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The Spy Who Came In from the Cold (film)

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378:. At a German country house, Leamas is introduced to Fiedler, who becomes his main interrogator. Leamas then begins to carry out his secret mission, which is to share information that suggests a high-ranking East German intelligence officer named Mundt is a paid informant of the British. The evidence is circumstantial, and though it seems to implicate Mundt, Leamas repeatedly refutes that conclusion, claiming that an important East German official could not have been a British agent without his knowledge. However, Fiedler is able to independently confirm Leamas' information and comes to the conclusion that Mundt, his supervisor, has indeed been a secret asset of British intelligence for many years. 2122: 3091: 382:
testify. Fiedler presents a strong case for Mundt being a paid double agent. However, Mundt's attorney uncovers several discrepancies in Leamas' transformation into an informant, suggesting that Leamas is a faux defector. Leamas' credibility collapses when Nan, who has been brought to East Germany for what she thought was a
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What the hell do you think spies are? Moral philosophers measuring everything they do against the word of God or Karl Marx? They're not. They're just a bunch of seedy squalid bastards like me, little men, drunkards, queers, henpecked husbands, civil servants playing "Cowboys and Indians" to brighten
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visit, is forced to testify at the tribunal and unwittingly reveals that she has been receiving payments from a British intelligence officer as Leamas had arranged. Faced with this testimony, Leamas reluctantly admits that he is indeed a British agent. Mundt is vindicated, and Fiedler is arrested as
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on an emergency ladder while a searchlight is intentionally turned away. Leamas is at the top of the wall pulling Nan up behind him when the searchlight suddenly shines directly on them, alarms sound, and Nan is shot dead by Mundt's operatives, silencing the only civilian witness to the operation.
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a British agent, and Fiedler had been the target of the operation all along, as he had grown too suspicious of his supervisor. This comes as a shock to Leamas, and the complex web he has been drawn into and the risk he has been placed in by his own superiors become painfully clear. He explains the
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Mundt himself unexpectedly arrives at the compound and has both Leamas and Fiedler arrested for plotting against him. Once Fiedler explains his findings to his superiors, the tables are turned and Mundt is arrested. A secret tribunal is convened to try Mundt for espionage, with Leamas compelled to
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for Best British Film, Best Actor, Best Cinematography, and Best Art Direction. For his performance, Richard Burton received the David di Donatello Award for Best Foreign Actor, the Golden Laurel Award, and an Academy Award nomination for Best Actor in a Leading Role. The film was named one of the
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was also considered, but was rejected for not being able to put on a convincing British accent. Richard Burton, the eventual choice of the producers, butted heads with director Martin Ritt during the course of the production. The atmosphere on set was also tense from both the presence of Burton's
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The film closely follows the plot of the original source text. One exception is that the name of the principal female character in the novel, Liz Gold, is changed to Nan Perry in the film, reputedly because the producers were worried about the potential confusion in the media with Burton's wife,
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shortly after the death of one of his operatives and is seemingly drummed out of the agency. In reality, a carefully staged transformation of Leamas has been arranged by Control, the agency's chief. Appearing to be depressed, embittered and alcoholic, Leamas takes work as an assistant at a local
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secrets for money. Just when it seems that he has successfully discredited his target, however, Leamas is revealed to be an active British intelligence agent disseminating false information. Much to his surprise, this revelation achieves the real and heretofore hidden objectives of the mission.
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intelligence officer. As part of a charade, Leamas is apparently dismissed from the British secret intelligence service and becomes an embittered alcoholic. He is soon approached by East German agents in Britain, and he allows himself to be recruited and taken to continental Europe to sell his
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Leamas initially believes he has failed in his mission and fears severe retribution from Mundt. However, in the middle of the night, Mundt releases Leamas and Nan from their cells and provides an escape plan for them both. Mundt explains that Leamas' real mission has succeeded; Mundt actually
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wrote, "Concentration is demanded; and earned by the tension and accuracy of the dialogue and the high level of performance ... all give performances of a kind which instantly engage attention, even if the characters scarcely develop beyond the point at which we first meet them."
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entire plot to still-idealistic Nan as they drive their borrowed car toward the border. She berates him for being involved in what amounts to the murder of Fiedler, who was only doing his job. Leamas, agitated by her naiveté, erupts in an angry, self-loathing confession:
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called the film "an excellent contemporary espionage drama of the Cold War which achieves solid impact via emphasis on human values, total absence of mechanical spy gimmickry, and perfectly controlled underplaying." Philip K. Scheuer of the
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their rotten little lives. Do you think they sit like monks in a cell, balancing right against wrong? Yesterday I would have killed Mundt because I thought him evil and an enemy. But not today. Today he is evil and my friend.
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DVD on 25 November 2008 and on Blu-ray on 10 September 2013. Extras for this version include: digitally restored picture and sound; an interview with John le Carré; scene-specific commentary by director of photography
358:. Leamas spends most of his small salary on alcohol, leaving him constantly low on funds. He drunkenly assaults a shopkeeper who refuses him credit and is briefly jailed. His predicament attracts the attention of the 414:
Leamas freezes in shock and horror, and is urged by agents on both sides to return to the West. Instead, he begins to climb down towards Nan's body on the eastern side of the wall, where he is also shot and killed.
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Leamas is approached by a series of operatives, each one passing him up the chain of the East German intelligence service, and he expresses a willingness to sell British secrets for money. He eventually flies to
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wrote: "It is not an easy, certainly not a pleasant, picture to sit through; too impersonal, too objective, to move us to weep, so that its ending can only leave us tremendously depressed."
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wrote, "After all the spy and mystery movies of a romantic and implausible nature that we have seen, it is great to see one as realistic, and believable too, as
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called it "in every respect an admirable translation the screen of the fantastically popular thriller by Jean le Carré."
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were used for the shooting of interior scenes, though Dublin was predominantly used for external German scenes.
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library. There he begins a relationship with co-worker Nan Perry, a young and idealistic member of the
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to meet an agent named Peters, who decides that his information is important enough to send him on to
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Scheuer, Philip K. (December 21, 1965). "'Spy Who Came In From Cold' Chills With Frigid Outlook".
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was a box-office success, receiving positive reviews and several awards, including four
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for the role of Leamas, but he was rejected for not being enough of a box office draw;
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in its original form as a novel, I nonetheless find it a wholly absorbing picture."
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who is given the task of sowing damaging disinformation about a powerful
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Films featuring a Best Supporting Actor Golden Globe winning performance
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declared: "Not having shared the evidently widespread admiration for
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Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
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based on 14 reviews, with an average grade of 7.7 out of 10.
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John le Carré on "The Spy Who Came in From the Cold (1965)"
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"The Current Cinema". 1215: 1134: 1079: 801: 749: 18:The Spy Who Came in from the Cold (film) 1055:; a 1985 audio interview with director 637:took in $ 7,600,000 at the box office. 14: 3760: 1073: 1051:from a 1967 episode of the BBC series 952:Best Supporting Actor – Motion Picture 3868:Best British Film BAFTA Award winners 3853:Films shot in the Republic of Ireland 3823:Films based on works by John le Carré 3196:Tränenpalast, Friedrichstraße station 3061:Eastern Bloc emigration and defection 2989: 2397: 2237:Hemingway's Adventures of a Young Man 2140: 1628: 1434:"Category List – Best Motion Picture" 1410:"Best Cinematography in Feature Film" 1380: 1308:"The Spy Who Came In from the Cold". 1236:"The Spy Who Came In from the Cold". 309:agent Alec Leamas' mission as a faux 1459: 1287: 869:Best British Cinematography – Colour 755:Best Art Direction – Black-and-White 294:, and the screenplay was written by 3863:Films with screenplays by Paul Dehn 1330:"The Spy Who Came In from the Cold" 1267: 854:Best British Art Direction – Colour 24: 25: 3909: 3611:The Spy Who Came in from the Cold 3429:The Spy Who Came In from the Cold 2631:The Spy Who Came In from the Cold 2571:Saturday Night and Sunday Morning 2261:The Spy Who Came In from the Cold 1894:The Spy Who Came In from the Cold 1691:The Spy Who Came in from the Cold 1593:The Spy Who Came In from the Cold 1582:The Spy Who Came In from the Cold 1571:The Spy Who Came In from the Cold 1560:The Spy Who Came In from the Cold 1552: 1028:The Spy Who Came In from the Cold 700:The film holds a score of 86% on 678:The Spy Who Came In from the Cold 651:The Spy Who Came In from the Cold 635:The Spy Who Came In from the Cold 622:was used as the location for the 322:The Spy Who Came In from the Cold 263:The Spy Who Came In from the Cold 91:The Spy Who Came in from the Cold 35:The Spy Who Came In from the Cold 3893:Films shot at Shepperton Studios 3635:Am kürzeren Ende der Sonnenallee 3089: 2121: 2120: 1045:The Secret Center: John le Carré 362:, which sees him as a potential 360:East German Intelligence Service 27:1965 British film by Martin Ritt 3015: 1715:The Naïve and Sentimental Lover 1537: 1507: 1480: 1453: 1426: 1402: 1374: 1349: 1322: 1301: 1281: 1002:Writers Guild of America Awards 985:National Board of Review Awards 826:Who's Afraid of Virginia Woolf? 451:as East German Defence Attorney 3171:Berlin Friedrichstraße station 1261: 1246: 1229: 1209: 1187: 1161: 971:Top Male Dramatic Performance 13: 1: 3818:Films based on British novels 3803:Films directed by Martin Ritt 3798:British black-and-white films 1066: 1022: 567: 405:Leamas and Nan arrive at the 329:top ten films of 1966 by the 46:Theatrical release poster by 3848:Films set in the Netherlands 3783:1960s English-language films 3724:List of Berlin Wall segments 2541:The Bridge on the River Kwai 1599:AFI Catalog of Feature Films 1382:"BAFTA Awards: Film in 1967" 1016: 996: 979: 961: 941: 915: 895: 629: 602:Special Operations Executive 7: 3858:Films shot in Dublin (city) 3833:Films about the Berlin Wall 3306:Christel and Eckhard Wehage 3108:Gedenkstätte Berliner Mauer 1043:; a BBC documentary titled 1007:Best Written American Drama 785:British Academy Film Awards 526:as Checkpoint Charlie Guard 517:Scott Finch as German Guide 514:as Checkpoint Charlie Guard 10: 3914: 3878:Films scored by Sol Kaplan 3702:The Day the Wall Came Down 2692:The Madness of King George 1867:Agent Running in the Field 1047:(2000); an interview with 1011:Paul Dehn and Guy Trosper 596:The script was written by 199:16 December 1965 3888:Films set in East Germany 3883:Films set in West Germany 3813:Edgar Award-winning works 3716: 3685: 3653: 3602: 3567: 3394: 3387: 3362: 3314: 3204: 3146: 3123:Checkpoint Charlie Museum 3098: 3087: 3023: 2962:The Banshees of Inisherin 2852:Tinker Tailor Soldier Spy 2802:The Last King of Scotland 2652: 2431: 2175: 2116: 2091: 2035: 1985:Tinker Tailor Soldier Spy 1976: 1950:Tinker Tailor Soldier Spy 1885: 1723:Tinker Tailor Soldier Spy 1666: 1318:(385): 20. 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3366: 3364: 3360: 3359: 3357: 3356: 3351: 3346: 3341: 3336: 3334:Erich Honecker 3331: 3326: 3320: 3318: 3312: 3311: 3309: 3308: 3303: 3298: 3293: 3288: 3283: 3278: 3273: 3268: 3263: 3261:Horst Kutscher 3258: 3253: 3248: 3243: 3238: 3236:Chris Gueffroy 3233: 3228: 3223: 3218: 3212: 3210: 3202: 3201: 3199: 3198: 3193: 3188: 3183: 3178: 3173: 3168: 3163: 3158: 3152: 3150: 3144: 3143: 3141: 3140: 3135: 3130: 3125: 3120: 3115: 3110: 3104: 3102: 3096: 3095: 3088: 3086: 3084: 3083: 3078: 3073: 3068: 3066:Republikflucht 3063: 3058: 3053: 3048: 3043: 3038: 3033: 3027: 3025: 3021: 3020: 3013: 3012: 3005: 2998: 2990: 2981: 2980: 2978: 2977: 2967: 2957: 2947: 2937: 2927: 2917: 2907: 2897: 2887: 2877: 2867: 2857: 2847: 2837: 2827: 2817: 2807: 2797: 2787: 2777: 2767: 2757: 2747: 2737: 2727: 2717: 2707: 2697: 2687: 2677: 2667: 2656: 2654: 2650: 2649: 2647: 2646: 2636: 2626: 2616: 2606: 2596: 2586: 2576: 2566: 2556: 2546: 2536: 2526: 2516: 2506: 2496: 2486: 2476: 2466: 2456: 2446: 2435: 2433: 2429: 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Coe 631: 628: 586:Burt Lancaster 569: 566: 564: 563: 560:Michael Ripper 557: 554:Nancy Nevinson 551: 545: 539: 533: 530:Richard Marner 527: 521: 518: 515: 509: 506: 500: 494: 488: 482: 476: 473:Peter van Eyck 470: 461: 452: 446: 440: 434: 428: 427:as Alec Leamas 425:Richard Burton 421: 419: 416: 338: 335: 280:Richard Burton 257: 256: 253: 249: 248: 245: 241: 240: 239:United Kingdom 237: 233: 232: 229: 226: 223: 222: 220: 219: 208: 196: 194: 191: 188: 187: 182: 181:Distributed by 178: 177: 174: 172: 167: 164: 163: 158: 154: 153: 151:Anthony Harvey 148: 144: 143: 138: 137:Cinematography 134: 133: 131: 130: 125: 120: 118:Richard Burton 114: 112: 108: 107: 104: 100: 99: 87: 83: 82: 80: 79: 74: 68: 66: 62: 61: 56: 52: 51: 45: 37: 36: 26: 9: 6: 4: 3: 2: 3910: 3899: 3896: 3894: 3891: 3889: 3886: 3884: 3881: 3879: 3876: 3874: 3871: 3869: 3866: 3864: 3861: 3859: 3856: 3854: 3851: 3849: 3846: 3844: 3841: 3839: 3836: 3834: 3831: 3829: 3826: 3824: 3821: 3819: 3816: 3814: 3811: 3809: 3806: 3804: 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3342: 3340: 3337: 3335: 3332: 3330: 3327: 3325: 3322: 3321: 3319: 3317:with the Wall 3313: 3307: 3304: 3302: 3299: 3297: 3294: 3292: 3289: 3287: 3284: 3282: 3279: 3277: 3274: 3272: 3271:Dorit Schmiel 3269: 3267: 3266:Günter Litfin 3264: 3262: 3259: 3257: 3254: 3252: 3249: 3247: 3244: 3242: 3239: 3237: 3234: 3232: 3229: 3227: 3224: 3222: 3221:Peter Fechter 3219: 3217: 3216:Klaus Brueske 3214: 3213: 3211: 3209: 3203: 3197: 3194: 3192: 3189: 3187: 3184: 3182: 3179: 3177: 3174: 3172: 3169: 3167: 3164: 3162: 3159: 3157: 3154: 3153: 3151: 3149: 3145: 3139: 3136: 3134: 3131: 3129: 3126: 3124: 3121: 3119: 3116: 3114: 3113:White Crosses 3111: 3109: 3106: 3105: 3103: 3101:and galleries 3097: 3082: 3079: 3077: 3074: 3072: 3069: 3067: 3064: 3062: 3059: 3057: 3054: 3052: 3049: 3047: 3044: 3042: 3041:Wall of Shame 3039: 3037: 3034: 3032: 3029: 3028: 3026: 3024:Main articles 3022: 3018: 3011: 3006: 3004: 2999: 2997: 2992: 2991: 2988: 2974: 2973: 2968: 2964: 2963: 2958: 2954: 2953: 2948: 2944: 2943: 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The Numbers 1196: 1190: 1174: 1170: 1164: 1150: 1149: 1142: 1140: 1138: 1122: 1118: 1112: 1096: 1092: 1091: 1086: 1082: 1081:Erickson, Hal 1076: 1072: 1064: 1062: 1058: 1054: 1050: 1046: 1042: 1041:Oswald Morris 1037: 1033: 1029: 1013: 1010: 1008: 1005: 1003: 1000: 999: 993: 991: 990:Top Ten Films 986: 983: 982: 976: 973: 970: 968: 967:Laurel Awards 965: 964: 958: 956:Oskar Werner 955: 953: 950: 948: 945: 944: 938: 936: 932: 929: 927: 924: 922: 919: 918: 912: 909: 907: 904: 902: 899: 898: 892: 890: 887: 885: 882: 881: 877: 875: 874:Oswald Morris 870: 867: 866: 862: 860: 857: 855: 852: 851: 847: 845: 842: 840: 837: 836: 832: 828: 827: 820: 818: 815: 814: 810: 808: 805: 804: 798: 796: 791: 788: 786: 782: 778: 776: 775:Josie MacAvin 770: 766: 762: 758: 756: 753: 752: 746: 744: 741: 739: 736: 734: 730: 726: 723: 720: 717: 714: 713: 705: 703: 698: 695: 694: 689: 688: 683: 679: 675: 674: 669: 665: 664: 658: 657: 652: 648: 647: 642: 638: 636: 627: 625: 621: 617: 613: 609: 607: 603: 599: 594: 592: 587: 583: 582:Trevor Howard 578: 576: 561: 558: 555: 552: 549: 546: 543: 540: 537: 534: 531: 528: 525: 524:George Mikell 522: 519: 516: 513: 510: 507: 504: 503:Esmond Knight 501: 498: 495: 492: 489: 486: 483: 480: 477: 474: 471: 469: 465: 462: 460: 459:George Smiley 456: 455:Rupert Davies 453: 450: 447: 444: 443:Sam Wanamaker 441: 438: 435: 432: 429: 426: 423: 422: 415: 412: 408: 402: 397: 394: 388: 385: 379: 377: 373: 367: 365: 361: 357: 352: 348: 344: 334: 332: 327: 323: 319: 316: 312: 308: 303: 301: 297: 293: 289: 285: 281: 277: 276:John le Carré 273: 269: 265: 264: 254: 250: 246: 242: 238: 234: 230: 224: 209: 198: 197: 195: 192:Release dates 189: 186: 183: 179: 173: 165: 162: 159: 155: 152: 149: 145: 142: 141:Oswald Morris 139: 135: 129: 126: 124: 121: 119: 116: 115: 113: 109: 105: 101: 98: 97:John le Carré 93: 92: 88: 84: 78: 75: 73: 70: 69: 67: 65:Screenplay by 63: 60: 57: 53: 49: 43: 38: 33: 30: 19: 3739: 3734:Steinstücken 3701: 3693: 3641: 3633: 3625: 3617: 3609: 3590: 3582: 3574: 3555: 3547: 3539: 3531: 3523: 3515: 3507: 3499: 3491: 3483: 3475: 3467: 3459: 3451: 3443: 3435: 3428: 3427: 3419: 3411: 3403: 3370: 3301:Rudolf Urban 3286:Ida Siekmann 3276:Egon Schultz 3081:Schießbefehl 3036:Iron Curtain 2970: 2960: 2950: 2940: 2930: 2920: 2910: 2900: 2890: 2880: 2870: 2860: 2850: 2840: 2830: 2820: 2810: 2800: 2790: 2780: 2770: 2760: 2752:Gosford Park 2750: 2742:Billy Elliot 2740: 2732:East Is East 2730: 2720: 2712:Nil by Mouth 2710: 2700: 2690: 2680: 2670: 2660: 2639: 2630: 2629: 2619: 2609: 2599: 2589: 2579: 2569: 2559: 2549: 2539: 2529: 2519: 2509: 2499: 2489: 2479: 2469: 2459: 2449: 2439: 2379: 2371: 2363: 2355: 2347: 2339: 2331: 2323: 2315: 2307: 2299: 2291: 2283: 2275: 2267: 2260: 2259: 2251: 2243: 2235: 2227: 2219: 2211: 2203: 2195: 2187: 2179: 2105: 2098: 2073:Connie Sachs 2068:Jim Prideaux 2023: 2015: 2007: 1999: 1991: 1983: 1964: 1956: 1948: 1940: 1932: 1924: 1916: 1908: 1900: 1893: 1892: 1873: 1865: 1857: 1849: 1841: 1833: 1825: 1817: 1809: 1801: 1793: 1785: 1777: 1769: 1761: 1753: 1745: 1737: 1729: 1721: 1713: 1705: 1697: 1689: 1681: 1673: 1614:an essay by 1610: 1592: 1581: 1570: 1559: 1539: 1527:. 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Index

The Spy Who Came in from the Cold (film)

Howard Terpning
Martin Ritt
Paul Dehn
Guy Trosper
The Spy Who Came in from the Cold
John le Carré
Richard Burton
Claire Bloom
Oskar Werner
Oswald Morris
Anthony Harvey
Sol Kaplan
Paramount Pictures
spy film
novel of the same name
John le Carré
Richard Burton
Claire Bloom
Oskar Werner
Martin Ritt
Paul Dehn
Guy Trosper
MI6
defector
East German
BAFTA Awards
National Board of Review
West Berlin

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