178:. By the end of the 1960s, when the character and tone of its reviews changed considerably with the arrival of a new generation of critics influenced by the student culture and intellectual tumult of the time (not least the overthrow of old ideas of "taste" and quality), David Wilson was the editor. It was then edited by Jan Dawson (1938 – 1980), for two years from 1971, and from 1973 until its demise by the New Zealand-born critic Richard Combs.
29:
244:
Another change was that all reviews had a byline – up to
September 1968, only the reviews of films considered more significant by the BFI had a partial byline of initials only (so Tom Milne would be "T.M."). From January 1971, all films were listed in alphabetical order, mainly because a new wave of
205:
was originally published to allow UK cinema managers to decide what films to show, hence the complete cast and production lists, full plot followed by a thorough critique. Only films that had been registered with the UK government trade authority were covered each month. During the years of full
210:
printed long lists of B-features and short films with brief capsule reviews; by the 1970s, the tone and style of its reviews had changed considerably, and was increasingly influenced in some cases by the
357:
232:
479:
467:
297:
224:
564:
544:
413:
549:
539:
534:
455:
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333:
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437:
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critics who were influencing the magazine had already overturned the assumptions implicit in the separation of films (for example, several by
554:
220:
431:
171:
559:
342:(at least 1954 to at least 1983 – an unusually long run during a period when the magazine changed beyond recognition)
351:
369:
132:
146:
94:
401:
8:
485:
461:
360:(joined in 1980 as associate editor; continued as a contributor for most of that decade)
155:. It reviewed all films on release in the United Kingdom, including those with a narrow
443:
228:
482:(1965 – at least 1987, though very sporadic in later years; editor from c. 1968–1971)
330:(often at odds with the BFI in earlier years, but contributed regularly in the 1980s)
127:
187:
151:
446:(assistant editor, 1974–1977; contributor, 1974–1977 and sporadically afterwards)
327:
215:
and
Marxist-influenced film theory, though some more traditional critics such as
253:
were only included in the "shorter notices" section). From the July 1982 issue,
464:(first contributed in 1959; continued for much of the 1960s and into the 1970s)
434:(mainly in 1950s – editor 1955–1956 but continued sporadically into the 1970s)
237:
104:
39:
528:
363:
279:
257:
changed again to include more feature articles, interviews, and photographs.
212:
28:
510:
449:
339:
291:
250:
246:
216:
149:
published monthly from
February 1934 until April 1991, when it merged with
391:
315:
285:
473:
425:
419:
381:
321:
375:
231:
more seriously than had previously been considered acceptable, while
175:
174:, in the late 1950s and early 1960s by Peter John Dyer, and then by
488:(often at odds with the BFI, but briefly contributed c. 1972/1973.)
309:
156:
336:(at least 1956–1966; editor in late 1950s and early 1960s)
282:(joined in 1979 and was a regular through the early 1980s)
515:
Cinema: a
Critical Dictionary; The Major Film Makers
565:Monthly magazines published in the United Kingdom
545:Defunct magazines published in the United Kingdom
191:, which had until then been published quarterly.
526:
199:s remit to review all films released in the UK.
550:Film magazines published in the United Kingdom
195:then became a monthly publication and took up
312:(1985–1991; associate editor and contributor)
540:1991 disestablishments in the United Kingdom
27:
535:1934 establishments in the United Kingdom
16:Periodical of the British Film Institute
527:
476:(mainly in late 1950s and early 1960s)
452:(mainly in late 1950s and early 1960s)
428:(mainly in late 1950s and early 1960s)
509:
378:(1962–91; editor from c. 1963–1968)
235:wrote a lengthy defence in 1981 of
13:
517:. Secker & Warburg. p. v.
324:(1967–1980; editor from 1971–1973)
14:
576:
555:Magazines disestablished in 1991
372:(a regular throughout the 1970s)
260:
170:was edited in the mid-1950s by
503:
400:(mainly in 1950s; created the
1:
560:Magazines established in 1934
496:
306:(1969–1991; editor from 1973)
219:remained, and others such as
249:and many from the stable of
7:
59:; 90 years ago
10:
581:
388:
276:
197:The Monthly Film Bulletin'
162:
271:s contributors included:
266:The Monthly Film Bulletin
255:The Monthly Film Bulletin
208:The Monthly Film Bulletin
203:The Monthly Film Bulletin
183:The Monthly Film Bulletin
168:The Monthly Film Bulletin
142:The Monthly Film Bulletin
126:
118:
110:
100:
90:
71:
53:
45:
35:
26:
21:The Monthly Film Bulletin
366:(c. 1950 – c. 1956/1957)
145:was a periodical of the
206:supporting programmes,
470:(1978 – at least 1986)
288:(1978 – at least 1987)
147:British Film Institute
95:British Film Institute
354:(c. 1950 – mid-1970s)
402:London Film Festival
462:John Russell Taylor
229:exploitation movies
23:
444:Jonathan Rosenbaum
394:(1969 – mid-1970s)
57:February 1934
19:
494:
493:
370:David McGillivray
221:David McGillivray
193:Sight & Sound
188:Sight & Sound
152:Sight & Sound
138:
137:
572:
519:
518:
507:
456:Elizabeth Sussex
352:Penelope Houston
346:Verina Glaessner
274:
273:
270:
185:was merged with
84:
82:
67:
65:
60:
31:
24:
18:
580:
579:
575:
574:
573:
571:
570:
569:
525:
524:
523:
522:
508:
504:
499:
334:Peter John Dyer
328:Raymond Durgnat
268:
263:
165:
85:
80:
78:
77:April 1991
73:
63:
61:
58:
17:
12:
11:
5:
578:
568:
567:
562:
557:
552:
547:
542:
537:
521:
520:
513:, ed. (1980).
501:
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492:
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483:
477:
471:
465:
459:
453:
447:
441:
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432:David Robinson
429:
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417:
411:
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387:
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367:
361:
355:
349:
343:
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301:
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289:
283:
262:
259:
238:Glen or Glenda
172:David Robinson
164:
161:
136:
135:
130:
124:
123:
120:
116:
115:
112:
108:
107:
105:United Kingdom
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98:
97:
92:
88:
87:
86:v. 58, no. 687
75:
69:
68:
55:
51:
50:
47:
43:
42:
40:Film criticism
37:
33:
32:
15:
9:
6:
4:
3:
2:
577:
566:
563:
561:
558:
556:
553:
551:
548:
546:
543:
541:
538:
536:
533:
532:
530:
516:
512:
511:Roud, Richard
506:
502:
487:
484:
481:
478:
475:
472:
469:
466:
463:
460:
457:
454:
451:
448:
445:
442:
440:(early 1980s)
439:
436:
433:
430:
427:
424:
421:
418:
415:
412:
409:
406:
403:
399:
396:
393:
390:
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380:
377:
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371:
368:
365:
364:Gavin Lambert
362:
359:
358:Steve Jenkins
356:
353:
350:
347:
344:
341:
338:
335:
332:
329:
326:
323:
320:
317:
314:
311:
308:
305:
304:Richard Combs
302:
299:
296:
293:
290:
287:
284:
281:
280:Gilbert Adair
278:
277:
275:
272:
267:
258:
256:
252:
248:
242:
240:
239:
234:
233:Steve Jenkins
230:
226:
222:
218:
214:
213:auteur theory
209:
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184:
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89:
76:
70:
56:
52:
48:
44:
41:
38:
34:
30:
25:
22:
514:
505:
480:David Wilson
450:Richard Roud
438:Cynthia Rose
408:Tim Pulleine
398:Derek Prouse
340:John Gillett
292:Anne Billson
265:
264:
261:Contributors
254:
251:Roger Corman
247:Sergio Leone
243:
236:
217:John Gillett
207:
202:
201:
196:
192:
186:
182:
180:
167:
166:
150:
141:
140:
139:
20:
468:Paul Taylor
458:(mid-1960s)
422:(1970–1991)
416:(1975–1991)
410:(1977–1991)
392:David Pirie
384:(1982–1991)
348:(1969–1991)
318:(1961–1965)
316:Peter Cowie
300:(1974–1991)
298:Geoff Brown
294:(1984–1990)
286:Martyn Auty
225:Paul Taylor
72:Final issue
54:First issue
529:Categories
497:References
486:Robin Wood
474:Robert Vas
426:Eric Rhode
420:Tony Rayns
382:Kim Newman
322:Jan Dawson
36:Categories
376:Tom Milne
181:In 1991,
176:Tom Milne
159:release.
133:0027-0407
46:Frequency
414:John Pym
404:in 1957)
310:Pam Cook
157:arthouse
119:Language
111:Based in
163:History
122:English
101:Country
91:Company
81:1991-04
79: (
64:1934-02
62: (
49:Monthly
114:London
74:Number
269:'
227:took
223:and
128:ISSN
241:.
531::
83:)
66:)
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