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The last scene shows Billy alone and desolate, coming across a terribly beat up dog that approaches him for help. In marked contrast to his youthful bond with the wolf, he shoos the dog away angrily, meanly. Later, he feels a flood of remorse: he goes after the dog, calling for it to come back—but it
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In the second border crossing, Billy and Boyd have set out to recover horses stolen from their family's spread. Their relationship is a strained one, with Boyd displaying a more stubborn nature than that of his brother, a characteristic that hinders Billy's attempts to protect him. Boyd is eventually
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Things separate from their stories have no meaning. They are only shapes. Of a certain size and color. A certain weight. When their meaning has become lost to us they no longer have even a name. The story on the other hand can never be lost from its place in the world for it is that place. And that
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Critics disagree about the greater significance of Billy's encounters with the wolf. Wallis
Sanborn argues that “lthough noble, Parham’s mission to return the captured she-wolf to Mexico is abjectly flawed . . . nothing more than a man violently controlling a wild animal through the guise of
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her and, instead of killing her, determines to return her to the mountains of Mexico where he believes her original home is located. He develops a deep affection for and bond with the wolf, risking his life to save her on more than one occasion.
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The third crossing features Billy alone attempting to discover his brother's whereabouts. He learns Boyd has been killed in a gunfight and sets out to find his dead brother's remains, and return them to
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pseudo-nobility” (143). Raymond
Malewitz argues that the wolf's "literary agency" becomes visible when Billy's way of thinking about the wolf conflicts with the way the narrator describes the creature.
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He watched the play with interest but could make little of it ... in the end the man in buffoon's motley slew the woman and slew another man perhaps his rival with a dagger
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Crouched in the broken shadow with the sun at his back and holding the trap at eyelevel against the morning sky he looked to be truing some older, some subtler instrument.
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Along the way, Billy encounters many other travelers and inhabitants of the land who relate in a sophisticated dialogue their deepest philosophies. Take, for example, a
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The first sojourn details a series of hunting expeditions conducted by Billy, his father, and to a lesser extent, his brother Boyd. They are attempting to locate and
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to Mexico. It is noted for being more melancholic than the first book of the trilogy, without returning to the hellish bleakness of McCarthy's early novels.
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Most of the protagonists are people of few words; thus the dialogues are few and concise. Additionally, since much of the interaction is with
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in the wilds, the characters of which curiously parallel Billy and Boyd's relationship with a girl they save along their route.
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shot through the chest in a squabble. After he is nursed back to health, he disappears with a young girl.
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described the book as "an ungainly picaresque" that "never becomes more than a sequence of events."
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Although the novel is not overtly satirical or humorous, it has many of the qualities of a
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who converts to
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a pregnant female wolf which has been preying on cattle near the family's
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470:"Travels With A She-Wolf: The Crossing by Cormac McCarthy (Book Review)"
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444:"BOOK REVIEW - Long shadows passing: 'The Crossing' - Cormac McCarthy"
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Narrative
Disruption as Animal Agency in Cormac McCarthy's
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passage on page 22, describing his father setting a trap:
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Blood
Meridian; or, the Evening Redness in the West
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18:The Crossing (disambiguation) § Books
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442:Quinn, Anthony (26 August 1994).
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101:Print (hardback & paperback)
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941:1994 American novels
920:Wittliff Collections
724:The Passenger Series
494:Sanborn, W. (2006).
708:Cities of the Plain
474:archive.nytimes.com
244:coming-of-age novel
234:No characters from
200:by American author
182:Cities of the Plain
159:PS3563.C337 C7 1994
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976:The Border Trilogy
835:The Kekulé Problem
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629:Outer Dark
393:References
383:New Mexico
289:picaresque
271:New Mexico
147:813/.54 20
365:Pagliacci
335:harnesses
323:Astrolabe
311:homestead
85:June 1994
70:Publisher
869:The Road
837:" (2017)
669:The Road
315:mystical
134:29844718
54:Language
645:Suttree
479:4 April
453:4 April
422:4 April
356:corrido
327:sextant
282:Spanish
264:teenage
57:English
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