319:
303:
298:
293:
288:
283:
226:
EP, but Wire soon began to develop its arrangement in live performances, sometimes with a duration lasting up to 30 minutes. In 1989, the group decided to continue developing the track, only this time in the studio. Different renditions of the song were recorded by the group at Mute
Records' London
374:
reveals a band that hasn't lost its ability to innovate." Elsewhere, the album grows "tedious and redundant." They concluded that if the album is a failure, "it's a noble one, proving that Wire still found a way to craft something halfway interesting out of running a single track into the ground."
31:
1065:
340:
ranked among Wire's more idiosyncratic ventures, but considering subsequent work in minimal electronica by other artists, it doesn't seem so strange now."
208:. The album comprises rerecorded and remixed versions of the same song, "Drill", with some versions featuring new lyrics. It is officially listed as an
227:
in‑house studio, Worldwide
International, as an experiment intended to explore the new computer technology to be employed on their next album, 1990's
1072:
362:-thud rhythms and "dugga, dugga, dugga" mantra repetitions," they felt that "when the band builds something entirely new from its rubble, as on the
358:
ranked the album 15th out of 15 in their 2015 "Wire Albums from Worst to Best" list. Describing the original version of the track "Drill" as "all
248:
The album is built on a Wire rhythm known as "dugga," which is explained on the album cover as "monophonic monorhythmic repetition."
1316:
513:, a record composed entirely of "Drill"-centred experiments. (Although it was completed in summer 1989 – before Wire began work on
796:
626:
1079:
782:
1104:
956:
346:
called it "an entire nine-track album of "Drill" variations, none of which betters the original" and described it as "
318:
814:
845:
1066:
Live at the Roxy, London – April 1st & 2nd 1977/Live at CBGB Theatre, New York – July 18th 1978
477:
472:
1321:
1097:
724:
350:
music that simply fizzled; lyrics that were once rewardingly abstract had grown simply incomprehensible."
1311:
1118:
1111:
903:
1058:
1044:
866:
450:
536:
1231:
1051:
613:
486:
1306:
666:
8:
1275:
1185:
1146:
838:
1206:
1199:
1192:
1125:
1012:
1005:
998:
810:
778:
559:
529:
245:, because the album was not considered commercial enough to be the "new" Wire album.
86:
1255:
1132:
977:
674:
359:
311:
176:
91:
991:
949:
463:
129:
1178:
942:
928:
631:
332:
wrote, "Comprising experiments within the genre that would come to be known as
197:
1300:
1238:
1171:
895:
887:
831:
806:
701:
445:
347:
342:
209:
1280:
1139:
880:
873:
468:
440:
435:
367:
242:
205:
139:
122:
117:
1265:
1260:
1019:
935:
854:
792:
696:
333:
201:
78:
43:
609:
1164:
564:
222:
241:, its release was postponed until 1991. This was, according to Wire's
30:
1026:
984:
921:
729:
363:
354:
1224:
963:
329:
275:
229:
158:
1270:
1285:
802:
774:
71:
527:
Brackett, Nathan; Hoard, Christian David (30 September 2004).
627:"Mute Records: Nitzer Ebb, Renegade Soundwave, Daniel Miller"
38:
212:
rather than an album despite its length of almost one hour.
823:
584:
582:
579:
646:
744:
528:
1073:Legal Bootleg Series: 14 Sept 2002 Metro, Chicago
1298:
560:"It's beginning to and back again... And again"
517:– its release was postponed until April 1991."
839:
526:
280:
624:
220:The track "Drill" first appeared on 1986's
846:
832:
694:
605:
603:
601:
599:
597:
29:
500:
594:
553:
551:
549:
399:"Do You Drive? (Turn Your Coat)" – 4:52
1299:
791:
750:
722:
588:
366:opener "In Every City" and the exotic
1080:The Black Session: Paris, 10 May 2011
827:
766:
664:
652:
506:
261:
251:
546:
13:
420:"(A Chicago) Drill" (Live) – 12:22
370:exercise of "What's Your Desire,"
196:is the eighth studio album by the
14:
1333:
723:Terich, Jeffrey (22 April 2015).
557:
531:The New Rolling Stone Album Guide
282:
770:Read and Burn: A Book About Wire
725:"Wire Albums From Worst To Best"
393:"Arriving/Staying/Going?" – 5:19
383:All tracks are written by Wire.
378:
336:... at the time of its release,
317:
301:
296:
291:
286:
281:
1317:Albums produced by Paul Kendall
716:
695:DeRogatis, Jim; Neate, Wilson.
625:Humberstone, Nigel (May 1995).
688:
658:
618:
539:– via Internet Archive.
535:. Simon and Schuster. p.
520:
1:
493:
316:
237:was actually recorded before
215:
18:1991 studio album by Wire
424:
390:"What's Your Desire?" – 4:51
204:, released in April 1991 by
148:Wire studio album chronology
7:
408:"Where Are You Now?" – 5:28
328:In a retrospective review,
10:
1338:
798:Lowdown: The Story of Wire
760:
575:– via wireviews.com.
1248:
1216:
1156:
1089:
1036:
913:
904:Margaret Fiedler McGinnis
861:
819:– via Google Books.
396:"(A Berlin) Drill" – 5:26
269:
266:
152:
147:
128:
116:
100:
77:
70:Worldwide International,
66:
58:
50:
37:
28:
23:
1098:On Returning (1977–1979)
853:
1105:The Peel Sessions Album
1059:The Scottish Play: 2004
1045:Document and Eyewitness
541:The Drill (album) wire.
419:
405:"Did You Dugga?" – 5:48
387:"In Every City?" – 5:21
767:Neate, Wilson (2013).
402:"Jumping Mint?" – 5:56
1112:1985–1990: The A List
1052:Wire on the Box: 1979
483:Dick Webber – mixing
795:(11 November 2009).
257:Professional ratings
1322:Mute Records albums
665:Christgau, Robert.
258:
1312:Wire (band) albums
1207:Read & Burn 03
1200:Read & Burn 02
1193:Read & Burn 01
1119:Behind the Curtain
256:
252:Critical reception
1294:
1293:
1126:Turns and Strokes
1013:Nocturnal Koreans
999:Change Becomes Us
784:978-1-908279-33-0
326:
325:
189:
188:
185:
184:
87:Alternative dance
1329:
1249:Related articles
978:The First Letter
848:
841:
834:
825:
824:
820:
788:
754:
748:
742:
741:
739:
737:
720:
714:
713:
711:
709:
692:
686:
685:
683:
681:
675:Robert Christgau
662:
656:
650:
644:
643:
641:
639:
622:
616:
607:
592:
586:
577:
576:
574:
572:
555:
544:
543:
534:
524:
518:
509:, p. 239: "
504:
322:
321:
312:Robert Christgau
306:
305:
304:
300:
299:
295:
294:
290:
289:
285:
284:
259:
255:
200:post-punk group
177:The First Letter
154:
153:
112:
111:
107:
92:alternative rock
33:
21:
20:
1337:
1336:
1332:
1331:
1330:
1328:
1327:
1326:
1297:
1296:
1295:
1290:
1244:
1212:
1152:
1085:
1032:
992:Red Barked Tree
950:A Bell Is a Cup
909:
857:
852:
817:
785:
763:
758:
757:
749:
745:
735:
733:
721:
717:
707:
705:
693:
689:
679:
677:
663:
659:
651:
647:
637:
635:
623:
619:
608:
595:
587:
580:
570:
568:
558:Neate, Wilson.
556:
547:
525:
521:
505:
501:
496:
471:– production ,
427:
381:
302:
297:
292:
287:
254:
218:
180:
171:
162:
109:
105:
104:
96:
46:
19:
12:
11:
5:
1335:
1325:
1324:
1319:
1314:
1309:
1292:
1291:
1289:
1288:
1283:
1278:
1273:
1268:
1263:
1258:
1252:
1250:
1246:
1245:
1243:
1242:
1235:
1228:
1220:
1218:
1214:
1213:
1211:
1210:
1203:
1196:
1189:
1182:
1179:Silk Skin Paws
1175:
1168:
1160:
1158:
1154:
1153:
1151:
1150:
1143:
1136:
1129:
1122:
1115:
1108:
1101:
1093:
1091:
1087:
1086:
1084:
1083:
1076:
1069:
1062:
1055:
1048:
1040:
1038:
1034:
1033:
1031:
1030:
1023:
1016:
1009:
1002:
995:
988:
981:
974:
967:
960:
953:
946:
943:The Ideal Copy
939:
932:
929:Chairs Missing
925:
917:
915:
911:
910:
908:
907:
906:(touring only)
901:
898:
892:
891:
884:
877:
870:
862:
859:
858:
851:
850:
843:
836:
828:
822:
821:
815:
789:
783:
762:
759:
756:
755:
743:
715:
687:
657:
655:, p. 246.
645:
632:Sound on Sound
617:
593:
591:, p. 162.
578:
545:
519:
498:
497:
495:
492:
491:
490:
484:
481:
475:
466:
459:
458:
454:
453:
451:Robert Gotobed
448:
443:
438:
432:
431:
426:
423:
422:
421:
418:
415:
414:
413:CD bonus track
410:
409:
406:
403:
400:
397:
394:
391:
388:
380:
377:
324:
323:
314:
308:
307:
278:
272:
271:
268:
264:
263:
253:
250:
217:
214:
187:
186:
183:
182:
173:
164:
150:
149:
145:
144:
143:
142:
137:
132:
126:
125:
120:
114:
113:
102:
98:
97:
95:
94:
89:
83:
81:
75:
74:
68:
64:
63:
60:
56:
55:
52:
48:
47:
42:
35:
34:
26:
25:
17:
9:
6:
4:
3:
2:
1334:
1323:
1320:
1318:
1315:
1313:
1310:
1308:
1305:
1304:
1302:
1287:
1284:
1282:
1279:
1277:
1274:
1272:
1269:
1267:
1264:
1262:
1259:
1257:
1254:
1253:
1251:
1247:
1240:
1239:Outdoor Miner
1236:
1233:
1229:
1226:
1222:
1221:
1219:
1215:
1209:
1208:
1204:
1202:
1201:
1197:
1195:
1194:
1190:
1188:
1187:
1186:The Third Day
1183:
1181:
1180:
1176:
1174:
1173:
1172:Kidney Bingos
1169:
1167:
1166:
1162:
1161:
1159:
1155:
1149:
1148:
1144:
1142:
1141:
1137:
1135:
1134:
1130:
1128:
1127:
1123:
1121:
1120:
1116:
1114:
1113:
1109:
1107:
1106:
1102:
1100:
1099:
1095:
1094:
1092:
1088:
1082:
1081:
1077:
1075:
1074:
1070:
1068:
1067:
1063:
1061:
1060:
1056:
1054:
1053:
1049:
1047:
1046:
1042:
1041:
1039:
1035:
1029:
1028:
1024:
1022:
1021:
1017:
1015:
1014:
1010:
1008:
1007:
1003:
1001:
1000:
996:
994:
993:
989:
987:
986:
982:
980:
979:
975:
973:
972:
968:
966:
965:
961:
959:
958:
954:
952:
951:
947:
945:
944:
940:
938:
937:
933:
931:
930:
926:
924:
923:
919:
918:
916:
914:Studio albums
912:
905:
902:
899:
897:
896:Bruce Gilbert
894:
893:
890:
889:
888:Matthew Simms
885:
883:
882:
878:
876:
875:
871:
869:
868:
864:
863:
860:
856:
849:
844:
842:
837:
835:
830:
829:
826:
818:
816:9780857120410
812:
808:
807:Omnibus Press
804:
800:
799:
794:
790:
786:
780:
776:
772:
769:
765:
764:
752:
747:
732:
731:
726:
719:
704:
703:
702:Trouser Press
698:
691:
676:
672:
670:
661:
654:
649:
634:
633:
628:
621:
615:
611:
606:
604:
602:
600:
598:
590:
585:
583:
567:
566:
561:
554:
552:
550:
542:
538:
533:
532:
523:
516:
512:
508:
503:
499:
488:
485:
482:
479:
476:
474:
470:
467:
465:
461:
460:
456:
455:
452:
449:
447:
446:Bruce Gilbert
444:
442:
439:
437:
434:
433:
429:
428:
417:
416:
412:
411:
407:
404:
401:
398:
395:
392:
389:
386:
385:
384:
379:Track listing
376:
373:
369:
365:
361:
357:
356:
351:
349:
348:electro dance
345:
344:
343:Trouser Press
339:
335:
331:
320:
315:
313:
310:
309:
279:
277:
274:
273:
265:
262:Review scores
260:
249:
246:
244:
240:
236:
232:
231:
225:
224:
213:
211:
207:
203:
199:
195:
194:
179:
178:
174:
170:
169:
165:
161:
160:
156:
155:
151:
146:
141:
138:
135:
134:
133:
131:
127:
124:
121:
119:
115:
103:
99:
93:
90:
88:
85:
84:
82:
80:
76:
73:
69:
65:
61:
57:
53:
49:
45:
40:
36:
32:
27:
22:
16:
1281:It Hugs Back
1205:
1198:
1191:
1184:
1177:
1170:
1163:
1145:
1138:
1131:
1124:
1117:
1110:
1103:
1096:
1090:Compilations
1078:
1071:
1064:
1057:
1050:
1043:
1025:
1018:
1011:
1004:
997:
990:
983:
976:
970:
969:
962:
955:
948:
941:
934:
927:
920:
886:
881:Colin Newman
879:
874:Graham Lewis
872:
865:
797:
793:Lester, Paul
771:
768:
746:
734:. Retrieved
728:
718:
706:. Retrieved
700:
690:
678:. Retrieved
671:> Review"
668:
660:
648:
636:. Retrieved
630:
620:
569:. Retrieved
563:
540:
530:
522:
514:
510:
502:
478:Gareth Jones
469:Paul Kendall
441:Graham Lewis
436:Colin Newman
382:
371:
353:
352:
341:
337:
327:
247:
243:Colin Newman
238:
234:
228:
221:
219:
206:Mute Records
192:
191:
190:
175:
167:
166:
157:
140:Paul Kendall
39:Studio album
15:
1307:1991 albums
1266:A.C. Marias
1256:Discography
1037:Live albums
1020:Silver/Lead
900:George Gill
867:Robert Grey
777:: Jawbone.
751:Lester 2009
589:Lester 2009
334:electronica
233:. Although
1301:Categories
1165:Snakedrill
736:20 January
708:20 January
680:20 January
653:Neate 2013
638:20 January
571:20 January
565:PopMatters
507:Neate 2013
494:References
487:John Fryer
464:production
457:Production
360:industrial
223:Snakedrill
216:Background
54:April 1991
1232:Heartbeat
1027:Mind Hive
985:Object 47
971:The Drill
922:Pink Flag
730:Stereogum
669:The Drill
610:The Drill
511:The Drill
489:– mixing
425:Personnel
372:The Drill
364:disco-pop
355:Stereogum
338:The Drill
235:The Drill
193:The Drill
168:The Drill
123:Mute (UK)
24:The Drill
1225:The 15th
1133:Coatings
964:Manscape
614:AllMusic
515:Manscape
480:– remix
330:AllMusic
276:AllMusic
239:Manscape
230:Manscape
159:Manscape
130:Producer
59:Recorded
51:Released
41: by
1271:Githead
761:Sources
462:Wire –
198:British
181:(1991)
172:(1991)
163:(1990)
1286:Fitted
957:IBTABA
813:
803:London
781:
775:London
697:"Wire"
473:mixing
270:Rating
267:Source
101:Length
72:London
67:Studio
1217:Songs
1147:10:20
118:Label
79:Genre
1276:Swim
1261:Dome
1140:Send
1006:Wire
855:Wire
811:ISBN
779:ISBN
738:2023
710:2023
682:2023
640:2023
573:2023
430:Wire
368:loop
202:Wire
136:Wire
62:1989
44:Wire
1157:EPs
936:154
612:at
537:883
1303::
809:.
805::
801:.
773:.
727:.
699:.
673:.
629:.
596:^
581:^
562:.
548:^
210:EP
110:21
106:55
1241:"
1237:"
1234:"
1230:"
1227:"
1223:"
847:e
840:t
833:v
787:.
753:.
740:.
712:.
684:.
667:"
642:.
108::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
