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Teenage Engineering OP-1

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display screen. Due to rumors that the synthesizer had been permanently discontinued, the resell value of the OP-1 dramatically increased to surpass its original retail price. In February, Teenage Engineering announced that they would resume production of the OP-1; however, the retail price increased
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The OP-1 won one of Sweden's Design S Awards in 2012. The award committee described the OP-1 as "A technological product which through a clever colour scheme and fantastic graphics is intuitive, easily accessible and incredibly inviting. Music and machine in one". In 2014 it was awarded second prize
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that can be modulated and distorted. DSynth provides a dual oscillator synthesizer with multiple filter types. Voltage is a multi-oscillator synthesizer. The Sampler interface is a sampler, which can take input from the OP-1's built-in microphone, an external audio input, or the builtin FM radio.
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Teenage Engineering was founded in 2005 by Jesper Kouthoofd, David Eriksson, Jens Rudberg and David Mollerstedt. The OP-1 is the first product developed by the company. At the time, the team consisted of nine engineers and software developers. Following an announcement at Frankfurt Musikmesse in
331:. Kouthoofd has also stated that "limitations are OP-1's biggest feature". The synthesizer's designers attempted to use the limitation of physical hardware to encourage the unit to stimulate creativity, which might become unfocused in a limitless environment, such as a 450:
The OP-1 has a fixed-velocity keyboard with 24 keys. Arrow keys are provided to transpose up or down octaves while in synthesizer or drum mode. Four octave shifts up and four shifts down are available giving the user a total range of ten octaves.
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Reception for the OP-1 was largely positive, citing its powerful synthesizer engines and unconventional format and design. However, it has received some criticism for its small size and simplicity, which make it resemble a toy. It also lacks
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One of the key features of the OP-1 is its 320 x 160-pixel OLED display, which shows a graphical representation of the device's current mode. Although some of the displays use traditional symbols, such as the fairly straightforward
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The OP-1's eleven synthesis engines are FM, Cluster, Digital, DNA, DSynth, Dr Wave, String, Phase, Pulse, Sampler, and Voltage. Each is represented by a different graphic on the display screen. The FM engine is a simple
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The OP-1 includes eleven synthesis engines. For each engine, the OP-1's four knobs act as different macro controllers. In addition to a sampler, the OP-1 is preloaded with sampled drum hits. The synthesizer is
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In 2012, Teenage Engineering introduced several "accessories" for the OP-1. These can be used to manipulate the unit's macro effect knobs. One of the accessories makes the OP-1 compatible with
376:. It also includes an FM radio, which can be recorded into the sampler or used to modulate effects. The operating system was updated in 2014 adding additional effects and features. 1182: 323:, CEO Kouthoofd explained that he worked in a music store when he was young, and he was inspired by Japanese synthesizers of the 1980s, such as the VL-Tone and the 315:
manufactured by Casio in 1979. The VL-1 is known for its toy-like novelty sounds and cheap build quality, as well as its inorganic design. In an interview with
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by approximately 35% to cover the new parts and redesigned hardware. The price increase was met with criticism due to a perception of poor resource planning.
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The OP-1 became unavailable for a period from late 2018 to early 2019 due to Teenage Engineering exhausting their stock of the
88: 1253: 1202: 689: 1036: 476: 1238: 469: 116: 381: 912: 272:. The OP-1 was Teenage Engineering's first product; it was released in 2011 following an introduction at the 328: 257: 941:"Teenage Engineering OP-1 synthesizer now available for pre-order, we tour its shiny new features (video)" 1248: 343: 332: 134: 1127:"Tourist: There's very little you can't do with a computer, an OP-1, a phone and an audio interface" 152: 890: 206: 1183:"Lost in the World: Justin Vernon on His New Music Festival and the Uncertain Status of Bon Iver" 639: 966: 845: 181: 110: 66: 8: 1158: 580: 500: 461: 430:, others use more literal or unconventional graphics. For example, the "punch" effect (a 269: 163: 744: 632:"More Than An Office, Teenage Engineering's Minimalist Garage Is A Tinkerer's Paradise" 556: 385: 572: 536: 409: 405: 312: 1126: 990:"Teenage Engineering's new OP-1 gear: it's time to crank, bend, and break the rules" 768:"Teenage Engineering's new OP-1 gear: it's time to crank, bend, and break the rules" 1014: 576: 223: 210: 820:"Teenage Engineering Raises Prices on OP-1, Cancels Orders on New Modular Models" 431: 427: 401: 393: 261: 202: 1222: 917: 479:
includes an OP-1, donated by Teenage Engineering, in its permanent collection.
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and wave shape parameters to distort the sound signal. String creates
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to string pads. Pulse is a square wave engine. Phase provides two
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gears and motors, which can be used to mechanically modulate
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2009, they presented a prototype of the OP-1 at the 2010
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The OP-1 is well known for its unconventional design,
1145: 1085:"Swedish group Amason doing a live session with OP1s" 869:"NAMM 2014 VIDEO: Teenage Engineering OP-1 OS update" 891:"Teenage Engineering - OP-1 Guide: Synthesizer Mode" 472:'s Margaret Guthman Musical Instrument Competition. 287:display, and the depth of its synthesis engines. 1230: 1152:Doherty, Martin; Cook, Iain (October 25, 2013). 739:Kulash, Damian; Carnick, Anna (26 August 2013). 690:"NAMM 2010: Teenage Engineering's OP-1 on video" 596: 981: 958: 860: 738: 307:The design of the OP-1 was influenced by the 304:, and it was released in the following year. 1029: 837: 759: 707: 625: 623: 621: 790: 788: 681: 660: 658: 656: 932: 904: 27: 1162:(Interview). Interviewed by Ryan Coseboom 811: 618: 487:Musicians who have used the OP-1 include 205:), Grid (feedback plate reverb), Spring ( 147:10 engines with exchangeable architecture 1007: 987: 866: 785: 765: 653: 964: 843: 687: 1231: 1055: 1180: 938: 910: 817: 629: 1065:. San Francisco Museum of Modern Art 794: 664: 988:Ingraham, Nathan (28 August 2012). 766:Ingraham, Nathan (28 August 2012). 396:. Dr Wave resembles the sound of a 13: 688:Wickett, Chris (14 January 2010). 477:San Francisco Museum of Modern Art 464:, making it minimally expressive. 362: 16:Portable synthesizer and sequencer 14: 1265: 1216: 867:Rogerson, Ben (24 January 2014). 630:Byrne, Ciara (3 September 2013). 420: 264:designed and manufactured by the 213:), CWO (frequency-shifting delay) 965:Gaughan, Kevin (February 2014). 939:Wolbe, Trent (14 January 2011). 844:Gaughan, Kevin (February 2014). 795:Kirn, Peter (14 February 2019). 606:. Synth Anatomy. 7 December 2018 482: 384:. The Cluster engine produces a 1195: 1174: 1119: 1098: 1077: 818:Orkin, Dan (14 February 2019). 665:Kirn, Peter (17 January 2010). 743:. L'ArcoBaleno. Archived from 290: 276:. It is also considered their 1: 1244:Samplers (musical instrument) 590: 1181:Hyden, Steven (2015-07-08). 1106:"Amason - Duvan / Sofar NYC" 1063:"Teenage Engineering - OP-1" 967:"Teenage Engineering - OP-1" 911:Nagle, Paul (January 2012). 846:"Teenage Engineering - OP-1" 454: 7: 1254:Products introduced in 2011 445: 357: 10: 1270: 913:"Teenage Engineering OP1" 388:sound reminiscent of the 344:low-frequency oscillators 333:digital audio workstation 232: 222: 217: 191: 187:512 MB Nand Flash storage 180: 172: 161: 151: 143: 133: 109: 97: 87: 82: 53: 45: 35: 26: 21: 1225:from Teenage Engineering 717:. Vintage Synth Explorer 408:emulation, ranging from 250:Teenage Engineering OP-1 83:Technical specifications 22:Teenage Engineering OP-1 1239:Polyphonic synthesizers 157:ADSR envelope generator 669:. Create Digital Music 434:) is represented by a 372:, with six voices of 715:"Casio VL-Tone VL-1" 462:velocity sensitivity 311:, a synthesizer and 579:, Romil Hemnani of 501:Swedish House Mafia 400:. Digital provides 392:supersaw. DNA is a 346:and other effects. 270:Teenage Engineering 173:Velocity expression 41:Teenage Engineering 1043:on 14 January 2015 1037:"2014 Competition" 438:illustration of a 573:Animal Collective 537:Jean-Michel Jarre 406:string instrument 327:, an inexpensive 313:pocket calculator 246: 245: 1261: 1249:MIDI controllers 1211: 1210: 1199: 1193: 1192: 1190: 1189: 1178: 1172: 1171: 1169: 1167: 1149: 1143: 1142: 1140: 1138: 1123: 1117: 1116: 1114: 1113: 1102: 1096: 1095: 1093: 1092: 1081: 1075: 1074: 1072: 1070: 1059: 1053: 1052: 1050: 1048: 1033: 1027: 1026: 1024: 1022: 1011: 1005: 1004: 1002: 1000: 985: 979: 978: 976: 974: 962: 956: 955: 953: 951: 936: 930: 929: 927: 925: 908: 902: 901: 899: 897: 887: 881: 880: 878: 876: 864: 858: 857: 855: 853: 841: 835: 834: 832: 830: 815: 809: 808: 806: 804: 792: 783: 782: 780: 778: 763: 757: 756: 754: 752: 747:on 23 March 2015 736: 727: 726: 724: 722: 711: 705: 704: 702: 700: 685: 679: 678: 676: 674: 662: 651: 650: 648: 646: 627: 616: 615: 613: 611: 600: 577:Childish Gambino 233:External control 211:band-pass filter 31: 19: 18: 1269: 1268: 1264: 1263: 1262: 1260: 1259: 1258: 1229: 1228: 1219: 1214: 1201: 1200: 1196: 1187: 1185: 1179: 1175: 1165: 1163: 1150: 1146: 1136: 1134: 1125: 1124: 1120: 1111: 1109: 1104: 1103: 1099: 1090: 1088: 1083: 1082: 1078: 1068: 1066: 1061: 1060: 1056: 1046: 1044: 1035: 1034: 1030: 1020: 1018: 1013: 1012: 1008: 998: 996: 986: 982: 972: 970: 963: 959: 949: 947: 937: 933: 923: 921: 909: 905: 895: 893: 889: 888: 884: 874: 872: 865: 861: 851: 849: 842: 838: 828: 826: 816: 812: 802: 800: 793: 786: 776: 774: 764: 760: 750: 748: 741:"Dream Machine" 737: 730: 720: 718: 713: 712: 708: 698: 696: 686: 682: 672: 670: 663: 654: 644: 642: 628: 619: 609: 607: 602: 601: 597: 593: 485: 457: 448: 432:low-pass filter 423: 402:ring modulation 394:noise generator 365: 363:Sound synthesis 360: 293: 268:-based company 203:low-pass filter 120: 78: 17: 12: 11: 5: 1267: 1257: 1256: 1251: 1246: 1241: 1227: 1226: 1218: 1217:External links 1215: 1213: 1212: 1194: 1173: 1144: 1118: 1097: 1076: 1054: 1028: 1006: 980: 957: 931: 918:Sound on Sound 903: 882: 859: 836: 810: 784: 758: 728: 706: 680: 652: 617: 594: 592: 589: 484: 481: 456: 453: 447: 444: 422: 421:Display screen 419: 390:Roland JP-8000 382:FM synthesizer 364: 361: 359: 356: 292: 289: 244: 243: 234: 230: 229: 226: 220: 219: 215: 214: 197:Delay, Phone ( 195: 189: 188: 185: 178: 177: 174: 170: 169: 166: 159: 158: 155: 149: 148: 145: 144:Synthesis type 141: 140: 137: 131: 130: 113: 107: 106: 101: 95: 94: 91: 85: 84: 80: 79: 77: 76: 70: 64: 57: 55: 51: 50: 47: 43: 42: 39: 33: 32: 24: 23: 15: 9: 6: 4: 3: 2: 1266: 1255: 1252: 1250: 1247: 1245: 1242: 1240: 1237: 1236: 1234: 1224: 1221: 1220: 1209:. 2020-05-11. 1208: 1204: 1198: 1184: 1177: 1161: 1160: 1155: 1148: 1132: 1128: 1122: 1107: 1101: 1086: 1080: 1064: 1058: 1042: 1038: 1032: 1016: 1010: 995: 991: 984: 968: 961: 946: 942: 935: 920: 919: 914: 907: 892: 886: 871:. Music Radar 870: 863: 847: 840: 825: 821: 814: 798: 791: 789: 773: 769: 762: 746: 742: 735: 733: 716: 710: 695: 691: 684: 668: 661: 659: 657: 641: 637: 633: 626: 624: 622: 605: 599: 595: 588: 586: 582: 578: 574: 570: 566: 562: 561:Justin Vernon 558: 554: 550: 546: 542: 541:Damian Kulash 538: 534: 530: 526: 522: 518: 514: 510: 506: 502: 498: 494: 490: 483:Notable users 480: 478: 473: 471: 465: 463: 452: 443: 441: 437: 433: 429: 428:ADSR envelope 418: 415: 411: 407: 403: 399: 395: 391: 387: 383: 377: 375: 371: 355: 352: 347: 345: 341: 336: 334: 330: 326: 322: 318: 317:Damian Kulash 314: 310: 305: 303: 299: 288: 286: 281: 279: 275: 271: 267: 263: 259: 255: 251: 241: 238: 235: 231: 227: 225: 221: 216: 212: 208: 207:spring reverb 204: 200: 196: 194: 190: 186: 183: 179: 175: 171: 167: 165: 160: 156: 154: 150: 146: 142: 138: 136: 132: 128: 124: 118: 114: 112: 108: 105: 102: 100: 96: 92: 90: 86: 81: 74: 71: 68: 65: 62: 59: 58: 56: 52: 49:2011–Present 48: 44: 40: 38: 34: 30: 25: 20: 1223:Product page 1206: 1197: 1186:. Retrieved 1176: 1164:. Retrieved 1157: 1147: 1135:. Retrieved 1133:. 2020-05-11 1130: 1121: 1110:. Retrieved 1108:. 2014-10-25 1100: 1089:. Retrieved 1087:. 2015-11-06 1079: 1067:. Retrieved 1057: 1045:. Retrieved 1041:the original 1031: 1019:. Retrieved 1009: 997:. Retrieved 983: 971:. Retrieved 960: 948:. Retrieved 934: 922:. Retrieved 916: 906: 894:. Retrieved 885: 873:. Retrieved 862: 850:. Retrieved 839: 827:. Retrieved 813: 801:. Retrieved 775:. Retrieved 761: 749:. Retrieved 745:the original 719:. Retrieved 709: 697:. Retrieved 683: 671:. Retrieved 643:. Retrieved 640:Fast Company 635: 608:. Retrieved 598: 581:Brockhampton 533:Depeche Mode 521:Nicky Romero 493:Taylor Swift 486: 474: 470:Georgia Tech 466: 458: 449: 424: 378: 366: 348: 337: 306: 294: 282: 278:core product 249: 247: 218:Input/output 75: 14,995 37:Manufacturer 1166:October 19, 1137:January 16, 1131:Music Radar 896:13 December 553:Tame Impala 414:pulse waves 370:monotimbral 291:Development 254:synthesizer 199:bit crusher 162:Aftertouch 104:Monotimbral 1233:Categories 1207:ClashMusic 1188:2016-08-14 1112:2017-09-04 1091:2017-09-04 1069:1 February 1047:30 January 1021:30 January 1017:. Design S 999:30 January 973:30 January 950:30 January 924:31 January 852:30 January 824:Reverb.com 777:30 January 751:30 January 721:31 January 699:31 January 694:MusicRadar 673:31 January 645:30 January 610:7 December 591:References 569:Dan Deacon 513:Thom Yorke 325:Casio SK-1 242:in and out 209:), Nitro ( 201:), Punch ( 164:expression 153:Attenuator 111:Oscillator 99:Timbrality 1015:"Winners" 994:The Verge 969:. Earmilk 848:. Earmilk 772:The Verge 585:Ivan Dorn 517:Radiohead 497:Biga Ranx 455:Reception 386:distorted 374:polyphony 298:NAMM Show 274:NAMM Show 266:Stockholm 262:sequencer 119:per voice 89:Polyphony 1159:Keyboard 945:Engadget 565:Bon Iver 549:Chvrches 525:Deadmau5 446:Keyboard 436:line art 398:talk box 358:Features 224:Keyboard 139:Multiple 121:(pulse, 875:1 March 557:Tourist 329:sampler 309:VL-Tone 302:Anaheim 258:sampler 228:24 keys 193:Effects 182:Storage 829:29 May 803:29 May 509:Avicii 489:Amason 351:AMOLED 285:AMOLED 184:memory 127:square 799:. CDN 545:OK Go 505:Diplo 440:boxer 321:OK Go 252:is a 69:1,299 63:1,399 54:Price 46:Dates 1168:2015 1139:2024 1071:2015 1049:2015 1023:2015 1001:2015 975:2015 952:2015 926:2015 898:2017 877:2016 854:2015 831:2019 805:2019 779:2015 753:2015 723:2015 701:2015 675:2015 647:2015 636:Labs 612:2018 583:and 529:Beck 475:The 410:bass 340:Lego 260:and 248:The 240:MIDI 67:US$ 563:of 543:of 515:of 468:in 442:. 319:of 300:in 237:USB 135:LFO 123:saw 117:DCO 1235:: 1205:. 1156:. 1129:. 992:. 943:. 915:. 822:. 787:^ 770:. 731:^ 692:. 655:^ 638:. 634:. 620:^ 587:. 575:, 571:, 567:, 559:, 555:, 551:, 547:, 539:, 535:, 531:, 527:, 523:, 519:, 511:, 507:, 503:, 499:, 495:, 491:, 335:. 280:. 256:, 176:No 168:No 125:, 115:1 73:kr 1191:. 1170:. 1141:. 1115:. 1094:. 1073:. 1051:. 1025:. 1003:. 977:. 954:. 928:. 900:. 879:. 856:. 833:. 807:. 781:. 755:. 725:. 703:. 677:. 649:. 614:. 129:) 93:6 61:€

Index


Manufacturer

US$
kr
Polyphony
Timbrality
Monotimbral
Oscillator
DCO
saw
square
LFO
Attenuator
expression
Storage
Effects
bit crusher
low-pass filter
spring reverb
band-pass filter
Keyboard
USB
MIDI
synthesizer
sampler
sequencer
Stockholm
Teenage Engineering
NAMM Show

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