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remedied in 2000s-era instruments. While this type is also somewhat prone to note-tracking glitches, the problem can be overcome by adjusting the sensitivity controls of the pickup or converter—and by playing more precisely. Another possible disadvantage is that not all of the variable performance parameters available on a synthesizer can be actuated from a guitar; a synth guitar lacks assignable controls to open a filter in real-time, for example. Nevertheless, contemporary synth-guitar designs often include an
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825:. A number of variations are available, including an instrument that uses strings for strumming or picking, to trigger notes, whereas the pitch of the notes is determined by the keys that cover what would be a "fretboard" in an ordinary, stringed guitar. Starr labs recently introduced the Z5S, a simpler and less expensive version of the Z6S. MIDI guitar controllers have regained popularity due to the Z6 model, possibly because of its usage by
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assigned to any MIDI function, which gives the performer more on-stage control of their sound. Further, these controllers offer playing options, such as the keyboard-like tapping style, that are not possible on traditional guitars. Finally, the instruments with touch-sensitive fingerboards never need tuning, and they are easier on the fingers of beginning and casual players.
922:, with six string sensors stretching from the bridge to the location of the neck pickup of a standard guitar, and 102 buttons in 6 columns of 17 frets, which together create MIDI note data. A second was built with Fender as a fully functional guitar, with a bridge pickup "listening" to the strings and sending MIDI information to the MIDI port.
573:
guitarist's only option was to use whatever synthesizer came with the converter, and vice versa. By the 2000s (decade), however, all converter/synthesizers were MIDI-compatible, so any synthesizer with MIDI-input capability (the vast majority since the 1990s) can be used. Stand-alone converter units also drive synthesizers via MIDI.
953:
The advantages of the guitar-like MIDI controller systems are that the tracking (the speed and accuracy of the notes the instrument produces) is much better than guitar-based systems, which means that there is no noticeable latency or pitch glitches. As well, whammy bars and other controllers can be
820:
Ztar is one of the few remaining guitar-like controller product lines still in production. A Ztar differs significantly from the SynthAxe and Yamaha G-10 in that the "fretboard" is covered with keys, not strings. Keys in the same row can trigger notes at the same time. This has no analog on a real
674:
Some manufacturers of guitar-synthesizers wanted to eliminate the tracking and latency problems associated with guitar-based systems, while retaining the expressiveness of the guitar. They achieved this, to some degree, by redesigning the instrument part of the human-machine interface so that it was
568:
models in the PG and MG product lines integrated the guitar, the hex pickup, and the converter as a single unit. Casio remains the only manufacturer to try this approach. The advantage of this arrangement is that a MIDI cable can be plugged directly into the guitar. Disadvantages include weight and
446:
Roland developed its GK series of hexaphonic drivers, consisting of a divided pickup and associated electronics (essentially a buffer preamp for each string signal). These were used in two ways, either with pickup and buffer module mountable to the guitar, or as a "GK-KIT" intended to be fitted into
585:
of both together in any ratio. Many models can be used with almost any guitar, with the addition of a hexaphonic pickup. In the early systems, there was a detectable latency, especially at lower pitches, between playing a note on the guitar and the note's sounding on the synthesizer, but this was
429:
These components may be integrated into the instrument body or modularized in different ways. The hexaphonic pickup may be a separate component added to the guitar, or it may be built-in. Earlier guitar-synths required the musician to use a proprietary guitar with an integrated hexaphonic pickup.
634:
Nevertheless, controlling a synthesizer with a guitar has some advantages over a keyboard. More expansive chords are possible, and some intervals are easier to reach. As well, guitar synths provide access to sounds normally available only to keyboard players and percussionists. A guitar player
630:
are not easily picked up by guitar synths, largely due to imperfect fretting technique; with the exception of harmonics and palm mutes, these techniques can be achieved with a concentrated effort to maintain good fretting. Similarly, the synthesizer portion of a system often lacks the variety of
708:
was a futuristic controller consisting of a fretboard attached to the body at an obtuse angle. The fretboard strings were used to indicate pitch and sensed string bends. A separate, shorter set of strings were used for picking and strumming. These triggered the notes fretted on the fretboard's
572:
In addition to these configurations, the converter may also be combined with a synthesizer. The earliest models were combination converter/synthesizers, and this type is still produced. As the early integrated models predated the MIDI standard, their components were not interchangeable; the
709:
strings. It also featured trigger keys that could be used instead of the trigger strings. A whammy bar was assignable to any MIDI parameter. The SynthAxe was prohibitively expensive and therefore not widely used. Two of the most famous SynthAxe users are guitarist
752:(thickness), which sensed both right- and left-hand input. The fact that the strings were all of the same thickness made the instrument feel substantially different for a player, in contrast to the typical guitar, and may have hindered the instrument's acceptance.
643:
by triggering synth drum voices. By blending the regular electric guitar tone with synthesized sounds, a guitarist can create a hybrid timbre. The guitar synth also enables a guitarist with limited or no keyboard-playing skills to provide MIDI input into digital
747:
originally entered the market with a guitar-like MIDI controller called the "G-10," considerably less expensive than the SynthAxe. The G-10 had two assignable knobs and an assignable whammy bar and it used six strings, all the same
536:
built into the saddles of the guitar bridge, which conduct the vibrations of the strings as a signal that can be converted into a (13-pin) hexaphonic synth signal. This setup can be found in the xtSA and the LGX models.
450:
The initial GK-1 had 24 output pins, with a resultantly bulky interface cable. The design evolved into a smaller 13-pin format, used in the GK-2, GK-2A, and GK-3 pickups, as well as the GK-3B bass pickup.
957:
The disadvantages for guitar players are that the controller is not exactly a guitar, and the feel is different. Some instruments are rare and expensive, which may make it difficult to repair or service
941:
feedback when the user plays with the guitar's built-in song loops. The guitar can simultaneously drive a game system, an amplifier, headphones, a MIDI synthesizer, and music software via
532:
and a few other guitar manufacturers have offered guitar models with an integrated "RMC hexaphonic pickup and preamp system" that is compatible with Roland devices. The RMC system uses
606:, where the former controls the latter (as in Roland instruments). One of the challenges of guitar synths is that not all performance techniques can be smoothly translated into
814:
Beginning in the early 2000s, Yamaha has re-entered the market with simple midi guitars (EZ-AG and EZ-EG) these have illuminated frets to teach finger technique and 20 voices.
526:, a Standard Series instrument with inbuilt GK-2A hexaphonic pickup kit. Fender had previously offered a short-lived American Series version in the mid-1990s.
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Usually, a cable connects the hexaphonic pickup to the converter. This allows the guitarist to be unencumbered by an on-board converter. However, several
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Among the advantages of synth guitars are that the musician can play either the guitar or the synthesizer alone, or blend the
30:
This article is about guitars that can be played like synthesizers. For keyboard synthesizers that are held like guitars, see
339:(recognizing polyphonic pitches of each string, and possibly able to distinguish combination of fret positions and strings).
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controls (sliders, faders, knobs) for synthesis parameters that are normally available on a standard keyboard synthesizer.
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The You Rock Guitar, introduced in 2010 by You Rock
Digital, combines a MIDI guitar controller/recorder with a patented
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or Roland GR-55 via a cable with 13-pin connectors. The module sits on the floor and has the appearance of a large
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Later, the multi-effects type evolved into modeling guitar, and the other two types evolved into current devices.
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Today's guitar synths are direct descendants of 1970s devices from manufacturers (often in partnership) such as
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Guitar manufacturers that offered models with the installed "Roland-ready" pickup kit include Switch Music,
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technology. Software-based guitar synthesizers without any special pickups have appeared, featuring
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This digital output can be stored or input directly to a synthesizer that generates corresponding
391:(also called a "divided pickup") that provides a separate analog output for each vibrating string;
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and an on-board synthesizer. The instrument supports not only strumming and picking, but also
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The GK drivers or compatible controllers are connected to a dedicated synthesizer module like
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933:. The guitar provides a number of features intended to help gamers become guitarists. The
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and a modulation. The You Rock Guitar is used by guitarists such as George Pajon Jr. (
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A number of well-known guitarists have used guitar synthesizers, often working in the
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each of these analog signals to corresponding digital representations, extracting the
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is not the indispensable feature of guitar synthesizers, especially after advances in
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GR-1 Guitar
Synthesizer Homepage - Patches, Reference, Info, Links and more
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In the early days, there were three main types of guitar-synthesizers:
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918:(2010) featured three guitar controllers. One was modeled after the
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is any one of a number of musical instrument systems that allow a
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sounds. The instrument was previously owned by jazz guitarist
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Though the term "MIDI guitar" is sometimes used as a synonym,
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Roland GK-3 divided pickup mounted on normal electric guitar
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360 Systems
Spectre (mid 1970s) supports the world's first
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Both the SynthAxe and Yamaha G-10 have been discontinued.
1306:
to produce Condor series, according to the product plate.
942:
1116:
Gordon Reid. "The Seeds Of The Quadra: The
Centaur VI".
1076:. Electronic Music Studios (London), Ltd. Archived from
277:
Frequency-to-voltage converter type (using guitar with
121:
is an intermediate result of ARP Centaur VI project.
260:, Holt Electro Acoustic Research, Zeta Systems, and
593:
807:You Rock Guitar (MIDI guitar controller and synth)
598:Some systems consist of two separated parts, the
362:Typical instruments in this category consist of:
308:
1358:
1302:Innovex seems to be a subsidiary or division of
874:
821:guitar. It would be as if a single string were
1074:A Guide to the EMS Product Range - 1969 to 1979
663:
426:made audible through an amplifier and speaker.
319:Both types have advantages and disadvantages.
1067:
1070:"Synthi Hi-Fli (1973, formerly Sound Freak)"
447:a guitar body by a luthier or manufacturer.
287:type (using guitar with fretboard switches)
80:Synthi Hi-Fli (1973) was a very expensive
1169:
1167:
639:part using a sampled flute patch, or play
1119:FOUR IN ONE - ARP Quadra - Part 1 (Retro)
1091:
309:Guitar-synth using non-guitar controllers
208:, 360 Systems, Norlin Music and Maestro,
1150:
991:
675:better suited to driving a synthesizer.
555:
437:
346:
301:: regular guitars equipped with special
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27:Electronic system to modify guitar sound
1271:. GPI Publications. 1988. p. 126.
1173:
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1115:
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569:the need for an external power supply.
14:
1359:
1176:"Hey, what's that sound: Guitar synth"
1109:
433:
410:of each, and passing this data along (
342:
294:Presently, there are two main groups:
1047:
925:"You Rock Guitar" is compatible with
322:
1315:Fuji-Roland was a joint-venture of
64:Hammond Innovex Condor GSM (c.1969)
24:
968:List of guitar synthesizer players
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25:
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725:. Wooten programmed his modified
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594:Translation of guitar techniques
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56:
1347:Misa Digital Guitar information
1337:General MIDI guitar information
1309:
1261:
1246:. Godin Guitars. Archived from
1236:
1099:"360 Systems - Company History"
560:Casio PG-380 MIDI Guitar (1988)
551:
457:Guitars supporting GK interface
1323:to produce guitar-synthesizer.
1296:
1211:
1186:
1055:"Condor Ovation (Around 1970)"
13:
1:
1174:McNamee, David (2010-02-16).
1101:. 360 Systems. Archived from
1040:
875:Video game guitar controllers
729:controller with a variety of
723:Béla Fleck and the Flecktones
1289:
1068:Graham Hinton (2001-06-17).
961:
664:Guitar-like MIDI controllers
496:GK interface was introduced.
337:polyphonic audio recognition
7:
1221:. JamOrigin. Archived from
1196:. JamOrigin. Archived from
987:
929:and Rock Band 3, including
908:Stratocaster Pro Controller
851:techniques, and provides a
187:
10:
1393:
965:
667:
604:interface and sound module
305:that actuate a synthesizer
299:Guitar-synth using guitars
29:
414:in early days, and later
180:Starr Labs Z6 Series Ztar
1160:. Hagstrom UK projects.
1002:
935:You Rock Practice Mode
715:Roy "Futureman" Wooten
561:
524:Fender VG Stratocaster
443:
359:
354:G303 (1979) played by
1342:Synth-Axe information
1304:Hammond Organ Company
1269:Guitar Synth and MIDI
1057:. OvationTribute.com.
995:
893:Pro Guitar Controller
697:(1986) by Bill Aitken
610:and resulting sound.
559:
534:piezo-crystal pickups
441:
404:fundamental frequency
350:
1017:Line 6 Variax guitar
1372:Guitar synthesizers
1219:"Offbeat Guitarist"
865:The Black Eyed Peas
590:for such purposes.
490:Gibson Robot Guitar
434:Roland GK interface
343:Guitar-based models
238:New England Digital
1321:Roland Corporation
1003:
713:and percussionist
562:
444:
360:
323:Software solutions
303:electronic sensors
222:Roland Corporation
39:guitar synthesizer
1019:(modeling guitar)
646:notation programs
600:guitar controller
16:(Redirected from
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1367:Electric guitars
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1122:. Archived from
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978:progressive rock
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588:expression pedal
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313:MIDI controllers
242:Electro-Harmonix
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164:Swede Patch 2000
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1126:on 2006-05-23.
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966:Main article:
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891:Fender Mustang
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1250:on 2013-03-01
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1225:on 2012-11-08
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1200:on 2012-12-27
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1195:
1194:"MIDI Guitar"
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949:Pros and cons
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931:RB 3 Pro Mode
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577:Pros and cons
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1377:Synthesizers
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1252:. Retrieved
1248:the original
1238:
1227:. Retrieved
1223:the original
1213:
1202:. Retrieved
1198:the original
1188:
1180:The Guardian
1179:
1158:"Patch 2000"
1152:
1124:the original
1118:
1111:
1103:the original
1093:
1082:. Retrieved
1078:the original
1073:
1063:
1049:
1007:Effects unit
999:
971:
956:
952:
934:
930:
924:
914:
835:
816:
813:
754:
743:
739:Lee Ritenour
703:
673:
633:
603:
599:
597:
580:
571:
563:
552:MIDI guitars
546:effects unit
539:
528:
501:
449:
445:
428:
423:
421:
418:-formatted).
395:
385:
361:
336:
326:
318:
293:
290:
266:
196:Innovex and
191:
140:Guitar Organ
38:
36:
18:Synth guitar
1244:"Godin LGX"
1023:Synthesizer
980:genres, or
927:Guitar Hero
916:Rock Band 3
869:Josh Kelley
841:fingerboard
818:Starr Labs'
628:pick slides
542:Roland GR-1
518:(RG420GK).
386:hexaphonic
356:Pat Metheny
352:Fuji-Roland
47:synthesizer
1361:Categories
1254:2013-01-25
1229:2013-01-12
1204:2013-01-12
1084:2011-05-10
1041:References
982:soundtrack
853:whammy bar
823:polyphonic
790:Starr Labs
735:percussion
668:See also:
641:percussion
620:hammer-ons
616:palm mutes
400:translates
254:Starr Labs
162:'s hybrid
117:ARP Avatar
45:to access
1290:Footnotes
1142:ignored (
1132:cite book
1012:Guitorgan
962:Musicians
937:provides
827:Rob Swire
794:Rob Swire
658:MuseScore
624:pull-offs
612:Harmonics
396:converter
285:Guitorgan
119:(c.1977)
101:polyphony
43:guitarist
988:See also
831:Pendulum
731:drum kit
727:SynthAxe
721:quartet
706:SynthAxe
695:SynthAxe
650:Sibelius
648:such as
602:and the
504:Washburn
488:(right)
372:acoustic
368:electric
250:Terratec
214:Hagström
188:Overview
160:Hagstrom
137:VOX V251
1317:FujiGen
939:audible
849:sliding
845:tapping
717:of the
583:timbres
412:CV/Gate
279:pickups
252:/Axon,
226:FujiGen
198:Ovation
194:Hammond
166:(1976)
1275:
1028:Keytar
906:Squier
867:) and
861:Fergie
775:Yamaha
745:Yamaha
654:Finale
626:, and
520:Fender
516:Ibanez
514:, and
512:Squier
508:Fender
388:pickup
379:guitar
262:Yamaha
258:Ibanez
234:GR-300
230:GR-500
202:Ludwig
142:(1966)
32:keytar
958:them.
777:EZ-AG
750:gauge
637:flute
566:Casio
530:Godin
471:Godin
424:notes
408:pitch
398:that
246:Casio
210:Ampeg
156:Ampeg
1319:and
1273:ISBN
1144:help
974:jazz
855:for
847:and
733:and
719:jazz
622:and
608:MIDI
416:MIDI
376:bass
329:MIDI
274:type
232:and
224:and
212:and
976:or
943:USB
829:of
656:or
406:or
374:or
370:,
366:an
333:DSP
236:),
218:Arp
206:EMS
78:EMS
1363::
1178:.
1166:^
1136::
1134:}}
1130:{{
1072:.
945:.
871:.
863:,
741:.
660:.
652:,
618:,
614:,
510:,
506:,
492:;
394:a
384:a
264:.
256:,
248:,
244:,
240:,
220:,
216:,
204:,
200:,
37:A
1281:.
1257:.
1232:.
1207:.
1182:.
1146:)
1087:.
381:;
358:.
315:.
281:)
228:(
158:/
103:.
84:.
34:.
20:)
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