The Church (band) - Knowledge

1122:, titled from Kilbey's misreading of a Spanish fan's English vocabulary notes ('priest' = 'cura'), contains fourteen songs, many over six minutes long, and was their longest album yet at 65 minutes. With song concepts derived from cryptic, one-word working titles (an idea originally proposed by Willson-Piper), the lyrics leaned towards the abstract and esoteric. Emphasizing free association and undirected coincidence between music and motif, Kilbey declined to define their meanings. Sonically, the music had numerous layers, courtesy of numerous guitar overdubs and MacKillop's rich production. The interplay between Koppes and Willson-Piper dominated throughout, especially on tracks such as "Ripple", "Kings", and the epic, aptly titled "Chaos", whose lyrics were a reflection of Steve Kilbey's unsettled lifestyle at the time. 1492: 1228:

earnings from North American sales. Although exact figures remain unknown due to disputes, up to A$ 250,000 worth of merchandise (some 25,000 discs) was lost. For a band already on shaky ground, this was nearly the death knell. Comments by Kilbey in May of that year summed up the situation: "There's no immediate future for The Church.....Our management, the whole thing is broken down.....We don't really have a label. We're owed lots and lots of money and we're broke. We're trying to pursue lawyers to get our money back. Marty and I aren't having any communication. There's no one really managing us so.....that could have been the last record."

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someone with stature. He has to have his own trip, he can't be some weedy little guy coming in to play guitar. It has to be somebody with experience and gravitas." As part of the same interview, Haug explained that he had received a phone call from Kilbey while he was returning home from a funeral. Without first greeting Haug, Kilbey simply asked, "If I asked you to join The Church, what would you say?" and ended the call after Haug's affirmative, but bewildered, response. Haug said that joining the Church was the "last thing" that would have entered his mind, but that "it just really seemed to work".

3129: 4222: 4208: 4194: 4180: 1760: 1898:. It was released on 6 October and was preceded by two singles, the album opener "Another Century" and the fourth track, "Undersea". About the album, Steve Kilbey commented, "This is The Church's water record. I've always marveled at the seas, rivers, and rain. It wasn't conscious at all, but on reflection, it definitely is a preoccupation on this record." The band toured North America in September and October before returning home to Australia for a string of dates in November and December. 691:. Only one band composition made the album: the experimental "Travel by Thought". Kilbey and Willson-Piper had co-written another track, "10,000 Miles", but the label rejected it. Kilbey was upset by the label's interference, finding the track essential to their live set (it would be included on their next EP). Despite the difficulties, the album yielded two minor hits - "It's No Reason" and "Electric Lash" - and stayed in the British independent charts for several months. 1386:, released in January 2002, saw a focus on the softer elements of the band, with responsibility for production and final mixing again resting on Powles. With only three obvious "rock" tracks out of ten, gentler moods dominated. The album achieved the biggest international success for The Church in almost ten years. The successive world tour featured the band in a more subtle setting as well, with most tracks performed primarily acoustically alongside guest 33: 1247:, the members of The Church turned their attention to other projects and Willson-Piper left Australia again in order to collaborate with other artists and write new solo material. In his absence, Kilbey, Powles, and Koppes spent some studio time together and quickly wrote and recorded an album as The Refo:mation, utilizing Powles also as a mix engineer. Loose in feel but rich in atmosphere, the eccentrically-titled 918:"The Church came to L.A. and really reacted against the place because none of us liked it. I hated where I was living. I hated driving this horrible little red car around on the wrong side of the road. I hate that there's no one walking on the streets and I missed my home. All the billboards, conversations I'd overhear, TV shows, everything that was happening to us was going into the music". 1380:, helping to raise the band's profile once again. However, recording for their next album turned out to be painstakingly slow due to numerous side projects and simple geography. With Kilbey now living in Sweden, Willson-Piper in England, and the others in Australia, the bandmates met across several separate sessions. Partially recorded in Sweden, NYC, and Australia, the resulting 1818:. Kilbey explained that Willson-Piper was "not available" for the recording of a new album and subsequent touring, and praised Haug as "a brilliant guitarist". Kilbey also provided a pre-emptive response to disgruntled fans: "... if you can't dig it I'm sorry. this is my fucking band after all and it has existed at times without Peter and in the beginning without Marty." 1739:, which had been a year in preparation. Accompanied by conductor George Ellis and the George Ellis Symphony Orchestra, the concert was performed to a sold-out 2,000+ capacity crowd and was recorded and filmed. A DVD and double CD were released by Unorthodox in June 2014, the band's first official live album. The show was also broadcast on the Australian music TV channel 1802:. As part of the tour, they also played several "A Day on the Green" events with Models. During this tour, they also played two intimate "Art Rock 'n' Roll" shows, one at the Corner Hotel in Melbourne and the other at the Factory Theatre in Sydney, where each member chose four songs from the band's catalogue, interspersed with a selection of concert staples. 522:, in July. It included the first collectively written track, "Sisters". Another track, "Tear It All Away", later released as a separate single, showed a development towards the more elaborate guitar structures which would become part of the band's signature sound. Their image and sound now evoked comparisons with 1960s psychedelic groups, with tight jeans, 856:. A promotional tour started in April 1986, with concerts both at home and abroad. Unexpectedly, Willson-Piper suddenly quit mid-tour after rising in-band tensions and on 10 July, The Church performed as a three-piece in Hamburg, Germany. Willson-Piper returned within a week after Kilbey agreed that future releases would contain more group efforts. 622:, but after eight gigs The Church pulled out, feeling that audiences were unsympathetic. Chugg later recalled, "They were hard work. All four of them were strong-willed and had their own ideas of how things should be." The band also toured Scandinavia and Europe in 1982, and both of their albums were released there to critical acclaim. 643:), which peaked at No. 18. It used more keyboards and synthesizers and was typically described as "That stark release explored the band's darker side, and tracks ... were awash with strings and other effects". The accompanying live shows included a guest keyboardist, Melbourne-based session player Dean Walliss. 1843:. The band performed the album in its entirety during the "Further/Deeper" tours of Australia, then headed to North America and Europe, with a guest spot and select shows at SXSW Festival in Austin, Texas, and then a career-defining set on one of the prestigious PrimaVera festival's main stages in Barcelona, Spain. 1351:. The band was forced to improvise a set after he failed to show, with Willson-Piper covering vocals. A night in jail and a day's community service on the Manhattan subway were Kilbey's only punishment. "A drug bust is something every aging rock star should have under his belt", he was later quoted as saying. 1627:

released it to the rest of the world shortly thereafter. Recorded at Powles' Spacejunk III Studios by engineer/artist Jorden Brebach, who mixed many of the tracks, a double vinyl version quickly sold out. It was the band's 23rd album-length Australian release of original studio material, while Kilbey

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had sold well on import. Due to the interest raised in the U.S., they left Michael Chugg Management in Sydney and signed with Malibu Management's owner John Lee. They toured the US in October and November and while venues in New York and Los Angeles saw audiences of about 1,000 people, other gigs had

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Group tensions within The Church proper were still simmering, however. More than anyone else, it was new drummer Tim Powles who tried to alleviate the outstanding disagreements. While Koppes and Willson-Piper had already had differences for some time, Kilbey and Willson-Piper's relationship was also

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by Robert Dean Lurie was published in Australia, the US, and the UK by Verse Chorus Press. While primarily a biography of Kilbey, the book also traced the evolution of the band from his perspective. This was not an official band project but Kilbey, Koppes, and various friends and family members did

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Adding to the decline in The Church's outlook was the announcement of Koppes' departure. His decision reflected two main factors: that the band had earned nothing for the two-week tour of Australia, and that he felt shut out of the creative process - a long-standing complaint that stretched back at

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began to retreat further into his own habit as pressure increased. The number of attempted studio takes spiralled and Ploog's relationship with Kilbey deteriorated, accentuated by Wachtel's demands for a consistently reliable tempo. Eventually, Ploog's isolation led to exclusion and his drum tracks

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Without a recording deal, the band's future looked bleak as Kilbey and Willson-Piper began work on new recordings in 1995. Although initially a two-man project, the new material saw input from new drummer Powles and hired violinist Linda Neil. Renewed contact between Kilbey and Peter Koppes led to

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versus West Coast guys who know the way they like to do things. We were a bit more undisciplined than they would have liked". Personality clashes occurred as the two sides bickered over guitar sounds, song structures, and work ethic. Under pressure from the producers, Kilbey took vocal lessons, an

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In February 2010, the band announced that they would be celebrating their thirtieth anniversary with an acoustic tour entitled "An Intimate Space". In a unique programme, the band chose one song from each of their many albums and performed them in reverse chronological order. The shows included a

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label, but due to financial constraints, they had to arrange outside distribution for the North American and European markets. This almost doomed the album from the beginning, but worse events were to come. Within a short time, the U.S. distributor went bankrupt, leaving the band stripped of its

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Despite the loss of Koppes, Arista decided to stand by the band's contract and back another Church album, and so Kilbey and Willson-Piper began to write new material. When it became clear that Daugherty would not be returning to the fold either, the remaining two took the opportunity to approach

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While the prior sessions were tense, these were volatile. Already unenthusiastic about the forced pairing, there was the stress of having to create another hit album, and this took its toll. All members were outspoken about the role that drugs played in The Church's creative process, but drummer

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In early October 2014, Kilbey explained that Willson-Piper was not asked to leave the band but that he had simply not replied to the various attempts made to contact him. Realizing that Willson-Piper would not respond, and in agreement with Powles at the time, Kilbey said "Yes, we have to find

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left off with lush, lengthy tracks". Sales, however, were paltry and the first single, "Two Places at Once", did not chart. Promotion was minimal as Arista saw insufficient commercial promise in the release. With another commercially unsuccessful album on their hands, Arista did not renew The

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featured a lusher, more atmospheric sound with highlights including "Now I Wonder Why" and "Fly". Internationally, the album sold poorly, being considered dark and cryptic, and the general public seemed to lose interest. Some critics in Europe and the U.S. did like the album however, with

1732:. Sold-out dates were played in Los Angeles, San Francisco, Seattle, Chicago, Alexandria, Philadelphia, New York, Foxborough, and Atlanta. This tour was the first on which the band was augmented onstage by the Australian multi-instrumentalist Craig Wilson, from the band ASTREETLIGHTSONG. 385:, and they were signed to major labels in Australia, Europe, and the United States. However, the US label, dissatisfied with their second album, dropped the band without releasing it. This put a dent in their international success, but they returned to the charts in 1988 with the album 1268:

The results of the new recording sessions saw a return to the band's roots: the material was once again based around Koppes and Willson-Piper's guitar interplay. Also, for the first time, the band completely produced the work themselves, under Powles' aegis. Originally given the name

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In March 2013, there were the outward signs of internal problems in the band when Steve Kilbey issued a series of statements which indicated that he was considering leaving The Church due to a dispute over royalty payments. Then, later in the year, Kilbey announced on the band's

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The Church seemed to reach a nadir in 1984. Unable to repeat the commercial success of the first two albums, there was a perception that their creativity was declining. Kilbey later said: "I think we released a few dud records that weren't as good as they should have been, after

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was given a mixed reception. It peaked in the ARIA Top 30, but reviews were varied, with some critical and others uncertain how to react. The band only went on a limited tour, confined to Australia, as Kilbey prepared for the birth of his twin daughters with Karin Jansson.

1484:", a version of which was included. A short acoustic tour followed in late 2004, which initiated a new practice amongst the band members: that of swapping instruments on stage. The album was eventually nominated in 2005 for "Best Adult Contemporary Album" at the Australian 447:(Kilbey) and Limazine (Koppes), they met again in Sydney in March 1980 and formed the initial three-piece version of The Church, with Limazine drummer Nick Ward. The name was a shortened version of the original name proposed by Kilbey: "The Church of Man". A month later, 976:

voted it the best Australian song of the last 20 years. In response, Kilbey said, "it's not really about anything at all. I just wanted to create an atmosphere and I didn't even put a lot of thought into that. History has given it something that it never really had".

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and No. 13 in Sweden. Ploog was incorrectly credited as the sole drummer on the release, despite only playing on one or three tracks, depending on the version. Capitol also released an edited single version of "The Unguarded Moment", without the band's approval.

1114:) to supervise the sessions, the band began to improvise the framework for the next set of songs. The use of opium and, for Kilbey, heroin, saw the material take on a more expansive and surreal quality, while Daugherty's jazzier approach on drums was a fresh change. 1265:, the Church would be put to rest. The four agreed to play a string of farewell concerts around Australia, which turned out to be extremely successful. The roaring success of the intended "final concert" in Sydney put a quick end to talk of the band's demise. 935:. The group wanted as live and dynamic an album as possible; Willson-Piper said that trying to record a live atmosphere lacked a real gig's sense of "being there". They found the results bare and simplistic; however, the public reception was unexpected. 318:

has written that "From the release of the 'She Never Said' single in November 1980, this unique Sydney-originated entity has purveyed a distinctive, ethereal, psychedelic-tinged sound which has alternatively found favour and disfavour in Australia." The

1102:, The Church returned to their old haunt at Sydney's Studios 301 to commence work on their next album. With lowered commercial expectations and less pressure from Arista, the atmosphere was more relaxed. Bringing in British producer Gavin MacKillop ( 1422:. Rather than fleshing the songs out over a long, gradual process, the band decided to keep the music as close to the original jam-based material as possible. Stylistically, this made for a much rawer sound, primarily recorded live and with minimal 846:, creating a warm, organic sound. The songs "were among the richest moments in The Church canon". While Kilbey still wrote the lyrics, the band were now largely writing the music together, a practice which they would continue thereafter. 1167:

Early in 1994, the two brought in Willson-Piper's childhood friend Andy 'Dare' Mason to produce, record, and mix. The album was mostly recorded at Sydney's Karmic Hit Studios and mixed at Karmic Hit and Studios 301. New Zealand drummer

1140:, if not further. Despite a completely sold-out tour, increasing personality conflicts within the band and frustration over their lack of success had made the situation intolerable. Despite its muted reception at the time of release, 3154: 507:", co-written by Kilbey and Michelle Parker, was issued alongside the album in March 1981, but only in Australia initially. "The Unguarded Moment" became an Australian top forty hit, reaching No. 22 on the Australian 495:. Seven of the nine tracks were written solely by Kilbey and two co-written with others. The first single, "She Never Said", was released in November, but did not chart. At the start of 1981, Ward was replaced on drums by 1451:

professor who had been working with the band since 2001 - the Church began capitalizing on the advantages offered by the internet and the independent music industry. First, in August, came the entirely improvised album

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found its way into the mainstream, marking a new worldwide commercial peak for the band. It reached No. 11 in Australia and the Top 50 in the US. The album was awarded a gold record in December 1992 by the

612:, which horrified the band. After another recording session, five new songs were offered to Capitol but the label was still unimpressed and dropped the band. The five songs were later released in Australia as the EP 593:, was issued in March 1982 and was both produced and mixed by Bob Clearmountain. Sonically and stylistically more complex than the debut, it is "a smoother, fuller release", which showed the clear influence of 1960s 1018:

with a nine-month tour before they returned to the studio for a follow-up. With a US Top 50 album under their belt, there was pressure from Arista to create another. The band started negotiations with former

1520:, their 20th studio album, was released to rapturous reviews in April 2006 and was followed once again by extensive touring in Europe, the U.S., and Australia. Just before its release, in March, they performed " 698:, they toured Australia and New Zealand for the rest of the year to pay off debts incurred on the European tour. Meanwhile, Capitol Records released their first album in Canada, where it reached the Top 20. The 1094:

s and press was mixed. The band, particularly Kilbey, would later dismiss the album as "lousy", "hashed together", and "hideous", although many of the songs have since become fixtures in the band's setlists.

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Church's contract and pulled financial support for a tour. Ambitious plans to stage full electric shows were scaled back, leaving Kilbey and Willson-Piper with only a short run of acoustic gigs as a duo.

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In December 2010, they concluded the "Future Past Perfect" tour with a dozen Australian dates. Their show of 17 December at the Enmore Theatre, Sydney, was filmed and is available to stream online.

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is a ceremony celebrating live entertainment and performing arts in Australia, presented by the industry group Live Performance Australia since 2001. Note: 2020 and 2021 were cancelled due to the

1711:". After their acceptance speech, the band performed "Under the Milky Way" and "Tantalized". In November and December, they continued with the Australian leg of their "An Intimate Space" tour. 3164: 1514:

has over time come to have a "main" album life of its own, with tracks being featured on Apple music and the like, being seen by many fans as the band at its fluid and fresh artistic best.

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The Church undertook a second Australian tour, while Carrere released the album in Europe, generating enough sales for them to tour there in October. However, Capitol declined to release

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employed more ambient aspects including piano, acoustic guitars, and keyboards. On some tracks, the music was punctuated by clanging metal, rustling wind, or sharp, industrial sounds.

782:, and Jamaica. Kilbey's debut solo single, "This Asphalt Eden", was released by EMI Parlophone and he was also the producer on the single "Benefit of the Doubt" for the Crystal Set. 1901:

On 1 February 2020, Steve Kilbey announced on Facebook that Peter Koppes had departed the group, and that touring member Jeffrey Cain had been promoted to full member status, with

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Album tracks such as "North, South, East and West", "Lost," "Reptile", and "Destination" bore the imprint of the faces, scenery, and daily life of the group's new, temporary home.

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in August, but only in Australia and New Zealand. Both EPs reached the Top 50 on the Australian Albums Chart. Again, almost all tracks were written by Kilbey, but compared to

455:, United Kingdom, witnessed one of their gigs and met Kilbey afterwards. That same night he was invited to join the band on guitar, establishing the classic two-guitar formation. 3800: 2858: 1432:, songs saw numerous instrument changes between members, with Powles playing lead guitar on "Sealine","Maya", and "Reversal", and Willson-Piper switching to drums on "Maya". 1087:" (No. 19 in Australia, No. 11 on U.S. Mainstream Rock), but the follow-up, "You're Still Beautiful", did not chart. Ultimately, the album's sales were lower than 863:, were also scrapped. Since the band had greater sales overseas than in Australia, they decided to record in a studio abroad and opted for a four-album deal with U.S. label 1577:

In 2006, The Church had embarked on their third improvised music project: to provide the soundtrack for a short film based on the renowned American science fiction writer

999:, which contained selections from the band's prior albums, together with hitherto-uncollected singles and B-sides. It peaked in the ARIA Top 40 Albums Chart in July. 771:... The band was just drifting along in a sea of apathy, I was writing not-so-good songs and the band wasn't playing them very well, so everyone's enthusiasm just waned". 4695: 2597: 1440:

and was released in Australia in October 2003 and in the U.S. in February 2004. The band toured extensively to support the album in Australia, the U.S., and Europe.

618:, which reached the Top 100 Albums Chart in December. Meanwhile, their manager, Michael Chugg, arranged a U.K. tour supporting the hugely successful pop group 1846:

In July, August, and September 2015, the band toured Australia, finishing at Splendour in the Grass festival, and then going to the U.S. again, co-headlining with

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The reformed and rejuvenated band went on their first fully electric tour of the U.S., Australia, and Europe in many years. A plan to release a live album called

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Released in Australia, New Zealand, Europe, and the US, the album was warmly received. In Australia, it peaked at No. 19, and it also appeared on the U.S.

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The band travelled to the US once again in February 2011 in full electric mode for the "Future Past Perfect" tour, performing three albums in their entirety:

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their music from new perspectives, abandoning their long-established roles and stylistic elements in favour of experimentation, spontaneity, and electronica.

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hit stores in late 2002. Unique among the band's catalogue, the first disc, subtitled "remixture", featured a reshuffled, remixed, electronic version of the

1027:, who had a reputation as a sophisticated producer, but the record company and management vetoed their suggestion. In an attempt to duplicate the success of 3711: 458:

A four-song demo was recorded in Kilbey's bedroom studio and sent, through contacts from his and Koppes's old band Baby Grande, to the Australian branch of

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In 2005, The Church returned to full electric mode and began work on new material once again. The first release from these sessions was the outtakes album

1249: 4057: 931:, which focused on capturing the band's core sound. Bright, spacious, and uncluttered, the recording was a departure from the layered orchestrations of 859:

Despite the charged atmosphere and warm press, low sales for the album's singles in Australia prompted EMI to drop them. Plans for a double live album,

597:. "With its mystical lyrics the second album ... brought the group's own style more into focus". The album peaked at No. 10 and its first single, " 1317:

Instead, a collection of cover songs was recorded in Sweden, shedding light on the band's influences. Arriving in August 1999 - less than a year after

1303:. A limited edition featured a bonus disc with a nearly 80-minute continuous improvised instrumental, which received the original title of the album, 3654: 482:

guitar and equipped Koppes with an Echolette tape delay. Of that first batch of demos, only "Chrome Injury" would go on to be recorded for release.

3885: 1189:, released in May 1994, was generally well received and peaked in the Top 30. It is described as a "rich, dark, epic release picked up where 3774: 1673:

sessions and some tracks specifically shaped by Powles for the release. The US leg of the tour spanned April and May, including a performance of "

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project. Considered temporary at the time, Powles would soon become a permanent member of the band and is still with them over 20 years later.

3215: 1347:, a tour followed the album's release, but new drama hit the band mid-tour in New York City when Kilbey was arrested for trying to purchase 5243: 3346: 2338: 515:

went gold, achieving the same position on the related Albums Chart. To promote the releases, the band undertook their first national tour.

395:". Subsequent mainstream success has proved elusive, but the band retains a large international cult following and were inducted into the 5233: 5228: 5218: 694:

The group had built a devoted fan base with their paisley shirts, catchy melodies, and solid live performances. Following the release of

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in 2007 and was expanded from the 2002 edition. As from September 2010, the on-line version appears to have an 'Internal Service Error'.

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in their entirety. Upon arriving back in Australia, they headlined the boutique Small World Festival in Sydney's Newtown neighbourhood.

1458:, containing just two long tracks and available exclusively from the band's website. Next, in October, came their third outtakes album, 5238: 4763: 4681: 4152: 1437: 666:-like snare sound. Unsatisfied with this, the band asked Launay to redo the mix, but the effect was only lightened. The first single, " 2733: 2667: 4774: 3255: 3133: 2976: 2792: 2256: 1696: 1054: 944: 721:, the atmosphere was lighter and less gloomy. The band's trademark guitar sound was complemented by the keyboards of guest musicians 1735:

On 10 April 2010, The Church further celebrated their 30th anniversary with a special show entitled "A Psychedelic Symphony" at the

503:, after hearing of his reputation in Adelaide. Ploog's arrival established The Church's first stable line-up. The second single, " 5253: 2825: 2515: 340:

on guitars, and Nick Ward on drums. Ward played only on their debut album, and the band's drummer for the rest of the 1980s was

5268: 1202:) was drafted in to co-produce, engineer, and mix the sessions. The music saw a return to guitar-based material, infused with 5101: 4025: 2912: 2480: 2457: 1790:

In November and December 2012, The Church played a major series of concerts across Australia and New Zealand, together with

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re-released six early Church albums in the US, with bonus tracks and extensive liner notes by Willson-Piper, along with the

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strained by recent problems. Kilbey declared that the end was nigh: after a final, worthy swan song, with the working title

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influences. A 15-minute atmospheric piece called "Magician Among the Spirits" dominated the sessions, named after a book by

670:", featured this effect especially prominently and it was likened to a "machine gun". Despite dissatisfaction over the mix, 5213: 5203: 4249: 3826: 3575: 1044:

were replaced by rigid, but meter-perfect, programmed drums on all but three tracks. He left the band after the sessions.

5208: 2642:"Features | A Quietus Interview | The Past, Present & Future of the Church: An Interview With Peter Koppes" 4954: 4652: 4502: 2861:. Howlspace – The Living History of Our Music. White Room Electronic Publishing Pty Ltd (Ed Nimmervoll). Archived from 2233: 1550: 407: 3862: 5258: 4855: 4704: 4657: 2968: 2572: 2532: 2302: 1831:, the Church's 24th studio album was released on 17 October 2014. Recorded over a period of eight days in late 2013, 360:), who remains with them to the present day. Koppes left the band from 1992 to 1997, and Willson-Piper left in 2013. 1638:. Another major international tour followed, the "So Love May Find Us" tour, named after a non-album track from the 1443:

Their prolific output continued into 2004 with the release of three ancillary albums. Under the guidance of manager

834:). Their first single in almost two years, "Already Yesterday", appeared in October and just made the Top 100. 5263: 5134: 5068: 4899: 4662: 3229: 3189: 1223:, received mixed reviews, despite the guitar rock hook of its single "Comedown". It was released on the band's own 3553: 3100: 1885:. Then, in July, they toured the US again, repeating the success of 2015 by once again sharing larger venues with 1343:. The insert for the CD was designed as interchangeable, with 10 separate sleeve designs created by fans. As with 4910: 2314: 1661:

but the remaining tracks, including the 34-minute improvisation "Particles Matter", were unique to this release.

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in North America and demanded that they write more radio-friendly material, as exemplified by their stable-mates

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In 2016, the band returned to the U.S. again twice, first for a more comprehensive headline tour playing

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label. Gilbey went to band rehearsals and helped shape their sound—he bought Willson-Piper a 12-string

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as few as 50. In financial terms, the tour went poorly and the band lost thousands of dollars a week.

5035: 4987: 4844: 4829: 4418: 4362: 3917:"Album reviews: The Church, Solicitors, Steve Smyth, Elina Garanca, Slash, Screamfeeder, Peep Tempel" 2350: 2326: 2290: 2125: 2061: 1541:, a second album of acoustic re-interpretations of earlier songs plus several new compositions and a 1382: 1144:

is considered by both the band and fan base to be an artistic high point. In his 2014 autobiography,

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was released, the Church had returned to the studio to record yet another album, eventually titled

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The stress of living in the US influenced their recording, and left Kilbey feeling out of place:

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Fans would not have to wait long for another group release. The double-disc remix/outtakes set

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saw a greater focus on concise, guitar-dominated songs, in contrast to the experimentation of

1214:. Additional contributions by Utungun Percussion added a new, primal aspect to several songs. 399:

in Sydney in 2010. The Church continue to tour and record, releasing their 25th studio album,

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on most of these dates. On this tour, at select headline side shows, the band played most of

1839:, Noel Mengel rated the album with 4.5 stars, while Jeff Apter assigned the album 4 stars in 1685: 1624: 1607: 1472: 1387: 1107: 827: 750: 539:

s commercial success enabled Gilbey to present the release to Freddie Cannon of French label

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in the United States. Internationally, the two EPs were repackaged as a single album titled

470:, who signed the band to his recently formed record production company, in association with 5057: 4811: 4467: 4453: 3045: 2737: 2675: 2564: 2411: 2187: 2171: 1886: 1847: 1583: 1537: 1506: 1075:

was heavily backed by a promotional campaign from Arista and the band went on tour, hiring

745: 126: 4129:"Who's who of Australian rock / compiled by Chris Spencer, Zbig Nowara & Paul McHenry" 1198:

the latter agreeing to guest on four songs - a welcome surprise for fans. Simon Polinski (

8: 5138: 5105: 5061: 4741: 4719: 4591: 4348: 4311: 4235: 4207: 4193: 2296: 2259:(ARIA), which recognise excellence, innovation, and achievement across all genres of the 2045: 1976: 1941:

Jeffrey Cain – guitars, bass, keyboards, backing vocals (2020–present; touring 2017–2019)

1865: 1856: 1674: 1602:

EP, which featured the original, non-album composition "The Coffee Song", and a cover of

1521: 1371: 948: 687:

was again dominated by Kilbey's songwriting. Some 20 songs were put together on his home

589: 448: 392: 337: 302:, their music later came to feature slower tempos and surreal soundscapes reminiscent of 238: 4221: 4179: 1773:

Please help update this article to reflect recent events or newly available information.

1598:

In February 2009, the band began the build-up to their next major studio album with the

4527: 4376: 4341: 2260: 2077: 2030: 1736: 1591:, and was the first release on their new label, Unorthodox Records, a partnership with 1049: 707: 487: 377: 2829: 4859: 4390: 4321: 3801:"The Church's Steve Kilbey replaces Marty Willson-Piper with Powderfinger's Ian Haug" 3727: 3688: 2964: 2954: 2908: 2568: 2528: 2476: 2453: 2381: 2358: 2252: 2093: 1988: 1485: 1444: 1428: 1185: 1111: 1080: 839: 609: 508: 492: 396: 349: 345: 321: 248: 4673: 4943: 4866: 4730: 4404: 4369: 3108: 2862: 2524: 2491: 2472: 2109: 2069: 1870: 1728: 1704: 1592: 1477: 1476:, in which the band presented old and new material in an acoustic setting, for the 1287: 1277:

after Willson-Piper found the original too negative. Concerns about fundamentalist

1103: 927: 868: 594: 523: 387: 303: 161: 156: 141: 131: 65: 4077: 4033: 3941: 1405:

musicians. The second disc, subtitled "mixture", compiled leftover songs from the

838:

followed in November and brought new stylistic elements with the addition of real

4980: 4577: 4439: 4425: 4156: 4061: 3554:"Ecstatic Days » Blog Archive » Shriek: The Movie Released on Internet" 3319: 2900:

Hey, You in the Black T-Shirt: The Real Story of Touring the World's Biggest Acts

2377: 2155: 2139: 1578: 1466: 1460: 1418: 887: 754:. Its U.S. release was their first record there since the debut album – although 726: 636: 598: 544: 540: 369: 295: 179: 121: 116: 75: 3583: 1810:

that Marty Willson-Piper would not be returning and had been replaced by former

1749: 567: 518:

The first recordings with Ploog were released as a five-track double 7-inch EP,

4976: 4800: 4767: 4598: 4495: 4481: 4432: 4411: 4355: 4185: 3220: 3159: 2225: 2209: 2147: 2117: 2053: 1827: 1554: 1454: 1323: 1231: 1136: 985: 972: 963: 952: 899: 883: 864: 722: 688: 627: 463: 444: 315: 291: 136: 70: 3471: 5187: 5116: 5072: 5009: 4925: 4914: 4848: 4837: 4785: 4584: 4316: 4298: 4128: 3889: 3857: 3605: 2904: 2854: 2711: 2560: 2506: 1982: 1944: 1906: 1874: 1799: 1542: 1296: 1211: 1040: 1032: 903: 875: 850: 831: 667: 500: 496: 341: 325:

has described the band's music as "dense, shimmering, exquisite guitar pop".

243: 213: 146: 951:" reached #24 on the US Hot 100, #22 in Australia, and entered the Canadian 797: 5145: 5112: 4903: 4870: 4734: 4723: 4383: 4306: 4291: 4270: 3658: 3381:"A man, a part – with an opiate for the masses – The Church – Peter Koppes" 3225: 2445: 2085: 1967: 1923: 1811: 1791: 1722: 1700: 1546: 1376: 1151: 1118: 1020: 895: 891: 843: 823: 801: 738: 730: 659: 655: 640: 632: 479: 467: 432: 428: 365: 333: 329: 233: 195: 3967: 3500: 5171: 5160: 5149: 5083: 4969: 4921: 4822: 4789: 4534: 4474: 4217: 2983:

in mid-1988. In 1992, Kent back calculated chart positions for 1970–1974.

2980: 2828:. Australian Rock Database. Passagen.se (Magnus Holmgren). Archived from 2736:. Australian Rock Database. Passagen.se (Magnus Holmgren). Archived from 2201: 2001:

Craig Wilson – guitars, bass, keyboards, backing vocals (2009–2017, 2021)

1902: 1878: 1807: 1716: 1634: 1619: 1336: 1300: 1282: 1199: 1076: 1058: 809: 713: 651: 619: 459: 111: 4199: 774:

The start of 1985 was quiet for the band as members spent time apart in

466:. The song "Chrome Injury" attracted the attention of managing director 5156: 5094: 5050: 5039: 4958: 4936: 4277: 1929: 1340: 1176:) was hired for the sessions, having already played with Kilbey on his 1169: 962:. The song was written by Kilbey and then-girlfriend Karin Jansson (ex- 475: 353: 299: 283: 200: 2975:

Note: Used for Australian Singles and Albums charting from 1974 until

4520: 3631: 2538: 1678: 1629: 1603: 1448: 1203: 879: 775: 734: 614: 452: 436: 368:, replaced him. Kilbey, Koppes, and Powles also recorded together as 311: 307: 85: 80: 4284: 3104: 2598:"The Church – Under the Milky Way: an accidental Australian anthem" 1935: 1892:

2017 brought the recording and release of The Church's 25th album,

1815: 1332: 1328: 1207: 663: 440: 361: 205: 4947: 4203: 4173: 2706: 1491: 1423: 907: 3252:"ARIA Awards – History: Winners by Year: 3rd Annual ARIA Awards" 906:), were a new challenge according to Kilbey: "It was Australian 702:

EP also became one of the bestselling Canadian imports of 1983.

601:" resulted in a second Top 30 hit, peaking at No. 21. 5028: 1869:

in its entirety and including an invite to the main stage with

1348: 1278: 779: 737:), who joined as an auxiliary member. Hooper soon left to form 287: 51: 2011: 551:

and slightly altering the track listing to include songs from

5024: 4227: 1882: 1750:

2012 onward: Royalty dispute, member departures, new releases

1480:

label. The title was a rough tongue-in-cheek translation of "

1292: 1053:, while different from its predecessor, reached No.12 on the 1002: 677: 560: 547:. Both labels released the album in 1982, renaming it simply 527: 491:, was recorded late in 1980, produced by Gilbey and mixed by 3451:. Australian Recording Industry Association. 21 October 2013 419: 3775:"Steve Kilbey Quits The Church in Outrage Over Label Abuse" 1932:– drums, percussion, backing vocals, guitars (1994–present) 1795: 1614:

EP, whose title track would also be on the upcoming album.

1401:

album, the result of Tim Powles' collaboration with Sydney

352:) played drums from 1990 to 1993, followed by "timEbandit" 268: 3714:. Rock Edition. Archived from the original on 15 July 2011 1295:. Released under a new contract with UK independent label 705:

Forgoing a full album, the band released two EPs in 1984,

1973:

Nick Ward – drums, percussion, backing vocals (1980–1981)

471: 3598: 988:", charted on the Australian Top 100 in August and 1835:

was produced and engineered by Powles. Writing for the

4109:. Australian Entertainment Industry Association (AEIA) 3472:"The Church Under The Milky Way on Commonwealth Games" 1926:– bass, lead vocals, keyboards, guitars (1980–present) 1695:

On 27 October 2010, the Church were inducted into the

4703: 2555:

Spencer, Chris; Nowara, Zbig; McHenry, Paul (2002) .

1669:

EP, which included more unreleased material from the

1653:

On 27 November 2009, the Church released another EP,

1559:

Deep in the Shallows – The Classic Singles Collection

1285:

title made the band finally opt for the more neutral

4629:

Pharmakoi/Distance-Crunching Honchos with Echo Units

2554: 1957:

Nicholas Meredith – drums, percussion (2022–present)

1250:

Pharmakoi/Distance-Crunching Honchos with Echo Units

681:

hailing the band as "one of the best in the world".

555:

and using a crop of that EP's artwork as the cover.

3606:"Steve Kilbey of The Church chats with Music Feeds" 2417:"A Psychedelic Symphony" – 30th Anniversary Concert 1970:– guitars, keyboards, vocals (1980–1992, 1997–2019) 1553:". Later that year, the band toured Australia with 662:drum sound, popular in the 1980s, which produced a 631:, co-produced by The Church and engineer John Bee ( 405:, in October 2017, and their 27th and most recent, 3406:No Certainty Attached: Steve Kilbey and The Church 3184: 3182: 2469:No Certainty Attached: Steve Kilbey and The Church 1647:No Certainty Attached: Steve Kilbey and The Church 1148:, Kilbey calls it their "undisputed masterpiece". 874:Recording sessions in Los Angeles, with producers 867:in 1987. For Australian releases they signed with 625:In May 1983, the band released their third album, 4048: 3685:"ARIA Hall of Fame celebrates music's loved ones" 3095: 3093: 5185: 3712:"The Church Announce "Future Past Perfect" Tour" 3216:"Milky Way judged the best song from down under" 3163:. Library and Archives of Canada. Archived from 3853:"Exclusive Stream: The Church 'Further/Deeper'" 3408:. Portland OR: Verse Chorus press, 2009, p. 219 3179: 2674:. Passagen.se (Magnus Holmgren). Archived from 2551:Note: Archived copy has limited functionality. 1573:, ARIA Hall of Fame induction, 30th anniversary 1495:Koppes, Kilbey, Powles, Willson-Piper on-stage. 995:EMI responded with a double compilation album, 925:Four weeks of gruelling rehearsals resulted in 729:, which included Kilbey's brother Russell) and 3798: 3525: 3090: 1587:. The music was released in 2008 as the album 1470:sessions. Finally, only six weeks later, came 970:for 'Single of the Year'. In 2008, readers of 785: 4689: 4243: 4103:"2011 Helpmann Awards Nominees & Winners" 3213: 1327:contained an unusual selection of songs from 4055:"2010 ARIA Hall Of Fame Inductees Announced" 3655:"Johnny Young among new ARIA Hall of Famers" 3283: 3281: 3279: 3277: 2896: 1951: 1557:, and EMI released the double-CD collection 3914: 3824: 3772: 1995: 1299:, the album was distributed in the U.S. by 1031:, The Church returned to Los Angeles, with 4696: 4682: 4250: 4236: 4220: 4206: 4192: 4178: 3883: 3850: 3209: 3207: 2452:. Richmond, Victoria: Hardie Grant Books. 1645:Coinciding with the tour, a book entitled 911:experience he later regarded as valuable. 3678: 3676: 3311: 3274: 3256:Australian Recording Industry Association 3134:Recording Industry Association of America 3064: 2977:Australian Recording Industry Association 2505: 2257:Australian Recording Industry Association 2241: 1697:Australian Recording Industry Association 1623:in Australia in March and the U.S. label 1610:". The following month they released the 1314:was put into motion, but then cancelled. 1055:Australian Recording Industry Association 947:. Also released in February, the single " 945:Recording Industry Association of America 812:in mid-1985 to work on their next album, 381:(1981), delivered their first radio hit, 4150:White Room Electronic Publishing Pty Ltd 3469: 3244: 3038: 2945: 2892: 2890: 2888: 2886: 2884: 2882: 2880: 2661: 2659: 1947:– guitars, backing vocals (2020–present) 1938:– guitars, backing vocals (2013–present) 1490: 796: 559:peaked at No. 7 in the New Zealand 499:. Ploog was recruited by their manager, 3344: 3338: 3204: 2943: 2941: 2939: 2937: 2935: 2933: 2931: 2929: 2927: 2925: 2849: 2847: 2695: 2693: 2516:Encyclopedia of Australian Rock and Pop 1632:in an interview with music publication 427:Singer, songwriter, and bass guitarist 5186: 4121: 3886:"The Church Further/Deeper Unorthodox" 3682: 3673: 3652: 3646: 3147: 2897:Chugg, Michael; Shedden, Iain (2010). 2853: 2819: 2817: 2815: 2813: 2811: 2809: 2807: 2805: 2803: 2801: 2787: 2785: 2783: 2781: 2779: 2777: 2775: 2595: 2489: 2444: 1630:mystical significance of the number 23 1617:Unorthodox Records released the album 1273:, the forthcoming album was re-titled 4677: 4231: 3419:"Church, The – El Momento Descuidado" 3317: 2877: 2773: 2771: 2769: 2767: 2765: 2763: 2761: 2759: 2757: 2755: 2725: 2699: 2656: 2466: 2421:Best Australian Contemporary Concert 2195:Shriek (Excerpts from the Soundtrack) 4775:I Don't Wanna Be with Nobody But You 3703: 3556:. Jeffvandermeer.com. 14 August 2007 3507:. International Music Concepts. 2013 3372: 3122: 2949: 2922: 2844: 2823: 2731: 2690: 2665: 2246: 1909:also being brought into the lineup. 1753: 1589:Shriek: Excerpts from the Soundtrack 1243:Following the commercial failure of 650:, the band employed mixing engineer 5244:Australian dream pop musical groups 4070: 3799:Lauren Ziegler (26 November 2013). 3709: 3630:. Thechurchband.com. Archived from 3214:Shedden, Iain (20 September 2008). 2919:Note: version has limited preview. 2798: 2255:is an annual ceremony presented by 1979:– guitars, vocals, bass (1980–2013) 1125:Upon its release on 10 March 1992, 1083:. The album spawned a hit single, " 290:in 1980. Initially associated with 13: 5234:Australian alternative rock groups 5229:Musical groups established in 1980 5219:Australian new wave musical groups 4503:Eros Zeta and the Perfumed Guitars 3528:"The Church: El Momento Siguiente" 2752: 2371: 2234:Eros Zeta and the Perfumed Guitars 1917: 1699:Hall of Fame by media commentator 1436:was engineered and co-produced by 408:Eros Zeta and the Perfumed Guitars 14: 5280: 5239:Australian neo-psychedelia groups 4705:ARIA Award for Single of the Year 4165: 3683:Treuen, Jason (28 October 2010). 3347:"Flashback 1990: The Aeroplanes, 3345:Feerick, Jack (8 February 2010). 2795:entry. Retrieved 17 October 2010. 2404: 2283: 1961: 1657:. The title track was taken from 955:. It peaked at No. 2 on the 818:, with British producer/engineer 3653:Purdie, Ross (27 October 2010). 3505:IMC International Music Concepts 3378: 2604:– via www.theguardian.com. 2557:The Who's Who of Australian Rock 2467:Lurie, Robert Dean (June 2009). 1758: 332:on lead vocals and bass guitar, 31: 4095: 4018: 3986: 3968:"Man Woman Life Death Infinity" 3960: 3934: 3915:Noel Mengel (18 October 2014). 3908: 3877: 3844: 3818: 3792: 3766: 3740: 3620: 3608:. Musicfeeds.com.au. 2 May 2009 3568: 3546: 3519: 3493: 3463: 3437: 3411: 3398: 3318:Lurie, Robert (10 April 1998). 3190:"The Church: Billboard Singles" 3012: 2986: 2956:Australian Chart Book 1970–1992 2614:Glenn A. Baker, sleeve note to 2596:Israel, Janine (15 July 2014). 1991:– drums, percussion (1990–1993) 1985:– drums, percussion (1981–1990) 1023:bass guitarist and keyboardist 543:and Rupert Perry of U.S. label 474:and their recently resurrected 5254:Thirsty Ear Recordings artists 4257: 4148:Note: version established at 3884:Jeff Apter (16 October 2014). 3851:Jonny Nail (14 October 2014). 3825:Noel Mengen (8 October 2014). 3773:Al Newstead (4 October 2012). 3526:John Bergstrom (30 May 2007). 3101:"The Church: Billboard Albums" 2634: 2621: 2608: 2589: 2017: 1426:. As had become routine since 1098:After the dust had settled on 1065:focused on a raw, live sound, 1: 5269:Second Motion Records artists 4489:Man Woman Life Death Infinity 4137:National Library of Australia 3449:ARIA Awards - United By Music 3295:. Hung Medien. Archived from 2963:: Australian Chart Book Ltd. 2700:Dwyer, Michael (3 May 2002). 2432: 2339:Best Adult Contemporary Album 2218:Man Woman Life Death Infinity 1895:Man Woman Life Death Infinity 402:Man Woman Life Death Infinity 5021:Somebody That I Used to Know 4911:Can't Get You Out of My Head 3192:. Allmusic. Rovi Corporation 2036:released internationally as 1526:Melbourne Symphony Orchestra 1281:reaction to the potentially 1232:1997–1999: The Refo:mation, 431:first played with guitarist 391:and the US Top 40 hit " 7: 5214:Australian post-punk groups 5204:ARIA Hall of Fame inductees 4955:Black Fingernails, Red Wine 4834:Nick Cave and the Bad Seeds 4786:Treaty (Filthy Lucre Remix) 4067:. Retrieved 2 October 2010. 4030:The Church official website 2040:in 1982 with variant tracks 2005: 1488:, although it did not win. 1374:" was featured in the film 439:band called Baby Grande in 10: 5285: 5209:Musical groups from Sydney 4461:Uninvited, Like the Clouds 4398:Magician Among the Spirits 4082:Live Performance Australia 3130:"RIAA Gold & Platinum" 2627:Quoted on back of sleeve, 2263:. They commenced in 1987. 2180:Uninvited, Like the Clouds 2102:Magician Among the Spirits 2021: 1912: 1517:Uninvited, Like the Clouds 1365:Uninvited, Like the Clouds 1255:Magician Among the Spirits 1245:Magician Among the Spirits 1220:Magician Among the Spirits 1158:Magician Among the Spirits 462:' publishing company, ATV 414: 375:The Church's debut album, 328:The founding members were 5126: 5001: 4880: 4830:Where the Wild Roses Grow 4755: 4711: 4643: 4615: 4562: 4544: 4512: 4419:After Everything Now This 4333: 4265: 3805:The Sydney Morning Herald 3732:: CS1 maint: unfit URL ( 3470:ed bundy (18 June 2008). 3050:New Zealand charts portal 2979:(ARIA) created their own 2907:. pp. 111–116, 126. 2400: 2397: 2394: 2391: 2294: 2289: 2279: 2276: 2273: 2270: 2126:After Everything Now This 1952:Current touring musicians 1877:at Mavericks Festival in 1767:This section needs to be 1703:, while young pop singer 1500:, Chicago, 18 August 2006 1407:After Everything Now This 1399:After Everything Now This 1383:After Everything Now This 1357:After Everything Now This 808:The Church reconvened at 587:The band's second album, 263: 259: 225: 221: 189: 185: 175: 104: 94: 58: 47: 42: 30: 23: 5259:Mushroom Records artists 4933:Are You Gonna Be My Girl 3320:"Interview With th' tyg" 3293:Australian charts portal 3289:"Discography The Church" 3072:"Discography The Church" 3046:"Discography The Church" 2672:Australian Rock Database 2567:, Vic: Five Mile Press. 2492:"The Church Discography" 2450:Something Quite Peculiar 1996:Former touring musicians 1665:28-page program and the 1146:Something Quite Peculiar 938:Released in April 1988, 744:The band then signed to 485:The band's debut album, 5264:Carrere Records artists 5014:Angus & Julia Stone 4155:15 October 2009 at the 4078:"Events & Programs" 3534:. PopMatters Media, Inc 1841:Rolling Stone Australia 1530:2006 Commonwealth Games 1217:The album, also called 530:-style jangly guitars. 420:1980–1981: Early days, 3258:(ARIA). Archived from 2475:: Verse Chorus Press. 2242:Awards and nominations 2024:The Church discography 1535:In February 2007 came 1501: 1447:- an American fan and 960:Mainstream Rock Tracks 920: 805: 654:, who had worked with 383:"The Unguarded Moment" 43:Background information 5249:Cooking Vinyl artists 4808:The Honeymoon Is Over 4797:The Day You Went Away 4447:El Momento Descuidado 3076:Swedish charts portal 2490:Fulmer, Mike (2000). 2333:El Momento Descuidado 2164:El Momento Descuidado 1743:during October 2011. 1686:Second Motion Records 1625:Second Motion Records 1494: 1473:El Momento Descuidado 1412:Around the time that 1183:The resulting album, 1108:Toad the Wet Sprocket 1047:The resulting album, 980:A second single from 916: 800: 511:Singles Chart, while 5058:She Looks So Perfect 4764:Crying in the Chapel 4571:The Unguarded Moment 4468:El Momento Siguiente 4454:Back with Two Beasts 4060:5 March 2012 at the 2678:on 29 September 2012 2188:El Momento Siguiente 2172:Back with Two Beasts 1887:The Psychedelic Furs 1848:The Psychedelic Furs 1709:The Unguarded Moment 1692:singles collection. 1690:Deep in the Shallows 1628:also alluded to the 1584:Shriek: An Afterword 1538:El Momento Siguiente 1512:Back with Two Beasts 1507:Back with Two Beasts 1482:The Unguarded Moment 1409:recording sessions. 1014:The Church promoted 746:Warner Bros. Records 505:The Unguarded Moment 16:Australian rock band 5139:5 Seconds of Summer 5106:5 Seconds of Summer 5062:5 Seconds of Summer 4742:Under the Milky Way 4592:Under the Milky Way 4349:The Blurred Crusade 4312:Marty Willson-Piper 4006:on 26 February 2022 3948:. 15 September 2014 3754:on 28 November 2012 3404:Robert Dean Lurie. 2388: 2297:Under the Milky Way 2267: 2046:The Blurred Crusade 1977:Marty Willson-Piper 1866:The Blurred Crusade 1857:The Blurred Crusade 1675:Under the Milky Way 1522:Under the Milky Way 1372:Under the Milky Way 1263:Au Revoir Por Favor 997:Hindsight 1980-1987 992:Mainstream charts. 949:Under the Milky Way 769:The Blurred Crusade 756:The Blurred Crusade 606:The Blurred Crusade 590:The Blurred Crusade 570:The Blurred Crusade 449:Marty Willson-Piper 393:Under the Milky Way 338:Marty Willson-Piper 239:Marty Willson-Piper 5224:Parlophone artists 5199:ARIA Award winners 4988:Walking on a Dream 4889:Don't Call Me Baby 4845:Truly Madly Deeply 4377:Gold Afternoon Fix 4342:Of Skins and Heart 3974:. 7 September 2017 3896:on 19 October 2014 3865:on 16 October 2014 3827:"A broader Church" 3691:(Peer Group Media) 3634:on 5 February 2005 3445:"Winners by Award" 3353:Gold Afternoon Fix 3299:on 27 October 2010 3262:on 11 October 2011 3167:on 20 October 2012 2824:Holmgren, Magnus. 2732:Holmgren, Magnus. 2666:Holmgren, Magnus. 2629:Of Skins and Heart 2616:Of Skins and Heart 2387: 2303:Single of the Year 2266: 2261:music of Australia 2078:Gold Afternoon Fix 2031:Of Skins and Heart 1737:Sydney Opera House 1677:" on KUSI News in 1532:opening ceremony. 1502: 1100:Gold Afternoon Fix 1073:Gold Afternoon Fix 1067:Gold Afternoon Fix 1050:Gold Afternoon Fix 1005:Gold Afternoon Fix 968:ARIA Award in 1989 806: 804:, California, 1986 534:Of Skins and Heart 513:Of Skins and Heart 488:Of Skins and Heart 451:, originally from 422:Of Skins and Heart 378:Of Skins and Heart 282:are an Australian 37:The Church in 2015 5194:The Church (band) 5181: 5180: 4992:Empire of the Sun 4860:Natalie Imbruglia 4671: 4670: 4391:Sometime Anywhere 4322:Jay Dee Daugherty 3710:Woolsey, Julian. 3689:The Music Network 3580:Thechurchband.com 2994:"Michelle Parker" 2914:978-1-4050-4022-8 2832:on 6 October 2012 2740:on 7 October 2012 2525:Allen & Unwin 2511:"Whammo Homepage" 2482:978-1-891241-22-2 2459:978-1-74270-831-7 2430: 2429: 2382:COVID-19 pandemic 2369: 2368: 2359:ARIA Hall of Fame 2253:ARIA Music Awards 2247:ARIA Music Awards 2133:Parallel Universe 2094:Sometime Anywhere 2041: 1989:Jay Dee Daugherty 1788: 1787: 1486:ARIA Music Awards 1445:Kevin Lane Keller 1429:Sometime Anywhere 1414:Parallel Universe 1395:Parallel Universe 1275:Hologram of Allah 1186:Sometime Anywhere 1154:Sometime Anywhere 1112:Straitjacket Fits 1081:Jay Dee Daugherty 610:Little River Band 509:Kent Music Report 493:Bob Clearmountain 411:, in March 2024. 397:ARIA Hall of Fame 350:Patti Smith Group 346:Jay Dee Daugherty 322:Los Angeles Times 277: 276: 249:Jay Dee Daugherty 5276: 4944:Catch My Disease 4867:The Day You Come 4731:Beds Are Burning 4720:You're the Voice 4698: 4691: 4684: 4675: 4674: 4616:Related articles 4405:Hologram of Baal 4252: 4245: 4238: 4229: 4228: 4224: 4210: 4196: 4182: 4177: 4176: 4174:Official website 4160: 4147: 4145: 4143: 4125: 4119: 4118: 4116: 4114: 4099: 4093: 4092: 4090: 4088: 4074: 4068: 4065:Take40 Australia 4052: 4046: 4045: 4043: 4041: 4032:. Archived from 4022: 4016: 4015: 4013: 4011: 4005: 4000:. Archived from 3990: 3984: 3983: 3981: 3979: 3964: 3958: 3957: 3955: 3953: 3942:"Further/Deeper" 3938: 3932: 3931: 3929: 3927: 3912: 3906: 3905: 3903: 3901: 3892:. Archived from 3881: 3875: 3874: 3872: 3870: 3861:. Archived from 3848: 3842: 3841: 3839: 3837: 3822: 3816: 3815: 3813: 3811: 3796: 3790: 3789: 3787: 3785: 3770: 3764: 3763: 3761: 3759: 3750:. Archived from 3744: 3738: 3737: 3731: 3723: 3721: 3719: 3707: 3701: 3700: 3698: 3696: 3680: 3671: 3670: 3668: 3666: 3650: 3644: 3643: 3641: 3639: 3624: 3618: 3617: 3615: 3613: 3602: 3596: 3595: 3593: 3591: 3582:. Archived from 3572: 3566: 3565: 3563: 3561: 3550: 3544: 3543: 3541: 3539: 3523: 3517: 3516: 3514: 3512: 3497: 3491: 3490: 3488: 3486: 3476: 3467: 3461: 3460: 3458: 3456: 3441: 3435: 3434: 3432: 3430: 3415: 3409: 3402: 3396: 3395: 3393: 3391: 3376: 3370: 3369: 3367: 3365: 3351:and The Church, 3342: 3336: 3335: 3333: 3331: 3324:The Kettle Black 3315: 3309: 3308: 3306: 3304: 3285: 3272: 3271: 3269: 3267: 3248: 3242: 3241: 3239: 3237: 3230:News Corporation 3211: 3202: 3201: 3199: 3197: 3186: 3177: 3176: 3174: 3172: 3155:"RPM100 Singles" 3151: 3145: 3144: 3142: 3140: 3126: 3120: 3119: 3117: 3115: 3109:Rovi Corporation 3097: 3088: 3087: 3085: 3083: 3068: 3062: 3061: 3059: 3057: 3042: 3036: 3035: 3033: 3031: 3016: 3010: 3009: 3007: 3005: 2990: 2984: 2974: 2947: 2920: 2918: 2894: 2875: 2874: 2872: 2870: 2865:on 28 April 2004 2851: 2842: 2841: 2839: 2837: 2821: 2796: 2789: 2750: 2749: 2747: 2745: 2729: 2723: 2722: 2720: 2718: 2697: 2688: 2687: 2685: 2683: 2663: 2654: 2653: 2651: 2649: 2638: 2632: 2625: 2619: 2612: 2606: 2605: 2593: 2578: 2550: 2548: 2546: 2537:. Archived from 2521:St Leonards, NSW 2502: 2500: 2498: 2486: 2463: 2406: 2389: 2386: 2315:Song of the Year 2285: 2268: 2265: 2110:Hologram of Baal 2035: 1871:The Flaming Lips 1783: 1780: 1774: 1762: 1761: 1754: 1593:MGM Distribution 1345:Hologram of Baal 1319:Hologram of Baal 1305:Bastard Universe 1288:Hologram of Baal 1271:Bastard Universe 1234:Hologram of Baal 1134:least as far as 1104:Barenaked Ladies 1093: 869:Mushroom Records 658:. He favoured a 553:Too Fast for You 538: 520:Too Fast for You 304:alternative rock 273: 270: 228: 97: 66:Alternative rock 35: 21: 20: 5284: 5283: 5279: 5278: 5277: 5275: 5274: 5273: 5184: 5183: 5182: 5177: 5122: 4997: 4981:Gabriella Cilmi 4876: 4751: 4707: 4702: 4672: 4667: 4639: 4611: 4578:Almost with You 4558: 4540: 4508: 4440:Beside Yourself 4426:Forget Yourself 4329: 4261: 4256: 4216:discography at 4202:discography at 4172: 4171: 4168: 4163: 4157:Wayback Machine 4141: 4139: 4127: 4126: 4122: 4112: 4110: 4107:Helpmann Awards 4101: 4100: 4096: 4086: 4084: 4076: 4075: 4071: 4062:Wayback Machine 4053: 4049: 4039: 4037: 4024: 4023: 4019: 4009: 4007: 3992: 3991: 3987: 3977: 3975: 3966: 3965: 3961: 3951: 3949: 3940: 3939: 3935: 3925: 3923: 3913: 3909: 3899: 3897: 3882: 3878: 3868: 3866: 3849: 3845: 3835: 3833: 3823: 3819: 3809: 3807: 3797: 3793: 3783: 3781: 3771: 3767: 3757: 3755: 3746: 3745: 3741: 3725: 3724: 3717: 3715: 3708: 3704: 3694: 3692: 3681: 3674: 3664: 3662: 3651: 3647: 3637: 3635: 3626: 3625: 3621: 3611: 3609: 3604: 3603: 3599: 3589: 3587: 3586:on 5 March 2010 3574: 3573: 3569: 3559: 3557: 3552: 3551: 3547: 3537: 3535: 3524: 3520: 3510: 3508: 3499: 3498: 3494: 3484: 3482: 3474: 3468: 3464: 3454: 3452: 3443: 3442: 3438: 3428: 3426: 3417: 3416: 3412: 3403: 3399: 3389: 3387: 3377: 3373: 3363: 3361: 3343: 3339: 3329: 3327: 3316: 3312: 3302: 3300: 3287: 3286: 3275: 3265: 3263: 3250: 3249: 3245: 3235: 3233: 3212: 3205: 3195: 3193: 3188: 3187: 3180: 3170: 3168: 3153: 3152: 3148: 3138: 3136: 3128: 3127: 3123: 3113: 3111: 3099: 3098: 3091: 3081: 3079: 3070: 3069: 3065: 3055: 3053: 3044: 3043: 3039: 3029: 3027: 3018: 3017: 3013: 3003: 3001: 2992: 2991: 2987: 2971: 2948: 2923: 2915: 2903:. Sydney, NSW: 2895: 2878: 2868: 2866: 2852: 2845: 2835: 2833: 2822: 2799: 2790: 2753: 2743: 2741: 2730: 2726: 2716: 2714: 2698: 2691: 2681: 2679: 2664: 2657: 2647: 2645: 2640: 2639: 2635: 2626: 2622: 2613: 2609: 2594: 2590: 2586: 2575: 2544: 2542: 2541:on 5 April 2004 2535: 2496: 2494: 2483: 2460: 2435: 2395:Nominee / work 2378:Helpmann Awards 2374: 2372:Helpmann Awards 2274:Nominee / work 2249: 2244: 2156:Beside Yourself 2140:Forget Yourself 2026: 2020: 2015: 2014: 2012: 2008: 1998: 1964: 1954: 1920: 1918:Current members 1915: 1784: 1778: 1775: 1772: 1763: 1759: 1752: 1579:Jeff VanderMeer 1575: 1528:as part of the 1496: 1478:Liberation Blue 1467:Forget Yourself 1464:, covering the 1461:Beside Yourself 1434:Forget Yourself 1419:Forget Yourself 1368: 1361:Forget Yourself 1241: 1161: 1091: 1025:John Paul Jones 1012: 888:Robbie Williams 795: 727:the Crystal Set 599:Almost with You 585: 536: 425: 417: 370:the Refo:mation 296:neo-psychedelia 286:band formed in 267: 226: 180:The Refo:mation 171: 95: 90: 76:neo-psychedelia 38: 26: 17: 12: 11: 5: 5282: 5272: 5271: 5266: 5261: 5256: 5251: 5246: 5241: 5236: 5231: 5226: 5221: 5216: 5211: 5206: 5201: 5196: 5179: 5178: 5176: 5175: 5164: 5153: 5142: 5130: 5128: 5124: 5123: 5121: 5120: 5109: 5098: 5087: 5076: 5065: 5054: 5043: 5032: 5017: 5005: 5003: 4999: 4998: 4996: 4995: 4984: 4977:Sweet About Me 4973: 4966:Straight Lines 4962: 4951: 4940: 4929: 4918: 4907: 4896: 4893:Madison Avenue 4884: 4882: 4878: 4877: 4875: 4874: 4863: 4852: 4841: 4826: 4815: 4804: 4801:Wendy Matthews 4793: 4782: 4779:Absent Friends 4771: 4768:Peter Blakeley 4759: 4757: 4753: 4752: 4750: 4749: 4738: 4727: 4715: 4713: 4709: 4708: 4701: 4700: 4693: 4686: 4678: 4669: 4668: 4666: 4665: 4660: 4655: 4649: 4647: 4641: 4640: 4638: 4637: 4632: 4625: 4619: 4617: 4613: 4612: 4610: 4609: 4602: 4595: 4588: 4581: 4574: 4566: 4564: 4560: 4559: 4557: 4556: 4548: 4546: 4542: 4541: 4539: 4538: 4531: 4524: 4516: 4514: 4513:Extended plays 4510: 4509: 4507: 4506: 4499: 4496:The Hypnogogue 4492: 4485: 4482:Further/Deeper 4478: 4471: 4464: 4457: 4450: 4443: 4436: 4429: 4422: 4415: 4412:A Box of Birds 4408: 4401: 4394: 4387: 4380: 4373: 4366: 4359: 4352: 4345: 4337: 4335: 4331: 4330: 4328: 4327: 4324: 4319: 4314: 4309: 4303: 4302: 4295: 4288: 4281: 4274: 4266: 4263: 4262: 4255: 4254: 4247: 4240: 4232: 4226: 4225: 4211: 4197: 4183: 4167: 4166:External links 4164: 4162: 4161: 4120: 4094: 4069: 4047: 4036:on 5 July 2018 4017: 3985: 3959: 3933: 3907: 3876: 3843: 3817: 3791: 3765: 3739: 3702: 3672: 3645: 3619: 3597: 3567: 3545: 3518: 3492: 3475:(Video upload) 3462: 3436: 3410: 3397: 3371: 3337: 3310: 3273: 3243: 3221:The Australian 3203: 3178: 3146: 3121: 3089: 3063: 3037: 3020:"Steve Kilbey" 3011: 2985: 2969: 2921: 2913: 2876: 2855:Nimmervoll, Ed 2843: 2797: 2751: 2734:"Peter Koppes" 2724: 2689: 2668:"Steve Kilbey" 2655: 2633: 2620: 2618:EMI CD 8297652 2607: 2587: 2585: 2584: 2580: 2579: 2573: 2552: 2533: 2507:McFarlane, Ian 2503: 2487: 2481: 2464: 2458: 2441: 2440: 2436: 2434: 2431: 2428: 2427: 2425: 2422: 2419: 2414: 2408: 2407: 2402: 2399: 2396: 2393: 2373: 2370: 2367: 2366: 2364: 2361: 2356: 2353: 2347: 2346: 2344: 2341: 2336: 2329: 2323: 2322: 2320: 2317: 2311: 2310: 2308: 2305: 2300: 2293: 2287: 2286: 2281: 2278: 2275: 2272: 2248: 2245: 2243: 2240: 2239: 2238: 2230: 2226:The Hypnogogue 2222: 2214: 2210:Further/Deeper 2206: 2198: 2192: 2184: 2176: 2168: 2160: 2152: 2144: 2136: 2130: 2122: 2118:A Box of Birds 2114: 2106: 2098: 2090: 2082: 2074: 2066: 2058: 2050: 2042: 2022:Main article: 2019: 2016: 2010: 2009: 2007: 2004: 2003: 2002: 1997: 1994: 1993: 1992: 1986: 1980: 1974: 1971: 1963: 1962:Former members 1960: 1959: 1958: 1953: 1950: 1949: 1948: 1942: 1939: 1933: 1927: 1919: 1916: 1914: 1911: 1852:Further/Deeper 1833:Further/Deeper 1828:Further/Deeper 1786: 1785: 1766: 1764: 1757: 1751: 1748: 1667:Deadman's Hand 1608:Hounds of Love 1574: 1563: 1555:the Pretenders 1551:Wide Open Road 1367: 1353: 1324:A Box of Birds 1240: 1238:A Box of Birds 1230: 1160: 1150: 1011: 1001: 973:The Australian 964:Pink Champagne 900:Jackson Browne 884:Rolling Stones 865:Arista Records 794: 784: 723:Davey Ray Moor 584: 566: 464:Northern Songs 424: 418: 416: 413: 364:, formerly of 316:Glenn A. Baker 275: 274: 265: 261: 260: 257: 256: 255: 254: 251: 246: 241: 236: 229: 223: 222: 219: 218: 217: 216: 211: 208: 203: 198: 191: 187: 186: 183: 182: 177: 173: 172: 170: 169: 164: 159: 154: 149: 144: 139: 134: 129: 124: 119: 114: 108: 106: 102: 101: 98: 92: 91: 89: 88: 83: 78: 73: 68: 62: 60: 56: 55: 49: 45: 44: 40: 39: 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 5281: 5270: 5267: 5265: 5262: 5260: 5257: 5255: 5252: 5250: 5247: 5245: 5242: 5240: 5237: 5235: 5232: 5230: 5227: 5225: 5222: 5220: 5217: 5215: 5212: 5210: 5207: 5205: 5202: 5200: 5197: 5195: 5192: 5191: 5189: 5173: 5169: 5165: 5162: 5158: 5154: 5151: 5147: 5143: 5140: 5136: 5132: 5131: 5129: 5125: 5118: 5117:Guy Sebastian 5114: 5110: 5107: 5103: 5099: 5096: 5092: 5088: 5085: 5081: 5077: 5074: 5073:Conrad Sewell 5070: 5066: 5063: 5059: 5055: 5052: 5048: 5044: 5041: 5037: 5033: 5030: 5026: 5022: 5018: 5015: 5011: 5010:Big Jet Plane 5007: 5006: 5004: 5000: 4993: 4989: 4985: 4982: 4978: 4974: 4971: 4967: 4963: 4960: 4956: 4952: 4949: 4945: 4941: 4938: 4934: 4930: 4927: 4926:Delta Goodrem 4923: 4919: 4916: 4915:Kylie Minogue 4912: 4908: 4905: 4901: 4897: 4894: 4890: 4886: 4885: 4883: 4879: 4872: 4868: 4864: 4861: 4857: 4853: 4850: 4849:Savage Garden 4846: 4842: 4839: 4838:Kylie Minogue 4835: 4831: 4827: 4824: 4820: 4816: 4813: 4812:The Cruel Sea 4809: 4805: 4802: 4798: 4794: 4791: 4787: 4783: 4780: 4776: 4772: 4769: 4765: 4761: 4760: 4758: 4754: 4747: 4743: 4739: 4736: 4732: 4728: 4725: 4721: 4717: 4716: 4714: 4710: 4706: 4699: 4694: 4692: 4687: 4685: 4680: 4679: 4676: 4664: 4661: 4659: 4656: 4654: 4651: 4650: 4648: 4646: 4642: 4636: 4633: 4631: 4630: 4626: 4624: 4621: 4620: 4618: 4614: 4607: 4603: 4600: 4596: 4593: 4589: 4586: 4585:Electric Lash 4582: 4579: 4575: 4572: 4568: 4567: 4565: 4561: 4555: 4554: 4553:Remote Luxury 4550: 4549: 4547: 4543: 4537: 4536: 4532: 4530: 4529: 4528:Remote Luxury 4525: 4523: 4522: 4518: 4517: 4515: 4511: 4505: 4504: 4500: 4498: 4497: 4493: 4491: 4490: 4486: 4484: 4483: 4479: 4477: 4476: 4472: 4470: 4469: 4465: 4463: 4462: 4458: 4456: 4455: 4451: 4449: 4448: 4444: 4442: 4441: 4437: 4435: 4434: 4430: 4428: 4427: 4423: 4421: 4420: 4416: 4414: 4413: 4409: 4407: 4406: 4402: 4400: 4399: 4395: 4393: 4392: 4388: 4386: 4385: 4381: 4379: 4378: 4374: 4372: 4371: 4367: 4365: 4364: 4360: 4358: 4357: 4353: 4351: 4350: 4346: 4344: 4343: 4339: 4338: 4336: 4334:Studio albums 4332: 4325: 4323: 4320: 4318: 4317:Richard Ploog 4315: 4313: 4310: 4308: 4305: 4304: 4301: 4300: 4299:Ashley Naylor 4296: 4294: 4293: 4289: 4287: 4286: 4282: 4280: 4279: 4275: 4273: 4272: 4268: 4267: 4264: 4260: 4253: 4248: 4246: 4241: 4239: 4234: 4233: 4230: 4223: 4219: 4215: 4212: 4209: 4205: 4201: 4198: 4195: 4191: 4187: 4184: 4181: 4175: 4170: 4169: 4158: 4154: 4151: 4138: 4134: 4130: 4124: 4108: 4104: 4098: 4083: 4079: 4073: 4066: 4063: 4059: 4056: 4051: 4035: 4031: 4027: 4021: 4004: 3999: 3995: 3989: 3973: 3969: 3963: 3947: 3943: 3937: 3922: 3918: 3911: 3895: 3891: 3890:Rolling Stone 3887: 3880: 3864: 3860: 3859: 3858:Rolling Stone 3854: 3847: 3832: 3828: 3821: 3806: 3802: 3795: 3780: 3776: 3769: 3753: 3749: 3743: 3735: 3729: 3713: 3706: 3690: 3686: 3679: 3677: 3660: 3656: 3649: 3633: 3629: 3623: 3607: 3601: 3585: 3581: 3577: 3571: 3555: 3549: 3533: 3529: 3522: 3506: 3502: 3496: 3481:. Google, Inc 3480: 3473: 3466: 3450: 3446: 3440: 3424: 3420: 3414: 3407: 3401: 3386: 3382: 3375: 3360: 3356: 3354: 3350: 3341: 3325: 3321: 3314: 3298: 3294: 3290: 3284: 3282: 3280: 3278: 3261: 3257: 3253: 3247: 3231: 3227: 3223: 3222: 3217: 3210: 3208: 3191: 3185: 3183: 3166: 3162: 3161: 3156: 3150: 3135: 3131: 3125: 3110: 3106: 3102: 3096: 3094: 3078:. Hung Medien 3077: 3073: 3067: 3052:. Hung Medien 3051: 3047: 3041: 3025: 3021: 3015: 2999: 2995: 2989: 2982: 2978: 2972: 2970:0-646-11917-6 2966: 2962: 2958: 2957: 2952: 2946: 2944: 2942: 2940: 2938: 2936: 2934: 2932: 2930: 2928: 2926: 2916: 2910: 2906: 2905:Pan Macmillan 2902: 2901: 2893: 2891: 2889: 2887: 2885: 2883: 2881: 2864: 2860: 2856: 2850: 2848: 2831: 2827: 2820: 2818: 2816: 2814: 2812: 2810: 2808: 2806: 2804: 2802: 2794: 2788: 2786: 2784: 2782: 2780: 2778: 2776: 2774: 2772: 2770: 2768: 2766: 2764: 2762: 2760: 2758: 2756: 2739: 2735: 2728: 2713: 2712:Fairfax Media 2709: 2708: 2703: 2696: 2694: 2677: 2673: 2669: 2662: 2660: 2644:. The Quietus 2643: 2637: 2631:EMI Cd 829652 2630: 2624: 2617: 2611: 2603: 2599: 2592: 2588: 2582: 2581: 2576: 2574:1-86503-891-1 2570: 2566: 2562: 2561:Ed Nimmervoll 2558: 2553: 2540: 2536: 2534:1-86508-072-1 2530: 2526: 2522: 2518: 2517: 2512: 2508: 2504: 2493: 2488: 2484: 2478: 2474: 2470: 2465: 2461: 2455: 2451: 2447: 2446:Kilbey, Steve 2443: 2442: 2438: 2437: 2426: 2423: 2420: 2418: 2415: 2413: 2410: 2409: 2403: 2390: 2385: 2383: 2379: 2365: 2362: 2360: 2357: 2354: 2352: 2349: 2348: 2345: 2342: 2340: 2337: 2335: 2334: 2330: 2328: 2325: 2324: 2321: 2318: 2316: 2313: 2312: 2309: 2306: 2304: 2301: 2298: 2292: 2288: 2282: 2269: 2264: 2262: 2258: 2254: 2236: 2235: 2231: 2228: 2227: 2223: 2220: 2219: 2215: 2212: 2211: 2207: 2204: 2203: 2199: 2196: 2193: 2190: 2189: 2185: 2182: 2181: 2177: 2174: 2173: 2169: 2166: 2165: 2161: 2158: 2157: 2153: 2150: 2149: 2145: 2142: 2141: 2137: 2134: 2131: 2128: 2127: 2123: 2120: 2119: 2115: 2112: 2111: 2107: 2104: 2103: 2099: 2096: 2095: 2091: 2088: 2087: 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