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find his face made up. He buys a wig and women's shoes and goes on to dress up (using Simone's dress, which he had found in a cupboard) and sit still in his apartment in the dead of night. He suspects that Zy and the neighbors are trying to subtly change him into the last tenant, Simone, so that he too will kill himself. He becomes hostile and paranoid in his day-to-day environment (snapping at his friends, slapping a child in a park) and his mental state progressively deteriorates. He has visions of his neighbors playing football with a human head, finding the toilet covered in hieroglyphs, and looking across the courtyard, seeing himself standing at his apartment window, looking into the bathroom with binoculars. Trelkovsky runs off to Stella for comfort and sleeps over, but in the morning after she has left for work, he concludes that she too is in on his neighbors' plot, and proceeds to vandalise and burgle her apartment before departing.
1565:"Der Titel des Films reicht bis an eine Interpretation heran, die so lauten könnte: Da kam einer in diese wohl geordnete Welt, und man gab ihm die Chance, sich einen Platz zu "mieten". Dieses "Mietverhältnis" aber kann jederzeit gekündigt werden, wenn sich der "Mieter" nicht den festgefügten Verhältnissen anpasst, sie verinnerlicht. So bleibt die Frage, wer hier eigentlich wahnsinnig und wer normal ist, am Schluss fast bedeutungslos. Der Verfolgungswahn des einzelnen reiht sich ein in die Verfolgungsmentalität einer "wohl" geordneten Welt. Niemand kann Trelkovsky wirklich helfen – nicht einmal er selbst. In einer scheinbar aufgeklärten, aber eben auch maßlos abgeklärten Welt mit einer feststehenden Ordnung hat das Individuelle, das subjektive Eigenhaben nur eine Alternative: Unterwerfung und Internalisierung – oder Wahnsinn. Also keine Alternative. Es steht immer vor der Kippe, vor dem Verlust seiner selbst."
748:"The film's title could be interpreted as follows: An alien is given the chance to rent an apartment for himself in a well-ordered world, however he may be evicted at any given time once the natives find him to be in violation of this world's well-ordered rules, or failing to properly internalize them. In the end, it is of little importance who is normal and who is insane. The individual's paranoia equals our well-ordered world's desire to persecute. Nobody can help Trelkovsky - he can't even help himself. In a disenchanted, jaded world with its fixed social order, the individual and one's autonomy have but one fate: Either submission and internalization of people's rules - or insanity. Which is no real choice. Here, the individual is always on the brink of annihilation, about to lose itself."
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to his situation but is increasingly disturbed by the apartment and the other tenants. He frequently sees his neighbors standing motionless in the toilet room (which he can see from his own window), and discovers a hole in the wall with a human tooth stashed inside. He discusses this with his friends who do not find things strange and belittle him for not standing up to his neighbours. He visits the apartment of one of his work friends who plays a marching band record at a spitefully loud volume. A neighbour politely asks him to turn down the music, as his wife is ill and trying to sleep. Trelkovsky turns the record down, but his friend tells the neighbour that he will play his music as he wants, and that he does not care about his sick wife.
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visits Simone in the hospital but finds her entirely in bandages and unable to talk. Whilst still at Simone's bedside, Trelkovsky meets her friend, Stella, who has also come to visit. Stella is overwhelmed with emotion and begins talking to Simone, who looks towards her visitors and screams monstrously. The matron insists they leave, having already informed
Trelkovsky that he may not speak to Simone. Trelkovsky tries to comfort Stella but dares not say that he never knew Simone, instead pretending to be another friend. They leave together and go out for a drink and a movie where they fondle each other. Outside the theatre, they part ways. Later, Trelkovsky calls up the hospital to enquire about Simone and is told she has died.
952:'s protagonist, a Jew living in Poland under Nazi occupation, is reduced to hiding a pitiful, starving existence hiding in cubbyholes and the bombed-out ruins of buildings where he cannot be sure whether the people he encounters are friend or foe or will betray him. Polanski himself grew up in the Krakow ghettos as a Jewish child under the Nazi occupation and survived by hiding in the countryside and with other families after his parents were taken to the concentration camps, so perhaps one can see the very personal nature of the recurrent themes of isolation, paranoia and the feeling that the apartment is an alien world in his work."
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810:'s conception that everything has happened before and will happen again, but more the belief that everything is always happening. The best I can come up with is to suppose that Trelkovsky, whether in his mind or in reality, is always the same as Simone. He does not become her, so much as we finally reach a point where the distinction between the two of them is no longer important. Either way, the result is the same: there is no Trelkovsky. To someone whose life had been as
1709:"Was passiert im 'Mieter'? Sucht Geisterspuk den armen Trelkovsky heim oder verfällt er schlicht dem Irrsinn? Treibt ihn seine ihm feindlich gesinnte (warum?) Umwelt in einen Freitodversuch oder zerbricht der schüchterne, in sich gekehrte junge Mann an der kalten Realität? Ist Trelkovsky etwa mit Simone Clouche identisch? Oder werden wir gar Zeuge eines Traums, den die sterbende Simone Clouche träumt, und Trelkovsky ist nichts anderes als die Traumgestalt ihrer selbst?"
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apartment. A deranged
Trelkovsky dresses up again as a woman and throws himself out of the apartment window in the manner of Simone Choule, before what he believes to be a clapping, cheering audience composed of his neighbors. The suicide attempt wakes up his neighbors, who call the police and attempt to restrain him. He crawls away from them back to his apartment, and jumps out the window a second time moments after the police arrive.
849:? Is poor Trelkovsky haunted by ghosts or does he turn insane? Does a (mysteriously) hostile environment drive him to commit suicide, or do the necessities of a cold reality break a tender soul? Could Trelkovsky be identical to Simone Choul from the beginning? Are we even witnessing Simone Choul's very own death hallucination, with Trelkovsky as nothing but a figment of her dying mind?"
836:, Adam Lippe writes of Trelkovsky's surroundings sinisterly shaping him into an echo of the past: "Coming from a Nazi-occupied childhood, Polanski no doubt uses his character's identity crisis to illustrate society's ability to shape and mold the uniqueness of its members, whether they like it or not." Similarly, Dan Jardine of
1756:"Und wieder erzählt er auf von sexueller Repression, wobei Trelkovskys Flucht in die Identität Simone Choules in Polanskis erstaunlicher, gänzlich unmanirierter Darstellung als konsequenter Endpunkt aller drei Filme erscheint. Von einer psychopathologischen Fallstudie kann hier anders als vielleicht noch bei
863:
Because of how little we get to know of
Trelkovsky's life prior to his applying for the apartment and moving in, only to become an echo of former tenant Mademoiselle Choule because of his frail, almost inexistent personality's weak resistance to either her ghost or his bullying neighbors as if he has
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Simone Choule, attempted suicide by throwing herself out of the window and through a pane of glass below at 39 Rue de Calais. Before moving in officially, he meets the concierge, who shows the apartment to him, and also shows him where Simone fell. Nobody has any idea why she was suicidal. Trelkovsky
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He receives a visit from one
Georges Badar, who secretly loved Simone and has believed her to be alive and well. Trelkovsky updates and comforts the man and spends the night out with him. He receives a postcard that Badar had posted before realising Simone had died. Frequenting the nearby café which
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As
Trelkovsky occupies the apartment, he is chastised repeatedly by his neighbors and landlord, Monsieur Zy, for hosting a party with his friends, apparently having a woman over, making too much noise in general, and not joining in on a petition against another neighbor. Trelkovsky attempts to adapt
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have developed into the signs of a basic confusion concerning sexual identity. T.'s acquisition of feminine costume and habits speaks to a repressed and disturbing need. He is not attracted to women, in fact cannot perform sexually when Stella (Isabelle Adjani) takes him home. In this respect he is
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writes: "Polanski seems to be studying how people, in our isolating world, increasingly mould themselves to their environment, sometimes to the point where their individual identity is absorbed into the world around them. The longer he is in the building, the more
Trelkovsky begins to lose sight of
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Trelkovsky becomes severely agitated and enraged when his apartment is robbed, while his neighbors and the concierge continue to berate him for making too much noise, and his landlord warns him not to inform the police of the burglary. Suffering from fever and bad dreams, he wakes up one morning to
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Most of the action occurs within a claustrophobic environment where dark, ominous things occur without reason or explanation to a seemingly shy protagonist, whose perceived failings as a tenant are ruthlessly pursued by what
Trelkovsky himself views as an increasingly cabalistic conspiracy. Minor
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At night he is hit by an elderly couple driving a car. He is not injured too seriously, but receives a sedative injection from the doctor due to his odd behavior – he perceives the elderly couple as his landlord Zy and wife, and accuses them of trying to murder him. The couple returns him to his
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began negotiations with
Polanski. Although Clayton later insisted that he was never specifically asked if he was still interested, and never said "no" to it, Diller wrongly assumed that Clayton had lost interest and transferred the project to Polanski, without asking Clayton. When he found out,
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environment. Trelkovsky is viewed with suspicion by almost every other character simply because he has a foreign name. For example, when he tries to report a robbery to the French police he is treated sceptically and told that as a foreigner he should not make trouble. Both the director and the
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writes: "THE TENANT is short on typical horror movie action: there are no monsters, and there is little in the way of traditional suspense. That's because the film is not operating on the kind of fear that most horror films exploit: fear of death. Instead, THE TENANT's focus is on an equally
672:(1991). The narrative seems to suggest a house as the malevolent source to the sinister deeds of its inhabitants, and is set in a post-apocalyptic future where all animals have died and the people of a remote decaying house resort to eating each of the house's successive new janitors.
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While the main character is clearly paranoid to some extent, the film does not entirely reveal whether everything takes place in his head or if the strange events happening around him exist at least partially, contrary to the previous entries in
Polanski's "Apartment Trilogy".
401:
Simone also patronised, he is recognized as the new tenant of her apartment. The owner pressures him into having Simone's regular order, which is then always given to him without being ordered, against his preferences. They are always out of his preferred choice of cigarette,
782:, Davide Caputo has called the fact that in the end, Trelkovsky defenestrates himself not once, but twice, "a cruel reminder of the film's 'infinite loop'" of Trelkovsky becoming Simone Choule and meeting Trelkovsky shortly before dying in the hospital, a loop not unlike
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declaring it "not merely bad – it's an embarrassment". Gene Siskel likewise called it a "psychological thriller without the thrills" and criticized the characters for lacking motivation. Since then the film has become a cult favorite. The film holds an 84% rating on
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In the final scene, Trelkovsky is bandaged up in the same fashion as Simone Choule, in the same hospital bed. From his perspective, his and Stella's visit to Simone is shown. Trelkovsky then lets out a monstrous scream as Simone did in the earlier scene.
1069:, but this version never made it into production after the relationship between Albee and the studio soured. Paramount bought the rights on Clayton's advice in 1971. Clayton returned to the project in the mid-1970s, and a rough draft script by
1036:. If a man loses an arm, he wonders, does the arm or the remaining body define his selfhood? How much can a man lose, change, or give away and still remain 'himself'? Or, to paraphrase the advertisers, does the cigarette make the man?"
737:: "Trelkovsky exists. He inhabits his own body, but it's as if he had no lease on it, as if at any moment he could be dispossessed for having listened to the radio in his head after 10 P.M. People are always knocking on his walls."
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Clayton called Diller in
September 1974, expressing his dismay that Diller had given another director a film which (Clayton insisted) had been specifically purchased by the studio for him, and for doing so without consultation.
662:(1980). Given its production design, photography, and the bizarre scenario of a group of neighbors that appear to be preying on a new tenant's life and conspiring against him for that purpose, it has also been compared to the
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infringements are treated as serious breaches of his tenancy agreement, and this apparent persecution escalates after he refuses to join his neighbours in a prejudiced campaign to oust a mother with a disabled child.
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also makes an interesting film to read in term of Roman Polanski's own life – he, like the character he plays, is a Pole who went to live in Paris very shortly after the film was made. His other horror films –
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Although typically labelled as the third part of Polanski's so-called "Apartment Trilogy", this came about more by luck than by design. The film adaptation was originally to have been made by British director
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Related to the aforementioned Kafkaesque guilt and the theme of identity loss, another theme that appears throughout the film is that of sexual deviance and Trelkovsky's increasing trespassing of traditional
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again the counterpart of Simone Schoul who, he is told, was never interested at all in men. As he is drawn more completely into the idea of becoming this woman, T. pauses to speculate about what defines
699:. However, the film cannot be viewed as purely driven by a Kafkaesque motif because of the numerous references to Trelkovsky's delirium and heavy drinking. This allows for more than one interpretation.
772:, the audience is slowly brought to accept the supernatural by what at first seems a slow descent into madness, or vice versa: "The audience's predilection to accept a proto-supernatural explanation
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tells of sexual repression, and in Polanski's astounding, unpretentious performance, Trelkovsky's escape into the identity of Simone Choule appears as a consequential closure of all three films
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that remains unexplained in the film. Ancient Egyptian religious belief, it is important to note, was based on the notion that all things are the same all throughout history: not the same as
904:: it's from an apartment window which Szpilman can do nothing but watch atrocities unfold outside. The fascination is there most obviously, though, in Polanski's 'Apartment Trilogy'
1061:, who was attached to the project around seven years before Polanski made it. According to Clayton's biographer Neil Sinyard, Clayton originally tried to make the film ca. 1969 for
989:, there can be no talk whatsoever of a psycho-pathological case study anymore: Here, the individual is entirely wiped out and all that remains is the horror of facing a pure void."
713:"Much effect is derived from the absurdity of the scenario where all Trelkovsky wants to do is not bother anyone, yet everything Trelkovsky does is seen as an imposition."
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becomes so pronounced that at Trelkovsky's break with sanity the viewer is encouraged to take a straightforward hallucination for a supernatural act."
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706:"The scheming plots over matters of extraordinary pettiness and inexplicable conspiracies that go on among the neighbours to gang up on others make
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764:(1980), as another film where the lines between reality, madness, and the supernatural become increasingly blurry (the question usually asked with
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that Polanski was interested in the project and wanted to play the lead role. While Clayton was occupied preparing foreign language versions of
1936:"Cannes: 'Roman Polanski: A Film Memoir' tries to turn its subject into a victim. Plus, Marion Cotillard is sunk by the dismal 'Rust and Bone'"
997:, Roman Polanski explores again the psychic terrain of guilt, dread, paranoia, fears of sexual inadequacy and hysteria he made so familiar in
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is "Ghosts or cabin fever?") as the protagonist finds himself doomed to cyclically repeat another person's nightmarish fall. Just like in
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911:, a blackly comedic meta-horror, is perhaps Polanski's ultimate use of the apartment as a claustrophobic, paranoid zone of terror."
894:: "One of Roman Polanski's recurring motifs has always been the horror of the apartment space. It was as recently as his last film,
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s strong Kafkaesque theme, typified by an atmosphere that is absurdly over-burdened with anxiety, confusion, guilt, bleak humour,
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endgültig keine Rede mehr sein: Das Individuum wird aufgelöst und es bleibt nur der Schrecken angesichts des blanken Nichts."
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protagonist are outsiders who strive ineffectually for acceptance in what they see as a corrupt and mysterious world.
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blurs the line between psychological thriller and horror. It garnered critical comparisons to both its contemporaries
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always been Mademoiselle Choule and always will be, the film has also been referred to as an early precursor to
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Critics have speculated that the film's Kafkaesque atmosphere must be in part a reflection of Polanski's own
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subject matter, but look beneath the surface, and when the window curtains are drawn aside, Polanski's
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s explanation that Jack Torrance "has always been the Overlook's caretaker". Timothy Brayton of
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Trelkovsky, a quiet and unassuming man, rents an apartment in Paris whose previous tenant,
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Canby, Vincent (21 June 1976). "The Screen: Roman Polanski's 'The Tenant' Arrives".
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1219:
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1622:
Polanski and Perception: The Psychology of Seeing and the Cinema of Roman Polanski
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1610:, Kinoeye: New Perspectives on European Film, Vol. 2, Issue 3, 4 February 2002
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where his internal sense of his 'self' ends, and his social identity begins."
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Norman Hale (Movietone News, no. 52, October 1976, p. 38-39), Review: Tenant
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work. The slightly decadent and fetishistic, but innocent, bedtime games of
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he confusion of sexual roles is more pronounced here than anywhere else in
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533:
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368:. It is the final installment in Polanski's "Apartment Trilogy", following
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Fictions Of The City: Class, Culture and Mass Housing in London and Paris
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Richard Scheib (Moira: Science Fiction, Horror and Fantasy Film Review),
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2013:
1996:
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Sympathetic spectators: Roman Polanski's Le Locataire (The Tenant, 1976)
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1879:"The Tenant movie review & film summary (1976) | Roger Ebert"
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A recurring theme with Polanski's films, but especially pronounced in
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1967:
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disturbing fear: loss of identity." In his review of the film for
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as Polanski's, that idea might well have been an attractive one."
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1736:
Leeds International Film Festival 2013 Review – The Tenant (1976)
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1105:
1411:"Roman Polanski's Apartment Trilogy Still As Artful As Ever"
44:
638:
Like the other two films in Polanski's Apartment Trilogy,
717:
1510:, Moira: Science Fiction, Horror and Fantasy Film Review
1298:, The Regrettable Moment of Sincerity, 21 January 2009
1442:"Rush Hour 3: Ratner Casts Polanski as Sadistic Cop"
635:
shines brightest as the work closest to his being."
627:
is Polanski's most personal work, given the obvious
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Doomed cycle, loss of self, and social assimilation
1120:and had a total of 534,637 admissions in France.
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760:has been referred to as a precursor to Kubrick's
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2597:The Girl: A Life in the Shadow of Roman Polanski
1795:, Movietone News, no. 52, October 1976, p. 38-39
1140:with 37 reviews and an average score of 7.8/10.
1083:to Paramount in March 1974, he had learned from
1310:Disturbing Movies: or the Flip Side of the Real
1091:for the European market, Paramount studio head
881:
1180:
2077:
900:, and in a crucial sequence of his masterful
621:, Adam Lippe writes: "Many would attest that
607:
1841:
1537:, Raging Bull Movie Reviews, 8 December 2003
979:reviewer Andreas Staben writes: "And again,
710:probably the first Kafkaesque horror film."
1808:(Manchester University Press, 2000), p. 212
1345:, ACIDEMIC: Journal of Film and Media, 2010
1320:, Bright Lights Film Journal, 30 April 2004
985:. Other than was maybe the case still with
2084:
2070:
2054:
2038:
2022:
2006:
819:Timothy Brayton (Antagony & Ecstasy),
43:
1131:was poorly received on its release, with
2727:Films with screenplays by Roman Polanski
1906:"Paranoid 'Tenant:' A case for eviction"
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1439:
1073:was written while Clayton was preparing
802:"There is a recurrent motif of Egyptian
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1328:
1326:
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1279:
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790:likens this eternally looping cycle of
593:Bernanrd-Pierre Donnadieu as Bar waiter
2782:English-language horror thriller films
2722:Films with screenplays by GĂ©rard Brach
2619:
1579:from the original on 24 September 2015
558:Louba Guertchicoff as Wife at accident
518:as Bettina, Madame Gaderian's daughter
2065:
1974:from the original on 17 February 2016
1948:from the original on 10 November 2019
1829:from the original on 16 December 2014
1546:
1486:
1244:
1123:
405:, so he develops a habit of ordering
2460:The World's Most Beautiful Swindlers
1903:
1859:from the original on 12 January 2012
1746:, Flickering Myth, 18. November 2013
1662:, Antagony & Ecstasy, 6 May 2007
1399:, Palgrave Macmillan, 2008, p. 37-48
1335:Wig of a Poet: Un Polanski Rorschach
1323:
1274:
1262:from the original on 16 October 2013
1226:from the original on 12 January 2012
1200:from the original on 9 February 2019
1079:. By the time Clayton had delivered
2762:LGBTQ-related horror thriller films
2747:French psychological thriller films
1916:from the original on 2 October 2021
1684:, Cinefantastique, 11 December 2009
1566:
1421:from the original on 9 October 2008
1409:Meyncke, Amanda Mae (2 July 2008).
1220:"Le Locataire (1976)- JPBox-Office"
1168:from the original on 26 August 2021
854:Wollo (Die besten Horrorfilme.de),
834:The Regrettable Moment of Sincerity
720:experiences within a predominantly
619:The Regrettable Moment of Sincerity
539:Dominique Poulange as Simone Choule
328:from a screenplay he co-wrote with
19:For the novel by Roland Topor, see
13:
2757:French supernatural thriller films
2662:1970s psychological thriller films
2570:Roman Polanski: Wanted and Desired
2091:
1904:Gene, Siskel (27 September 1976).
1474:from the original on 18 April 2021
1464:"A Polanski Guide To Urban Living"
679:
500:Jean-Pierre Bagot as the policeman
14:
2793:
2742:French psychological horror films
1990:
1885:from the original on 5 April 2020
1104:The film was shot on location in
874:reveals it to be about a case of
576:Francois Viaur as Police Sergeant
2752:French supernatural horror films
2702:Films set in apartment buildings
2692:Films directed by Roman Polanski
2657:1970s psychological horror films
2544:Roman Polanski sexual abuse case
1819:"Festival de Cannes: The Tenant"
1367:, Mountain Xpress, 26 March 2008
230:Cinema International Corporation
2667:1970s supernatural horror films
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1440:Thompson, Anne (25 July 2007).
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740:According to Ulrich Behrens of
2697:Films scored by Philippe Sarde
2672:Cross-dressing in French films
1370:
1348:
1301:
1238:
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1150:
1116:The film was entered into the
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966:Sexual deviance and repression
617:In his review of the film for
470:as the husband at the accident
409:, which Simone used to order.
1:
2677:English-language French films
2588:Roman Polanski: A Film Memoir
1388:", chapter in Taunton's book
1143:
1046:
744:(translated from the German):
2732:French horror thriller films
2712:Films shot at Epinay Studios
2687:Films based on French novels
2642:1970s English-language films
2458:"La rivière de diamants" in
2168:The Fearless Vampire Killers
882:Isolation and claustrophobia
596:Andre Penvern as Cafe waiter
506:as Viviane the Office worker
497:Patrice Alexsandre as Robert
7:
2652:1970s horror thriller films
1724:, Die Besten Horrorfilme.de
612:
340:. The film stars Polanski,
16:1976 film by Roman Polanski
10:
2798:
2737:French LGBTQ-related films
1671:Biodrowski, Steve (2009).
1386:Le Crime de Monsieur Lange
1111:
1099:
608:Themes and interpretations
590:Florence Blot as Madame Zy
555:Vanessa Vaylord as Martine
25:
18:
2535:
2492:
2369:
2128:
2099:
1771:21 September 2015 at the
1720:23 September 2015 at the
1649:Brayton, Timothy (2007).
1632:, Intellect Books, 2012,
1500:THE TENANT (Le Locataire)
1332:Del Valle, David (2010).
1118:1976 Cannes Film Festival
959:THE TENANT (Le Locataire)
870:(1999), a film where the
695:, sexual frustration and
294:
277:
269:
259:
236:
221:
207:
197:
187:
177:
128:
120:
103:
84:
74:
70:
58:
54:
49:Theatrical release poster
42:
37:
2767:Paramount Pictures films
2637:1976 LGBTQ-related films
2501:Barbara Kwiatkowska-Lass
1606:7 September 2015 at the
794:to the film's recurring
684:Many critics have noted
1733:Morris, Brogan (2013).
1619:Caputo, Davide (2012).
1519:Lorefice, Mike (2003).
1363:18 October 2015 at the
1307:Castle, Robert (2004).
780:Polanski and Perception
573:Serge Spira as Philippe
570:as Man staring at Train
424:
383:
2471:To Each His Own Cinema
2409:Two Men and a Wardrobe
1742:2 October 2021 at the
1680:6 January 2017 at the
1597:Smuts, Aarons (2002).
1316:2 October 2021 at the
1044:
963:
861:
825:
788:Antagony & Ecstasy
750:
564:Raoul Guylad as Priest
552:as Witness at accident
334:novel of the same name
314:
2777:Films about landlords
2605:Tate–LaBianca murders
2579:Polanski Unauthorized
2469:"Cinema Erotique" in
2338:Based on a True Story
1791:13 March 2017 at the
1784:Hale, Norman (1976).
1652:Apartment house fools
1628:18 April 2021 at the
1394:10.1057/9780230244917
1294:16 March 2016 at the
991:
913:
843:
821:Apartment house fools
800:
746:
245:26 May 1976
2439:The Fat and the Lean
2348:An Officer and a Spy
2268:Death and the Maiden
1941:Entertainment Weekly
1658:4 March 2016 at the
1533:5 March 2016 at the
1528:, France/USA - 1976)
1506:6 April 2015 at the
1452:on 18 February 2009.
1341:5 March 2016 at the
827:Steve Biodrowski of
332:, based on the 1964
319:psychological horror
216:Marianne Productions
26:For other uses, see
2717:Films shot in Paris
2682:Films about suicide
1823:Festival-cannes.com
1376:Taunton, Matthew. "
1354:Hanke, Ken (2006).
1158:"The Tenant (1976)"
1071:Christopher Hampton
1065:, from a script by
512:as Scope's neighbor
317:) is a 1976 French
2707:Films set in Paris
2647:1970s French films
2517:Emmanuelle Seigner
2138:Knife in the Water
2052:TCM Movie Database
1549:The New York Times
1470:. 19 August 2009.
1255:The New York Times
1124:Critical reception
734:The New York Times
464:as Madame Gaderian
226:Paramount Pictures
21:The Tenant (novel)
2632:1976 horror films
2614:
2613:
1762:Staben, Andreas.
1674:The Tenant (1976)
1567:Behrens, Ulrich.
1497:Scheib, Richard.
1063:Universal Studios
876:split personality
845:"What happens to
494:as the cafe owner
302:
301:
124:Andrew Braunsberg
2789:
2607:
2600:
2591:
2582:
2573:
2564:
2555:
2546:
2528:
2525:Morgane Polanski
2520:
2512:
2504:
2485:
2475:
2464:
2453:
2443:
2433:
2429:When Angels Fall
2423:
2413:
2403:
2393:
2389:Rozbijemy zabawÄ™
2383:
2362:
2352:
2342:
2332:
2322:
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2308:The Ghost Writer
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2010:
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1853:Jpbox-office-com
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1538:
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1483:
1481:
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1460:
1454:
1453:
1448:. Archived from
1437:
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1426:
1406:
1400:
1374:
1368:
1352:
1346:
1330:
1321:
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1269:
1267:
1248:(21 June 1976).
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1216:
1210:
1209:
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1184:
1178:
1177:
1175:
1173:
1154:
1076:The Great Gatsby
1042:
961:
859:
823:
690:
551:
530:as the concierge
486:Romain Bouteille
482:as Georges Badar
252:
250:
192:Françoise Bonnot
47:
35:
34:
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2205:
2195:
2185:
2178:Rosemary's Baby
2175:
2165:
2155:
2145:
2135:
2124:
2117:
2110:
2103:
2095:
2090:
2036:Rotten Tomatoes
1993:
1988:
1987:
1977:
1975:
1966:
1965:
1961:
1951:
1949:
1934:
1933:
1929:
1919:
1917:
1910:Chicago Tribune
1902:
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1799:
1793:Wayback Machine
1783:
1779:
1775:, filmstarts.de
1773:Wayback Machine
1754:
1750:
1744:Wayback Machine
1732:
1728:
1722:Wayback Machine
1707:
1703:
1692:
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1682:Wayback Machine
1670:
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1660:Wayback Machine
1648:
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1630:Wayback Machine
1618:
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1608:Wayback Machine
1596:
1592:
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1580:
1564:
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1545:
1541:
1535:Wayback Machine
1518:
1514:
1508:Wayback Machine
1496:
1487:
1477:
1475:
1468:Cinemaretro.com
1462:
1461:
1457:
1438:
1434:
1424:
1422:
1407:
1403:
1375:
1371:
1365:Wayback Machine
1353:
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1343:Wayback Machine
1331:
1324:
1318:Wayback Machine
1306:
1302:
1296:Wayback Machine
1284:
1275:
1265:
1263:
1243:
1239:
1229:
1227:
1218:
1217:
1213:
1203:
1201:
1193:Box Office Mojo
1186:
1185:
1181:
1171:
1169:
1156:
1155:
1151:
1146:
1138:Rotten Tomatoes
1126:
1114:
1102:
1054:
1049:
1043:
1040:
1003:Rosemary's Baby
968:
962:
956:
938:Rosemary's Baby
926:Rosemary's Baby
892:Flickering Myth
884:
860:
858:(German review)
853:
829:Cinefantastique
824:
818:
755:
688:
682:
680:Kafka influence
654:Stanley Kubrick
615:
610:
605:
602:as Office Clerk
545:
528:Shelley Winters
504:Josiane Balasko
456:Bernard Fresson
438:Isabelle Adjani
427:
386:
377:Rosemary's Baby
366:Shelley Winters
354:Bernard Fresson
342:Isabelle Adjani
290:
262:
255:
248:
246:
239:
217:
212:
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173:
169:Shelley Winters
154:Bernard Fresson
139:Isabelle Adjani
112:
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31:
24:
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5:
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2530:
2529:
2521:
2513:
2511:(second wife)
2505:
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2434:
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2394:
2384:
2379:A Toothy Smile
2373:
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2367:
2366:
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2303:
2293:
2283:
2278:The Ninth Gate
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2183:
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2100:
2097:
2096:
2093:Roman Polanski
2089:
2088:
2081:
2074:
2066:
2060:
2059:
2043:
2027:
2011:
1992:
1991:External links
1989:
1986:
1985:
1959:
1927:
1896:
1870:
1840:
1810:
1804:Neil Sinyard,
1797:
1786:Review: Tenant
1777:
1748:
1726:
1701:
1699:, Apollo Guide
1693:Jardine, Dan.
1686:
1664:
1642:
1612:
1590:
1558:
1555:(43, 248): 37.
1539:
1512:
1485:
1455:
1432:
1401:
1369:
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1322:
1300:
1273:
1246:Canby, Vincent
1237:
1211:
1179:
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1122:
1113:
1110:
1101:
1098:
1053:
1050:
1048:
1045:
1038:
967:
964:
954:
944:to Polanski's
883:
880:
851:
816:
754:
751:
681:
678:
645:Don't Look Now
614:
611:
609:
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604:
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594:
591:
588:
583:
577:
574:
571:
568:Philippe Sarde
565:
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556:
553:
540:
537:
536:as a neighbour
531:
525:
524:as Jean-Claude
519:
513:
507:
501:
498:
495:
489:
483:
477:
471:
468:Claude Dauphin
465:
459:
453:
452:as Madame Dioz
447:
446:as Monsieur Zy
444:Melvyn Douglas
441:
435:
432:Roman Polanski
428:
426:
423:
385:
382:
362:Claude Dauphin
346:Melvyn Douglas
326:Roman Polanski
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222:Distributed by
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202:Philippe Sarde
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185:
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178:Cinematography
175:
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164:Claude Dauphin
161:
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144:Melvyn Douglas
141:
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135:Roman Polanski
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2134:
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2129:Feature films
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804:hieroglyphics
799:
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729:Vincent Canby
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566:
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522:Jacques Rosny
520:
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508:
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499:
496:
493:
492:Jacques Monod
490:
487:
484:
481:
478:
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1976:. Retrieved
1968:"The Tenant"
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1852:
1849:"The Tenant"
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1573:Filmzentrale
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1569:"Der Mieter"
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1522:Le Locataire
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1264:. Retrieved
1253:
1250:"The Tenant"
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1202:. Retrieved
1191:
1188:"The Tenant"
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1093:Barry Diller
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561:Alain Frerot
534:Albert Delpy
510:Michel Blanc
462:Lila Kedrova
450:Jo Van Fleet
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390:Egyptologist
387:
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369:
358:Lila Kedrova
350:Jo Van Fleet
338:Roland Topor
330:GĂ©rard Brach
324:directed by
315:Le locataire
305:
304:
303:
261:Running time
238:Release date
182:Sven Nykvist
159:Lila Kedrova
149:Jo Van Fleet
115:Roland Topor
107:
92:GĂ©rard Brach
65:Le locataire
64:
32:
2509:Sharon Tate
2370:Short films
2288:The Pianist
2258:Bitter Moon
2119:Filmography
1952:15 November
1889:15 November
1696:Tenant, The
1446:Variety.com
1425:29 November
1266:13 February
1204:15 November
1133:Roger Ebert
1052:Development
946:The Pianist
902:The Pianist
872:final twist
770:The Shining
766:The Shining
762:The Shining
659:The Shining
624:The Pianist
580:Maite Nahyr
546: [
543:Alain David
516:Eva Ionesco
374:(1965) and
265:126 minutes
121:Produced by
75:Directed by
2627:1976 films
2621:Categories
2527:(daughter)
2399:Morderstwo
2358:The Palace
2218:The Tenant
2158:Cul-de-Sac
2047:The Tenant
2031:The Tenant
2015:The Tenant
1998:The Tenant
1978:13 January
1765:Der Mieter
1714:Der Mieter
1638:1841505528
1526:The Tenant
1382:The Tenant
1288:The Tenant
1144:References
1129:The Tenant
1108:, France.
1047:Production
1028:Cul-de-sac
995:The Tenant
942:The Tenant
930:The Tenant
917:The Tenant
909:The Tenant
888:The Tenant
867:Fight Club
856:Der Mieter
847:The Tenant
792:The Tenant
758:The Tenant
742:Der Mieter
708:The Tenant
693:alienation
686:The Tenant
648:(1973) by
640:The Tenant
633:The Tenant
582:as Lucille
306:The Tenant
295:Box office
249:1976-05-26
209:Production
109:The Tenant
38:The Tenant
2481:A Therapy
2208:Chinatown
2148:Repulsion
2105:Accolades
1920:2 October
1478:2 October
1172:26 August
1162:Unifrance
1014:Chinatown
999:Repulsion
987:Repulsion
934:Repulsion
922:Repulsion
812:traumatic
731:wrote in
629:Holocaust
440:as Stella
407:Marlboros
403:Gauloises
371:Repulsion
278:Languages
228:(through
188:Edited by
2020:AllMovie
1972:Archived
1946:Archived
1914:Archived
1883:Archived
1857:Archived
1827:Archived
1789:Archived
1769:Archived
1740:Archived
1718:Archived
1678:Archived
1656:Archived
1640:, p. 159
1626:Archived
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1472:Archived
1419:Archived
1415:Film.com
1361:Archived
1339:Archived
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1292:Archived
1260:Archived
1224:Archived
1198:Archived
1166:Archived
1039:—
955:—
948:, where
852:—
817:—
808:Hinduism
798:motifs:
796:Egyptian
697:paranoia
613:Overview
488:as Simon
458:as Scope
380:(1968).
198:Music by
129:Starring
104:Based on
2561:Roman P
2536:Related
2318:Carnage
2248:Frantic
2238:Pirates
2188:Macbeth
2050:at the
1711:Wollo.
1583:18 June
1112:Release
1100:Filming
1008:Macbeth
928:– like
897:Carnage
284:English
270:Country
247: (
211:company
2493:Family
2484:(2012)
2474:(2007)
2463:(1964)
2452:(1962)
2442:(1961)
2432:(1959)
2422:(1959)
2412:(1958)
2402:(1957)
2392:(1957)
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2361:(2023)
2351:(2019)
2341:(2017)
2331:(2013)
2321:(2011)
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2301:(2005)
2291:(2002)
2281:(1999)
2271:(1994)
2261:(1992)
2251:(1988)
2241:(1986)
2231:(1979)
2221:(1976)
2211:(1974)
2201:(1972)
2191:(1971)
2181:(1968)
2171:(1967)
2161:(1966)
2151:(1965)
2141:(1962)
2005:
1863:6 July
1636:
1230:6 July
1089:Gatsby
1081:Gatsby
1011:, and
977:German
907:. And
718:Jewish
311:French
287:French
273:France
60:French
28:Tenant
2449:Ssaki
2419:Lampa
2198:What?
1833:8 May
1106:Paris
689:'
666:film
550:]
480:Rufus
2228:Tess
2003:IMDb
1980:2016
1954:2019
1922:2021
1891:2019
1865:2011
1835:2009
1758:Ekel
1634:ISBN
1585:2019
1480:2021
1427:2008
1384:and
1268:2017
1232:2011
1206:2019
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993:"In
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384:Plot
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