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moved into the theatre after its previous home, the second Salle Favart, had been destroyed by fire. The name Théâtre
Lyrique was restored, and the Opéra-Comique continued to perform in the theatre until 1898, when it returned to the newly built, third Salle Favart. During the company's sojourn on
355:
The theatre was rebuilt in 1874 on the same plans and was at first called the Théâtre
Lyrique-Dramatique, but was soon renamed to Théâtre Historique, which it retained until 1879, when it became Théâtre des Nations.
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in 1869. The Théâtre
Lyrique on the Place du Châtelet was nearly completely destroyed by fire on 21 May 1871 during the recapturing of Paris by the forces of the
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produced a season of
Italian opera at the Théâtre des Nations in 1884. It included on 1 February 1884 the first Paris performance of Massenet's
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447:, who produced there from 1899 for nearly two decades. She opened with a revival of one of her great roles, Victorien Sardou's
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The theatre first acquired the name Théâtre de la Ville in 1968. Since the late 1970s the institution, under the direction of
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by the
Germans in World War II, when the name was changed to Théâtre de la Cité because of Bernhardt's
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323:(1867). Carvalho also presented the first performance of Verdi's revised and expanded version of
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289:. During the company's initial period on the Place du Châtelet, it was under the direction of
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the Place du Châtelet, it presented several operas by
Massenet, including the premieres of
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as
Phanuel, and Giuseppe Villani as Vitellius. In the tenth and final performance of
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presented several premieres at the Théâtre Sarah-Bernhardt, including
Stravinsky's
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In 1899 the theatre was renamed Théâtre Sarah-Bernhardt after the renowned actress
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in 1870 was officially known as the Théâtre
Lyrique Impérial, was designed by the
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took over as director in 1868 and gave the first Paris performances of Wagner's
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between 1860 and 1862 for the opera company more commonly known simply as the
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McCormick, John (1995). "Bernhardt, Sarah" in Banham 1995, pp. 98–99.
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The theatre was once again renamed as the Théâtre des
Nations in 1957.
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991:"Inauguration du nouveau Théâtre-Lyrique (Place du Châtelet)"
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Buildings and structures in the 4th arrondissement of Paris
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productions and has showcased major choreographers such as
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ancestry, until 1947, when it reverted to Sarah-Bernhardt.
469:). Another well known breeches part was the title role of
553:(1985–2008), has been internationally recognised for its
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950:
Second Empire Opera: The Théâtre Lyrique Paris 1851–1870
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Théâtre de l'Opéra-Comique Paris: répertoire 1762-1972
914:
Histoire des théâtres 1402–1904. Notice préliminaire
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The theatre kept the name Sarah Bernhardt until the
415:(1897), as well as the first Paris performances of
777:Based on the corresponding article in the French
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386:on 13 March three De Reszkes could be heard, as
839:Program of the Ballets Russes for 21 May 1929:
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231:. It is located at 2, place du Châtelet in the
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374:as Salomé, Guglielmina Tremelli as Hérodiade,
211:(meaning the City Theatre) is one of the two
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899:Massenet: A Chronicle of His Life and Times
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238:Included among its many previous names are
453:. Other productions included a revival of
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351:Théâtre Historique and Théâtre des Nations
886:. Cambridge: Cambridge University Press.
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735:
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465:in which she played Napoleon's son (the
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967:. Sprimont, Belgium: Editions Mardaga.
14:
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963:Wild, Nicole; Charlton, David (2005).
830:Wild & Charlton 2003, pp. 97, 339.
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277:. That company's earlier theatre, the
80:Théâtre Sarah-Bernhardt (1898) or 1899
258:The theatre, which until the fall of
934:. New Haven: Yale University Press.
607:Galignani's New Paris Guide for 1868
901:. Portland, Oregon: Amadeus Press.
760:
666:Almanach des Spectacles, année 1876
630:Almanach des Spectacles, année 1874
509:(21 May 1929; with choreography by
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884:The Cambridge Guide to the Theatre
366:, in the Italian version entitled
293:and gave the premieres of Bizet's
253:
25:
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803:Walsh 1981, pp. 241–267, 321–322.
656:Walsh 1981, pp. 149–239, 316–321.
67:Théâtre Lyrique-Dramatique (1874)
439:Sarah Bernhardt as Hamlet (1899)
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38:
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503:(12 June 1928) and the revised
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60:Théâtre Lyrique Impérial (1862)
44:Façade on the Place du Châtelet
1008:At The Sarah-Bernhardt Theatre
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701:(Théâtre Lyrique-Dramatique),
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198:www.theatredelaville-paris.com
86:Théâtre Sarah-Bernhardt (1947)
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1:
1042:1862 establishments in France
912:Lecomte, Louis-Henry (1905).
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215:built in the 19th century by
952:. New York: Riverrun Press.
783:version 12 juin 2012 à 11:13
7:
932:Paris – A Musical Gazetteer
378:as Jean, Maurel as Hérode,
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1037:Theatres completed in 1862
563:Anne Teresa De Keersmaeker
177:6 November 1874 (reopened)
92:Théâtre de la Ville (1968)
89:Théâtre des Nations (1957)
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83:Théâtre de la Cité (1941)
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63:Théâtre Lyrique (1870–71)
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812:Walsh 1981, pp. 274–275.
794:Walsh 1981, pp. 149–150.
461:and the premiere of his
27:Theatre in Paris, France
930:Simeone, Nigel (2000).
882:Banham, Martin (1995).
431:Théâtre Sarah-Bernhardt
314:La jolie fille de Perth
248:Théâtre Sarah-Bernhardt
18:Théâtre Sarah-Bernhardt
999:( 2 November 1862) at
897:Irvine, Demar (1994).
723:(Théâtre des Nations).
712:(Théâtre Historique),
513:), and two ballets by
440:
302:Les Troyens à Carthage
296:Les pêcheurs de perles
227:, the other being the
77:Théâtre Lyrique (1887)
1012:Florence Earle Coates
743:Simeone 2000, p. 203.
438:
421:(6 January 1893) and
329:(in French) in 1865.
317:(1867), and Gounod's
821:Irvine 1994, p. 139.
575:Sidi Larbi Cherkaoui
549:(1968–1985) then of
484:Occupation of France
370:. The cast included
137:48.85722°N 2.34806°E
103:2 Place du Châtelet,
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708:28 May 2021 at the
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638:29 May 2021 at the
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533:Théâtre des Nations
388:Josephine de Reszke
283:Boulevard du Temple
244:Théâtre des Nations
229:Théâtre du Châtelet
208:Théâtre de la Ville
133: /
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33:Théâtre de la Ville
916:. Paris: Daragon.
555:contemporary dance
523:(27 May 1927) and
467:Duke of Reichstadt
441:
427:(3 October 1895).
299:(1863), Berlioz's
279:Théâtre Historique
233:4th arrondissement
106:4th arrondissement
32:
1027:Theatres in Paris
973:978-2-87009-898-1
958:978-0-7145-3659-0
940:978-0-300-08053-7
473:'s adaptation of
380:Édouard de Reszke
320:Roméo et Juliette
305:(1863), Gounod's
221:Place du Châtelet
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275:Théâtre Lyrique
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267:Gabriel Davioud
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165:Construction
160:1,600 (1874)
158:1,750 (1868)
54:Former names
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571:Sankai Juku
559:Pina Bausch
511:Serge Lifar
409:(1889) and
406:Esclarmonde
140: /
115:Coordinates
1021:Categories
589:References
128:02°20′53″E
125:48°51′26″N
779:Wikipédia
567:Jan Fabre
515:Prokoviev
363:Hérodiade
264:architect
182:Architect
948:(1981).
859:Archived
846:Archived
717:Archived
706:Archived
695:Archived
672:Archived
636:Archived
463:L'Aiglon
450:La Tosca
384:Erodiade
368:Erodiade
308:Mireille
213:theatres
154:Capacity
1001:Gallica
877:Sources
867:Gallica
418:Werther
326:Macbeth
281:on the
192:Website
100:Address
971:
956:
938:
905:
890:
842:Renard
611:p. 470
506:Renard
488:Jewish
476:Hamlet
336:Rienzi
246:, and
170:Opened
1010:" by
714:p. 43
703:p. 32
692:p. 38
669:p. 75
633:p. 87
594:Notes
412:Sapho
225:Paris
109:Paris
969:ISBN
954:ISBN
936:ISBN
918:View
903:ISBN
888:ISBN
852:and
581:and
269:for
206:The
993:in
920:at
865:at
457:'s
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762:^
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