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The Autumn Garden

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year and promises to divorce him afterward. The General agrees, and confesses to Edward Crossman that he was almost relieved to have an excuse to not go through with the divorce. Constance finally confesses to Edward her feelings for him, and she asks him to marry her. He declines, explaining that he is just a drunk, who gets drunker every year. He confesses that coming to her boarding house every year is a vain attempt to sustain the illusion of a dignified life that he does not actually live.
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is crumbling. Sophie does not love Frederick, but she believes marrying him will be an acceptable way to end her dead-end existence in the boarding house. Constance is horrified to realize that Sophie will not marry for love, and insists, despite all the evidence surrounding her to the contrary, that marriages must be based on love.
88:. The play is set in September, 1949 in a summer home in a resort on the Gulf of Mexico, about 100 miles from New Orleans. The play is a study of the defeats, disappointments and diminished expectations of people reaching middle age. For inspiration, Hellman drew on her memories of her time in her aunts' boardinghouse. 116:
As Nina is leaving, Nicholas talks his way back into her heart, and she is happy to continue their destructive cycle by reuniting. Before she leaves, Nina is cornered by Sophie who demands $ 5,000 for the shame that Nicholas has caused her. Revealing how sophisticated she really is, she consoles Nina
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Frederick is engaged to be married to Sophie Tuckerman, who was adopted by Constance and brought to America from France when she was 13. She works with Leon to help Constance run the boarding house. Constance is overwrought with anxiety over the impending arrival of Nina and Nicholas Denery, who will
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It does not take long for the fissures in all of the characters' facades to show themselves. The Griggs are elegantly adversarial towards one another. Carrie is desperate to impose her will on her son. Nicholas, contrary to Constance's continued delusion, is a failed artist, and his marriage to Nina
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Rose Griggs presents a letter from her doctor to the General. He has asked her for a divorce, but she reveals that she has heart trouble that could kill her. The doctor's note explains that with the right treatment, she could be healthy again in a year. She begs the General to stay with her for the
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As the week progresses, the characters grow more disillusioned with themselves and each other. Nicholas gets frightfully drunk one night and breaks up with Nina again. Later, he propositions Sophie, who allows him to kiss her. He passes out in her bed. The next morning, the house is scandalized by
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The events of the play unfold over the course of one week at Constance Tuckerman's boarding house on the Gulf Coast. A few of her regular guests are enjoying post-dinner cocktails. Rose Griggs is trying to get her husband, General Benjamin Griggs, to admire her dress, which she has put on for a
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to not think of it as blackmail, but so much as a premium to be paid for the privilege of continuing to play at happiness with Nicholas a little while longer. Nina agrees to pay her the money. Sophie decides that she will use it to return to France.
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party. Young Frederick Ellis and his grandmother Mrs. Mary Ellis are reading the galleys for a novel that Frederick is about to publish. His mother Carrie Ellis and Edward ("Ned") Crossman are the other guests in the lounge, as the play opens.
160: 255:. Individual critics had mixed feelings about the play, finding the characters dislikable and the conclusion unsatisfying but still considering it her best work. 270:
had both praise and criticism, calling it "scrupulous" and the characterization, "written...of knowledge and integrity", but the play "boneless and torpid.".
92:, who had been Hellman's lover for 20 years, helped her write the play and received 15 percent of the royalties. Of all Hellman's plays it was her favorite. 172: 286: 196: 565: 570: 499: 465: 431: 400: 375: 328: 290: 282: 113:
his presence in her bed, knowing that the neighbors can see through the window, and Sophie will be the talk of the town.
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spend the weekend at her house. Nicholas was the love of her life, before he left to become an artist in New York.
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was not satisfied with the play but nevertheless voted for it to win the New York Drama Critics' Circle Award.
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production that opened on March 7, 1951, at the Coronet Theatre (now the
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Southern Women Playwrights: New Essays in Literary History and Criticism
223:), where it ran for 101 performances. Incidental music was composed by 190: 148: 67: 243:
Hellman's previous work had drawn on the social realism of
365: 312: 251:the critics perceived an influence of the works of 453:Lillian Hellman: A Life with Foxes and Scoundrels 542: 366:McDonald, Robert L.; Linda Rohrer Paige (2002). 319:. University of South Carolina Press. pp.  308: 306: 203: 124: 445: 443: 303: 370:. University of Alabama Press. p. 35. 342: 340: 313:Griffin, Alice; Geraldine Thorsten (1999). 349:"What They Left Undone on Summer Vacation" 449: 440: 293:for his work on the Broadway production. 273: 479: 477: 384: 346: 337: 281:was nominated for, but did not win, the 543: 483: 474: 415: 238: 227:, scenic and lighting design were by 409: 390: 291:Tony Award for Best Stage Technician 283:New York Drama Critics Circle Award 13: 359: 14: 582: 566:Southern United States in fiction 512: 490:. Simon & Schuster. p.  347:Brantley, Ben (22 August 2007). 531:​The Autumn Garden​ 520:​The Autumn Garden​ 571:Plays set in the United States 1: 316:Understanding Lillian Hellman 296: 145:..... General Benjamin Griggs 393:A Dashiell Hammett Companion 231:, and costume design was by 204:Original Broadway production 125:Principal opening night cast 7: 450:Martinson, Deborah (2005). 10: 587: 536:Internet Broadway Database 525:Internet Broadway Database 419:The Detective in Hollywood 395:. Greenwood. p. 112. 181:..... Constance Tuckerman 63: 55: 41: 33: 23: 18: 561:Plays by Lillian Hellman 484:Wright, William (2000). 456:. Counterpoint. p.  391:Gale, Robert L. (2000). 95: 274:Awards and nominations 221:Eugene O'Neill Theatre 169:..... Sophie Tuckerman 422:. Doubleday. p.  187:..... Nicholas Denery 157:..... Frederick Ellis 151:..... Edward Crossman 139:..... Mrs. Mary Ellis 143:Colin Keith-Johnston 416:Tuska, Jon (1978). 233:Anna Hill Johnstone 353:The New York Times 239:Critical reception 209:Kermit Bloomgarden 163:..... Carrie Ellis 501:978-0-7432-1073-7 467:978-1-58243-315-8 433:978-0-385-12093-7 402:978-0-313-31095-9 377:978-0-8173-1079-0 330:978-1-57003-302-5 279:The Autumn Garden 249:The Autumn Garden 193:..... Nina Denery 173:Maxwell Glanville 133:..... Rose Griggs 131:Florence Eldridge 77:The Autumn Garden 73: 72: 56:Original language 19:The Autumn Garden 578: 506: 505: 481: 472: 471: 447: 438: 437: 413: 407: 406: 388: 382: 381: 363: 357: 356: 344: 335: 334: 310: 90:Dashiell Hammett 16: 15: 586: 585: 581: 580: 579: 577: 576: 575: 541: 540: 515: 510: 509: 502: 487:Lillian Hellman 482: 475: 468: 448: 441: 434: 414: 410: 403: 389: 385: 378: 364: 360: 345: 338: 331: 311: 304: 299: 276: 268:Brooks Atkinson 241: 225:Marc Blitzstein 206: 161:Margaret Barker 127: 98: 86:Lillian Hellman 48: 46:Coronet Theatre 42:Place premiered 28:Lillian Hellman 12: 11: 5: 584: 574: 573: 568: 563: 558: 556:Broadway plays 553: 539: 538: 527: 514: 513:External links 511: 508: 507: 500: 473: 466: 439: 432: 408: 401: 383: 376: 358: 336: 329: 301: 300: 298: 295: 275: 272: 264:New York Times 240: 237: 213:Harold Clurman 205: 202: 201: 200: 194: 188: 182: 176: 170: 164: 158: 152: 146: 140: 137:Ethel Griffies 134: 126: 123: 97: 94: 71: 70: 65: 61: 60: 57: 53: 52: 43: 39: 38: 35: 34:Date premiered 31: 30: 25: 21: 20: 9: 6: 4: 3: 2: 583: 572: 569: 567: 564: 562: 559: 557: 554: 552: 549: 548: 546: 537: 533: 532: 528: 526: 522: 521: 517: 516: 503: 497: 493: 489: 488: 480: 478: 469: 463: 459: 455: 454: 446: 444: 435: 429: 425: 421: 420: 412: 404: 398: 394: 387: 379: 373: 369: 362: 354: 350: 343: 341: 332: 326: 322: 318: 317: 309: 307: 302: 294: 292: 289:won the 1951 288: 287:Richard Raven 284: 280: 271: 269: 265: 261: 258:For example, 256: 254: 253:Anton Chekhov 250: 246: 236: 234: 230: 226: 222: 218: 215:directed the 214: 211:produced and 210: 198: 195: 192: 189: 186: 185:Fredric March 183: 180: 179:Carol Goodner 177: 174: 171: 168: 165: 162: 159: 156: 153: 150: 147: 144: 141: 138: 135: 132: 129: 128: 122: 118: 114: 110: 106: 102: 93: 91: 87: 83: 79: 78: 69: 66: 62: 58: 54: 51: 50:New York City 47: 44: 40: 37:March 7, 1951 36: 32: 29: 26: 22: 17: 530: 519: 486: 452: 418: 411: 392: 386: 367: 361: 352: 315: 278: 277: 263: 260:John Gassner 257: 248: 245:Henrik Ibsen 242: 207: 167:Joan Lorring 155:James Lipton 119: 115: 111: 107: 103: 99: 76: 75: 74: 199:..... Hilda 197:Lois Holmes 551:1951 plays 545:Categories 297:References 229:Howard Bay 191:Jane Wyatt 175:..... Leon 149:Kent Smith 80:is a 1951 24:Written by 217:Broadway 534:at the 523:at the 266:critic 59:English 498:  464:  430:  399:  374:  327:  321:76–88 247:. In 68:Drama 64:Genre 496:ISBN 462:ISBN 428:ISBN 397:ISBN 372:ISBN 325:ISBN 96:Plot 82:play 492:237 458:237 424:198 84:by 547:: 494:. 476:^ 460:. 442:^ 426:. 351:. 339:^ 323:. 305:^ 285:. 235:. 504:. 470:. 436:. 405:. 380:. 355:. 333:.

Index

Lillian Hellman
Coronet Theatre
New York City
Drama
play
Lillian Hellman
Dashiell Hammett
Florence Eldridge
Ethel Griffies
Colin Keith-Johnston
Kent Smith
James Lipton
Margaret Barker
Joan Lorring
Maxwell Glanville
Carol Goodner
Fredric March
Jane Wyatt
Lois Holmes
Kermit Bloomgarden
Harold Clurman
Broadway
Eugene O'Neill Theatre
Marc Blitzstein
Howard Bay
Anna Hill Johnstone
Henrik Ibsen
Anton Chekhov
John Gassner
Brooks Atkinson

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