313:, or natural inclination, that holds the universe together in Medieval cosmology. He describes the inevitability of death for all things at their proper time, using the destruction of an oak tree, a stone, and a river as examples, and listing all the classes of medieval society as universally subject to death. He then shifts to a discussion of the proper way to respond to this inevitability of death. Theseus maintains that, since every man must die when his time comes, that it is best to die with a good name and reputation, on good terms with his friends, and having died with honour. Theseus's comfort to Emelye and Palamon is that Arcite died in just such a manner, having acquitted himself well in a feat of arms.
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234:. He instantly falls in love with her, wondering if she is human or a goddess; his moan is heard by Arcite, who then also wakes and sees Emelye. He falls in love with her as well. This angers Palamon, who believes that he claimed her first. Arcite argues that he also loved Emelye before it was even established that she was human, and adds that love obeys no rules anyway.
325:. What the purpose of the speech is, however, has been assessed variously. Some scholars maintain that the speech, with its Boethian elements, is not only representative of Boethian philosophy, but of Chaucer's own beliefs, and a reconciliation of Boethian and Christian philosophy, though this is disputed. The speech has also been read as a parody of Boethius's
331:, as a narrative device simply conveying an idea from the character of Theseus to the characters of Palamon and Emelye, as a transition from a tragic character death to a happy ending, as a counsel of how and when to die properly, and even as an expression of disappointment in not only the events of the tournament, but in the divine order he describes.
246:; but Arcite laments that being away from Emelye is worse than imprisonment. He later secretly returns to Athens in disguise and enters service in Emelye's household, to get close to her. Palamon eventually escapes by drugging the jailer, and, while hiding in a grove, overhears Arcite singing about love and fortune.
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They begin to duel with each other over who should get Emelye, but are thwarted by the arrival of
Theseus's hunting party. Theseus plans to sentence the two to summary execution, but upon the protests of his wife and Emelye, he decides to have them compete in a tournament instead. Palamon and Arcite
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who takes Venus's side, he is mortally wounded by his horse throwing him off and falling on him before he can claim Emelye as his prize. As he dies in bed, he tells Emelye that she should marry
Palamon, because he would make a good husband for her. After a heroic burial and a period of mourning,
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The friendship between
Palamon and Arcite quickly deteriorates over their competition for Emelye. After some years, Arcite is released from prison through the help and advice of Perotheus, a mutual friend of Theseus and Arcite, amending Arcite's sentence down from
230:. Their cell sits in the tower of Theseus' castle, with a window which overlooks his palace garden. The imprisoned Palamon wakes early one morning in May and catches sight of Emelye, who is Theseus's sister-in-law, below in the courtyard picking flowers for a
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for victory. Theseus lays down rules for the tournament so that if any man becomes seriously injured, he must be dragged out of the battle and is no longer in combat. Because of this, the narrator (the Knight) claims that there were no deaths on either side.
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in many countries and also fought for one pagan leader against another. Though the list of campaigns is real, his characterization is idealized. Most readers have taken
Chaucer's description of him as "a verray, parfit gentil knyght" to be sincere but
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The First Mover speech appears near the end of the poem, after the protagonists Arcite and
Palamon have finished their duel for Emelye's hand; Arcite is fatally injured, and Theseus speaks to console Emelye and Palamon as they grieve for Arcite.
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Although both
Palamon and Arcite fight valiantly, Palamon is wounded by a chance sword thrust from one of Arcite's men, and is unhorsed. Theseus declares the fight to be over. Arcite wins the battle, but following a divine intervention by
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The tale is considered a chivalric romance, yet it is markedly different from either the
English or French traditions of such tales. For instance, there is the inclusion of philosophical themes—mainly of the kind contained in the
639:
The
Relationship of Theseus' Boethian Speech to the Remainder of "The Knight's Tale". Joseph L. Mammola. Notre Dame English Journal, Vol. 1, No. 1 (Winter, 1965/1966), pp. 7–15. Published by: The University of Notre
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The "Knight's Tale": The
Dialogue of Romance, Epic, and Philosophy. John Finlayson. The Chaucer Review, Vol. 27, No. 2 (1992), pp. 126–149 Published by: Penn State University Press
254:, the winner of which is to marry Emelye. The forces are assembled one year later and lavishly banqueted by Theseus. On the early morning before the tournament, Palamon prays to
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are all severely compressed. The Knight-narrator repeatedly admits that he must skip past such details so that other pilgrims will get a chance to tell their stories.
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suggested that this description was ironic, and that
Chaucer's readers would have deduced that the Knight was a mercenary. He is accompanied on his pilgrimage by the
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is based on this tale, but the text of the play is lost. Another version of the story was performed in 1594, but this is only known from a reference in
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has 9,896 lines in twelve books, while "The Knight's Tale" has only 2,250 lines—though it is still one of the longest poems in the
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The story introduces themes and arguments typically encountered in the literature of knighthood, including
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the story is transformed into a competition between two young men for the attentions of a barmaid.
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and is longer than the original text due to the insertion of embellishments by the later poet.
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Finlayson, John (1992). "The "Knight's Tale": The Dialogue of Romance, Epic, and Philosophy".
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is based on this tale. The names of the characters Palamon and Arcite are changed to Patrick (
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Theseus proclaims that Palamon should marry Emelye, and thus all three prayers are fulfilled.
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Burrow, J. A. (2004). "The Canterbury Tales I: romance". In Piero Boitani (ed.).
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in 2003. The names of the characters Palamon and Arcite are changed to Paul (
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This portrait is generally thought to show a man of unsullied ideals.
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The First Mover or the Firste Moevere is a speech delivered by
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A Commentary on the General Prologue to The Canterbury Tales
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Chaucer's influence on fifteenth-century Scottish literature
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The story is one of the tales that inspired the 2001 movie
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Theseus begins with a reference to the First Mover, the
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Canterbury Quintet: the General Prologue and Four Tales
19:"Knight's Tale" redirects here. For the 2001 film, see
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Chaucer's Knight: The Portrait of a Medieval Mercenary
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Chaucer's Knight: the Portrait of a Medieval Mercenary
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translated this story into the language of his time–
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653:"The Education of Theseus in the Knight's Tale"
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757:The Knight's Tale with interlinear translation
508:. London: Weidenfeld and Nicolson. p. 2.
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1615:The Wedding of Sir Gawain and Dame Ragnelle
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1534:The Canterbury Pilgrims (De Koven)
675:Leicester Bradner Albert S. Cook,
564:"The Knight's Tale (general note)"
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697:(Third ed.). Oxford UP.
693:Larry D. Benson, ed. (2008).
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407:It was also adapted for the
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115:Teseida delle Nozze d’Emilia
16:Part of the Canterbury Tales
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1045:A Treatise on the Astrolabe
335:Adaptations and derivations
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651:Murtaugh, Daniel (2000).
552:Finlayson 1992, p. 127–8.
328:Consolation of Philosophy
194:Emilia in the rose garden
152:Consolation of Philosophy
1091:The Floure and the Leafe
1038:The Legend of Good Women
610:19 February 2015 at the
472:Murphy, Michael (2000).
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366:, is based on the tale.
317:Scholarly interpretation
1629:The Book of the Dun Cow
1622:Chanticleer and the Fox
1437:The Nun's Priest's Tale
1367:The Wife of Bath's Tale
1017:The Parliament of Fowls
996:The Book of the Duchess
989:The Romaunt of the Rose
947:The Nun's Priest's Tale
877:The Wife of Bath's Tale
740:(subscription required)
543:Finlayson 1992, p. 128.
100:Sources and composition
89:, his 20-year-old son.
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1588:The Canterbury Puzzles
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96:and ethical dilemmas.
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1681:Descriptive Catalogue
1526:The Two Noble Kinsmen
1442:The Second Nun's Tale
1362:The Man of Law's Tale
1052:The Complaint of Mars
952:The Second Nun's Tale
872:The Man of Law's Tale
695:The Riverside Chaucer
502:Jones, Terry (1980).
355:The Two Noble Kinsmen
192:
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1745:The Canterbury Tales
1675:Chaucer's Retraction
1651:God Spede the Plough
1507:The Canterbury Tales
1402:The Physician's Tale
1179:The Canterbury Tales
1173:Manuscript tradition
1031:Troilus and Criseyde
972:Chaucer's Retraction
912:The Physician's Tale
778:29 July 2003 at the
762:29 June 2020 at the
712:Terry Jones (1980).
411:The Canterbury Tales
164:The Canterbury Tales
66:The Canterbury Tales
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1478:The Tale of Gamelyn
1452:The Manciple's Tale
1427:The Tale of Melibee
1417:The Prioress's Tale
1407:The Pardoner's Tale
1397:The Franklin's Tale
1387:The Merchant's Tale
1377:The Summoner's Tale
1116:The Tale of Gamelyn
962:The Manciple's Tale
937:The Tale of Melibee
927:The Prioress's Tale
917:The Pardoner's Tale
907:The Franklin's Tale
897:The Merchant's Tale
887:The Summoner's Tale
360:William Shakespeare
252:judicial tournament
1725:14th-century books
1658:The Pilgrim's Tale
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1636:Palamon and Arcite
1473:The Plowman's Tale
1412:The Shipman's Tale
1247:Katherine Swynford
1131:The Pilgrim's Tale
1126:The Plowman's Tale
1010:Anelida and Arcite
922:The Shipman's Tale
723:The Chaucer Review
592:Finlayson, p. 129.
568:Harvard University
389:'s 1975 TV series
379:Palamon and Arcite
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119:Giovanni Boccaccio
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32:The first page of
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1457:The Parson's Tale
1392:The Squire's Tale
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967:The Parson's Tale
902:The Squire's Tale
857:The Miller's Tale
852:The Knight's Tale
704:978-0-19-955209-2
433:and screenwriter
311:kyndely enclyning
206:, French, c. 1460
53:The Knightes Tale
45:The Knight's Tale
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1569:Canterbury Tales
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1607:derivations
1605:Single tale
1529:(1634 play)
1269:(2001 film)
1162:Rhyme royal
1105:Jack Upland
981:Other works
447:) and Art (
440:Challengers
418:) and Ace (
387:Alan Plater
370:John Dryden
83:Terry Jones
1719:Categories
1704:The Tabard
1646:" (Dryden)
1639:(Edwardes)
1580:Literature
1553:Television
1422:Sir Thopas
932:Sir Thopas
836:Canterbury
687:References
449:Mike Faist
352:'s diary.
292:Background
1324:Order of
1177:Order of
1155:and Texts
665:: 143–67.
429:Director
420:John Simm
198:Boccaccio
106:epic poem
1205:Scribe D
1153:Language
1062:Spurious
776:Archived
760:Archived
735:25095793
608:Archived
578:19 March
437:'s film
323:Boethius
185:Synopsis
157:Boethius
78:crusades
1668:Related
1466:Addenda
1224:Related
453:Zendaya
301:Summary
286:Theseus
232:garland
216:Theseus
212:knights
203:Teseida
179:fabliau
135:romance
131:Teseida
123:Teseida
110:Teseida
36:in the
1572:(2003)
1564:(1975)
1510:(1972)
1243:(wife)
733:
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512:
482:
409:BBC's
273:Saturn
224:Athens
172:Knight
168:Miller
139:Thebes
87:Squire
1499:Films
1255:(son)
1112:Tales
1024:Boece
838:Tales
825:Works
731:JSTOR
658:Selim
459:Notes
260:Diana
256:Venus
244:exile
228:Creon
196:from
176:bawdy
127:Tales
59:from
699:ISBN
640:Dame
580:2009
510:ISBN
480:ISBN
362:and
264:Mars
220:duke
104:The
57:tale
1326:The
1312:'s
834:The
426:).
385:In
242:to
222:of
200:'s
155:of
63:'s
47:" (
1721::
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43:"
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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