29:
650:) was to amuse themselves, and as their sprightly conversations were often punctuated by laughter I take it that they succeeded. To give Mr Dornford Yates his due he is expert in light banter; but some three hundred pages of such entertainment tend to create a sense of surfeit." The reviewer ended on a more positive note, saying "Mr Yates can be strongly recommended to anyone who thinks that the British take themselves too seriously", a quotation that Ward Lock used on the rear covers of many of the author's later volumes.
176:
collection, with the addition of Adèle Feste, an
American. The first two stories of this Book immediately follow those of the earlier collection. Next come three stories set at the end of the war in which the Berry & Co. characters meet in Egypt and, joined by Adèle, travel home via Rome. The
605:
stories were not included in the book version, although one of the illustrations by Norah
Schlegel (1879-1963) from "For Better Or For Worse" was used to illustrate the dustjacket of the first edition.
202:
in August and
September 1914, the remaining four not appearing until 1919. The latter are partly set in Egypt, where Mercer had also served. The final story, "Nemesis", was originally intended for
160:, who hear a sound which some interpret as a ship's siren and others as the sound of a heavy gun. A moment later, all are killed in the crater of a great shell.
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149:
frivolities, and “Book II: How Others Left the Courts Only to return” which relates post-war tales. Dividing the groups is a single-story “Interlude”.
852:
145:
The book includes two main collections of short stories: “Book I: How Some Passed Out of The Courts for Ever” which consists mainly of pre-
163:
The
Interlude features a unique set of characters, initially in Scotland on the opening day of the Great War, and subsequently on the
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621:
1942 - "To the countryside of
England, the hanging forests of Austria, and the tilted, flower-starred meadows of the Pyrenees."
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The first story of Book I has the characters in London, after which they proceed to the island of Rih (a thinly-disguised
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802:
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1921 - "To Her. Whose voice is melody, Whose grace is perfection, Whose understanding is infinite. My Lady
Paramount"
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After being released from war service and returning home, Mercer decided not to return to his pre-war work at
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137:(Cecil William Mercer), his second book. Half of the tales feature his 'Berry' characters.
8:
177:
volume closes with a final story, "Nemesis”, in which Berry and Boy are back in London.
156:). The final story concludes with the sudden end of the male characters, now serving in
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The stories of Book II return to the entirely different 'Berry' set of characters from
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version the protagonist is named Jeremy, but for the book this was changed to Berry.
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in 1914 and 1915, with the final story (which concludes during the War on the
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was much less enthusiastic than that for the author's first collection,
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is a 1920 collection of comic short stories by the
English author
153:
768:"Our Booking-Office. (By Mr Punch's Staff of Learned Clerks)"
195:, where Mercer himself served) being published in June 1919.
702:
198:
The first two stories of Book II were published in the
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429:
Book II - How Others Left The Courts Only To Return
733:
232:
Book I - How Some Passed Out Of The Courts For Ever
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185:The stories of Book I were published monthly in
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16:1920 short story collection by Dornford Yates
630:The review in the September 1920 edition of
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27:
1204:Short story collections by Dornford Yates
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642:: "The main object of the characters in
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223:, but to concentrate on writing.
816:. London: Barrie & Jenkins.
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208:and is shorter than the normal
673:"British Library Item details"
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1:
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618:1929 - "To My Lady Paramount"
180:
1194:1920 short story collections
7:
226:
10:
1220:
1199:Ward, Lock & Co. books
941:As Berry and I Were Saying
925:The House That Berry Built
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959:
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812:Usborne, Richard (1974).
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721:Yates, Dornford (1958).
355:For Better Or For Worse
263:What's In A Name ?
949:B-Berry and I Look Back
862:Books by Dornford Yates
723:B-Berry and I Look Back
601:The illustrations from
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22:The Courts of Idleness
1000:She Fell Among Thieves
885:The Courts of Idleness
644:The Courts of Idleness
506:Beauty Repeats Itself
130:The Courts of Idleness
33:1942 Ward Lock reprint
1059:And Five Were Foolish
877:The Brother of Daphne
789:Smithers, AJ (1982).
639:The Brother of Daphne
173:The Brother of Daphne
106:The Brother of Daphne
1115:She Painted Her Face
795:Hodder and Stoughton
774:. 22 September 1920.
188:The Windsor Magazine
430:
407:And The Other Left
378:
233:
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1016:Red in the Morning
1008:An Eye for a Tooth
917:And Berry Came Too
727:Ward Lock & Co
711:, pp. 82, 93.
626:Critical reception
483:Contempt Of Court
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422:Charles J Crombie
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69:Ward Lock & Co
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1155:Lower than Vermin
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1075:The Stolen March
1067:As Other Men Are
976:Perishable Goods
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212:stories. In the
193:Macedonian front
114:Followed by
101:Preceded by
76:Publication date
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960:'Chandos' books
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933:The Berry Scene
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567:Norah Schlegel
555:September 1919
544:Norah Schlegel
529:The Desert Air
521:Norah Schlegel
498:G C Wilmshurst
486:September 1914
475:G C Wilmshurst
460:A Bébé In Arms
370:Norah Schlegel
347:G C Wilmshurst
324:G C Wilmshurst
301:G C Wilmshurst
278:G C Wilmshurst
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286:A Sister Ship
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1171:Wife Apparent
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1163:Ne'er-Do-Well
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1123:This Publican
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1083:Maiden Stakes
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1035:Other volumes
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901:Jonah and Co.
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895:
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893:Berry and Co.
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869:'Berry' books
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823:0 214 20012 4
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754:, p. 95.
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752:Smithers 1982
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709:Smithers 1982
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597:Illustrations
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552:As Rome Does
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388:Windsor Date
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309:To Seat Four
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289:January 1915
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165:Western Front
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158:the Great War
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60:Short stories
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1147:Period Stuff
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1131:Gale Warning
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1099:Safe Custody
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1091:Summer Fruit
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968:Blind Corner
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680:. Retrieved
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463:August 1914
452:Illustrator
400:Illustrator
332:Love Thirty
255:Illustrator
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1139:Shoal Water
1107:Storm Music
984:Blood Royal
729:. page 248.
610:Dedications
603:The Windsor
335:March 1915
52:Berry books
1188:Categories
1094:(1929, US)
1024:Cost Price
992:Fire Below
793:. London:
725:. London:
654:References
648:Ward, Lock
509:July 1919
377:Interlude
358:June 1919
181:Background
65:Publisher
682:19 April
587:483-486
575:Nemesis
564:275-284
541:181-192
495:429-436
472:321-327
434:Chapter
419:661-671
382:Chapter
344:510-518
321:389-398
298:250-258
275:149-158
237:Chapter
227:Chapters
518:97-107
443:Volume
391:Volume
246:Volume
221:the bar
214:Windsor
210:Windsor
200:Windsor
154:Madeira
1174:(1956)
1166:(1954)
1158:(1950)
1150:(1942)
1142:(1940)
1134:(1939)
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1118:(1937)
1110:(1934)
1102:(1932)
1086:(1928)
1078:(1926)
1070:(1925)
1062:(1924)
1054:(1923)
1046:(1921)
1027:(1949)
1019:(1946)
1011:(1943)
1003:(1935)
995:(1930)
987:(1929)
979:(1928)
971:(1927)
952:(1958)
944:(1952)
936:(1947)
928:(1945)
920:(1936)
912:(1931)
904:(1922)
896:(1921)
888:(1920)
880:(1914)
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449:Pages
446:Issue
437:Title
397:Pages
394:Issue
385:Title
367:17-26
252:Pages
249:Issue
240:Title
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49:Series
39:Author
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633:Punch
205:Punch
93:Pages
88:Print
57:Genre
818:ISBN
799:ISBN
684:2020
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338:XLI
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306:III
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269:XLI
141:Plot
80:1920
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526:IV
489:XL
480:II
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413:XL
329:IV
283:II
147:war
96:320
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