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that it was poisonous, asks that he himself be executed. Lyubasha then confesses that she had substituted her potion from
Bomelius for Gryaznoi's. In a rage, Gryaznoi murders Lyubasha, and is then taken to prison eventually to be executed. In her madness, Marfa mistakes Gryaznoi for Lykov, inviting him to return the next day to visit her, then dies.
750:, daughter of the merchant Sobakin, even though Gryaznoi already has a mistress, Lyubasha, whom he has neglected of late. Marfa is already betrothed to the boyar Lykov. In a jealous rage against Lykov, Gryaznoi arranges to cast a spell on Marfa with a magic potion from Bomelius, the Tsar's physician. Lyubasha has overheard Gryaznoi's request.
40:
782:
At the Tsar's palace, Marfa has become violently ill. Lykov has been executed, at the instigation of
Gryaznoi, on charges of attempting to kill Marfa. When Marfa learns that Lykov is dead, she goes insane. Eventually, Gryaznoi admits that he had slipped a potion into her drink, and after learning
774:. The Tsar settles upon Marfa. At the celebration of the engagement of Marfa to Lykov, everyone is surprised when the news arrives of the Tsar's choice of Marfa as his bride. Gryaznoi had slipped what he thought was the love potion from Bomelius into Marfa's drink at the feast.
886:
1991: Pyotr
Gluboky (Sobakin), Ekaterina Kudriavchenko (Marfa), Vladislav Verestnikov (Gryaznoy), Arkady Mishenskin (Lykov), Nina Terentieva (Lyubasha), Irina Udalova (Domna Saburova); Sveshnikov Academic Russian Choir and Orchestra of the Bolshoi Theatre;
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849:(Sobakin), Elizaveta Chavdar (Marfa), Mikhail Grishko (Gryaznoy), Pyotr Belinnik (Lykov), Larisa Rudenko (Lyubasha), Vera Lyubimova (Domna Saburova); Kiev Opera Chorus and Orchestra; Vladimir Piradov, conductor
204:, too, once toyed with the idea.) However, the opera was not composed until thirty years later, in 1898. The first performance of the opera took place in 1899 at the Moscow theater of the Private Opera of
856:(Sobakin), Elizaveta Shumskaya (Marfa), Alexey Ivanov (Gryaznoy), Andrey Sokolov (Lykov), Veronika Borisenko (Lyubasha), Tatyana Tugarinova (Domna Subarova); Chorus and Orchestra of the Bolshoi Theatre;
758:
Lyubasha in turn obtains from
Bomelius another magic potion with which to cancel any feelings of Gryaznoi for Marfa. Bomelius consents, but at the price of an assignation with Lyubasha for himself.
924:(Sobakin), Lydia Kovaleva (Marfa), Yuri Grigoriev (Gryaznoy), Evgeny Shapin (Lykov), Nina Terentieva (Lyubasha), Larissa Yurchenko (Domna Saburova); Orchestra and Chorus of the Bolshoi Theatre;
997:, a noble family, also became boyars because of the two-week-long marriage of the historical Marta to the tsar. That exact time period was characterized by the ruthless antagonism between
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Two distinguished horsemen, riders, oprichniki, male and female choristers, dancers, boyars and boyarïnyas, maidens, servants, people.
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986:' into 'merchant' by Rimsky-Korsakov himself because of the obvious Romanovs-era censorship precautions reasons. The historical
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Rimsky-Korsakov himself said of the opera that he intended it as a reaction against the ideas of
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Anderson, Robert, "Record
Reviews: The Tsar's Bride" (January 1975) HMV SLS 885 (LP issue):.
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879:(Lyubasha), Eleonora Andreeva (Domna Saburova); Chorus and Orchestra of the Bolshoi Theatre;
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265:, Golova, and Dyachkov. A film version was released in 1966 directed by Vladimir Gorikker.
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with scenic designs by Ivanov and Lambin. Another notable performance was at the
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The Legend of the
Invisible City of Kitezh and the Maiden Fevroniya
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The Legend of the
Invisible City of Kitezh and the Maiden Fevroniya
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1301:. London: William Reeves / The New Temple Press. pp. 246–260.
1103:"Screen: Sound of Rimsky:'Tsar's Bride,' Soviet Film, at Regency"
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Recordings of the opera listed on operadis-opera-discography.org
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1998: Gennady
Bezzubenkov (Sobakin), Marina Shaguch (Marfa),
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1289:Ленинград: Издательство "Музыка," 1968, pp. 356–361.
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One noted US production was in 1986 at
Washington Opera.
249:. St. Petersburg had its premiere two years later at the
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Sadie, Stanley, "Reports: Washington" (January 1987).
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1287:100 опер: история создания, сюжет, музыка.
1144:(in Russian). Science and Life. March 2006
842:, conductor; Dante Productions LYS 055/56:
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1345:International Music Score Library Project
1876:Cultural depictions of Ivan the Terrible
1224:(1993). Harmonia mundi LDC 288 056/57:
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766:In the meantime, the Tsar of the title,
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871:(Marfa), Vladimir Valaitis (Gryaznoy),
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795:Gryaznoy's Recitative and Aria (Act I)
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241:The Moscow premiere was given at the
1792:Rimsky-Korsakov Apartment and Museum
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898:(Gryaznoy), Evgeny Akimov (Lykov),
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180:, the composer's tenth opera. The
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1309:, New York: Penguin Putnam, 2001.
726:Place: Aleksandrovsky settlement,
261:(Kuper) and with scenic design by
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1846:Operas by Nikolai Rimsky-Korsakov
1334:
1881:Fictional emperors and empresses
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1810:
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1637:Russian Easter Festival Overture
1293:Abraham, Gerald (1936). "XII.--
610:her daughter, Marfa's girlfriend
16:Opera by Nikolai Rimsky-Korsakov
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910:, conductor. Philips 462 618-2:
1321:The Oxford Dictionary of Opera
1319:Warrack, John and West, Ewan,
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353:Vasily Stepanovich Sobakin,
245:, the scenic designer being
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1787:Nadezhda Rimskaya-Korsakova
1465:The Noblewoman Vera Sheloga
1307:The New Penguin Opera Guide
717:
287:
157:
10:
1897:
1248:. Nikolai Rimsky-Korsakov"
1067:. Nikolai Rimsky-Korsakov"
1026:. Nikolai Rimsky-Korsakov"
787:Important musical excerpts
344:14 April 2011 (Conductor:
1805:
1779:
1760:
1727:
1704:Symphony No. 1 in E minor
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1692:
1623:Fantasy on Serbian Themes
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1604:
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1138:"That Same Tsar's Britde"
1061:Robinson, Harlow (1991).
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639:the Sobakins' housekeeper
579:Domna Ivanovna Saburova,
378:Vasily Rodionovich Petrov
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1299:Studies in Russian Music
1194:Retrieved 19 August 2013
333:Moscow 1916 (Conductor:
309:Mikhail Ippolitov-Ivanov
283:
257:in Moscow, conducted by
1851:Russian-language operas
1683:The Tale of Tsar Saltan
1544:Flight of the Bumblebee
1481:The Tale of Tsar Saltan
1381:Nikolai Rimsky-Korsakov
1020:Graeme, Roland (1997).
822:A 1930 stage design by
798:Lyubasha's Song (Act I)
754:Act 2: The Love Philtre
496:Ivan Sergeyevich Lïkov
178:Nikolai Rimsky-Korsakov
32:Nikolai Rimsky-Korsakov
1746:Trombone Concerto in B
1710:Antar (Symphony No. 2)
1305:Holden, Amanda (Ed.),
826:
708:Chorus, silent roles:
533:Aleksandra Rostovtseva
404:Nadezhda Zabela-Vrubel
272:premiere was given at
190:drama of the same name
46:Nadezhda Zabela-Vrubel
1866:Operas based on plays
1497:Kashchey the Immortal
1242:Pines, Roger (2001).
821:
804:Marfa's Aria (Act IV)
505:Anton Sekar-Rozhansky
276:in 2011, directed by
243:Private Opera Society
125:Private Opera Society
1871:Operas set in Russia
1390:List of compositions
1323:New York: OUP: 1992
922:Alexander Vedernikov
854:Alexander Vedernikov
801:Lykov's Aria (Act I)
554:the Tsar's physician
515:Mikhail Kurzhiyamsky
487:Alexander Vinogradov
477:Aleksandr Antonovsky
44:The death of Marfa,
1761:Cultural depictions
1735:Piano Concerto in C
1659:The Golden Cockerel
1521:The Golden Cockerel
1264:10.1093/oq/17.1.154
1252:The Opera Quarterly
1071:The Opera Quarterly
1042:10.1093/oq/13.4.204
1030:The Opera Quarterly
896:Dmitri Hvorostovsky
869:Galina Vishnevskaya
762:Act 3: The Best Man
647:Varvara Kharitonova
628:Konkordiya Antarova
603:Elizabeth Woollett
566:Daverin-Kravchenko
414:Antonina Nezhdanova
237:Performance history
1617:Capriccio Espagnol
1457:Mozart and Salieri
1211:(1583): pp. 50-51.
1164:"The Tsar's Bride"
1127:(1727): pp. 40-41.
1107:The New York Times
1083:10.1093/oq/8.4.112
865:Yevgeny Nesterenko
827:
723:Time: Autumn, 1572
660:The Tsar's stoker
632:Jurgita Adamonyte
546:Ekaterina Gubanova
510:Fyodor Oreshkevich
425:Grigory Gryaznoy,
419:Marina Poplavskaya
263:Konstantin Korovin
188:, is based on the
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1226:The Musical Times
1205:The Musical Times
1121:The Musical Times
904:Mariinsky Theatre
889:Andrey Chistiakov
873:Vladimir Atlantov
858:Yevgeny Svetlanov
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655:Anne-Marie Owens
618:Varvara Strakhova
552:Yelisey Bomeliy,
440:Nikolay Shevelyov
383:Paata Burchuladze
335:Feliks Blumenfeld
251:Mariinsky Theatre
202:Alexander Borodin
158:Tsarskaya nevesta
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778:Act 4: The Bride
738:Act 1: The Feast
598:Sofiya Gladkaya
581:a merchant woman
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482:Platon Tsesevich
462:Malyuta Skuratov
450:Leonid Savransky
326:Eduard Nápravník
322:30 October) 1901
305:22 October) 1899
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314:Premiere cast
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1267:. Retrieved
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1172:. Retrieved
1170:(in Russian)
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1086:. Retrieved
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1045:. Retrieved
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928:, conductor.
926:Yuri Simonov
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883:, conductor.
847:Boris Gmyria
824:Ivan Bilibin
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692:A young lad
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570:Fyodor Ernst
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466:an oprichnik
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394:his daughter
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307:(Conductor:
301:3 November (
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54:Native title
1861:1899 operas
1771:(1953 film)
1681:Suite from
1673:Suite from
1665:Suite from
1657:Suite from
1588:(1965 film)
1580:(1953 film)
1572:(1952 film)
1168:belcanto.ru
1001:and boyars.
991: [
966: [
955: [
891:, conductor
867:(Sobakin),
860:, conductor
834:(Sobakin),
595:'s mother)
356:Novgorodian
294:Voice type
278:Paul Curran
259:Emil Cooper
1840:Categories
1693:Symphonies
1269:2007-09-30
1088:2007-09-30
1047:2007-09-30
999:oprichnina
933:References
809:Recordings
772:bride-show
637:Petrovna,
608:Dunyasha,
346:Mark Elder
74:Librettist
1728:Concertos
1417:May Night
1174:6 January
1148:5 January
952:Skuratovs
950:Both the
875:(Lykov),
744:Oprichnik
676:A maiden
524:Lyubasha
429:oprichnik
229:opera in
227:repertory
152:romanized
1815:Category
1749:♭
1738:♯
1489:Servilia
988:Sobakins
963:Saburovs
961:and the
792:Overture
718:Synopsis
585:soprano
542:Pavlova
473:Tarasov
435:baritone
358:merchant
182:libretto
172:) is an
127:, Moscow
109:Premiere
92:Based on
84:Language
1281:Sources
768:Ivan IV
399:soprano
194:Lev Mey
115: (
103:Lev Mey
87:Russian
59:Russian
1856:Operas
1524:(1908)
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1452:(1896)
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1436:(1890)
1428:(1881)
1420:(1879)
1412:(1872)
1397:Operas
1327:
1313:
1142:nkj.ru
920:1983:
863:1975:
852:1958:
845:1954:
830:1943:
732:Russia
728:Moscow
695:tenor
558:tenor
342:London
299:Moscow
231:Russia
166:listen
1825:Audio
1752:major
1741:minor
1644:Sadko
1630:Mlada
1578:Sadko
1449:Sadko
1433:Mlada
995:]
984:boyar
970:]
959:]
938:Notes
915:Video
814:Audio
748:Marfa
663:bass
500:tenor
494:Boyar
470:bass
390:Marfa
291:Role
284:Roles
225:is a
184:, by
174:opera
28:Opera
1325:ISBN
1311:ISBN
1176:2021
1150:2021
742:The
363:bass
320:O.S.
303:O.S.
200:. (
117:1899
113:1899
1297:".
1260:doi
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192:by
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