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rare glimpse of the maturity and compassion he had previously ignored. She offers to release him from their engagement so he can marry the woman he truly loves, thinking he wants to be with Mrs. Rushworth, a married woman with whom he had recently ended a love affair. When he assures May that he loves only her, May appears to trust him, at least at first. Yet after their marriage, she suspects that
Newland is Ellen's lover. Nonetheless, May pretends to be happy before society, maintaining the illusion that she and he have the perfect marriage expected of them. Her unhappiness activates her manipulative nature, and Newland does not see it until too late. To drive Ellen away from him, May tells Ellen of her pregnancy before she is certain of it. Yet there still is compassion in May, even in their mediocre marriage's long years after Ellen's leaving. After May's death, Newland Archer learns she had always known of his continued love for Ellen; as May lay dying, she told their son Dallas that the children could always trust their father, Newland, because he surrendered the thing most meaningful to him out of loyalty to their marriage. Outwardly, May is a picture of Innocence.
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disreputable people such as Julius
Beaufort and Mrs. Lemuel Struthers, and she invites Newland, the fiancé of her cousin May, to visit her. Ellen suffers as much as Newland from their impossible love, but she is willing to live in emotional limbo so long as they can love each other at a distance. Ellen's love for Newland drives her important decisions: dropping divorce from Count Olenski, remaining in America, and offering Newland choice of sexual consummation only once, and then disappearing from his life. Her conscience and responsibility to family complicate her love for Newland. When she learns of May's pregnancy, Ellen immediately decides to leave America, refusing Newland's attempt to follow her to Europe, and so allow cousin May to start her family with her husband Newland. The reception of Ellen's character has changed over time. From a willful temptress to a fabulously independent woman, far ahead of her time, one thing is for certain: “Ellen has only to walk alone across a drawing room to offend its definitions.”
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accomplishments. At the story's start, he is proud and content to dream about a traditional marriage in which he will be the husband-teacher and she the wife-student. His life changes when he meets
Countess Ellen Olenska. Through his relationship with her—first friendship, then love—he begins questioning the values on which he was raised. He sees the sexual inequality of New York society and the shallowness of its customs, and struggles to balance social commitment to May with love for Ellen. He cannot find a place for their love in the intricate, judgmental web of New York society. Throughout the story, he transgresses the boundaries of acceptable behavior for love of Ellen: first following her to Skuytercliff, then Boston, and finally deciding to follow her to Europe (though he changes his mind). In the end, Newland finds that the only place for their love is in his memories. Some scholars see Wharton most in Newland, rather than Ellen.
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staying up to date on the latest fashion, gatherings, appearances, etc. Being accepted by this high society is the most important thing to the people in this novel and they're willing to do anything to be accepted. Being accepted by high-class acquaintances is another common theme that is displayed throughout this novel. Another theme that is clear in the novel is love, whether it be the love between
Newland Archer and May Wellend, or the undeniable love and lust between Newland Archer and Ellen Olenska. Newland Archer's infatuation with May Welland's innocence can't be missed in the beginning scenes of the novel. The theme of innocence changes throughout the novel, as May states she is pregnant only to ensure that Ellen stays away from Newland.
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she has May and Mrs. Welland agree to an earlier wedding date. She controls the money—withholding Ellen's living allowance (when the family is angry with Ellen), and having niece Regina
Beaufort ask for money when in financial trouble. Mrs. Mingott is a maverick in the polite world of New York society, at times pushing the boundaries of acceptable behavior, such as receiving guests in her house's ground floor, though society associates that practice with women of questionable morals. Her welcoming Ellen is viewed skeptically, and she insists the rest of the family support Ellen. Mrs. Mingott was inspired by Edith Wharton's own portly great-great-aunt, Mary Mason Jones, who is said to have given rise to the phrase "
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farewell party for Ellen, Newland makes up his mind to abandon May and follow Ellen to Europe. That night, after the party, Newland resolves to tell May he is leaving her for Ellen. She interrupts him to tell him that she learned that morning that she is pregnant; she reveals that she had told Ellen of her pregnancy two weeks earlier, despite not being sure of it at the time. The implication is that May did so because she suspected the affair and that this is Ellen's reason for returning to Europe. Hopelessly trapped, Newland decides to remain with May and not to follow Ellen, surrendering his love for his child's sake.
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and beautiful cousin. Ellen strikes Archer as the opposite of the innocent and ignorant May. She has returned to New York from Europe after scandalously separating herself (per rumor) from a disastrous marriage to a Polish count. At first, Ellen's arrival and its potential effect on the reputation of his bride-to-be's family disturbs
Newland, but he becomes intrigued by Ellen, who brazenly flouts New York society's fastidious rules. As Newland's admiration for her grows, so do his doubts about marrying May, a perfect product of Old New York society; the match no longer seems the ideal fate he had imagined.
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411:: Ellen's husband, a dissolute aristocrat who drove Ellen away with neglect and misery. At first, Count Olenski is content to let Ellen go. Later, though, he sends his secretary to America to ask Ellen to return, with the stipulation that she only appear as his hostess occasionally. He never appears in the story. He constantly cheats on Ellen, and a veiled remark of Lefferts' implies that he copulates with men, too. What other abuses and infidelities he commits are unknown, but he seems quite malicious.
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desires and wishes. Mrs. Welland is the driving force behind May's commitment to a long engagement. Without her mother's influence, May might have agreed sooner to
Newland's request for an earlier wedding date. After a few years of marriage, Newland Archer foresees in May the attributes of his mother-in-law — a woman who is stolid, unimaginative, and dull. Later he comes to experience the same molding by May which was imposed upon Mr. Welland.
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423:: Cousins of the Archers, and the most powerful people in New York society. They only mingle with people when they are trying to save society. Mrs. Archer goes to the Van der Luydens after New York society snubs Ellen. They invite her to a very exclusive party in honor of the Duke of St. Austrey to show society that they support her. They are said to be based on the
365:: A wealthy young man and a member of Archer's social circle. He is considered the expert on manners. Archer believes that Lefferts is behind New York society's rude refusal to attend the welcome dinner for Ellen. According to Archer, Lefferts makes a big show of his morality every time that his wife, Mrs. Gertrude Lefferts, suspects that he is having an affair.
469:: The aunt who took Ellen to Europe as a child. She now lives in Washington, where Ellen goes to take care of her. During a visit to New York, she tries to persuade Archer to convince Ellen that she should return to the Count. Beaufort's bank failure eventually ruins Mrs. Manson's fortune, and she moves back to Europe with Ellen.
399:: Archer's widowed mother. She does not get out to events often, but loves to hear about society. She and Janey strongly believe in the values of New York society. Like Janey, she views Ellen with suspicion. Henry van der Luyden is her cousin. She is said to be based partly on Edith Wharton's own mother, Lucretia Rhinelander.
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sends up his son alone to meet Ellen, while he waits outside, watching the balcony of her apartment. Newland considers going up, but in the end decides not to; he walks back to his hotel without seeing her. Newland's final words about the love affair are "It's more real to me here than if I went up."
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Twenty-six years later, after May's death, Newland and his eldest son are in Paris. The son, learning that his mother's cousin lives there, has arranged to visit Ellen in her Paris apartment. Newland is stunned at the prospect of seeing Ellen again. On arriving outside the apartment building, Newland
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Ellen's decision to divorce Count
Olenski causes a social crisis for the other members of her family, who are terrified of scandal and disgrace. Living apart can be tolerated, but divorce is unacceptable. To save the Wellands' reputation, a law partner of Newland asks him to dissuade Ellen from going
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with her husband's secretary, and has returned to her family in New York City. She is a free spirit who helps
Newland Archer see beyond narrow New York society. She treats her maid, Nastasia, as an equal, offering the servant her own cape before sending her out on an errand. She attends parties with
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May's cousin and Mrs. Manson
Mingott's granddaughter. She became a countess by marrying Polish Count Olenski, a European nobleman. Her husband was allegedly cruel and abusive, stole Ellen's fortune and had affairs with other women. When the story begins, Ellen has fled her unhappy marriage, lived in
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Newland obsessively seeks a way to leave May and be with Ellen. Despairing of ever making Ellen his wife, he urges her to run away with him, but she refuses. Then Ellen is recalled to New York City to care for her sick grandmother, who accepts her decision to remain separated and agrees to reinstate
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The story's protagonist is a young, popular, and successful lawyer living with his mother and sister in an elegant New York City house. Since childhood, his life has been shaped by the customs and expectations of upper-class New York City society. His engagement to May Welland is one in a string of
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Ellen Olenska and May Welland have also long been at the heart of critical discussion. Originally perceived as having done the right thing by talking about her pregnancy in order to save her marriage, May Welland can also be seen as manipulative rather than sympathetically desperate. Ellen Olenska
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The matriarch of the powerful Mingott family, and grandmother to Ellen and May. She was born Catherine Spicer, to an inconsequential family. Widowed at 28, she has ensured her family's social position through her own shrewdness and force of character. She controls her family: at Newland's request,
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Back in New York and under renewed pressure from Newland, Ellen relents and agrees to meet with him in secret to consummate their relationship. But shortly after their conversation, Newland discovers that Ellen has decided to return to Europe. When May announces that she and Newland are throwing a
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Newland Archer, gentleman lawyer and heir of one of New York City's most illustrious families, happily anticipates his highly desirable marriage to the sheltered and beautiful May Welland. But he finds reason to doubt his choice of bride after the appearance of Countess Ellen Olenska, May's exotic
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Newland Archer's fiancée, then wife. Raised to be a perfect wife and mother, she follows and perfectly obeys all of society's customs. Mostly, she is the shallow, uninterested and uninteresting young woman that New York society requires. When they are in St. Augustine, though, May gives Newland a
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that critics have always admired Wharton's craftsmanship, her attention to structure, and her subtle ironies, along with her description of interiors (attributed to her time as an interior designer). In the decades since the book's publication, critics have placed more stress on the portrayal of
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centers on an upper-class couple's impending marriage, and the introduction of the bride's cousin, plagued by scandal, whose presence threatens their happiness. Though the novel questions the assumptions and morals of 1870s New York society, it never develops into an outright condemnation of the
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One of the most prominent themes that can be seen throughout the text is the idea of wealth and social class. The characters take pride in their social standings and those that come from "old money" feel threatened by those that are coming from "new money". The characters' lives revolve around
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May's mother, who has raised her daughter to be a proper society lady. May's dullness, lack of imagination, and rigid views of appropriate and inappropriate behavior are a consequence of this influence. Augusta has effectively trained her husband, the weak-willed Mr. Welland, to conform to her
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Newland and May marry. He tries to forget Ellen. His society marriage is mediocre, and the social life he once found absorbing has become empty and joyless. Though Ellen lives in Washington and has remained distant, he is unable to cease loving her. Their paths cross while he and May are in
233:(though Reynolds himself never called it that; the title was given by the engraver Joseph Grozer in 1794), and was widely reproduced as the commercial face of childhood in the later half of the 18th century. The title, while ironic, was not as caustic as the title of the story featured in
393:: Archer's dowdy, unmarried sister who never goes out and relies on Archer. She and her mother invite guests to dinner so they can gossip about New York society. Janey disapproves of Ellen, because she is unconventional and independent, and does not simply tolerate her husband's abuse.
493:: The French tutor of Mrs. Carfry's nephew. He fascinates Archer with his life story and intellect. Later, Archer learns that he was Count Olenski's secretary and the man who helped Ellen escape her marriage. The count sends him to Boston to try to convince Ellen to return to Europe.
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377:: An arrogant British banker who tries to have an affair with Ellen. He even follows her to Skuytercliff during the weekend that Archer goes to visit Ellen. His banking business eventually fails, and he leaves New York society in disgrace. His downfall is probably inspired by the
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that it had allowed her to find "a momentary escape in going back to my childish memories of a long-vanished America... it was growing more and more evident that the world I had grown up in and been formed by had been destroyed in 1914." Scholars and readers alike agree that
262:. Newland discovers that Count Olenski wishes Ellen to return to him, but she has refused, although her family wants her to reconcile with him and return to Europe. Frustrated by her independence, the family has cut off her money, as the count had already done.
457:: A journalist. He and Archer are friends, despite their different social circles. He is one of the few people with whom Archer feels that he can have a meaningful conversation. Ned Winsett challenges Archer to think of things outside society.
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Hillary Kelly suggests that Wharton's "status made her story more than believable—it made the story real ... Novelists before Wharton understood that storytelling was an act of exposure, but she built it into the architecture of
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Some weeks later, Newland tells Ellen he loves her; Ellen reciprocates, but is horrified that their love will hurt May, and so does not want him to leave May for her. Newland receives May's telegram agreeing to wed sooner.
371:: The expert on the families that make up New York society. He knows who is related to whom, and the history of every important family. Mrs. Archer and Janey invite him over for dinner when they want to catch up on gossip.
405:: A woman on the fringes of New York society. She is treated with mistrust and scorn until Ellen befriends her. She eventually becomes popular; at the end of the novel, May thinks it appropriate to go to her parties.
207:'s death and in the immediate wake of World War I. We frame the ending remembering the multiple losses... not only the loss of Roosevelt but the destruction of the prewar world and all that Wharton valued in it."
499:: The unfashionable, socially inferior family with whom the Marchioness and Ellen stay while in Newport. They are the guests of honor at Mrs. Emerson Sillerton's party, and seem to be a clever, kind bunch.
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through with the divorce. He succeeds, but in the process comes to care for her. Afraid of falling in love with Ellen, Newland begs May to elope and accelerate their wedding date, but she refuses.
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lived, as well as for the social tragedy of its plot. Wharton was 58 years old at publication; she had lived in that world and had seen it change dramatically by the end of World War I.
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The title is an ironic comment on the polished outward manners of New York society when compared to its inward machinations. It is believed to have been drawn from the popular painting
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387:: Julius Beaufort's wife and Mrs. Manson Mingott's niece. She comes to Mrs. Mingott to ask for a loan when her husband's bank fails. Her visit causes Mrs. Mingott to have a stroke.
199:, in Europe, where the devastation of a new kind of mechanized warfare was felt most deeply. As explained by Millicent Bell in the Cambridge companion to Wharton, "
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505:: May and Archer's eldest child. He takes his father on a trip to Europe. Through Dallas, Archer learns that May felt sorry for his empty heart after Ellen left.
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Wharton was raised in the old world of rigid and proper New York society which features in the story. She had spent her middle years, including the whole of
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511:: Dallas Archer's fiancée and the daughter of Julius Beaufort and his second wife. She asks Dallas to visit Ellen while he and Archer are in Paris.
433:: An English Duke. A cousin of the Van der Luydens, he is the guest of honor at a dinner party thrown by them. Both Ellen and Archer find him dull.
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Rather than focusing on the lavish lifestyle which Newland Archer has not had to work for, some modern readers identify with his grim outlook.
487:: An English acquaintance of Janey and Mrs. Archer. She invites Archer and May to a dinner party while they are on their European wedding tour.
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445:: The senior partner of Archer's law firm. He gives Archer the responsibility of talking Ellen out of her plans to divorce the Count.
145:" New York City. Wharton wrote the book in her 50s, after she was already established as a major author in high demand by publishers.
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institution. The novel is noted for Wharton's attention to detail and its accurate portrayal of how the 19th-century East Coast
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completed in either 1785 or 1788, is believed to have been the inspiration for the title of Wharton's novel.
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titled "The Age of Dissonance" was broadcast, in which characters put on a production of a play version of
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475:: A friend (and possible love interest) of the Marchioness Manson. Archer meets him at Ellen's house.
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A Pair of Bluebloods With Blueprints Real Estate of Edith Wharton’s ‘The Age of Innocence’
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on the night of Archer and May's engagement. She sings in the same opera two years later.
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in San Diego, CA, debuted their Globe-commissioned world premiere of a new adaptation.
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451:: The vain married woman with whom Archer had an affair before his engagement to May.
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Marshall, Scott. "Edith Wharton on Film and Television: A History and Filmography."
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1013:"'The Age of Innocence' at a Moment of Increased Appetite for Eating the Rich"
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is fundamentally a story which struggles to reconcile the old with the new.
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Pictures of Innocence: Portraits of Children from Hogarth to Lawrence
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Previously the Pulitzer Prize for the Novel from 1917–1947
1035:(1996): 15–25. Washington State University. Jan. 15, 2009"
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adapted the novel for the stage. It was produced first on
1070:(1996): 15-25. Washington State University. Jan. 15, 2009
843:: Child Portraiture in Georgian Art and Society", in
803:. New York: University Press of America. p. 33.
751:. Los Altos, California: William Kaufmann, 1981: 9.
173:, which was set in the time of Wharton's childhood,
141:". The story is set in the 1870s, in upper-class, "
917:. Cambridge: Cambridge University Press. pp.
822:. Cambridge: Cambridge University Press. pp.
788:. New York: The Curtis Publishing Co. p. 56.
704:and find their personal lives mirroring the play.
694:In 2009, an episode of the television teen drama
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2205:Martin Dressler: The Tale of an American Dreamer
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203:was composed and first read in the aftermath of
119:. Later that year, it was released as a book by
687:for her performance, and the film also won the
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1846:The Collected Stories of Katherine Anne Porter
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3020:American novels adapted into television shows
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2264:The Amazing Adventures of Kavalier & Clay
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562:Film, television, and theatrical adaptations
347:: A famous singer who performs in the opera
2980:Pulitzer Prize for the Novel-winning works
2764:Fighting France: From Dunkerque to Belfort
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537:money and class distinctions in the book.
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606:as Newland Archer. This film is now lost.
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998:The Critical Reception of Edith Wharton
978:. Cambridge University Press. pp.
957:The Critical Reception of Edith Wharton
896:The Critical Reception of Edith Wharton
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771:The Critical Reception of Edith Wharton
719:was produced by The Hartford Stage and
534:The Critical Reception of Edith Wharton
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237:, which Wharton had published in 1905.
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1894:The Collected Stories of Jean Stafford
959:. Rochester: Camden House. p. 93.
898:. Rochester: Camden House. p. 90.
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773:. Rochester: Camden House. p. 80.
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932:Gray, Christopher (January 2, 2014).
689:Academy Award for Best Costume Design
628:, a film adaptation was directed for
18:The Age of Innocence (disambiguation)
2348:The Brief Wondrous Life of Oscar Wao
2157:A Good Scent from a Strange Mountain
1011:Kelly, Hillary (December 26, 2020).
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801:Edith Wharton's Old New York Society
427:, who were cousins of Edith Wharton.
944:from the original on June 13, 2018.
786:A Backward Glance: An Autobiography
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109:is a 1920 novel by American author
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3025:American novels adapted into plays
2990:American novels adapted into films
2121:The Mambo Kings Play Songs of Love
974:The Cambridge Companion to Wharton
913:The Cambridge Companion to Wharton
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1182:The Age of Innocence (audio book)
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1047:from the original on June 5, 2010
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2954:The Mount (Lenox, Massachusetts)
1774:The Travels of Jaimie McPheeters
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3015:D. Appleton & Company books
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707:In 2018, a stage adaptation by
421:Louisa and Henry van der Luyden
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125:1921 Pulitzer Prize for Fiction
97:1921 Pulitzer Prize for Fiction
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873:. Black & White Classics.
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818:Cambridge Companion to Wharton
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573:in the Broadway production of
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1870:The Confessions of Nat Turner
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175:was a softer and gentler work
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671:as May Welland Archer, with
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3000:Novels set in New York City
2426:All the Light We Cannot See
2384:A Visit from the Goon Squad
1989:The Stories of John Cheever
1209:Photos of the first edition
1202:public domain audiobook at
590:adaptation was released by
532:Helen Killoran explains in
322:Keeping up with the Joneses
229:that later became known as
23:1920 novel by Edith Wharton
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3005:Novels set in Rhode Island
1655:Tales of the South Pacific
1504:Thomas Sigismund Stribling
1439:The Bridge of San Luis Rey
1280:Pulitzer Prize for Fiction
1086:Retrieved January 15, 2017
1000:. Rochester: Camden House.
15:
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2800:
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2718:
2673:
2623:The Custom of the Country
2598:
2255:
1950:
1693:
1528:Josephine Winslow Johnson
1406:
1388:
1316:The Magnificent Ambersons
1295:
1286:
996:Killoran, Hellen (1995).
894:Killoran, Hellen (2001).
769:Killoran, Hellen (2001).
644:as Countess Olenska, and
636:(based on both the novel
515:
467:Marchioness Medora Manson
121:D. Appleton & Company
92:
84:
74:
69:D. Appleton & Company
64:
56:
46:
31:
2817:The Glimpses of the Moon
2783:The Book of the Homeless
2756:The Decoration of Houses
2647:The Glimpses of the Moon
2450:The Underground Railroad
1834:The Keepers of the House
1576:Marjorie Kinnan Rawlings
1238:Theatre Guild on the Air
970:Bell, Millecent (1995).
955:Killoran, Helen (2001).
909:Bell, Millicent (1995).
814:Bell, Millicent (1995).
799:Zihala, Maryann (2002).
602:as Countess Olenska and
525:Changing perceptions of
3010:Novels set in the 1870s
2985:Novels by Edith Wharton
2833:The Marriage Playground
2729:The Greater Inclination
2402:The Orphan Master's Son
2241:Interpreter of Maladies
2013:A Confederacy of Dunces
1918:The Optimist's Daughter
1726:The Old Man and the Sea
1516:Caroline Pafford Miller
869:Wharton, Edith (2015).
784:Wharton, Edith (1933).
2001:The Executioner's Song
1564:John Phillips Marquand
1097:"The Age of Innocence"
1083:..The Age of Innocence
849:Holburne Museum of Art
578:
541:brings up the general
162:
1851:Katherine Anne Porter
1798:To Kill a Mockingbird
1762:A Death in the Family
1559:The Late George Apley
663:as Countess Olenska,
569:
403:Mrs. Lemuel Struthers
260:Newport, Rhode Island
151:
27:The Age of Innocence
2975:1920 American novels
2881:The Age of Innocence
2841:The Age of Innocence
2825:The Age of Innocence
2639:The Age of Innocence
2085:A Summons to Memphis
1982:James Alan McPherson
1480:Margaret Ayer Barnes
1364:The Able McLaughlins
1328:The Age of Innocence
1222:The Age of Innocence
1199:The Age of Innocence
1167:The Age of Innocence
1162:(1920 first edition)
1156:The Age of Innocence
1145:The Age of Innocence
1131:The Age of Innocence
1068:Edith Wharton Review
1033:Edith Wharton Review
871:The Age Of Innocence
841:The Age of Innocence
702:The Age of Innocence
640:the play), starring
621:as Countess Olenska.
611:Margaret Ayer Barnes
575:The Age of Innocence
558:and weaponized it."
556:The Age of Innocence
527:The Age of Innocence
328:Mrs. Augusta Welland
231:The Age of Innocence
216:American upper class
211:The Age of Innocence
201:The Age of Innocence
190:The Age of Innocence
185:The Age of Innocence
171:The Age of Innocence
154:The Age of Innocence
106:The Age of Innocence
16:For other uses, see
2549:Jayne Anne Phillips
1810:The Edge of Sadness
1779:Robert Lewis Taylor
1672:James Gould Cozzens
1619:Journey in the Dark
1583:The Grapes of Wrath
1451:Scarlet Sister Mary
617:, where it starred
397:Mrs. Adeline Archer
357:Mrs. Lovell Mingott
315:Mrs. Manson Mingott
227:Sir Joshua Reynolds
38:1920 first edition
28:
2916:The House of Mirth
2897:The House of Mirth
2809:The House of Mirth
2607:The House of Mirth
2527:Barbara Kingsolver
2498:The Night Watchman
2317:Marilynne Robinson
2234:Michael Cunningham
2162:Robert Olen Butler
2018:John Kennedy Toole
1882:House Made of Dawn
1786:Advise and Consent
1648:Robert Penn Warren
1643:All the King's Men
1547:Gone with the Wind
679:. Ryder earned an
579:
473:Dr. Agathon Carver
431:Duke of St Austrey
235:The House of Mirth
180:The House of Mirth
163:
26:
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2961:
2942:
2941:
2737:Crucial Instances
2558:
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2467:Andrew Sean Greer
2443:Viet Thanh Nguyen
2293:Jeffrey Eugenides
2217:American Pastoral
2210:Steven Millhauser
2181:The Stone Diaries
2169:The Shipping News
2109:Breathing Lessons
1936:The Killer Angels
1684:A. B. Guthrie Jr.
1660:James A. Michener
1552:Margaret Mitchell
1535:Honey in the Horn
1511:Lamb in His Bosom
1187:Project Gutenberg
1150:Project Gutenberg
747:Nelson, Randy F.
728:Old Globe Theatre
683:nomination and a
661:Michelle Pfeiffer
619:Katharine Cornell
571:Katharine Cornell
369:Sillerton Jackson
363:Lawrence Lefferts
344:Christine Nilsson
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2360:Olive Kitteridge
2329:Geraldine Brooks
2193:Independence Day
2145:A Thousand Acres
2037:The Color Purple
1887:N. Scott Momaday
1839:Shirley Ann Grau
1827:William Faulkner
1755:MacKinlay Kantor
1743:William Faulkner
1731:Ernest Hemingway
1714:The Caine Mutiny
1631:A Bell for Adano
1595:In This Our Life
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2300:The Known World
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2174:E. Annie Proulx
2061:Foreign Affairs
2054:William Kennedy
1959:Humboldt's Gift
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1911:Wallace Stegner
1906:Angle of Repose
1863:Bernard Malamud
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1523:Now in November
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425:Van Rensselaers
385:Regina Beaufort
375:Julius Beaufort
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2857:The Old Maid
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2256:2001–present
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241:Plot summary
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2873:Ethan Frome
2794:Adaptations
2748:Non-fiction
2721:collections
2719:Short story
2692:Ethan Frome
2544:Night Watch
2537:Hernan Diaz
2419:Donna Tartt
2222:Philip Roth
2150:Jane Smiley
2138:John Updike
2030:John Updike
1964:Saul Bellow
1822:The Reivers
1791:Allen Drury
1719:Herman Wouk
1636:John Hersey
1381:Edna Ferber
1352:One of Ours
1340:Alice Adams
1230:Adaptations
1106:26 February
851:, pp. 7–8.
717:Boyd Gaines
697:Gossip Girl
659:, starring
655:directed a
642:Irene Dunne
630:RKO Studios
588:silent-film
485:Mrs. Carfry
455:Ned Winsett
292:May Welland
197:World War I
134:Main Street
40:dust jacket
2969:Categories
2908:Television
2353:Junot Díaz
2114:Anne Tyler
1977:Elbow Room
1803:Harper Lee
1767:James Agee
1415:Arrowsmith
1304:His Family
1172:Faded Page
857:0903679094
839:. (2005) "
735:References
648:as Archer.
646:John Boles
491:M. Rivière
166:Background
143:Gilded Age
2775:As editor
2288:Middlesex
2229:The Hours
1951:1976–2000
1858:The Fixer
1694:1951–1975
1499:The Store
1407:1926–1950
1296:1918–1925
1215:Resources
1051:March 19,
711:starring
651:In 1993,
609:In 1928,
205:Roosevelt
65:Publisher
2889:The Reef
2674:Novellas
2615:The Reef
2336:The Road
2049:Ironweed
1702:The Town
1204:LibriVox
1174:(Canada)
1124:Editions
1101:Playbill
1042:Archived
942:Archived
847:. Bath:
615:Broadway
437:Nastasia
57:Language
2947:Related
2372:Tinkers
2097:Beloved
1738:A Fable
60:English
2935:(2023)
2927:(1995)
2919:(1981)
2900:(2000)
2892:(1999)
2884:(1993)
2876:(1993)
2868:(1990)
2860:(1939)
2852:(1934)
2844:(1934)
2836:(1929)
2828:(1924)
2820:(1923)
2812:(1918)
2786:(1916)
2767:(1915)
2759:(1897)
2740:(1901)
2732:(1899)
2711:(1924)
2703:(1916)
2695:(1911)
2687:(1900)
2666:(1938)
2658:(1927)
2650:(1922)
2642:(1920)
2634:(1917)
2631:Summer
2626:(1913)
2618:(1912)
2610:(1905)
2599:Novels
2551:(2024)
2539:(2023)
2517:(2022)
2505:(2021)
2493:(2020)
2481:(2019)
2469:(2018)
2457:(2017)
2445:(2016)
2433:(2015)
2421:(2014)
2409:(2013)
2397:(2012)
2391:(2011)
2379:(2010)
2367:(2009)
2355:(2008)
2343:(2007)
2331:(2006)
2319:(2005)
2312:Gilead
2307:(2004)
2295:(2003)
2283:(2002)
2271:(2001)
2248:(2000)
2236:(1999)
2224:(1998)
2212:(1997)
2200:(1996)
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2056:(1984)
2044:(1983)
2032:(1982)
2020:(1981)
2008:(1980)
1996:(1979)
1984:(1978)
1972:(1977)
1966:(1976)
1943:(1975)
1931:(1974)
1925:(1973)
1913:(1972)
1901:(1970)
1889:(1969)
1877:(1968)
1865:(1967)
1853:(1966)
1841:(1965)
1829:(1963)
1817:(1962)
1805:(1961)
1793:(1960)
1781:(1959)
1769:(1958)
1757:(1956)
1745:(1955)
1733:(1953)
1721:(1952)
1709:(1951)
1686:(1950)
1674:(1949)
1662:(1948)
1650:(1947)
1638:(1945)
1626:(1944)
1614:(1943)
1602:(1942)
1590:(1940)
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1566:(1938)
1554:(1937)
1542:(1936)
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1518:(1934)
1506:(1933)
1494:(1932)
1482:(1931)
1470:(1930)
1458:(1929)
1446:(1928)
1434:(1927)
1383:(1925)
1376:So Big
1371:(1924)
1359:(1923)
1347:(1922)
1335:(1921)
1323:(1919)
1311:(1918)
877:
855:
755:
577:(1928)
516:Themes
308:Venice
93:Awards
47:Author
2532:Trust
2324:March
1236:1947
1045:(PDF)
1038:(PDF)
350:Faust
177:than
2801:Film
2462:Less
1108:2024
1053:2010
875:ISBN
853:ISBN
753:ISBN
715:and
675:and
626:1934
586:, a
584:1924
131:for
80:1920
2547:by
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638:and
632:by
624:In
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225:by
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988:^
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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