368:(MPAA) upon the screening of its first cut. Kizer had to make a series of small edits to eliminate two things he believed the MPAA gave the scene an X-rating for: some of Dameia's facial expressions as she's raped were too "erotic" or "rhapsodic" and some of the motions made by the giant worm and the nude actress entangled in tentacles underneath it simulated sexual intercourse a little too realistically. These tiny cuts allowed the film to maintain its desired R-rating, but even so, the sequence was restricted or the movie was banned from cinematic release in several countries for the lewd sexual content of this scene. Over time, the cut sequences were lost and are not on any currently released version of the film.
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but the monsters can also come with the crew's more adult, psychological fears attached to them. The confrontations generally prove deadly to the crew since most of them are not aware of this and cannot overcome the sense of terror generated by their attackers. O'Connell's character, Dameia, reveals at one point she has a significant fear of worms. Shortly thereafter, she is attacked by a giant 12-foot maggot. Instead of simply devouring and killing her (as the scene was originally written), the monster throws her to the floor, lowers over her, strips the remainder of her uniform completely off, and rapes her. As explained in interviews with O'Connell (
352:), the Dameia character has a strong desire to surrender to sexual domination. Helpless to do anything about what the worm is doing to her, Dameia's initial terror gives way to forced arousal as she submits and is driven to a fatally intense orgasm. Later, her body, shredded uniform and equipment are discovered by her shocked and disgusted crewmates, with the only other clue as to what happened to her being the large amount of slime her body, coated hair to feet, lies in.
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Trapped on an alien world, her character and fellow shipmates find themselves in a giant pyramid built by an ancient culture who used it as a mental playground/testing area for their children. The human crew unwittingly confront the pyramid, which creates monsters from the fears in their own minds,
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The scene as it was released contained enough nudity from the buxom O'Connell (and a body-double used for various shots) and was sexually explicit enough to achieve cult status for the movie and the actress. According to R. J. Kizer on the 2010
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have done features on her, the scene, and the film. O'Connell herself has a prominent role in the commentary of the DVD/Blu-ray release, as well as in its companion feature "Tales from the Lumber Yard" which discusses the making of the film.
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During the 1990s, O'Connell's focus shifted away from acting and into publishing. Her Canoco
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As a result of this, O'Connell has had cameo appearances in several other horror films in the 1990s and early 2000s, and B-movie print productions like
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Apart from acting, O'Connell started and owned the Canoco
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More recently, O'Connell has begun taking acting parts in films again. She has appeared in three films,
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Blu-ray/DVD roundup: Argento & Fulci collections, "VAMPIRE'S KISS," "GRANNY" and more!
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from the article and its talk page, especially if potentially
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Femme
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284:Happy Days
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