333:
Virginia, who are now married and wealthy. Clifford tells the officers during college, Hal was a handsome college football star who competed with
Clifford for Virginia's affections. One day, while helping Hal prepare for a chemistry exam, a jealous Clifford deliberately gave him the wrong answers, resulting in Hal being asked by Professor Cushman to remain after class for extra work. While working on a chemistry experiment, Clifford walks by the window with Virginia to boast. Furious, Hal hurls a beaker to the ground, accidentally causing an explosion that disfigures his face. Donnelly speculates that Hal is the Creeper, and that he killed Professor Cushman and Joan because he holds them partially responsible for his accident.
635:. In both films, the protagonists are shunned by society based on their physical appearance, but find companionship in a blind loner who knows nothing about their deformities. In both instances, the protagonist is first drawn to their blind companions by music. The Creeper heard Helen playing the piano, while Frankenstein's monster heard the hermit playing the violin. Commentators have noted other similarities between the two films. For example, the Creeper smashes a mirror after looking at his misshapen face, much like the Monster lashes out at his reflection in a waterfall pool.
325:
her home and identifies himself as Hal Moffet. Joan screams hysterically at the sight of him until he is driven to kill her. When police cars approach, the
Creeper climbs the fire escape of a city tenement building to escape and enters the apartment of Helen Paige, a blind pianist. Unable to see the Creeper's deformed face, Helen is not afraid of the intruder, even when he admits to fleeing. When police officers knock on her door, failing to identify themselves, Helen encourages him to hide in her bedroom, where he escapes through the window.
299:, which distributed the film without any mention of Universal's involvement in publicity or credits. (Universal did in fact continue to produce a few more small-budget productions, but these commitments had begun in 1946 and had to be completed over the next year.) Universal may have concluded that the exploitation of Hatton's deformity for the third time (in which evidence of his impending demise may be foreshadowed in his acting) to be detrimental to its corporate image, but did not want to take a financial loss by simply shelving the film.
500:
329:
and leaves them at a door, where the
Creeper takes them into his hideout. But, when Jimmy tries to spy on him through a window, the Creeper sneaks up on Jimmy and kills him. Meanwhile, at the police station, Captain M.J. Donelly and Lieutenant Gates receive complaints from the mayor's office about their failure to arrest the Creeper, but they deflect the blame. The two officers then get a call about the missing delivery boy and head to the dock to investigate.
552:'s script seeks to humanize the character and elicit more sympathy for him than the Creeper's other films, in which he is generally portrayed as a two-dimensional murderer. The origin of the Creeper is based partially on autobiographical details from Hatton's real life. Before becoming disfigured by an accident, the Creeper was a handsome young college football hero. Hatton himself was also a football player at the
337:
face, Hal angrily storms out. He then goes to the Scott residence and demands money from
Clifford and Virginia, whom he blames for his disfigurement. Clifford draws a gun and shoots Hal twice in the stomach, but the weakened Hal manages to strangle Clifford to death before escaping with Virginia's jewels. He brings them to Helen, who is concerned about Hal's injuries, but he flees before she can learn he is shot.
657:, Neal portrayed Scott both in his older years and in the flashback scenes, where the character appears as a college student. To differentiate between the two, Neal was fitted with make-up and costumes to make him better resemble a middle-aged man during his non-flashback scenes. Jane Adams was cast as the blind pianist Helen Paige. Adams had appeared in several Universal films before, including the
1110:
1032:
341:
newspapers run stories about Helen cooperating with police, which infuriates Hal. Feeling betrayed, he sneaks back into her apartment and finds her playing the piano. Sneaking up from behind, Hal is about to strangle her when the police seize and arrest him. The film ends with
Donelly and Gates assuring Helen she will get the operation she needs.
953:
were highly critical of the film's dialogue, and claimed much of the script seemed to be "time-killing stuff" to pad the film's already-short running time. They wrote that Hatton's acting was so bad, it "wouldn't be acceptable even at a pre-production cast get-together and table reading, much less in
917:
critic Arthur
Winsten criticized the story and the acting of Rondo Hatton, commenting that his facial disfigurements alone did not make up for his poor acting skills: "Just as clothes don't make a gentleman, so a face doesn't make both a villain and continuous thrills. All this picture has is a face,
852:
Universal sold the film to PRC for $ 125,000, which represented the negative cost plus interest. The transaction occurred around August 1946, but was not made public until it was screened for the trade press on
October 1, marking its official release date. The sale occurred so quickly and hastily on
336:
Meanwhile, the
Creeper goes to a pawn store to buy a brooch for Helen, and kills the pawnbroker following a fight. He later brings the brooch to Helen, who he realizes for the first time is blind. Hal learns she needs $ 3,000 for surgery that would restore her eyesight. When Helen tries to touch his
904:
trade journal, found that the film had some suspenseful moments and could be enjoyed by fans of the genre, but that the overall effect was "artificial and stagy". The reviewer stated most audiences "will find it tiresome in plot and in treatment in fact, some of the action and dialogue may provoke
745:
was filmed, and it made acting difficult for him. Hatton had trouble remembering his lines, focusing on his performance, and responding to the other actors. Hatton occasionally appears confused even on screen, like during one scene where he says "yes" while shaking his head "no". Adams called him a
646:
marked one of several films in which
Universal cast Hatton as a murderer, taking advantage of his natural deformities for shock value. As a result of his acromegaly, Hatton had abnormally enlarged and shaped bones on his head and hands, and the Universal publicity department often promoted the fact
328:
The next day, a general store delivery boy named Jimmy listens to a radio report about the
Creeper's murders. The cantankerous store owner Mr. Haskins arrives with a handwritten letter slipped under the door, requesting groceries be delivered to a nearby dock. Jimmy brings the groceries to the dock
966:
is an example of what he calls the "terror film", a genre distinguishable from the horror film due to its emphasis on naturally occurring sources of fear, rather than fantastical or otherworldly horror elements. Brown wrote that the Creeper character "blurs the boundary between human and animal on
340:
Helen brings the jewels to an appraiser, who recognizes them as having recently been reported stolen. Donelly and Gates bring Helen into the station, where they inform her Hal is the Creeper and accuse her of harboring a murderer. Reluctantly, she agrees to help them capture him. The next day, the
324:
The police investigate a string of murders committed by the Creeper, a mysterious killer with a hideously disfigured face. The Creeper attacks and murders Professor Cushman, a professor from the nearby Hampton University. Later that night, the killer approaches a woman named Joan Bemis in front of
1022:
release of the film, also by Image Entertainment. In his 2004 DVD guide book, Douglas Pratt complimented both the picture and sound transfers of the 1999 DVD release: "The picture looks great. There are a couple shots where a few speckles pop up, but much of the time the image is clean, with deep
332:
The Creeper sneaks out and escapes while Donelly and Gates infiltrate his hideout and discover Jimmy's corpse. Donnelly also finds a newspaper clipping with a man named Hal Moffet and two of his friends, Clifford Scott and Virginia Rogers, during their college days. The police visit Clifford and
1212:, another writer with the series, said in 2001 of the actor's acromegaly: "That fact opens up a large, irresolvable issue concerning the movie industry's use of this poor afflicted fellow; he was paid, after all, and movie work is nice work. Yet it can seem exploitative of misfortune".
31:
857:, the name Universal Pictures was crossed out and Pathe Industries, PRC's corporate body, was written in its place in pencil. Some pressbook advertisements circulated for the film still included the Universal logo. PRC had previously produced a horror film about acromegaly called
740:
was filmed in 13 days, during November 1945. The flashback scenes - which depict how Hal Moffet became disfigured and ultimately became the Creeper - were all shot on the final day of filming. Jane Adams said Hatton's acromegaly was becoming progressively worse by the time
848:
was first screened, making it his final film. Universal feared releasing the film so soon after his death would lead to accusations that the studio was exploiting the illness that ultimately killed Hatton. Now embarrassed by the film, the studio was anxious to sell it.
568:. In the film, the character is disfigured by chemicals during a laboratory accident in school. While Hatton's real-life abnormalities stemmed from acromegaly, it was often incorrectly stated by Universal publicity materials that they were the result of exposure to
452:. Bricker wrote several screenplays in a variety of genres, from horror films and mysteries to comedies, and worked primarily as a freelancer jumping from studio to studio. Babcock and Brister previously worked together on several low-budget horror films, including
954:
the movie itself". Donald C. Willis, a writer who wrote about horror and science fiction films, described the horror scenes as completely lacking suspense, and said the film was "so flimsy that its three co-plots seem to be operating independently of one another".
1086:
created the Rondo Hatton Classic Horror Awards to honor horror works in film, television and publishing. The awards were named after the actor, and award recipients received statuettes with miniature busts of Hatton as he appeared portraying the Creeper in
1208:, said the staff initially felt strange making jokes at the expense of Rondo Hatton and his real-life illness; however, Nelson said: "Then you realize it's the whole point of the movie: he's a guy with a big ugly face...And he is a terribly bad actor".
796:. Raymond Kessler and Ralph Slosser worked as dialogue director and assistant director, respectively, while John B. Goodman and Abraham Grossman worked as art directors. Other crew included Russell A. Gausman and Edward R. Robinson as set decorators,
760:. Since the film focused on a disfigured serial killer, Gertsman sought to give the movie a dark, diseased look appropriate for the film's subject matter and urban setting. Although primarily a horror thriller film, Gertsman uses several
694:
for the film. Their characters portray the incompetence of the police force in their inability to find and arrest the Creeper and their focus on passing blame for their failures rather than diverting resources toward his arrest.
626:
character) who falls in love with a blind girl and seeks money for an operation to restore her eyesight. Likewise, the scenes between the Creeper and Helen Paige share a similar premise and dialogue as the scenes between
840:, including Westerns, horror films, serials, and movies running 70 minutes or less. This resulted in the firing of numerous production personnel members and the sale of several already-developed films, including
1075:, a special make-up effects artist that worked on the film, designed the character's facial make-up to resemble Hatton's Creeper character, and Lothar dresses in a dark coat and hat similar to his clothing from
674:
marked one of her final film performances before retiring from the film industry in 1947. It was also recalled as one of her most memorable film appearances along with another Universal B horror film,
530:, Hatton also plays "the Creeper", while the story explains how he became deformed and why he has a murderous personality. Hatton also played a disfigured killer called the Huxton Creeper in
1159:, a book by the cast and writers of the series, reads: "A dark film about dark things. Rondo Hatton's swan song; he died just weeks after the film was completed. So murky and dark, it makes
1224:
episode that she did not think it was one of the series' strongest episodes and because of Hatton's illness would not have made fun of the film if given a chance to do it over again.
732:
was filmed during what was widely considered the low point of the studio's horror film period. It was produced by Ben Pivar and directed by Jean Yarbrough, both of whom had worked on
306:
received generally negative reviews, drawing particular criticism for Hatton's poor performance. The film was featured in a 1996 episode of the movie-mocking comedy television series
682:
proved to be a less than memorable one for her, so much so that in an interview shortly before Wiley's death in 1993, she could barely remember even having appeared in the film.
978:
s narrative was modeled after Hatton's life. Legassic noted similarities between Hatton and his character Hal Moffet both being handsome sports stars who end up disfigured.
653:(1945), was cast as Clifford Scott. Having appeared in dozens of low-budget films throughout the early-1940s, Neal began to become known as the "King of the B Pictures". In
877:
stands out like a bad mark even on a list of Universal's bad films because it weaves into its seamy story autobiographic details of Hatton's actual life. ... The fact that
1832:
994:. However, the film was eventually discovered and mass-produced by Admit One, a home video distribution company that focused specifically on lesser-known B films.
1918:
Harris, Peter (June 25, 1982). "Stock up on schlock Videocassettes are available on truly terrible turkeys: some are even cult films because they are so awful".
844:. The sale was also perpetuated in part by the death of star Rondo Hatton. He died as a result of his acromegaly on February 2, 1946, about eight months before
967:
account of his grotesque, deformed features, but is natural and thus a figure of terror". Cory Legassic, in a chapter dedicated to Rondo Hatton in
949:, described it as a dull and "shoddy thriller", criticizing both the performances and the mood from the direction and photography. The authors of
3715:
3690:
836:. In 1945, Universal merged with the company International Pictures, and the new organization adopted a policy against developing any more
881:
was a "re-imagining" of Hatton's private life, one not overburdened with good taste, could not have been missed by the unfortunate actor.
939:
were similarly negative, with many commentators criticizing the exploitation of Hatton's real-life acromegaly. John Stanley, host of the
271:
also stars as a blind pianist for whom the Creeper tries to raise money for an operation to restore her vision. The film is a prequel to
3680:
2983:
255:
as the Creeper, a murderer seeking revenge against the people he holds responsible for the disfigurement of his face. Directed by
3700:
3670:
3665:
1128:
3466:
3720:
3705:
3675:
2830:
2714:
2633:
2385:
2320:
2876:
670:
Jan Wiley was cast as Scott's wife, Virginia. Although Wiley had appeared in several movies throughout the 1930s and 1940s,
712:
1245:
3660:
3526:
3046:
2450:
2075:
2017:
Baenen, Jeff (November 23, 1995). "Turkey Day will feature marathon of sci-fi turkeys". Associated Press. p. F10.
444:
stories and novels, Babock started writing for Universal Pictures in 1943, where he worked primarily on horror films.
3695:
3685:
3076:
2912:
2886:
2865:
2799:
2776:
2745:
2691:
2660:
2602:
2568:
2537:
2486:
2431:
2412:
2289:
2258:
2232:
2197:
2166:
945:
2044:
647:
that Hatton did not need make-up for his roles. Tom Neal, who had recently appeared in the cult classic noir film
3256:
3166:
2377:
1120:, in which the film was watched and mocked by Mike Nelson and his two robot friends, Crow T. Robot and Tom Servo.
826:
296:
174:
2158:
788:
2146:
The American Film Institute Catalog of Motion Pictures Produced in the United States: Feature Films, 1941-1950
3710:
3616:
3586:
3106:
3016:
780:
as well. Salter's score for the film strongly resembled the music he composed for the Universal horror films
924:
called it "a crude production compiled of bits from various B thrillers". In contrast, Mandel Herbstman of
898:
received generally negative critical reviews following its release on October 1, 1946. A 1946 review in the
526:, in which Hatton played a deformed madman named "the Creeper" who kills people by breaking their backs. In
3566:
3056:
2976:
1133:
308:
690:
portray the police officers Captain M.J. Donelly and Lieutenant Gates, respectively. Their roles serve as
3026:
830:
801:
776:, who composed the scores for many of the Universal films of the 1940s and 1950s, worked as composer for
3655:
3486:
3436:
3156:
1072:
3406:
3356:
3346:
3306:
2814:
2760:
2617:
2521:
2304:
2273:
2181:
1057:
863:(1944), in which a mad scientist injects human subjects with the disease as part of his experiments.
628:
472:
283:
produced the film near the end of their horror film period. As the result of its pending merger with
1266:
3426:
2443:
The Perfect Neanderthal Man": Rondo Hatton as The Creeper and the Cultural Economy of 1940s B-Films
782:
718:
1960:
Hartl, John (November 25, 1990). "National Film Registry honors writer-director Preston Sturges".
932:"stands favorably" in its genre and director Jean Yarbrough kept the film moving at a brisk pace.
3506:
3236:
2969:
2857:
2675:
2560:
2140:
1881:
1532:
1205:
1139:
1181:
1006:
in 1982 by Admit One. It has been reissued on VHS several times since then, and was released on
548:
have any connection to that film. In establishing a backstory explaining the Creeper's motives,
482:(1946). Bricker and Webster both previously wrote the screenplays for Universal films featuring
3626:
3496:
3316:
3116:
3066:
2822:
2768:
2625:
2529:
2312:
2281:
2189:
1253:
393:
284:
2518:
Horror Spoofs of Abbott and Costello: A Critical Assessment of the Comedy Team's Monster Films
2144:
3576:
3086:
2424:
The Film Encyclopedia: The Most Comprehensive Encyclopedia of World Cinema in a Single Volume
920:
918:
handicapped by encircling improbabilities". In a review published in 1947, Wanda Hale of the
900:
724:
610:
553:
414:
2842:
496:(1947), the third in a series of films about an ape that transforms into a beautiful woman.
3476:
3386:
3376:
3276:
3266:
3126:
2648:
2150:
1937:
1063:
561:
2878:
Resting Places: The Burial Sites of More Than 14,000 Famous Persons, 3d ed. (2 volume set)
2500:
1733:
8:
3650:
3216:
3136:
3096:
3036:
2737:
2594:
2369:
1015:
854:
3556:
3516:
3366:
3286:
2464:
2209:
1920:
1837:
906:
764:
elements in his photography, including shadowed lighting, unbalanced compositions, and
707:
649:
532:
492:
280:
163:
2496:
2330:
Friedmann, Jonathan L. (2009). "B-Movies, Exploitation, and a Real-Life Monster Man".
448:
marked the last of nine films Babcock wrote for Universal before he left for a job at
3456:
3446:
3416:
3396:
3326:
2934:
2908:
2882:
2861:
2826:
2795:
2772:
2741:
2710:
2687:
2656:
2629:
2598:
2564:
2533:
2482:
2478:
2446:
2427:
2408:
2381:
2352:
2316:
2285:
2254:
2228:
2193:
2162:
1962:
1942:
1885:
1645:
1201:
1193:
859:
449:
30:
507:
is in part inspired by the real-life story of actor Rondo Hatton, who suffered from
3296:
3196:
2961:
2849:
2733:
2652:
2590:
2552:
2474:
2339:
2220:
1515:
663:
478:
460:
273:
3606:
3176:
2956:
1446:
1217:
1068:
683:
596:
565:
537:
466:
402:
375:
112:
499:
3536:
3226:
3146:
2993:
2818:
2764:
2683:
2679:
2621:
2525:
2460:
2308:
2277:
2242:
2185:
1979:
1167:
1148:
773:
753:
658:
437:
256:
148:
130:
57:
44:
746:
friendly and thoughtful man, but called him "so pathetic to work with almost
316:
later expressed discomfort in making fun of the film due to Hatton's illness.
3644:
3546:
3206:
3006:
2950:
2791:
2729:
2586:
2470:
2216:
1999:
1946:
1889:
1161:
1096:
913:
710:
in the later years of their successful production of horror films, including
687:
579:
The film's setting, which appears to be a major city, is never identified in
454:
441:
408:
381:
248:
107:
2079:
2250:
2119:
2071:
1213:
1209:
1052:
691:
351:
252:
117:
440:
and M. Coates Webster based on a story by Dwight V. Babcock. An author of
3596:
2578:
2404:
2373:
1187:
833:
765:
604:
599:
573:
569:
245:
2928:
3246:
2939:
2356:
2154:
1031:
728:(1932). While those films were great critical and financial successes,
557:
508:
369:
268:
97:
2788:
Creature Features: The Science Fiction, Fantasy and Horror Movie Guide
2614:
Columbia Pictures Horror, Science Fiction and Fantasy Films, 1928-1982
1109:
3186:
2224:
2101:
1147:
was the second episode of the seventh season, which was broadcast on
1007:
991:
805:
797:
761:
623:
584:
387:
363:
267:
as a married pair of friends the Creeper blames for his deformities.
264:
102:
2945:
2853:
2556:
2049:
1738:
357:
288:
260:
92:
2645:
Doug Pratt's DVD: Movies, Television, Music, Art, Adult, and More!
2301:
The Mummy Unwrapped: Scenes Left on Universal's Cutting Room Floor
1071:
portrays Lothar, a murderous henchman for the story's antagonist.
999:
837:
519:
2905:
Hardboiled in Hollywood: Five Black Mask Writers and the Movies
2706:
2400:
2247:
The Mystery Science Theater 3000 Amazing Colossal Episode Guide
2211:
Screened Out: Playing Gay in Hollywood from Edison to Stonewall
1530:
Lovell, Glenn (November 11, 2005). "Films are far from facts".
1157:
The Mystery Science Theater 3000 Amazing Colossal Episode Guide
747:
928:, said although the film used standard thriller film devices,
2508:
911:
review described the film as "singularly unexciting meller".
1941:. Vol. 94, no. 47. November 27, 1982. p. 29.
1513:
Fritz, Christopher (August 1, 2003). "Around Philadelphia".
1051:
inspired the appearance of one of the villain characters in
560:, a syndrome that causes abnormal bone growth due to excess
986:
For decades after the film's theatrical release, copies of
940:
935:
Decades after the film's release, retrospective reviews of
1841:. Vol. 164, no. 7. October 23, 1946. p. 10.
736:
and many other horror films for Universal over the years.
1019:
1003:
591:
took place. Commentators have noted similarities between
2811:
Universal Horrors: The Studio's Classic Films, 1931-1946
2757:
Up from the Vault: Rare Thrillers of the 1920s and 1930s
951:
Universal Horrors: The Studio's Classic Films, 1931-1946
804:
as make-up director, Carmen Dirigo as hair stylist, and
287:, Universal adopted a policy against releasing any more
2139:
1389:
969:
Recovering 1940s Horror Cinema: Traces of a Lost Decade
2270:
Smirk, Sneer and Scream: Great Acting in Horror Cinema
772:
features a bleak, at times dismal visual atmosphere.
2991:
2397:
Shock Xpress: Essential Guide to Exploitation Cinema
1039:(1991) was made to resemble that of Rondo Hatton in
962:
The film critic and scholar Keith Brown argued that
2809:Weaver, Tom; Brunas, John; Brunas, Michael (2007).
2108:(Blu-ray). Imprint Films. Event occurs at 1:22:43.
1246:"U's 'Brute Man' to PRC but Hangs on to Two Others"
2841:
2808:
2208:
1819:
1702:
1561:
1481:
1876:Brown, Keith (2006). "Notes on the Terror Film".
3642:
2495:
1997:Mahar, Ted (June 21, 1991). "Off with a blast".
1615:
1061:comic book as well as the 1991 film adaptation,
2844:Horror and Science Fiction Films II (1972-1981)
1102:
768:contrasts between light and dark. As a result,
2026:
2024:
1095:. The statuettes were sculpted by illustrator
990:were unavailable, and it became regarded as a
2977:
2703:American Gothic: Sixty Years of Horror Cinema
2466:Leonard Maltin's 2004 Movie & Video Guide
411:as Police Commissioner Salisbury (uncredited)
302:The film was released to home video in 1982.
1815:
1813:
1811:
1809:
1557:
1555:
1553:
1551:
1549:
1547:
1545:
1543:
1116:was featured in a seventh-season episode of
1023:blacks and sharp, finely graded contrasts".
1018:in 1999, a year which also marked the first
829:(PRC), one of the smaller film studios from
2078:. Satellite News (Official). Archived from
2045:"Mystery Science Theater 3000: Volume XXII"
2021:
1727:
1725:
1723:
1179:collection, along with episodes focused on
1131:episode of the satirical television series
2984:
2970:
2549:The Great Pictorial History of World Crime
1913:
1911:
1772:
1770:
1768:
1638:
1636:
1496:
1494:
1492:
1490:
1477:
1415:
1413:
1151:on February 10, 1996. The description for
29:
2329:
2298:
2012:
2010:
1806:
1759:
1690:
1674:
1672:
1670:
1668:
1540:
1475:
1473:
1471:
1469:
1467:
1465:
1463:
1461:
1459:
1457:
1278:
1276:
821:Although produced by Universal Pictures,
2440:
2394:
2366:Horror Film: Creating and Marketing Fear
2332:Golem — Journal of Religion and Monsters
2241:
2030:
1992:
1990:
1902:
1720:
1587:
1585:
1572:
1570:
1400:
1398:
1364:
1362:
1360:
1358:
1356:
1347:
1204:, the show's head writer who also plays
1171:". In 2011, Shout! Factory released the
1108:
1099:and cast by modeler Timothy M. Lindsey.
1030:
905:laughs, instead of serious response". A
498:
2785:
2754:
2346:
2206:
2178:Mystery Movie Series of 1940s Hollywood
2070:
2042:
1908:
1851:
1776:
1765:
1633:
1603:
1487:
1410:
1335:
3716:English-language horror thriller films
3643:
3467:Joe Palooka in Humphrey Takes a Chance
2874:
2839:
2723:
2515:
2459:
2363:
2175:
2016:
2007:
1917:
1863:
1678:
1665:
1659:
1529:
1454:
1419:
1404:
1368:
1329:
1323:
1307:
1305:
1303:
1301:
1299:
1297:
1295:
1293:
1291:
1273:
1220:, said in the DVD introduction to the
608:(1931), and the Universal horror film
3691:Producers Releasing Corporation films
2965:
2700:
2642:
2611:
2577:
2267:
1996:
1987:
1959:
1875:
1800:
1714:
1591:
1582:
1576:
1567:
1512:
1500:
1395:
1385:
1383:
1381:
1379:
1377:
1353:
1082:In 2002, the founders of the website
1014:was most recently released on VHS by
2902:
2726:Encyclopedia of Pulp Fiction Writers
2669:
2546:
2421:
1788:
1643:"Jan Wiley; Former Actress, Model".
1627:
1431:
1311:
1282:
622:, included a protagonist (Chaplin's
2036:
1288:
1067:. In the film, the seven-foot-tall
756:was the director of photography on
572:attacks during Hatton's service in
556:before experiencing the effects of
13:
2043:Sinnott, John (December 6, 2011).
1444:"Rondo Hatton in Jungle Captive".
1374:
1035:The villain character Lothar from
853:the copyright files stores at the
583:, but it has been suggested to be
486:star Rondo Hatton: Bricker penned
14:
3732:
2922:
2426:(3 ed.). Collins Reference.
417:as Professor Cushman (uncredited)
3681:Films directed by Jean Yarbrough
2655:: Harbor Electronic Publishing.
1820:Weaver, Brunas & Brunas 2007
1731:
1703:Weaver, Brunas & Brunas 2007
1562:Weaver, Brunas & Brunas 2007
1482:Weaver, Brunas & Brunas 2007
708:Universal Pictures Company, Inc.
295:for $ 125,000 to the low-budget
2378:University Press of Mississippi
2133:
2112:
2094:
2064:
1970:
1953:
1928:
1896:
1869:
1857:
1845:
1825:
1794:
1782:
1753:
1708:
1696:
1684:
1653:
1621:
1609:
1597:
1523:
1506:
1437:
1425:
1137:alongside the industrial short
887:Universal Horrors: The Studio's
827:Producers Releasing Corporation
816:
595:and other films, including the
378:as Police Captain M. J. Donelly
297:Producers Releasing Corporation
175:Producers Releasing Corporation
3701:Films scored by Hans J. Salter
3671:American horror thriller films
3666:American black-and-white films
2672:Memorable Films of the Forties
2159:University of California Press
1341:
1317:
1238:
1206:the character of the same name
678:. However, her performance in
1:
3617:Hillbillys in a Haunted House
2299:Feramisco, Thomas M. (2007).
2076:"Episode 702 — The Brute Man"
1248:. 23 October 1946. p. 7.
1227:
1084:The Classic Horror Film Board
1047:Rondo Hatton's likeness from
981:
503:The origin of the Creeper in
422:
3721:English-language crime films
3706:1940s English-language films
3676:American films about revenge
3567:The Women of Pitcairn Island
2124:Introduction by Mary Jo Pehl
1649:. June 4, 1993. p. A22.
1616:MĂ©rigeau & Bourgoin 1983
1390:American Film Institute 1999
1134:Mystery Science Theater 3000
1118:Mystery Science Theater 3000
1104:Mystery Science Theater 3000
866:
309:Mystery Science Theater 3000
7:
2516:Miller, Jeffrey S. (2004).
957:
792:(1944). Philip Cahn edited
789:The Invisible Man's Revenge
354:as Hal Moffat / The Creeper
10:
3737:
3437:Joe Palooka Meets Humphrey
2881:. McFarland. p. 809.
2670:Reid, John Howard (2004).
2612:Pitts, Michael R. (2010).
811:
698:
638:
427:
384:as Police Lieutenant Gates
3661:1940s serial killer films
3000:
2840:Willis, Donald C (1982).
2755:Soister, John T. (2004).
2547:Nash, Jay Robert (2004).
2395:Jaworzyn, Stefan (1994).
2207:Barrios, Richard (2002).
1026:
926:The Motion Picture Herald
229:
221:
213:
203:
189:October 1, 1946
180:
170:
154:
144:
136:
126:
85:
77:
69:
50:
40:
35:Theatrical release poster
28:
23:
3696:Universal Pictures films
3686:Films about blind people
2709:: Reynolds & Hearn.
2701:Rigby, Jonathan (2007).
2364:Hantke, Steffen (2009).
1232:
889:Classic Films, 1931-1946
631:and the blind hermit in
366:as Virginia Rogers Scott
3507:According to Mrs. Hoyle
3237:Twilight on the Prairie
2903:Wilt, David E. (1991).
2823:McFarland & Company
2769:McFarland & Company
2643:Pratt, Douglas (2004).
2626:McFarland & Company
2530:McFarland & Company
2441:Legassic, Cory (2015).
2347:Gifford, Denis (1969).
2313:McFarland & Company
2282:McFarland & Company
2190:McFarland & Company
2141:American Film Institute
1882:University of Edinburgh
1533:Sarasota Herald-Tribune
1261:Cite magazine requires
1175:episode as part of the
1140:The Chicken of Tomorrow
344:
319:
314:Mystery Science Theater
3627:The Over-the-Hill Gang
3587:Footsteps in the Night
3527:Jack and the Beanstalk
2875:Wilson, Scott (2016).
2786:Stanley, John (2000).
2422:Katz, Ephraim (1988).
2126:(DVD). Shout! Factory.
1935:"New Video Releases".
1121:
1044:
998:was first released on
883:
629:Frankenstein's monster
587:, since that is where
512:
394:Janelle Johnson Dolenz
285:International Pictures
3087:Man from Headquarters
3077:Top Sergeant Mulligan
1112:
1034:
871:
808:as gowns supervisor.
800:as sound technician,
633:Bride of Frankenstein
611:Bride of Frankenstein
554:University of Florida
502:
3711:1940s American films
3377:Henry, the Rainmaker
3277:The Naughty Nineties
3267:Here Come the Co-Eds
2724:Server, Lee (2002).
2595:Simon & Schuster
2268:Clark, Mark (2004).
2176:Backer, Ron (2004).
490:, and Webster wrote
399:Jack Parker as Jimmy
259:, the film features
3257:Under Western Skies
3217:Moon Over Las Vegas
3167:Good Morning, Judge
3137:Lure of the Islands
3117:So's Your Aunt Emma
3097:Freckles Comes Home
3067:Let's Go Collegiate
3047:The Gang's All Here
3037:King of the Zombies
2907:. Popular Press 1.
2858:The Scarecrow Press
2561:The Scarecrow Press
2445:. Lexington Books.
1983:(49–54 issn). 1999.
1880:. Spring 2006 (2).
1016:Image Entertainment
921:New York Daily News
855:Library of Congress
825:was distributed by
432:The screenplay for
390:as Young Hal Moffat
244:is a 1946 American
3557:Crashing Las Vegas
3407:Angels in Disguise
3307:She-Wolf of London
3287:On Stage Everybody
2992:Films directed by
2501:Bourgoin, Stéphane
1921:The Globe and Mail
1579:, pp. 202–203
1314:, pp. 136–138
1127:was featured in a
1122:
1045:
901:Harrison's Reports
676:She-Wolf of London
540:film, but neither
533:The Pearl of Death
513:
493:The Jungle Captive
473:She-Wolf of London
281:Universal Pictures
164:Universal Pictures
3656:1946 horror films
3638:
3637:
3457:Father Makes Good
3447:Square Dance Katy
3417:Holiday in Havana
3397:Leave It to Henry
3127:She's in the Army
3107:Law of the Jungle
3017:Caught in the Act
2832:978-0-7864-2974-5
2716:978-1-905287-25-3
2635:978-0-7864-4447-2
2387:978-1-60473-376-1
2322:978-0-7864-3734-4
1977:"The Brute Man".
1963:The Seattle Times
1646:Los Angeles Times
1202:Michael J. Nelson
1194:The Violent Years
946:Creature Features
873:Dark and morbid,
860:The Monster Maker
706:was developed by
450:Columbia Pictures
360:as Clifford Scott
237:
236:
73:Dwight V. Babcock
62:M. Coates Webster
3728:
3631:
3621:
3611:
3601:
3591:
3581:
3571:
3561:
3551:
3541:
3531:
3521:
3511:
3501:
3491:
3481:
3471:
3461:
3451:
3441:
3431:
3421:
3411:
3401:
3391:
3381:
3371:
3361:
3351:
3341:
3331:
3321:
3311:
3301:
3297:House of Horrors
3291:
3281:
3271:
3261:
3251:
3241:
3231:
3221:
3211:
3201:
3191:
3181:
3171:
3161:
3151:
3141:
3131:
3121:
3111:
3101:
3091:
3081:
3071:
3061:
3057:Father Steps Out
3051:
3041:
3031:
3021:
3011:
2986:
2979:
2972:
2963:
2962:
2918:
2899:
2897:
2895:
2871:
2847:
2836:
2805:
2782:
2751:
2720:
2697:
2666:
2639:
2608:
2583:Cult movie stars
2574:
2543:
2512:
2497:MĂ©rigeau, Pascal
2492:
2456:
2437:
2418:
2391:
2360:
2351:. Studio Vista.
2343:
2340:Whittier College
2326:
2295:
2264:
2238:
2214:
2203:
2172:
2128:
2127:
2116:
2110:
2109:
2106:Danger: Diabolik
2098:
2092:
2091:
2089:
2087:
2068:
2062:
2061:
2059:
2057:
2040:
2034:
2028:
2019:
2018:
2014:
2005:
2004:
1994:
1985:
1984:
1974:
1968:
1967:
1957:
1951:
1950:
1932:
1926:
1925:
1915:
1906:
1900:
1894:
1893:
1873:
1867:
1861:
1855:
1849:
1843:
1842:
1829:
1823:
1817:
1804:
1798:
1792:
1786:
1780:
1774:
1763:
1757:
1751:
1750:
1748:
1746:
1734:"Maury Gertsman"
1729:
1718:
1712:
1706:
1700:
1694:
1688:
1682:
1676:
1663:
1657:
1651:
1650:
1640:
1631:
1625:
1619:
1613:
1607:
1601:
1595:
1589:
1580:
1574:
1565:
1559:
1538:
1537:
1527:
1521:
1520:
1519:. p. 1011Z.
1516:The News Journal
1510:
1504:
1498:
1485:
1479:
1452:
1451:
1450:. April 7, 2001.
1441:
1435:
1429:
1423:
1417:
1408:
1402:
1393:
1387:
1372:
1366:
1351:
1345:
1339:
1333:
1327:
1321:
1315:
1309:
1286:
1280:
1271:
1270:
1264:
1259:
1257:
1249:
1242:
1182:Time of the Apes
1089:House of Horrors
1010:format in 1990.
977:
943:television show
891:
734:House of Horrors
664:House of Dracula
589:House of Horrors
542:House of Horrors
524:House of Horrors
488:House of Horrors
479:House of Horrors
461:House of Dracula
274:House of Horrors
196:
194:
33:
21:
20:
3736:
3735:
3731:
3730:
3729:
3727:
3726:
3725:
3641:
3640:
3639:
3634:
3624:
3614:
3607:Saintly Sinners
3604:
3594:
3584:
3574:
3564:
3554:
3544:
3534:
3524:
3514:
3504:
3494:
3484:
3474:
3464:
3454:
3444:
3434:
3424:
3414:
3404:
3394:
3384:
3374:
3364:
3354:
3344:
3334:
3324:
3314:
3304:
3294:
3284:
3274:
3264:
3254:
3244:
3234:
3224:
3214:
3204:
3194:
3184:
3177:Follow the Band
3174:
3164:
3154:
3144:
3134:
3124:
3114:
3104:
3094:
3084:
3074:
3064:
3054:
3044:
3034:
3027:South of Panama
3024:
3014:
3004:
2996:
2990:
2957:Rotten Tomatoes
2925:
2915:
2893:
2891:
2889:
2868:
2833:
2802:
2779:
2748:
2717:
2694:
2663:
2647:. Vol. 1.
2636:
2605:
2571:
2540:
2489:
2461:Maltin, Leonard
2453:
2434:
2415:
2388:
2323:
2292:
2261:
2243:Beaulieu, Trace
2235:
2200:
2169:
2136:
2131:
2118:
2117:
2113:
2100:
2099:
2095:
2085:
2083:
2082:on May 14, 2011
2069:
2065:
2055:
2053:
2041:
2037:
2029:
2022:
2015:
2008:
1995:
1988:
1976:
1975:
1971:
1958:
1954:
1934:
1933:
1929:
1916:
1909:
1901:
1897:
1874:
1870:
1862:
1858:
1850:
1846:
1831:
1830:
1826:
1818:
1807:
1799:
1795:
1787:
1783:
1775:
1766:
1758:
1754:
1744:
1742:
1730:
1721:
1713:
1709:
1701:
1697:
1689:
1685:
1677:
1666:
1658:
1654:
1642:
1641:
1634:
1626:
1622:
1614:
1610:
1602:
1598:
1590:
1583:
1575:
1568:
1560:
1541:
1528:
1524:
1511:
1507:
1499:
1488:
1480:
1455:
1447:The Irish Times
1443:
1442:
1438:
1430:
1426:
1418:
1411:
1403:
1396:
1388:
1375:
1367:
1354:
1346:
1342:
1334:
1330:
1322:
1318:
1310:
1289:
1281:
1274:
1263:|magazine=
1262:
1260:
1251:
1250:
1244:
1243:
1239:
1235:
1230:
1218:Pearl Forrester
1107:
1069:Tiny Ron Taylor
1029:
984:
975:
960:
893:
888:
885:
869:
819:
814:
701:
684:Donald MacBride
641:
597:Charlie Chaplin
566:pituitary gland
538:Sherlock Holmes
467:Pillow of Death
436:was written by
430:
425:
420:
376:Donald MacBride
347:
322:
291:, so they sold
206:
199:
192:
190:
183:
166:
159:
157:
122:
113:Donald MacBride
65:
36:
17:
12:
11:
5:
3734:
3724:
3723:
3718:
3713:
3708:
3703:
3698:
3693:
3688:
3683:
3678:
3673:
3668:
3663:
3658:
3653:
3636:
3635:
3633:
3632:
3622:
3612:
3602:
3592:
3582:
3572:
3562:
3552:
3542:
3537:Lost in Alaska
3532:
3522:
3512:
3502:
3492:
3487:Triple Trouble
3482:
3472:
3462:
3452:
3442:
3432:
3422:
3412:
3402:
3392:
3382:
3372:
3362:
3352:
3342:
3332:
3322:
3312:
3302:
3292:
3282:
3272:
3262:
3252:
3242:
3232:
3227:South of Dixie
3222:
3212:
3202:
3192:
3182:
3172:
3162:
3157:Silent Witness
3152:
3147:Police Bullets
3142:
3132:
3122:
3112:
3102:
3092:
3082:
3072:
3062:
3052:
3042:
3032:
3022:
3012:
3001:
2998:
2997:
2994:Jean Yarbrough
2989:
2988:
2981:
2974:
2966:
2960:
2959:
2948:
2937:
2924:
2923:External links
2921:
2920:
2919:
2913:
2900:
2887:
2872:
2866:
2837:
2831:
2819:North Carolina
2813:(2 ed.).
2806:
2800:
2783:
2777:
2765:North Carolina
2752:
2746:
2721:
2715:
2698:
2692:
2680:North Carolina
2667:
2661:
2640:
2634:
2622:North Carolina
2609:
2603:
2575:
2569:
2544:
2538:
2526:North Carolina
2513:
2493:
2487:
2457:
2452:978-1498503792
2451:
2438:
2432:
2419:
2413:
2407:. p. 44.
2392:
2386:
2361:
2349:Movie Monsters
2344:
2327:
2321:
2309:North Carolina
2296:
2290:
2278:North Carolina
2265:
2259:
2249:(1 ed.).
2239:
2233:
2204:
2198:
2186:North Carolina
2173:
2167:
2143:, ed. (1999).
2135:
2132:
2130:
2129:
2111:
2093:
2063:
2035:
2020:
2006:
1986:
1980:Video Watchdog
1969:
1952:
1927:
1907:
1895:
1868:
1856:
1844:
1833:"Film reviews"
1824:
1805:
1793:
1781:
1764:
1760:Feramisco 2007
1752:
1719:
1707:
1695:
1691:Friedmann 2009
1683:
1664:
1652:
1632:
1620:
1608:
1596:
1581:
1566:
1539:
1536:. p. T28.
1522:
1505:
1486:
1453:
1436:
1424:
1409:
1394:
1373:
1352:
1340:
1328:
1316:
1287:
1272:
1236:
1234:
1231:
1229:
1226:
1168:Mrs. Doubtfire
1149:Comedy Central
1129:seventh season
1106:
1101:
1028:
1025:
983:
980:
959:
956:
870:
868:
865:
818:
815:
813:
810:
774:Hans J. Salter
754:Maury Gertsman
700:
697:
659:Lon Chaney Jr.
640:
637:
562:growth hormone
438:George Bricker
429:
426:
424:
421:
419:
418:
412:
406:
405:as Mr. Haskins
400:
397:
391:
385:
379:
373:
372:as Helen Paige
367:
361:
355:
348:
346:
343:
321:
318:
257:Jean Yarbrough
235:
234:
231:
227:
226:
223:
219:
218:
215:
211:
210:
207:
204:
201:
200:
198:
197:
186:
184:
181:
178:
177:
172:
171:Distributed by
168:
167:
162:
160:
155:
152:
151:
149:Hans J. Salter
146:
142:
141:
138:
134:
133:
131:Maury Gertsman
128:
127:Cinematography
124:
123:
121:
120:
115:
110:
105:
100:
95:
89:
87:
83:
82:
79:
75:
74:
71:
67:
66:
64:
63:
60:
58:George Bricker
54:
52:
48:
47:
45:Jean Yarbrough
42:
38:
37:
34:
26:
25:
15:
9:
6:
4:
3:
2:
3733:
3722:
3719:
3717:
3714:
3712:
3709:
3707:
3704:
3702:
3699:
3697:
3694:
3692:
3689:
3687:
3684:
3682:
3679:
3677:
3674:
3672:
3669:
3667:
3664:
3662:
3659:
3657:
3654:
3652:
3649:
3648:
3646:
3629:
3628:
3623:
3619:
3618:
3613:
3609:
3608:
3603:
3599:
3598:
3593:
3589:
3588:
3583:
3579:
3578:
3573:
3569:
3568:
3563:
3559:
3558:
3553:
3549:
3548:
3547:Night Freight
3543:
3539:
3538:
3533:
3529:
3528:
3523:
3519:
3518:
3513:
3509:
3508:
3503:
3499:
3498:
3493:
3489:
3488:
3483:
3479:
3478:
3473:
3469:
3468:
3463:
3459:
3458:
3453:
3449:
3448:
3443:
3439:
3438:
3433:
3429:
3428:
3423:
3419:
3418:
3413:
3409:
3408:
3403:
3399:
3398:
3393:
3389:
3388:
3387:The Mutineers
3383:
3379:
3378:
3373:
3369:
3368:
3363:
3359:
3358:
3357:Shed No Tears
3353:
3349:
3348:
3347:The Challenge
3343:
3339:
3338:
3337:The Brute Man
3333:
3329:
3328:
3323:
3319:
3318:
3313:
3309:
3308:
3303:
3299:
3298:
3293:
3289:
3288:
3283:
3279:
3278:
3273:
3269:
3268:
3263:
3259:
3258:
3253:
3249:
3248:
3243:
3239:
3238:
3233:
3229:
3228:
3223:
3219:
3218:
3213:
3209:
3208:
3207:Week-End Pass
3203:
3199:
3198:
3197:Hi'ya, Sailor
3193:
3189:
3188:
3183:
3179:
3178:
3173:
3169:
3168:
3163:
3159:
3158:
3153:
3149:
3148:
3143:
3139:
3138:
3133:
3129:
3128:
3123:
3119:
3118:
3113:
3109:
3108:
3103:
3099:
3098:
3093:
3089:
3088:
3083:
3079:
3078:
3073:
3069:
3068:
3063:
3059:
3058:
3053:
3049:
3048:
3043:
3039:
3038:
3033:
3029:
3028:
3023:
3019:
3018:
3013:
3009:
3008:
3007:The Devil Bat
3003:
3002:
2999:
2995:
2987:
2982:
2980:
2975:
2973:
2968:
2967:
2964:
2958:
2954:
2953:
2952:The Brute Man
2949:
2947:
2943:
2942:
2941:The Brute Man
2938:
2936:
2932:
2931:
2930:The Brute Man
2927:
2926:
2916:
2914:0-87972-525-7
2910:
2906:
2901:
2890:
2888:9780786479924
2884:
2880:
2879:
2873:
2869:
2867:0-8108-1517-6
2863:
2859:
2855:
2851:
2846:
2845:
2838:
2834:
2828:
2824:
2820:
2816:
2812:
2807:
2803:
2801:0-425-17517-0
2797:
2793:
2792:Berkley Books
2789:
2784:
2780:
2778:0-7864-1745-5
2774:
2770:
2766:
2762:
2758:
2753:
2749:
2747:0-8160-4577-1
2743:
2739:
2738:Facts on File
2735:
2731:
2730:New York City
2727:
2722:
2718:
2712:
2708:
2704:
2699:
2695:
2693:1-4116-1463-1
2689:
2685:
2681:
2677:
2673:
2668:
2664:
2662:1-932916-00-8
2658:
2654:
2650:
2646:
2641:
2637:
2631:
2627:
2623:
2619:
2615:
2610:
2606:
2604:0-671-74924-2
2600:
2596:
2592:
2588:
2587:New York City
2584:
2580:
2576:
2572:
2570:1-928831-20-6
2566:
2562:
2558:
2554:
2550:
2545:
2541:
2539:0-7864-1922-9
2535:
2531:
2527:
2523:
2519:
2514:
2510:
2507:(in French).
2506:
2502:
2498:
2494:
2490:
2488:0-452-28478-3
2484:
2480:
2476:
2472:
2471:New York City
2468:
2467:
2462:
2458:
2454:
2448:
2444:
2439:
2435:
2433:0-06-273492-X
2429:
2425:
2420:
2416:
2414:1-85286-519-9
2410:
2406:
2402:
2398:
2393:
2389:
2383:
2379:
2375:
2371:
2367:
2362:
2358:
2354:
2350:
2345:
2341:
2337:
2333:
2328:
2324:
2318:
2314:
2310:
2306:
2302:
2297:
2293:
2291:0-7864-1932-6
2287:
2283:
2279:
2275:
2271:
2266:
2262:
2260:0-553-37783-3
2256:
2252:
2248:
2244:
2240:
2236:
2234:0-415-92328-X
2230:
2226:
2222:
2218:
2217:New York City
2213:
2212:
2205:
2201:
2199:0-7864-4864-4
2195:
2191:
2187:
2183:
2179:
2174:
2170:
2168:0-520-21521-4
2164:
2160:
2156:
2152:
2148:
2147:
2142:
2138:
2137:
2125:
2121:
2120:Pehl, Mary Jo
2115:
2107:
2103:
2097:
2081:
2077:
2073:
2072:Chaplin, Paul
2067:
2052:
2051:
2046:
2039:
2033:, p. 140
2032:
2031:Beaulieu 1996
2027:
2025:
2013:
2011:
2003:. p. 15.
2002:
2001:
2000:The Oregonian
1993:
1991:
1982:
1981:
1973:
1966:. p. J7.
1965:
1964:
1956:
1948:
1944:
1940:
1939:
1931:
1923:
1922:
1914:
1912:
1905:, p. 301
1904:
1903:Legassic 2015
1899:
1891:
1887:
1883:
1879:
1872:
1865:
1860:
1853:
1848:
1840:
1839:
1834:
1828:
1822:, p. 557
1821:
1816:
1814:
1812:
1810:
1803:, p. 248
1802:
1797:
1791:, p. 119
1790:
1785:
1779:, p. 199
1778:
1773:
1771:
1769:
1762:, p. 214
1761:
1756:
1741:
1740:
1735:
1732:Eder, Bruce.
1728:
1726:
1724:
1717:, p. 150
1716:
1711:
1705:, p. 543
1704:
1699:
1692:
1687:
1681:, p. 206
1680:
1675:
1673:
1671:
1669:
1662:, p. 289
1661:
1656:
1648:
1647:
1639:
1637:
1630:, p. 887
1629:
1624:
1617:
1612:
1606:, p. 129
1605:
1600:
1594:, p. 130
1593:
1588:
1586:
1578:
1573:
1571:
1564:, p. 556
1563:
1558:
1556:
1554:
1552:
1550:
1548:
1546:
1544:
1535:
1534:
1526:
1518:
1517:
1509:
1503:, p. 289
1502:
1497:
1495:
1493:
1491:
1484:, p. 555
1483:
1478:
1476:
1474:
1472:
1470:
1468:
1466:
1464:
1462:
1460:
1458:
1449:
1448:
1440:
1434:, p. 603
1433:
1428:
1422:, p. 189
1421:
1416:
1414:
1406:
1401:
1399:
1392:, p. 326
1391:
1386:
1384:
1382:
1380:
1378:
1370:
1365:
1363:
1361:
1359:
1357:
1350:, pp. 44
1349:
1348:Jaworzyn 1994
1344:
1338:, p. 213
1337:
1332:
1325:
1320:
1313:
1308:
1306:
1304:
1302:
1300:
1298:
1296:
1294:
1292:
1285:, p. 147
1284:
1279:
1277:
1268:
1255:
1254:cite magazine
1247:
1241:
1237:
1225:
1223:
1219:
1216:, who played
1215:
1211:
1207:
1203:
1198:
1196:
1195:
1190:
1189:
1184:
1183:
1178:
1174:
1170:
1169:
1164:
1163:
1158:
1154:
1153:The Brute Man
1150:
1146:
1145:The Brute Man
1142:
1141:
1136:
1135:
1130:
1126:
1125:The Brute Man
1119:
1115:
1114:The Brute Man
1111:
1105:
1100:
1098:
1097:Kerry Gammill
1094:
1093:The Brute Man
1090:
1085:
1080:
1078:
1077:The Brute Man
1074:
1070:
1066:
1065:
1064:The Rocketeer
1060:
1059:
1054:
1050:
1049:The Brute Man
1042:
1041:The Brute Man
1038:
1037:The Rocketeer
1033:
1024:
1021:
1017:
1013:
1012:The Brute Man
1009:
1005:
1001:
997:
996:The Brute Man
993:
989:
988:The Brute Man
979:
974:
973:The Brute Man
971:, wrote that
970:
965:
964:The Brute Man
955:
952:
948:
947:
942:
938:
937:The Brute Man
933:
931:
930:The Brute Man
927:
923:
922:
916:
915:
914:New York Post
910:
909:
903:
902:
897:
896:The Brute Man
892:
890:
882:
880:
879:The Brute Man
876:
875:The Brute Man
864:
862:
861:
856:
850:
847:
846:The Brute Man
843:
842:The Brute Man
839:
835:
832:
828:
824:
823:The Brute Man
809:
807:
803:
799:
795:
794:The Brute Man
791:
790:
785:
784:
779:
778:The Brute Man
775:
771:
770:The Brute Man
767:
763:
759:
758:The Brute Man
755:
751:
749:
744:
743:The Brute Man
739:
738:The Brute Man
735:
731:
730:The Brute Man
727:
726:
721:
720:
715:
714:
709:
705:
704:The Brute Man
696:
693:
689:
688:Peter Whitney
685:
681:
680:The Brute Man
677:
673:
672:The Brute Man
668:
666:
665:
660:
656:
655:The Brute Man
652:
651:
645:
644:The Brute Man
636:
634:
630:
625:
621:
620:The Brute Man
617:
613:
612:
607:
606:
601:
598:
594:
593:The Brute Man
590:
586:
582:
581:The Brute Man
577:
575:
571:
567:
563:
559:
555:
551:
550:The Brute Man
547:
546:The Brute Man
543:
539:
535:
534:
529:
528:The Brute Man
525:
521:
517:
516:The Brute Man
510:
506:
505:The Brute Man
501:
497:
495:
494:
489:
485:
484:The Brute Man
481:
480:
475:
474:
469:
468:
463:
462:
457:
456:
455:The Devil Bat
451:
447:
446:The Brute Man
443:
439:
435:
434:The Brute Man
416:
415:John Hamilton
413:
410:
409:Joseph Crehan
407:
404:
401:
398:
396:as Joan Bemis
395:
392:
389:
386:
383:
382:Peter Whitney
380:
377:
374:
371:
368:
365:
362:
359:
356:
353:
350:
349:
342:
338:
334:
330:
326:
317:
315:
312:. Members of
311:
310:
305:
304:The Brute Man
300:
298:
294:
293:The Brute Man
290:
286:
282:
278:
276:
275:
270:
266:
262:
258:
254:
250:
249:thriller film
247:
243:
242:
241:The Brute Man
232:
228:
224:
220:
217:United States
216:
212:
208:
202:
188:
187:
185:
179:
176:
173:
169:
165:
161:
153:
150:
147:
143:
139:
135:
132:
129:
125:
119:
116:
114:
111:
109:
108:Peter Whitney
106:
104:
101:
99:
96:
94:
91:
90:
88:
84:
80:
76:
72:
68:
61:
59:
56:
55:
53:
51:Screenplay by
49:
46:
43:
39:
32:
27:
24:The Brute Man
22:
19:
3625:
3615:
3605:
3595:
3585:
3575:
3565:
3555:
3545:
3535:
3525:
3515:
3505:
3495:
3485:
3475:
3465:
3455:
3445:
3435:
3427:Master Minds
3425:
3415:
3405:
3395:
3385:
3375:
3365:
3355:
3345:
3336:
3335:
3325:
3315:
3305:
3295:
3285:
3275:
3265:
3255:
3245:
3235:
3225:
3215:
3205:
3195:
3185:
3175:
3165:
3155:
3145:
3135:
3125:
3115:
3105:
3095:
3085:
3075:
3065:
3055:
3045:
3035:
3025:
3015:
3005:
2951:
2940:
2929:
2904:
2892:. Retrieved
2877:
2843:
2810:
2787:
2756:
2725:
2702:
2671:
2644:
2613:
2582:
2579:Peary, Danny
2548:
2517:
2504:
2465:
2442:
2423:
2396:
2365:
2348:
2335:
2331:
2300:
2269:
2251:Bantam Books
2246:
2210:
2177:
2145:
2134:Bibliography
2123:
2114:
2105:
2096:
2084:. Retrieved
2080:the original
2066:
2056:November 17,
2054:. Retrieved
2048:
2038:
1998:
1978:
1972:
1961:
1955:
1936:
1930:
1919:
1898:
1877:
1871:
1866:, p. 47
1859:
1854:, p. 72
1852:Stanley 2000
1847:
1836:
1827:
1796:
1784:
1777:Barrios 2002
1755:
1743:. Retrieved
1737:
1710:
1698:
1686:
1655:
1644:
1623:
1618:, p. 33
1611:
1604:Gifford 1969
1599:
1531:
1525:
1514:
1508:
1445:
1439:
1427:
1407:, p. 74
1371:, p. 22
1343:
1336:Soister 2004
1331:
1326:, p. 22
1319:
1240:
1221:
1214:Mary Jo Pehl
1210:Paul Chaplin
1199:
1192:
1186:
1180:
1176:
1172:
1166:
1160:
1156:
1152:
1144:
1138:
1132:
1124:
1123:
1117:
1113:
1103:
1092:
1088:
1083:
1081:
1076:
1062:
1056:
1053:Dave Stevens
1048:
1046:
1040:
1036:
1011:
995:
987:
985:
972:
968:
963:
961:
950:
944:
936:
934:
929:
925:
919:
912:
907:
899:
895:
894:
886:
884:
878:
874:
872:
858:
851:
845:
841:
822:
820:
817:Distribution
793:
787:
783:Black Friday
781:
777:
769:
757:
752:
742:
737:
733:
729:
723:
719:Frankenstein
717:
711:
703:
702:
692:comic relief
679:
675:
671:
669:
662:
654:
648:
643:
642:
632:
619:
615:
609:
603:
592:
588:
580:
578:
549:
545:
541:
531:
527:
523:
515:
514:
504:
491:
487:
483:
477:
471:
465:
459:
453:
445:
442:pulp fiction
433:
431:
403:Oscar O'Shea
352:Rondo Hatton
339:
335:
331:
327:
323:
313:
307:
303:
301:
292:
279:
272:
253:Rondo Hatton
240:
239:
238:
205:Running time
182:Release date
118:Rondo Hatton
18:
3597:Yaqui Drums
3517:Casa Manana
3367:The Creeper
2405:Titan Books
2374:Mississippi
2086:December 8,
1864:Willis 1982
1745:October 11,
1693:, p. 2
1679:Hantke 2009
1660:Wilson 2016
1420:Maltin 2003
1405:Backer 2004
1369:Miller 2004
1324:Server 2002
1188:Mighty Jack
1177:Volume XXII
834:Poverty Row
831:Hollywood's
802:Jack Pierce
786:(1940) and
766:chiaroscuro
722:(1931) and
616:City Lights
605:City Lights
574:World War I
570:mustard gas
518:is a quasi-
476:(1946) and
140:Philip Cahn
78:Produced by
41:Directed by
3651:1946 films
3645:Categories
3497:Big Timber
3327:Cuban Pete
3317:Inside Job
3247:In Society
2649:Sag Harbor
2357:B0031EMUB4
2155:California
2102:Lucas, Tim
1801:Peary 1991
1715:Pitts 2010
1592:Clark 2004
1577:Pratt 2004
1501:Rigby 2007
1228:References
1165:look like
1073:Rick Baker
982:Home media
558:acromegaly
509:acromegaly
423:Production
370:Jane Adams
269:Jane Adams
209:58 minutes
193:1946-10-01
156:Production
98:Poni Adams
3577:Hot Shots
3187:Get Going
2894:13 August
2815:Jefferson
2761:Jefferson
2618:Jefferson
2522:Jefferson
2511:: Édilig.
2305:Jefferson
2274:Jefferson
2225:Routledge
2182:Jefferson
1947:0006-2510
1938:Billboard
1890:1749-9771
1789:Reid 2004
1628:Nash 2004
1432:Katz 1988
1312:Wilt 1991
1283:Wilt 1991
1200:In 1995,
1058:Rocketeer
1008:laserdisc
992:lost film
867:Reception
806:Vera West
798:Joe Lapis
762:film noir
725:The Mummy
585:Manhattan
564:from the
536:, a 1944
388:Fred Coby
364:Jan Wiley
265:Jan Wiley
251:starring
233:$ 125,000
137:Edited by
103:Jan Wiley
81:Ben Pivar
16:1946 film
3477:Sideshow
2946:AllMovie
2854:Maryland
2734:New York
2653:New York
2591:New York
2581:(1991).
2557:Maryland
2503:(1983).
2475:New York
2463:(2003).
2245:(1996).
2221:New York
2151:Berkeley
2074:(2001).
2050:DVD Talk
1739:Allmovie
958:Analysis
838:B movies
748:autistic
716:(1931),
667:(1945).
614:(1935).
470:(1945),
464:(1945),
458:(1940),
358:Tom Neal
289:B movies
277:(1946).
261:Tom Neal
222:Language
145:Music by
93:Tom Neal
86:Starring
70:Story by
2676:Raleigh
2505:SĂ©rie B
1838:Variety
1000:Betamax
908:Variety
812:Release
713:Dracula
699:Filming
639:Casting
618:, like
602:comedy
520:prequel
428:Writing
225:English
214:Country
191: (
158:company
3630:(1969)
3620:(1967)
3610:(1962)
3600:(1956)
3590:(1957)
3580:(1956)
3570:(1956)
3560:(1956)
3550:(1955)
3540:(1952)
3530:(1952)
3520:(1951)
3510:(1951)
3500:(1950)
3490:(1950)
3480:(1950)
3470:(1950)
3460:(1950)
3450:(1950)
3440:(1950)
3430:(1949)
3420:(1949)
3410:(1949)
3400:(1949)
3390:(1949)
3380:(1949)
3370:(1948)
3360:(1948)
3350:(1948)
3340:(1946)
3330:(1946)
3320:(1946)
3310:(1946)
3300:(1946)
3290:(1945)
3280:(1945)
3270:(1945)
3260:(1945)
3250:(1944)
3240:(1944)
3230:(1944)
3220:(1944)
3210:(1944)
3200:(1943)
3190:(1943)
3180:(1943)
3170:(1943)
3160:(1943)
3150:(1942)
3140:(1942)
3130:(1942)
3120:(1942)
3110:(1942)
3100:(1942)
3090:(1942)
3080:(1941)
3070:(1941)
3060:(1941)
3050:(1941)
3040:(1941)
3030:(1941)
3020:(1941)
3010:(1940)
2911:
2885:
2864:
2850:Lanham
2829:
2798:
2775:
2744:
2713:
2707:London
2690:
2659:
2632:
2601:
2567:
2553:Lanham
2536:
2485:
2449:
2430:
2411:
2401:London
2384:
2370:Oxford
2355:
2319:
2288:
2257:
2231:
2196:
2165:
1945:
1888:
1191:, and
1027:Legacy
650:Detour
600:silent
246:horror
230:Budget
2509:Paris
2479:Plume
2338:(1).
1878:Forum
1233:Notes
1222:MST3K
1173:MST3K
976:'
661:film
624:Tramp
2935:IMDb
2909:ISBN
2896:2017
2883:ISBN
2862:ISBN
2827:ISBN
2796:ISBN
2773:ISBN
2742:ISBN
2711:ISBN
2688:ISBN
2684:Lulu
2657:ISBN
2630:ISBN
2599:ISBN
2565:ISBN
2534:ISBN
2483:ISBN
2447:ISBN
2428:ISBN
2409:ISBN
2382:ISBN
2353:ASIN
2342:: 2.
2317:ISBN
2286:ISBN
2255:ISBN
2229:ISBN
2194:ISBN
2163:ISBN
2088:2010
2058:2020
1943:ISSN
1886:ISSN
1747:2010
1267:help
1091:and
1002:and
941:KTVU
686:and
544:nor
345:Cast
320:Plot
263:and
2955:at
2944:at
2933:at
1155:in
1020:DVD
1004:VHS
750:".
522:to
3647::
2860:.
2856::
2852:,
2848:.
2825:.
2821::
2817:,
2794:.
2790:.
2771:.
2767::
2763:,
2759:.
2740:.
2736::
2732:,
2728:.
2705:.
2686:.
2682::
2678:,
2674:.
2651:,
2628:.
2624::
2620:,
2616:.
2597:.
2593::
2589:,
2585:.
2563:.
2559::
2555:,
2551:.
2532:.
2528::
2524:,
2520:.
2499:;
2481:.
2477::
2473:,
2469:.
2403::
2399:.
2380:.
2376::
2372:,
2368:.
2334:.
2315:.
2311::
2307:,
2303:.
2284:.
2280::
2276:,
2272:.
2253:.
2227:.
2223::
2219:,
2215:.
2192:.
2188::
2184:,
2180:.
2161:.
2157::
2153:,
2149:.
2122:.
2104:.
2047:.
2023:^
2009:^
1989:^
1910:^
1884:.
1835:.
1808:^
1767:^
1736:.
1722:^
1667:^
1635:^
1584:^
1569:^
1542:^
1489:^
1456:^
1412:^
1397:^
1376:^
1355:^
1290:^
1275:^
1258::
1256:}}
1252:{{
1197:.
1185:,
1143:.
1079:.
1055:'
576:.
2985:e
2978:t
2971:v
2917:.
2898:.
2870:.
2835:.
2804:.
2781:.
2750:.
2719:.
2696:.
2665:.
2638:.
2607:.
2573:.
2542:.
2491:.
2455:.
2436:.
2417:.
2390:.
2359:.
2336:3
2325:.
2294:.
2263:.
2237:.
2202:.
2171:.
2090:.
2060:.
1949:.
1924:.
1892:.
1749:.
1269:)
1265:(
1162:M
1043:.
511:.
195:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
