 2359: 2340:Hasan, Mark R. (November 4, 2015). 2328: 2292: 2240:Calvillo, Frank (August 18, 2015). 2224: 2186: 2083: 2050: 2003: 1986:"Michelle Pfeiffer: The Bat's Meow" 1946: 1910: 1889:Shelley, Erin (November 20, 2015). 1773: 1680: 1648: 1613: 1546: 1530:. February 12, 2007. Archived from 1321:Travers, Peter (October 13, 1989). 479:'s character Ilsa Lund in the film 13: 4107:Film characters introduced in 1989 4043: 3937: 3876:Graham, Janes (October 16, 2010). 3592:Rebello, Stephen (April 1, 2002). 3407: 3385:Earnshaw, Helen (August 6, 2016). 3327:Levy, Emanuel (January 29, 2007). 3186:Moline, Karen (February 1, 1992). 2674: 2653:Rabin, Nathan (February 7, 2007). 2153: 2109: 2090:Heigl, Alex (September 23, 2016). 2064:D'Angelo, Mike (August 24, 2014). 1875: 1803: 1747: 1708: 1691:"The Fabulous Baker Boys – (1989)" 1627:Kempley, Rita (October 13, 1989). 1511: 1473: 1449:Peterson, Blake (April 23, 2016). 1439: 1399: 1301: 1237: 420:under the tutelage of voice coach 14: 4138: 3760: 3733:Boult, Adam (November 22, 2013). 3130:Pace, Robert (November 1, 2012). 2629:Go Slow: The Life of Julie London 2273:Tracy, Brianne (March 28, 2017). 1782: 1380:Kaye, Elizabeth (April 2, 2016). 1366: 1347:Howe, Desson (October 13, 1989). 1270: 901:. Pfeiffer was nominated for the 667:Go Slow: The Life of Julie London 568:at the same time she was filming 3994:"The Fabulous Baker Boys Review" 3845:Simon, Samantha (May 17, 2017). 3816: 3674:Nashawaty, Chris (May 4, 2012). 3620:Giles, Jeff (November 8, 2017). 3504:Vincent, Mal (August 10, 2007). 3417:Bell, Nicholas (July 21, 2015). 3049:"The Fabulous Baker Boys (1989)" 2595:Handout, Files (April 6, 2011). 2463:Brunson, Matt (August 5, 2015). 1926:"The Fabulous Baker Boys (1989)" 1660:"Another season, another reason" 1596:"The Fabulous Baker Boys (1989)" 1524:"The Fabulous Baker Boys (1989)" 1413:Thomson, Dan (August 13, 1994). 992:in 1988, but her performance in 954:National Society of Film Critics 4063: 4037: 4011: 3992:Nathan, Ian (January 1, 2000). 3985: 3968:"Michelle Pfeiffer – Biography" 3960: 3931: 3907:West, Rachel (April 29, 2018). 3838: 3810: 3789:Pieri, Kerry (April 29, 2015). 3782: 3754: 3726: 3667: 3648:Pius, Robert (April 12, 2018). 3641: 3613: 3585: 3557: 3530: 3469: 3436: 3378: 3350: 3345:Daisy,' which won Best Picture. 3320: 3291: 3262: 3236: 3179: 3151: 3123: 3096: 3068: 3040: 3004: 2983:Lumbard, Neil (July 27, 2015). 2976: 2948: 2917: 2891: 2863: 2844:Rich, Katey (January 9, 2015). 2767: 2738: 2731:– via Gorgeous Pfeiffer. 2646: 2619: 2534:Boyar, Jay (October 13, 1989). 2266: 1977: 1834: 1815:Hines, Ree (November 6, 2016). 1629:"'The Fabulous Baker Boys' (R)" 1588: 1427:from the original on 2022-05-25 1349:"'The Fabulous Baker Boys' (R)" 4018:Dexian, Wang (June 17, 2013). 3609:– via Gorgeous Pfeiffer. 3581:– via Gorgeous Pfeiffer. 3196:– via Gorgeous Pfeiffer. 3158:Robey, Tim (January 5, 2007). 2808:Simels, Steve (May 25, 1990). 2304:Bowen, Chuck (July 28, 2015). 2046:– via Gorgeous Pfeiffer. 1340: 1282:Conte, Eve (January 2, 2009). 1152:, respectively. Additionally, 1106:. According to Jane Graham of 929:Academy Award for Best Picture 913:, Pfeiffer and fellow nominee 837:working-class vulnerability." 691:even after the studio removed 1: 2870:Lipp, Chaz (August 3, 2015). 1231: 452:The Hollywood Roosevelt Hotel 4122:Fictional female sex workers 3913:Entertainment Tonight Canada 1924:Valdez, Joe (July 2, 2008). 1189:Entertainment Tonight Canada 950:The National Board of Review 942:New York Film Critics Circle 769:praised Pfeiffer's singing. 676: 7: 3564:Platt, Adam (May 1, 1997). 1249:Boyar, Jay (May 25, 1990). 964:British Academy Film Awards 542:hooker with a heart of gold 532:Characterization and themes 10: 4143: 3333:Emanuel Levy | Cinema 24/7 2565:"Susie and the Baker Boys" 1664:Edward Copeland's Tangents 814:, Erin Shelley wrote that 318:-nominated performance in 302:Director and screenwriter 4102:Female characters in film 3538:"The Fabulous Baker Boys" 2929:"The Fabulous Baker Boys" 2899:"The Fabulous Baker Boys" 2810:"The Fabulous Baker Boys" 2655:"The Fabulous Baker Boys" 2642:– via Google Books. 2306:"The Fabulous Baker Boys" 2207:"The Fabulous Baker Boys" 2169:"The Fabulous Baker Boys" 1857:– via Google Books. 1569:"The Fabulous Baker Boys" 1451:"The Fabulous Baker Boys" 1323:"The Fabulous Baker Boys" 759:'s David Thomson and the 600:" because of his growing 536:According to film critic 389:(1978) at the same time. 306:spent six months writing 113: 102: 92: 87: 77: 67: 54: 39: 29: 24: 4127:Fictional jazz musicians 3358:"American Comedy Awards" 1867:: CS1 maint: location ( 445:were different than the 3011:Horton, Robert (2007). 2211:The Dave Grusin Archive 1214:The Fabulous Baker Boys 1200:The Fabulous Baker Boys 1184:The Fabulous Baker Boys 1182:scene. While including 1138:The Fabulous Baker Boys 1130:The Fabulous Baker Boys 1114:The Fabulous Baker Boys 1050:The Fabulous Baker Boys 1033:The Fabulous Baker Boys 1024:The Witches of Eastwick 994:The Fabulous Baker Boys 935:was not. Katey Rich of 933:The Fabulous Baker Boys 899:The Fabulous Baker Boys 846:The Fabulous Baker Boys 816:The Fabulous Baker Boys 693:The Fabulous Baker Boys 688:The Fabulous Baker Boys 641:performance to actress 589:The Fabulous Baker Boys 578:The Fabulous Baker Boys 570:The Fabulous Baker Boys 443:The Fabulous Baker Boys 402:The Fabulous Baker Boys 359:The Fabulous Baker Boys 326:The Fabulous Baker Boys 308:The Fabulous Baker Boys 298:Development and casting 282:The Fabulous Baker Boys 275: 270:The Fabulous Baker Boys 141:The Fabulous Baker Boys 88:In-universe information 60:The Fabulous Baker Boys 48:The Fabulous Baker Boys 32:The Fabulous Baker Boys 2746:Bastién, Angelica Jade 2626:Owen, Michael (2017). 1052:Pfeiffer's best film, 876: 787: 3972:Turner Classic Movies 3137:Entertainment Tonight 1930:This Distracted Globe 1154:Turner Classic Movies 1091:Tribeca Film Festival 1067:Angelica Jade Bastién 968:American Comedy Award 874: 859:compared Pfeiffer to 771: 254:bankable film actress 144:(1989). Portrayed by 3681:Entertainment Weekly 3457:on November 27, 2018 3215:(January 14, 2010). 2927:(October 12, 1989). 2815:Entertainment Weekly 1760:Entertainment Weekly 1567:(October 13, 1989). 1490:(October 13, 1989). 1119:Entertainment Weekly 1059:Entertainment Weekly 867:Awards and accolades 732:Entertainment Weekly 350:Jennifer Jason Leigh 4117:Fictional musicians 3511:The Virginian-Pilot 3387:"Top 7 Jazz Movies" 3363:The Washington Post 3305:. November 11, 2010 3165:The Daily Telegraph 3047:Doberman, Matthew. 2925:Rosenbaum, Jonathan 2316:on February 1, 2016 1841:Mell, Eila (2005). 1634:The Washington Post 1353:The Washington Post 1219:The Prince of Egypt 1007:. According to the 1000:The Virginian-Pilot 856:The Washington Post 592:himself to become. 219:. Pfeiffer won the 19:Fictional character 3518:on August 25, 2017 3025:on August 25, 2017 2822:on August 25, 2017 2254:on August 25, 2017 1497:The New York Times 1461:on August 25, 2017 1029:Dangerous Liaisons 990:Married to the Mob 986:Dangerous Liaisons 924:Driving Miss Daisy 890:Married to the Mob 881:Golden Globe Award 877: 767:Jonathan Rosenbaum 707:The New York Times 658:The New York Times 501:slurred her speech 414:My Funny Valentine 355:Dangerous Liaisons 321:Dangerous Liaisons 288:More Than You Know 242:Driving Miss Daisy 239:'s performance in 221:Golden Globe Award 207:actresses, namely 4112:Fictional singers 3248:Los Angeles Times 2877:The Morton Report 2748:(June 26, 2017). 2607:on April 12, 2011 1896:Arizona Daily Sun 1783:Apiou, Virginie. 1009:Arizona Daily Sun 974:Impact and legacy 895:Comedy or Musical 879:Pfeiffer won the 851:classic Hollywood 811:Arizona Daily Sun 743:The Morton Report 682:Critical response 663:Ten Cents a Dance 312:Michelle Pfeiffer 205:classic Hollywood 146:Michelle Pfeiffer 123: 122: 82:Michelle Pfeiffer 4134: 4087: 4086: 4084: 4082: 4067: 4061: 4060: 4058: 4056: 4041: 4035: 4034: 4032: 4030: 4015: 4009: 4008: 4006: 4004: 3989: 3983: 3982: 3980: 3978: 3964: 3958: 3957: 3952: 3950: 3935: 3929: 3928: 3926: 3924: 3915:. Archived from 3904: 3895: 3894: 3892: 3890: 3873: 3864: 3863: 3861: 3859: 3842: 3836: 3835: 3833: 3831: 3814: 3808: 3807: 3805: 3803: 3786: 3780: 3779: 3777: 3775: 3758: 3752: 3751: 3749: 3747: 3730: 3724: 3723: 3721: 3719: 3702: 3693: 3692: 3690: 3688: 3671: 3665: 3664: 3662: 3660: 3645: 3639: 3638: 3636: 3634: 3617: 3611: 3610: 3608: 3606: 3589: 3583: 3582: 3580: 3578: 3561: 3555: 3554: 3552: 3550: 3534: 3528: 3527: 3525: 3523: 3514:. Archived from 3501: 3495: 3494: 3492: 3490: 3473: 3467: 3466: 3464: 3462: 3453:. Archived from 3440: 3434: 3433: 3431: 3429: 3414: 3405: 3404: 3399: 3397: 3382: 3376: 3375: 3373: 3371: 3366:. March 18, 1990 3354: 3348: 3347: 3341: 3339: 3324: 3318: 3317: 3312: 3310: 3295: 3289: 3288: 3283: 3281: 3266: 3260: 3259: 3257: 3255: 3250:. March 23, 2009 3240: 3234: 3233: 3231: 3229: 3209: 3198: 3197: 3183: 3177: 3176: 3174: 3172: 3155: 3149: 3148: 3146: 3144: 3127: 3121: 3120: 3118: 3116: 3100: 3094: 3093: 3091: 3089: 3072: 3066: 3065: 3063: 3061: 3044: 3038: 3037: 3032: 3030: 3021:. Archived from 3008: 3002: 3001: 2999: 2997: 2980: 2974: 2973: 2971: 2969: 2952: 2946: 2945: 2943: 2941: 2921: 2915: 2914: 2912: 2910: 2895: 2889: 2888: 2886: 2884: 2867: 2861: 2860: 2858: 2856: 2841: 2832: 2831: 2829: 2827: 2818:. Archived from 2805: 2796: 2795: 2790: 2788: 2771: 2765: 2764: 2762: 2760: 2742: 2736: 2735: 2730: 2728: 2711: 2702: 2701: 2699: 2697: 2683: 2672: 2671: 2669: 2667: 2650: 2644: 2643: 2623: 2617: 2616: 2614: 2612: 2603:. Archived from 2592: 2583: 2582: 2580: 2578: 2560: 2551: 2550: 2548: 2546: 2540:Orlando Sentinel 2531: 2522: 2521: 2493: 2482: 2481: 2479: 2477: 2470:Creative Loafing 2460: 2447: 2446: 2444: 2442: 2435:Orlando Sentinel 2425: 2416: 2415: 2413: 2411: 2397: 2388: 2387: 2385: 2383: 2366: 2357: 2356: 2354: 2352: 2337: 2326: 2325: 2323: 2321: 2312:. Archived from 2301: 2290: 2289: 2287: 2285: 2270: 2264: 2263: 2261: 2259: 2250:. Archived from 2237: 2222: 2221: 2219: 2217: 2203: 2184: 2183: 2181: 2179: 2164: 2151: 2150: 2148: 2146: 2139:The Morning Call 2130: 2107: 2106: 2104: 2102: 2087: 2081: 2080: 2078: 2076: 2061: 2048: 2047: 2045: 2043: 2028: 2001: 2000: 1998: 1996: 1981: 1975: 1974: 1972: 1970: 1955: 1944: 1943: 1938: 1936: 1921: 1908: 1907: 1905: 1903: 1886: 1873: 1872: 1866: 1858: 1838: 1832: 1831: 1829: 1827: 1812: 1801: 1800: 1798: 1796: 1780: 1771: 1770: 1768: 1766: 1751: 1745: 1744: 1742: 1740: 1725: 1706: 1705: 1703: 1701: 1687: 1678: 1677: 1672: 1670: 1655: 1646: 1645: 1643: 1641: 1624: 1611: 1610: 1608: 1606: 1592: 1586: 1585: 1583: 1581: 1561: 1544: 1543: 1541: 1539: 1520: 1509: 1508: 1506: 1504: 1484: 1471: 1470: 1468: 1466: 1457:. Archived from 1455:Peterson Reviews 1446: 1437: 1436: 1434: 1432: 1418: 1410: 1397: 1396: 1394: 1392: 1377: 1364: 1363: 1361: 1359: 1344: 1338: 1337: 1335: 1333: 1318: 1299: 1298: 1296: 1294: 1279: 1268: 1267: 1265: 1263: 1256:Orlando Sentinel 1246: 1150:Some Like It Hot 785: 716:Orlando Sentinel 626:." According to 615:Some Like it Hot 546:Creative Loafing 515:Orlando Sentinel 464:Rickie Lee Jones 460:Dinah Washington 106: 55:First appearance 44: 22: 21: 4142: 4141: 4137: 4136: 4135: 4133: 4132: 4131: 4092: 4091: 4090: 4080: 4078: 4068: 4064: 4054: 4052: 4042: 4038: 4028: 4026: 4016: 4012: 4002: 4000: 3990: 3986: 3976: 3974: 3966: 3965: 3961: 3948: 3946: 3938:Loftus, David. 3936: 3932: 3922: 3920: 3905: 3898: 3888: 3886: 3874: 3867: 3857: 3855: 3843: 3839: 3829: 3827: 3815: 3811: 3801: 3799: 3796:Harper's Bazaar 3787: 3783: 3773: 3771: 3759: 3755: 3745: 3743: 3731: 3727: 3717: 3715: 3703: 3696: 3686: 3684: 3672: 3668: 3658: 3656: 3646: 3642: 3632: 3630: 3627:Rotten Tomatoes 3618: 3614: 3604: 3602: 3590: 3586: 3576: 3574: 3562: 3558: 3548: 3546: 3536: 3535: 3531: 3521: 3519: 3502: 3498: 3488: 3486: 3474: 3470: 3460: 3458: 3441: 3437: 3427: 3425: 3415: 3408: 3395: 3393: 3383: 3379: 3369: 3367: 3356: 3355: 3351: 3337: 3335: 3325: 3321: 3308: 3306: 3297: 3296: 3292: 3279: 3277: 3267: 3263: 3253: 3251: 3242: 3241: 3237: 3227: 3225: 3210: 3201: 3184: 3180: 3170: 3168: 3156: 3152: 3142: 3140: 3128: 3124: 3114: 3112: 3102: 3101: 3097: 3087: 3085: 3082:HuffPost Canada 3073: 3069: 3059: 3057: 3045: 3041: 3028: 3026: 3009: 3005: 2995: 2993: 2981: 2977: 2967: 2965: 2953: 2949: 2939: 2937: 2922: 2918: 2908: 2906: 2897: 2896: 2892: 2882: 2880: 2868: 2864: 2854: 2852: 2842: 2835: 2825: 2823: 2806: 2799: 2786: 2784: 2781:First for Women 2772: 2768: 2758: 2756: 2743: 2739: 2726: 2724: 2721:Harper's Bazaar 2712: 2705: 2695: 2693: 2685: 2684: 2675: 2665: 2663: 2651: 2647: 2640: 2624: 2620: 2610: 2608: 2593: 2586: 2576: 2574: 2561: 2554: 2544: 2542: 2532: 2525: 2510:10.2307/1212659 2494: 2485: 2475: 2473: 2461: 2450: 2440: 2438: 2426: 2419: 2409: 2407: 2399: 2398: 2391: 2381: 2379: 2367: 2360: 2350: 2348: 2338: 2329: 2319: 2317: 2302: 2293: 2283: 2281: 2271: 2267: 2257: 2255: 2238: 2225: 2215: 2213: 2205: 2204: 2187: 2177: 2175: 2173:Radiator Heaven 2165: 2154: 2144: 2142: 2131: 2110: 2100: 2098: 2088: 2084: 2074: 2072: 2062: 2051: 2041: 2039: 2029: 2004: 1994: 1992: 1982: 1978: 1968: 1966: 1964:Chicago Tribune 1956: 1947: 1934: 1932: 1922: 1911: 1901: 1899: 1887: 1876: 1860: 1859: 1855: 1839: 1835: 1825: 1823: 1813: 1804: 1794: 1792: 1781: 1774: 1764: 1762: 1752: 1748: 1738: 1736: 1726: 1709: 1699: 1697: 1689: 1688: 1681: 1668: 1666: 1656: 1649: 1639: 1637: 1625: 1614: 1604: 1602: 1594: 1593: 1589: 1579: 1577: 1562: 1547: 1537: 1535: 1534:on June 7, 2011 1522: 1521: 1512: 1502: 1500: 1485: 1474: 1464: 1462: 1447: 1440: 1430: 1428: 1421:The Independent 1411: 1400: 1390: 1388: 1386:The Daily Beast 1378: 1367: 1357: 1355: 1345: 1341: 1331: 1329: 1319: 1302: 1292: 1290: 1280: 1271: 1261: 1259: 1247: 1238: 1234: 1087:Harper's Bazaar 1054:Rotten Tomatoes 1038:Harper's Bazaar 981:Tequila Sunrise 976: 869: 844:predicted that 834:HuffPost Canada 786: 780:The Independent 777: 757:The Independent 747:stock character 684: 679: 645:'s in the film 572:. According to 562:Ricky Lee Jones 551:The Daily Beast 534: 525:The Independent 487:Ella Fitzgerald 418:singing lessons 300: 278: 190:Ella Fitzgerald 104: 98:Escort (former) 97: 50: 20: 17: 12: 11: 5: 4140: 4130: 4129: 4124: 4119: 4114: 4109: 4104: 4089: 4088: 4062: 4044:Hakala, Kate. 4036: 4010: 3984: 3959: 3944:AllReaders.com 3930: 3919:on May 2, 2018 3896: 3865: 3837: 3809: 3781: 3753: 3725: 3694: 3666: 3640: 3612: 3584: 3556: 3529: 3496: 3468: 3435: 3406: 3377: 3349: 3319: 3303:The Oscar Nerd 3290: 3261: 3235: 3199: 3178: 3150: 3122: 3095: 3067: 3039: 3003: 2975: 2947: 2934:Chicago Reader 2916: 2890: 2862: 2833: 2797: 2766: 2737: 2703: 2673: 2645: 2638: 2618: 2601:Calgary Herald 2584: 2552: 2523: 2498:Film Quarterly 2483: 2448: 2417: 2389: 2358: 2327: 2291: 2265: 2223: 2185: 2152: 2108: 2082: 2049: 2002: 1976: 1945: 1909: 1874: 1853: 1833: 1802: 1772: 1746: 1707: 1679: 1647: 1612: 1587: 1574:RogerEbert.com 1545: 1510: 1472: 1438: 1398: 1365: 1339: 1300: 1269: 1235: 1233: 1230: 1195:Calgary Herald 975: 972: 868: 865: 775: 762:Chicago Reader 683: 680: 678: 675: 620:Film Quarterly 610:Marilyn Monroe 566:John Malkovich 557:Film Quarterly 533: 530: 496:Mark Rosenberg 477:Ingrid Bergman 468:Billie Holiday 365:, writing for 299: 296: 277: 274: 266:Makin' Whoopee 209:Marilyn Monroe 186:Billie Holiday 174:vocal coaching 121: 120: 115: 111: 110: 107: 100: 99: 94: 90: 89: 85: 84: 79: 75: 74: 69: 65: 64: 56: 52: 51: 45: 37: 36: 27: 26: 18: 15: 9: 6: 4: 3: 2: 4139: 4128: 4125: 4123: 4120: 4118: 4115: 4113: 4110: 4108: 4105: 4103: 4100: 4099: 4097: 4077: 4073: 4066: 4051: 4047: 4040: 4025: 4021: 4014: 3999: 3995: 3988: 3973: 3969: 3963: 3956: 3945: 3941: 3934: 3918: 3914: 3910: 3903: 3901: 3885: 3884: 3879: 3872: 3870: 3854: 3853: 3848: 3841: 3826: 3825: 3820: 3813: 3798: 3797: 3792: 3785: 3770: 3769: 3764: 3757: 3746:September 30, 3742: 3741: 3736: 3729: 3718:September 12, 3714: 3713: 3708: 3701: 3699: 3683: 3682: 3677: 3670: 3655: 3651: 3644: 3629: 3628: 3623: 3616: 3601: 3600: 3595: 3588: 3573: 3572: 3567: 3560: 3545: 3544: 3539: 3533: 3517: 3513: 3512: 3507: 3500: 3485: 3484: 3479: 3472: 3456: 3452: 3451: 3446: 3439: 3424: 3420: 3413: 3411: 3403: 3392: 3388: 3381: 3365: 3364: 3359: 3353: 3346: 3334: 3330: 3323: 3316: 3304: 3300: 3294: 3287: 3276: 3272: 3265: 3249: 3245: 3239: 3224: 3223: 3218: 3214: 3213:Levy, Emanuel 3208: 3206: 3204: 3195: 3194: 3189: 3182: 3167: 3166: 3161: 3154: 3139: 3138: 3133: 3126: 3111: 3110: 3105: 3099: 3084: 3083: 3078: 3071: 3056: 3055: 3050: 3043: 3036: 3024: 3020: 3019: 3014: 3007: 2992: 2991: 2986: 2979: 2964: 2963: 2958: 2951: 2936: 2935: 2930: 2926: 2920: 2904: 2900: 2894: 2879: 2878: 2873: 2866: 2851: 2847: 2840: 2838: 2821: 2817: 2816: 2811: 2804: 2802: 2794: 2783: 2782: 2777: 2770: 2755: 2751: 2747: 2741: 2734: 2723: 2722: 2717: 2710: 2708: 2692: 2688: 2682: 2680: 2678: 2662: 2661: 2660:The A.V. Club 2656: 2649: 2641: 2639:9781613738597 2635: 2631: 2630: 2622: 2606: 2602: 2598: 2591: 2589: 2572: 2571: 2566: 2559: 2557: 2541: 2537: 2530: 2528: 2519: 2515: 2511: 2507: 2503: 2499: 2492: 2490: 2488: 2472: 2471: 2466: 2459: 2457: 2455: 2453: 2437: 2436: 2431: 2424: 2422: 2406: 2402: 2396: 2394: 2378: 2377: 2372: 2365: 2363: 2347: 2343: 2336: 2334: 2332: 2315: 2311: 2307: 2300: 2298: 2296: 2280: 2276: 2269: 2253: 2249: 2248: 2243: 2236: 2234: 2232: 2230: 2228: 2212: 2208: 2202: 2200: 2198: 2196: 2194: 2192: 2190: 2174: 2170: 2163: 2161: 2159: 2157: 2140: 2136: 2129: 2127: 2125: 2123: 2121: 2119: 2117: 2115: 2113: 2097: 2093: 2086: 2071: 2067: 2060: 2058: 2056: 2054: 2038: 2034: 2027: 2025: 2023: 2021: 2019: 2017: 2015: 2013: 2011: 2009: 2007: 1991: 1990:Rolling Stone 1987: 1980: 1965: 1961: 1954: 1952: 1950: 1942: 1931: 1927: 1920: 1918: 1916: 1914: 1898: 1897: 1892: 1885: 1883: 1881: 1879: 1870: 1864: 1856: 1854:9781476609768 1850: 1846: 1845: 1837: 1822: 1818: 1811: 1809: 1807: 1790: 1786: 1779: 1777: 1761: 1757: 1750: 1735: 1731: 1724: 1722: 1720: 1718: 1716: 1714: 1712: 1696: 1692: 1686: 1684: 1676: 1665: 1661: 1654: 1652: 1636: 1635: 1630: 1623: 1621: 1619: 1617: 1601: 1597: 1591: 1576: 1575: 1570: 1566: 1560: 1558: 1556: 1554: 1552: 1550: 1533: 1529: 1525: 1519: 1517: 1515: 1499: 1498: 1493: 1489: 1488:Maslin, Janet 1483: 1481: 1479: 1477: 1460: 1456: 1452: 1445: 1443: 1426: 1422: 1417: 1409: 1407: 1405: 1403: 1387: 1383: 1376: 1374: 1372: 1370: 1354: 1350: 1343: 1328: 1327:Rolling Stone 1324: 1317: 1315: 1313: 1311: 1309: 1307: 1305: 1289: 1288:Geeks of Doom 1285: 1278: 1276: 1274: 1258: 1257: 1252: 1245: 1243: 1241: 1236: 1229: 1227: 1226: 1221: 1220: 1215: 1211: 1207: 1206: 1201: 1197: 1196: 1191: 1190: 1185: 1181: 1177: 1176: 1171: 1170: 1165: 1161: 1160: 1155: 1151: 1147: 1143: 1139: 1135: 1131: 1127: 1126:evening dress 1122: 1120: 1115: 1111: 1110: 1105: 1100: 1096: 1092: 1088: 1084: 1080: 1079: 1074: 1073: 1068: 1064: 1060: 1055: 1051: 1046: 1044: 1040: 1039: 1034: 1030: 1026: 1025: 1020: 1019: 1014: 1010: 1006: 1002: 1001: 995: 991: 987: 983: 982: 971: 969: 965: 961: 960: 955: 951: 947: 943: 938: 934: 930: 926: 925: 919: 916: 915:Jessica Tandy 912: 908: 904: 903:Academy Award 900: 896: 892: 891: 886: 882: 873: 864: 862: 861:Lauren Bacall 858: 857: 852: 847: 843: 838: 835: 831: 830: 825: 821: 817: 813: 812: 807: 806: 801: 797: 793: 792: 783: 781: 774: 770: 768: 764: 763: 758: 754: 753: 748: 744: 740: 739: 734: 733: 727: 726:Peter Travers 723: 722: 721:Rolling Stone 717: 713: 709: 708: 702: 700: 699: 694: 689: 674: 672: 668: 664: 660: 659: 654: 650: 649: 644: 643:Rita Hayworth 639: 638: 632: 630: 625: 621: 617: 616: 611: 606: 603: 599: 595: 594:Rolling Stone 590: 586: 585:Mike D'angelo 581: 579: 575: 571: 567: 563: 559: 558: 553: 552: 547: 543: 539: 529: 527: 526: 521: 520:David Thomson 517: 516: 511: 507: 502: 497: 491: 488: 484: 483: 478: 473: 472:Helen Merrill 469: 465: 461: 457: 456:Sarah Vaughan 453: 448: 444: 440: 436: 432: 428: 423: 422:Sally Stevens 419: 415: 411: 407: 403: 399: 395: 390: 388: 387: 382: 378: 374: 373: 368: 364: 363:Mike D'Angelo 360: 356: 351: 347: 343: 339: 335: 331: 327: 323: 322: 317: 316:Academy Award 313: 309: 305: 295: 291: 289: 284: 283: 273: 271: 268:", for which 267: 263: 262:jazz standard 259: 255: 250: 248: 247:1989 and 1990 244: 243: 238: 237:Jessica Tandy 234: 230: 229:Academy Award 226: 222: 218: 217:Rita Hayworth 214: 213:Lauren Bacall 210: 206: 202: 198: 193: 191: 187: 183: 182:Sarah Vaughan 179: 175: 171: 170: 166: 162: 158: 154: 149: 147: 143: 142: 137: 134: 131: 127: 126:Susie Diamond 119: 116: 112: 108: 101: 96:Lounge singer 95: 91: 86: 83: 80: 76: 73: 70: 66: 62: 61: 57: 53: 49: 43: 38: 34: 33: 28: 25:Susie Diamond 23: 4079:. Retrieved 4075: 4065: 4053:. Retrieved 4049: 4039: 4027:. Retrieved 4023: 4013: 4001:. Retrieved 3997: 3987: 3975:. Retrieved 3971: 3962: 3954: 3947:. Retrieved 3943: 3933: 3921:. Retrieved 3917:the original 3912: 3887:. Retrieved 3883:The Guardian 3881: 3856:. Retrieved 3850: 3840: 3828:. Retrieved 3824:Tribeca Film 3822: 3812: 3800:. Retrieved 3794: 3784: 3772:. Retrieved 3768:Filmsite.org 3766: 3761:Dirks, Tim. 3756: 3744:. Retrieved 3740:The Guardian 3738: 3728: 3716:. Retrieved 3710: 3685:. Retrieved 3679: 3669: 3657:. Retrieved 3653: 3643: 3631:. Retrieved 3625: 3615: 3603:. Retrieved 3597: 3587: 3575:. Retrieved 3569: 3559: 3547:. Retrieved 3541: 3532: 3520:. Retrieved 3516:the original 3509: 3499: 3487:. Retrieved 3481: 3471: 3459:. Retrieved 3455:the original 3448: 3438: 3426:. Retrieved 3422: 3401: 3394:. Retrieved 3391:Female First 3390: 3380: 3370:November 28, 3368:. Retrieved 3361: 3352: 3343: 3336:. Retrieved 3332: 3322: 3314: 3307:. Retrieved 3302: 3293: 3285: 3278:. Retrieved 3274: 3264: 3252:. Retrieved 3247: 3238: 3226:. Retrieved 3222:Emanuel Levy 3220: 3191: 3181: 3169:. Retrieved 3163: 3153: 3141:. Retrieved 3135: 3125: 3113:. Retrieved 3107: 3098: 3088:February 13, 3086:. Retrieved 3080: 3070: 3058:. Retrieved 3052: 3042: 3034: 3027:. Retrieved 3023:the original 3016: 3006: 2994:. Retrieved 2988: 2978: 2966:. Retrieved 2960: 2950: 2938:. Retrieved 2932: 2919: 2907:. Retrieved 2902: 2893: 2881:. Retrieved 2875: 2865: 2853:. Retrieved 2849: 2824:. Retrieved 2820:the original 2813: 2792: 2785:. Retrieved 2779: 2769: 2757:. Retrieved 2753: 2740: 2732: 2725:. Retrieved 2719: 2694:. Retrieved 2690: 2664:. Retrieved 2658: 2648: 2628: 2621: 2609:. Retrieved 2605:the original 2600: 2575:. Retrieved 2568: 2543:. Retrieved 2539: 2501: 2497: 2474:. Retrieved 2468: 2439:. Retrieved 2433: 2408:. Retrieved 2404: 2380:. Retrieved 2374: 2349:. Retrieved 2345: 2318:. Retrieved 2314:the original 2309: 2282:. Retrieved 2278: 2268: 2256:. Retrieved 2252:the original 2245: 2214:. Retrieved 2210: 2176:. Retrieved 2172: 2143:. Retrieved 2138: 2099:. Retrieved 2095: 2085: 2073:. Retrieved 2070:The Dissolve 2069: 2040:. Retrieved 2036: 1993:. Retrieved 1989: 1979: 1967:. Retrieved 1963: 1940: 1933:. Retrieved 1929: 1900:. Retrieved 1894: 1843: 1836: 1824:. Retrieved 1820: 1793:. Retrieved 1788: 1763:. Retrieved 1759: 1749: 1737:. Retrieved 1733: 1698:. Retrieved 1694: 1674: 1667:. Retrieved 1663: 1638:. Retrieved 1632: 1603:. Retrieved 1599: 1590: 1578:. Retrieved 1572: 1565:Ebert, Roger 1536:. Retrieved 1532:the original 1527: 1501:. Retrieved 1495: 1463:. Retrieved 1459:the original 1454: 1429:. Retrieved 1420: 1389:. Retrieved 1385: 1356:. Retrieved 1352: 1342: 1330:. Retrieved 1326: 1291:. Retrieved 1287: 1260:. Retrieved 1254: 1223: 1217: 1213: 1204: 1199: 1193: 1187: 1183: 1173: 1167: 1164:The Dissolve 1163: 1157: 1149: 1145: 1137: 1134:The Guardian 1133: 1129: 1123: 1118: 1113: 1109:The Guardian 1107: 1086: 1083:Filmsite.org 1077: 1072:The Guardian 1070: 1058: 1049: 1047: 1036: 1032: 1028: 1022: 1016: 1008: 998: 993: 989: 985: 979: 977: 957: 936: 932: 922: 920: 911:Emanuel Levy 907:Best Actress 898: 888: 878: 854: 845: 840:Film critic 839: 833: 828: 815: 809: 803: 796:The Dissolve 795: 789: 788: 778: 772: 765:film critic 760: 756: 750: 737: 730: 724:film critic 719: 715: 712:Janet Maslin 710:film critic 705: 703: 696: 692: 687: 685: 671:Julie London 666: 656: 653:Janet Maslin 646: 635: 627: 624:sleeping bag 619: 613: 607: 593: 588: 583:Film critic 582: 577: 569: 555: 549: 535: 523: 513: 510:Peggy Holmes 492: 480: 442: 438: 401: 397: 391: 384: 377:Sandy Olsson 370: 367:The Dissolve 366: 358: 354: 346:Jodie Foster 338:Debra Winger 334:Beau Bridges 325: 319: 307: 304:Steve Kloves 301: 292: 280: 279: 269: 251: 240: 235:but lost to 233:Best Actress 197:film critics 194: 167: 165:musical film 157:Jodie Foster 153:Steve Kloves 150: 139: 136:comedy-drama 125: 124: 103:Significant 78:Portrayed by 72:Steve Kloves 58: 47: 30: 3817:Reid, Joe. 3577:November 7, 3489:November 7, 2850:Vanity Fair 2727:November 7, 2573:(in French) 2405:Girl.com.au 2376:GamesRadar+ 2141:. p. 1 1791:(in French) 1695:Moviepooper 1222:(1998) and 1169:Taxi Driver 1104:sex symbols 1078:GamesRadar+ 1027:(1987) and 937:Vanity Fair 842:Roger Ebert 738:Vanity Fair 538:Roger Ebert 425:rhythm and 410:Dave Grusin 408:, composer 381:Betty Rizzo 340:and singer 114:Nationality 4096:Categories 4076:Moviepilot 1232:References 1210:sex-symbol 1198:considers 1013:movie star 482:Casablanca 394:soundtrack 258:sex symbol 201:sex appeal 109:Jack Baker 93:Occupation 68:Created by 4081:April 25, 3774:April 25, 3687:April 29, 3599:Movieline 3571:New Woman 3543:Into Film 3461:April 24, 3428:April 24, 3423:Ioncinema 3193:New Woman 3018:Amazon.ca 2696:April 24, 2666:April 27, 2284:April 30, 2178:April 24, 2145:April 25, 2101:April 26, 2042:April 29, 1995:April 26, 1969:April 25, 1902:April 25, 1863:cite book 1826:April 24, 1765:April 24, 1739:April 24, 1734:Filmmaker 1600:Moviefone 1391:April 25, 1332:April 26, 1293:April 25, 1225:Hairspray 1142:bombshell 1095:countdown 1043:Movieline 1018:New Woman 1005:Into Film 677:Reception 602:bald spot 447:pop music 435:Bob Dylan 35:character 3654:Golderby 3275:TV Guide 3109:TV Guide 3054:AllMovie 2990:DVD Talk 2962:Exclaim! 2903:TV Guide 2759:June 18, 2570:Télérama 2346:KQEK.com 1528:Time Out 1425:Archived 1175:Predator 1048:Ranking 952:and the 829:Time Out 820:AllMovie 805:Télérama 800:DVD Talk 791:Exclaim! 776:— 752:TV Guide 629:Télérama 506:exposing 439:Grease 2 427:phrasing 398:Grease 2 372:Grease 2 180:singers 169:Grease 2 130:romantic 118:American 4055:May 22, 3949:May 30, 3858:May 23, 3852:InStyle 3712:Vulture 3549:May 23, 3483:InStyle 3396:May 24, 2968:May 22, 2940:May 23, 2883:May 23, 2787:July 9, 2754:Vulture 2691:Stylist 2545:May 24, 2518:1212659 2441:May 30, 2410:May 24, 2258:May 14, 2247:Cinapse 2216:May 28, 1935:May 28, 1700:May 24, 1669:May 23, 1465:May 22, 1431:May 14, 1262:May 23, 1099:InStyle 1063:Vulture 959:Stylist 824:Cinapse 598:Egghead 574:Cinapse 342:Madonna 161:Madonna 133:musical 4029:May 8, 4024:InSing 4003:May 8, 3998:Empire 3977:May 1, 3923:May 1, 3889:May 7, 3830:May 7, 3802:May 5, 3659:May 1, 3633:May 1, 3605:May 1, 3522:May 7, 3338:May 5, 3309:May 5, 3280:May 1, 3254:May 1, 3228:May 1, 3171:May 1, 3143:May 7, 3115:May 7, 3060:May 8, 3029:May 8, 2996:May 7, 2909:May 8, 2905:. 1989 2855:May 5, 2826:May 8, 2636: 2611:May 8, 2577:May 7, 2516: 2504:: 50. 2476:May 5, 2382:May 7, 2351:May 7, 2320:May 9, 2279:People 2096:People 2075:May 4, 2037:Empire 1851: 1795:May 7, 1640:May 6, 1605:May 7, 1580:May 6, 1538:May 6, 1503:May 5, 1358:May 7, 1180:erotic 1159:Empire 944:, the 931:while 698:Empire 406:dubbed 386:Grease 63:(1989) 4050:Nerve 3450:Paste 2514:JSTOR 2310:Slant 1821:Today 1205:Nerve 1146:Gilda 686:When 648:Gilda 637:Slant 383:from 138:film 105:other 4083:2017 4057:2017 4031:2017 4005:2017 3979:2017 3951:2017 3925:2018 3891:2017 3860:2017 3832:2017 3804:2017 3776:2017 3748:2017 3720:2017 3689:2017 3661:2018 3635:2018 3607:2017 3579:2019 3551:2017 3524:2017 3491:2019 3463:2017 3430:2017 3398:2017 3372:2017 3340:2017 3311:2017 3282:2017 3256:2017 3230:2017 3173:2017 3145:2017 3117:2017 3090:2021 3062:2017 3031:2017 2998:2017 2970:2017 2942:2017 2911:2017 2885:2017 2857:2015 2828:2017 2789:2024 2761:2019 2729:2019 2698:2017 2668:2017 2634:ISBN 2613:2017 2579:2017 2547:2017 2478:2017 2443:2017 2412:2017 2384:2017 2353:2017 2322:2017 2286:2017 2260:2017 2218:2017 2180:2017 2147:2017 2103:2016 2077:2017 2044:2017 1997:2017 1971:2017 1937:2017 1904:2017 1869:link 1849:ISBN 1828:2017 1797:2017 1789:ARTE 1767:2017 1741:2017 1702:2017 1671:2017 1642:2017 1607:2017 1582:2017 1540:2017 1505:2017 1467:2017 1433:2017 1393:2017 1360:2017 1334:2017 1295:2017 1264:2017 1148:and 988:and 905:for 883:for 470:and 431:rock 379:and 348:and 332:and 330:Jeff 276:Role 256:and 231:for 223:for 215:and 188:and 178:jazz 159:and 2506:doi 1015:." 665:". 655:of 580:." 522:of 4098:: 4074:. 4048:. 4022:. 3996:. 3970:. 3953:. 3942:. 3911:. 3899:^ 3880:. 3868:^ 3849:. 3821:. 3793:. 3765:. 3737:. 3709:. 3697:^ 3678:. 3652:. 3624:. 3596:. 3568:. 3540:. 3508:. 3480:. 3447:. 3421:. 3409:^ 3400:. 3389:. 3360:. 3342:. 3331:. 3313:. 3301:. 3284:. 3273:. 3246:. 3219:. 3202:^ 3190:. 3162:. 3134:. 3106:. 3079:. 3051:. 3033:. 3015:. 2987:. 2959:. 2931:. 2901:. 2874:. 2848:. 2836:^ 2812:. 2800:^ 2791:. 2778:. 2752:. 2718:. 2706:^ 2689:. 2676:^ 2657:. 2599:. 2587:^ 2567:. 2555:^ 2538:. 2526:^ 2512:. 2502:44 2500:. 2486:^ 2467:. 2451:^ 2432:. 2420:^ 2403:. 2392:^ 2373:. 2361:^ 2344:. 2330:^ 2308:. 2294:^ 2277:. 2244:. 2226:^ 2209:. 2188:^ 2171:. 2155:^ 2137:. 2111:^ 2094:. 2068:. 2052:^ 2035:. 2005:^ 1988:. 1962:. 1948:^ 1939:. 1928:. 1912:^ 1893:. 1877:^ 1865:}} 1861:{{ 1819:. 1805:^ 1787:. 1775:^ 1758:. 1732:. 1710:^ 1693:. 1682:^ 1673:. 1662:. 1650:^ 1631:. 1615:^ 1598:. 1571:. 1548:^ 1526:. 1513:^ 1494:. 1475:^ 1453:. 1441:^ 1423:. 1419:. 1401:^ 1384:. 1368:^ 1351:. 1325:. 1303:^ 1286:. 1272:^ 1253:. 1239:^ 1112:, 1031:, 984:, 948:, 863:. 631:'s 466:, 462:, 458:, 400:; 249:. 211:, 192:. 184:, 4085:. 4059:. 4033:. 4007:. 3981:. 3927:. 3893:. 3862:. 3834:. 3806:. 3778:. 3750:. 3722:. 3691:. 3663:. 3637:. 3553:. 3526:. 3493:. 3465:. 3432:. 3374:. 3258:. 3232:. 3175:. 3147:. 3119:. 3092:. 3064:. 3000:. 2972:. 2944:. 2913:. 2887:. 2859:. 2830:. 2763:. 2700:. 2670:. 2615:. 2581:. 2549:. 2520:. 2508:: 2480:. 2445:. 2414:. 2386:. 2355:. 2324:. 2288:. 2262:. 2220:. 2182:. 2149:. 2105:. 2079:. 1999:. 1973:. 1906:. 1871:) 1830:. 1799:. 1769:. 1743:. 1704:. 1644:. 1609:. 1584:. 1542:. 1507:. 1469:. 1435:. 1395:. 1362:. 1336:. 1297:. 1266:. 782:' 264:"

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Index