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378:, "Christ the fair glory of the holy angels". Britten later reworked this movement into a piece for voice, cello, and piano. A speaker continues with another text by Roberts, "And as it was in the beginning ... the light shall triumph", leading to the final movement 5 in Part 2, "War in Heaven". Verses from the
393:
Part 3, "Angels in Common Life, and at our Death" begins with movement 6 for soprano, choir and orchestra, "Heaven is here" from an unknown source. Another spoken passage by
Roberts follows, "There are those, not only Christians", about "guardian spirits". The text of movement 7, set for tenor and
434:
reflect the resurrection. The last spoken text is by Dante
Gabriel Rossetti, "I think they laugh in heaven". The work is concluded by movement 11 for both soloists, choir and orchestra on a hymn by Athelstan Riley, "O ye angels of the Lord, bless ye the Lord". In the end, the central theme is
394:
orchestra, is a poem by Emily Brontë, "A thousand, thousand gleaming fires". The following story tells about a boy who is killed in an accident and met by his guardian angel, followed by movement 8, a funeral march for orchestra. A speaker recites a poem by
157:, and after the war he arranged a concert version, which he conducted on BBC radio on 20 May 1956. Harvey's version comprised Nos. 2, 6, 7 and 8 Another version was published in 1990. The first concert performance of the complete work (then described as a
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The text assembles writings about angels from biblical sources up to contemporary poetry. Most of the texts are spoken, selected texts are set to music by
Britten who also composed two purely instrumental movements, an introduction and a
503:
Britten wrote to Harvey in
October 1955: "By all means go ahead and try and arrange a broadcast of some of the music you have discovered, only I can trust you only to put the good bits of music in and leave out the bad, can't
150:'s poem "A thousand gleaming fires", was the first piece of music Britten wrote for Pears, with whom he had recently begun a friendship that became a lifelong personal and professional partnership.
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Although
Britten and Roberts discussed publishing the piece or reworking it for concert performance, Britten did neither. The score came into the possession of Harvey around the beginning of the
98:, the topic of the work, reflected in texts from the Bible and by poets. The music serves as incidental music for a mostly spoken radio feature which was first heard as a broadcast of the
179:
The composer's pleasure in bending and unbending plainchant to his own rhythmic and harmonic will is almost palpable; the metrical spoken (shouted) male chorus of "War in Heaven", a
171:, "bearing up the mawkish tales of angelic rescue and hymning of watchers and holy ones, is a robust cyclic plan, some healthy string writing (Britten had recently completed the
362:), both set for choir and organ. A speaker continues with "It was the rebel angel, Lucifer" by Richard Ellis Roberts, then movement 3c for soprano, choir and organ reflects the
313:(movement 1), an orchestral movement depicting the chaos before the world was created. Spoken text follows, "He maketh the angels spirits, and his ministers a flame of fire" by
197:, Britten's first "congregational" hymns; and it is primarily of documentary and musicological interest. But this occasional piece certainly worth hearing occasionally.
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Harvey later recalled that he and Pears were sharing a flat when the work was being composed; Britten, a frequent visitor, would listen repeatedly to Harvey's copy of
146:. The complete work lasted just under 45 minutes. Britten confided to his diary, "the poetry side of it is pretty long". One of the numbers, a setting of
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Part 2, "Angels in Holy
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comments, "The influence could hardly be plainer in the eighth, purely orchestral, movement of the cantata."
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choir with the densest vocal texture, SSAATTBB. A spoken poem follows, "Farewell, green field" by
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Letters from a Life: The
Selected Letters of Benjamin Britten, Volume IV, 1952–1957
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as a comment to a preceding reading. Only the sections set to music are numbered.
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of earlier film techniques; the naivety of the Emily Bronte setting … in no way
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Britten, Benjamin; Philip Reed, Mervyn Cooke and Donald
Mitchell (eds) (1998).
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Britten composed the music between 8 August and 22 September 1937 as
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Eleven movements of the text are set to music, others are spoken.
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on 29 September 1937. The associated text on angels, related to
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in 1989. Reviewing that performance, Hilary Finch wrote in
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187:. The work abounds in fingerprints for the spotting (a
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Greenfield, Edward. "Britten's radio days revisited",
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for speaker and orchestra on a passage from the novel
346:, followed by two biblical meetings with an angel, of
317:, "When all the sons of God shouted for joy", about
1760:Benjamin Britten: A Life in the Twentieth Century
435:recapitulated from movement 6: "Heaven is here".
284:Whoso dwelleth under the defence of the most High
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78:is a composition for soloists, speakers, choir,
462:National Sinfonia, Crouch End Festival Chorus,
268:Part 3: Angels in Common Life, and at our Death
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563:. Britten-Pears Foundation. 22 September 1937
325:, "Hell heard th'unsufferable noise" by from
1146:Diversions for Piano Left Hand and Orchestra
587:"Britten Choral Guide with Repertoire Notes"
370:). Choral movement 4 sets a hymn Archbishop
1314:Canticle I: My beloved is mine and I am his
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1107:The Young Person's Guide to the Orchestra
482:by Will Todd. Silva Screen Records, 1999.
1576:Prelude and Fugue on a Theme of Vittoria
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740:(in German). Darmstädter Kantorei. 2000.
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206:The work is scored for two speakers,
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1332:Canticle IV: The Journey of the Magi
1195:Serenade for Tenor, Horn and Strings
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1774:Cantus in Memoriam Benjamin Britten
1372:Songs and Proverbs of William Blake
637:Finch, Hilary. "Wordy and worthy",
278:A thousand, thousand gleaming fires
191:funeral march, a fanfare heralding
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1645:Variations on an Elizabethan Theme
1326:Canticle III: Still falls the rain
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237:Part 1: Angels before the Creation
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287:There came out also at this time
250:Part 2: Angels in Holy Scripture
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352:Genesis 28:10–12, 16–17
1320:Canticle II: Abraham and Isaac
1301:Britten's Purcell realizations
1294:The Holy Sonnets of John Donne
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557:"BTC834 The Company of Heaven"
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476:Britten: The Company of Heaven
457:Britten: The Company of Heaven
138:, with the BBC Chorus and the
1:
1286:Seven Sonnets of Michelangelo
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1832:Cantatas by Benjamin Britten
1606:Nocturnal after John Dowland
1584:Six Metamorphoses after Ovid
291:Ye Watchers and Ye Holy Ones
7:
1702:Snape Maltings Concert Hall
388:Revelation 18:1, 20
10:
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1592:Fanfare for St Edmundsbury
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625:, 29 September 1937. p. 10
561:Britten Thematic Catalogue
114:for a radio broadcast for
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1551:String Quartet in D major
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1364:Sechs Hölderlin-Fragmente
1278:Beware! Three Early Songs
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1034:The Prince of the Pagodas
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991:The Burning Fiery Furnace
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948:A Midsummer Night's Dream
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449:London Philharmonic Choir
445:English Chamber Orchestra
404:Psalms 91:1, 9–13
384:Revelation 12:7–9
44:
27:
20:
1728:Benjamin Britten Academy
1723:Benjamin Britten (train)
1707:The Red House, Aldeburgh
798:Matthews, David (2013).
368:Luke 1:26–28, 48
1697:Britten-Pears Orchestra
1388:Who Are These Children?
1163:Vocal/Choral Orchestral
517:'s recent recording of
360:2 Kings 6:15–16
337:Joseph the Hymnographer
281:Funeral March for a Boy
274:
256:
173:Frank Bridge Variations
1595:(three trumpets, 1959)
1356:Songs from the Chinese
680:"A sweeping success",
260:Christ, the fair glory
199:
140:BBC Symphony Orchestra
94:. The title refers to
1243:Cantata misericordium
1179:The Company of Heaven
932:The Turn of the Screw
738:The Company of Heaven
697:, 13 June 1989, p. 37
641:, 13 June 1989, p. 15
420:The Pilgrims Progress
323:Gerard Manley Hopkins
202:Scoring and structure
177:
75:The Company of Heaven
22:The Company of Heaven
1637:Homage to Paderewski
1619:String Quartet No. 3
1569:String Quartet No. 2
1563:String Quartet No. 1
1559:(oboe quartet, 1932)
1544:Chamber/Instrumental
1501:A Hymn of St Columba
1447:A Ceremony of Carols
1340:A Charm of Lullabies
1311:(1947–75, including
892:The Rape of Lucretia
861:List of compositions
684:, 8 June 1989, p. 22
487:Notes and references
432:Luke 20:3536
364:annunciation to Mary
309:The work opens with
142:. The conductor was
64:Saint-Sulpice, Paris
1780:English Opera Group
1716:Named after Britten
1471:Rejoice in the Lamb
1171:Our Hunting Fathers
1091:Sinfonia da Requiem
594:Boosey & Hawkes
414:. Movement 10 is a
161:) was given at the
130:and singers led by
1767:Britten's Children
1687:Britten Pears Arts
1682:Aldeburgh Festival
1615:(1964, 1967, 1972)
1517:Children's Crusade
1455:Hymn to St Cecilia
1251:Children's Crusade
1099:Matinées musicales
868:Opera and operetta
789:has generic name (
662:in Britten, p. 315
396:Christina Rossetti
380:Book of Revelation
163:Aldeburgh Festival
1814:
1813:
1509:The Golden Vanity
1479:Five Flower Songs
1439:Advance Democracy
1415:Friday Afternoons
1396:A Birthday Hansel
1227:Cantata academica
1187:Les Illuminations
1133:(1939, rev. 1958)
1127:(1938, rev. 1945)
1067:Soirées musicales
527:Edward Greenfield
245:The Morning Stars
194:Les Illuminations
71:
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1752:Related articles
1743:Britten Sinfonia
1656:Film adaptations
1557:Phantasy Quartet
1487:Hymn to St Peter
1463:Festival Te Deum
1149:(1940 rev. 1954)
999:The Prodigal Son
908:The Little Sweep
852:Benjamin Britten
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155:Second World War
112:incidental music
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88:string orchestra
56:Eugène Delacroix
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1738:Britten Hall
1663:
1643:
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1613:Cello suites
1604:
1599:Cello sonata
1590:
1587:(oboe, 1951)
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1533:Jubilate Deo
1531:
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1494:Missa Brevis
1485:
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715:. Retrieved
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598:. Retrieved
596:. p. 16
583:Spicer, Paul
577:
565:. Retrieved
560:
515:Bruno Walter
509:
499:
479:
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472:David Temple
456:
419:
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311:Introduction
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148:Emily Brontë
128:Felix Aylmer
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21:
15:
1666:(1989 film)
1664:War Requiem
1418:(1932–1935)
1329:(1954) and
1308:5 Canticles
1235:War Requiem
1118:Concertante
1052:Sinfonietta
1010:Film/Ballet
876:Paul Bunyan
424:John Bunyan
333:John Milton
214:singers, a
136:Peter Pears
132:Sophie Wyss
52:Höllensturz
1821:Categories
1045:Orchestral
1026:Night Mail
916:Billy Budd
802:. London:
770:0571194001
759:. London:
713:. AllMusic
536:References
464:Fiona Shaw
439:Recordings
408:a cappella
315:Theodosius
124:archangels
116:Michaelmas
1281:(1922–26)
1083:Mont Juic
779:cite book
682:The Times
639:The Times
622:The Times
416:melodrama
189:Mahlerian
168:The Times
102:in 1937.
1808:Category
1323:(1952),
1219:Nocturne
924:Gloriana
567:16 April
400:Psalm 91
58:, 1861 (
1303:(1945)+
1259:Phaedra
800:Britten
749:Sources
600:28 July
354:), and
319:Lucifer
220:timpani
208:soprano
159:cantata
120:Michael
106:History
80:timpani
34: (
1675:Legacy
1648:(1953)
1640:(1941)
1621:(1975)
1601:(1961)
1571:(1945)
1565:(1941)
1553:(1931)
1536:(1961)
1528:(1974)
1520:(1968)
1512:(1966)
1504:(1962)
1496:(1959)
1490:(1955)
1482:(1950)
1474:(1943)
1466:(1944)
1458:(1942)
1450:(1942)
1442:(1938)
1434:(1934)
1426:(1933)
1407:Choral
1399:(1975)
1391:(1969)
1383:(1965)
1375:(1965)
1367:(1958)
1359:(1957)
1351:(1954)
1343:(1947)
1335:(1971)
1297:(1945)
1289:(1940)
1262:(1975)
1254:(1969)
1246:(1963)
1238:(1961)
1230:(1959)
1222:(1958)
1214:(1949)
1206:(1948)
1198:(1943)
1190:(1939)
1182:(1937)
1174:(1936)
1155:(1963)
1141:(1939)
1110:(1946)
1102:(1941)
1094:(1940)
1086:(1937)
1078:(1937)
1070:(1937)
1062:(1934)
1054:(1932)
1037:(1956)
1029:(1936)
1021:(1931)
1002:(1968)
994:(1966)
986:(1964)
967:(1973)
959:(1971)
951:(1960)
943:(1958)
935:(1954)
927:(1953)
919:(1951)
911:(1949)
903:(1947)
895:(1946)
887:(1945)
879:(1941)
810:
767:
717:9 June
660:Quoted
519:Mahler
356:Elisha
226:, and
96:angels
86:, and
60:fresco
1270:Vocal
590:(PDF)
492:Notes
348:Jacob
321:, by
242:Chaos
224:organ
212:tenor
84:organ
32:(1937
808:ISBN
791:help
765:ISBN
719:2013
602:2016
569:2017
478:and
466:and
406:for
386:and
210:and
185:faux
134:and
36:1937
521:'s
504:I?"
422:by
331:by
100:BBC
90:by
54:by
28:by
1823::
1317:,
806:.
783::
781:}}
777:{{
763:.
727:^
702:^
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592:.
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62:,
844:e
837:t
830:v
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721:.
604:.
571:.
430:(
402:(
382:(
366:(
40:)
38:)
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