280:, but they need money. Her father, Baron Eduard, sells a large portrait of Alain de Francigny to an art dealer eager to get a bargain. Alain and Sylvie's grandmother were lovers. She visited him using a secret passage that the portrait now conceals. Alain was killed in a duel with Sylvie's grandmother's first husband—Or first lover, it is not quite clear from Sylvia’s account to her young audience. Alain's faithful spaniel, who pined away after his death, is by his side in the portrait, and the family dog, Pyramus, barks relentlessly at the image.
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Alain steals the robes.in order to appear to Sylvia, but is pursued by the company. Eventually Ramure goes to Sylvia and
Frederick breaks in on them. They both love her. Ramure jumps into the moat to escape the police. Frederick leaves and Alain, in robes, approaches Sylvia. Thinking it is Frederick,
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of the ghost appearing was achieved by filming through a glass pane and using two identical sets. Through the glass, the primary set would be visible. This was a regular set where all actors appeared, except the ghost (Tati). At the same time the reflection would be visible of the second set, placed
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Sylvie mourns the fact that Alain will not be there for her 16th birthday. Her father reassures her—and gets an idea. He will hire an actor to appear as Alain's ghost. In the middle of the night, a thief, Ramure, sneaks in to steal the painting and is disappointed to find it gone. Alain and his dog,
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On the landing, Sylvie removes an ornament from her hair. Alain is able to pick up the ghost of it, as Sylvie and
Frederick walk away, arm in arm. Holding the glittering star tenderly, Alain rises above the château, into a sky spangled with stars, summoning his faithful spaniel to follow. He rises
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Ramure finds his way to Sylvie's room and steals a cameo, an heirloom from her grandmother. Frederick enters through a window, a bouquet of flowers in his hand, and tells Ramure to put the brooch back. Their quarrel awakens
Pyramus and Hector, but Hector thinks they are candidates for the role of
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Sylvia talks to Ramure (in costume) alone and asks him for the cameo. He slips away while she pins it on. Frederick enters the ball, shrouded, scaring everyone away to the garden, except Sylvia. She confides her attraction for a young man whose name she does not know—Frederick himself. Or is it
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To delay Sylvie's distress at the sale, the picture is crated and taken down the hidden stair in secret. At the bottom, Alain's ghost emerges, followed by his little spaniel. They move about the castle, observing the family, particularly Sylvia.
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father's ghost, and is disappointed that the role does not require him to frighten anyone. Then the police arrive at the door, seeking Ramure, who escaped from custody.The Baron goes down to invite them to search the grounds.
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The night of the ball. Sylvia credits the disappearance of her cameo to Alain, who is now wearing evening clothes. He descends the stairs with her. The “actors” dress in identical sheets, with pointed hoods.
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she tells him that he makes her want to live in the world. Alain withdraws and goes downstairs with the Baron. His hood is removed and his invisibility and ability to fly show he is a real ghost,
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Ramure? When it is Anicet's turn. Alain tries to steal the robes and eventually trips him. Anicet falls downstairs into the arms of the police, who unmask him, revealing the Baron's plot.
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Frederick, the son of the art dealer, feels sorry for Sylvia, and asks his father why they could not have loaned the Baron the money. His father is disgusted with him.
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Sylvia, who is about to celebrate her 16th birthday, has been fascinated by Alain for years. She believes in his ghost, although she has never seen it.
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at a ninety degree angle to the primary set. This set was covered entirely in black velvet, and the only actor on this set was Tati (see
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Alain's ghost. The real actor, Anicet, arrives. He specializes in portraying
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who are sleeping in the empty frame, are awakened by his flashlight.
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higher and higher, until the star becomes fixed in the sky.
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Sylvie and her family live in a magnificent ancestral
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877:Films with screenplays by Jean Aurenche
257:. The film's sets were designed by the
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740:Long Live Henry IV... Long Live Love!
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872:Films directed by Claude Autant-Lara
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388:as The Ghost of Alain de Francigny
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902:Films scored by René Cloërec
882:French black-and-white films
652:Good Lord Without Confession
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700:Love Is My Profession
692:La Traversée de Paris
676:Marguerite de la nuit
668:The Red and the Black
643:The Seven Deadly Sins
625:Keep an Eye on Amelia
251:Saint-Maurice Studios
249:. It was shot at the
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609:Sylvie and the Ghost
507:Sylvie and the Ghost
496:Sylvie and the Ghost
485:Sylvie and the Ghost
225:) is a 1946 French
222:Sylvie et le fantĂ´me
216:Sylvie and the Ghost
71:Sylvie et le fantĂ´me
33:Sylvie and the Ghost
18:Sylvie et le fantĂ´me
748:Thou Shalt Not Kill
897:1940s French films
887:French ghost films
862:1946 fantasy films
617:Devil in the Flesh
549:Claude Autant-Lara
547:Films directed by
501:TCM Movie Database
235:Claude Autant-Lara
51:Claude Autant-Lara
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807:"Paris Today" in
780:"La Bestiole" in
684:La Famille Anodin
585:Chiffon's Wedding
466:978-1-86046-924-4
368:Marguerite Cassan
364:as The Counsellor
233:film directed by
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165:Release date
134:René Cloërec
86:André Paulvé
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826:Les Patates
782:Black Humor
764:Enough Rope
708:The Gambler
641:"Pride" in
633:The Red Inn
413:Lise Topart
392:Louis Salou
82:Produced by
76:Alfred Adam
47:Directed by
857:1946 films
851:Categories
601:Love Story
569:The Gutter
561:Ciboulette
437:References
420:Production
192:97 minutes
176:1946-02-06
141:Production
577:Fric-Frac
402:majordomo
394:as Anicet
370:as Marthe
340:as Ramure
334:as Sylvie
219:(French:
120:Edited by
27:1946 film
512:AllMovie
453:(1999).
376:as Damas
300:Hamlet's
205:Language
130:Music by
92:Starring
67:Based on
499:at the
415:as Girl
409:as Girl
278:château
227:fantasy
197:Country
174: (
158:DisCina
143:company
837:(1977)
834:Gloria
829:(1969)
821:(1968)
813:(1967)
802:(1966)
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231:comedy
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255:Paris
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461:ISBN
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272:Plot
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