Knowledge

Theme (narrative)

Source 📝

222:, an example being the story of "The City of Brass". According to David Pinault, the overarching theme of that tale, in which a group of travelers roam the desert in search of ancient brass artifacts, is that "riches and pomp tempt one away from God". The narrative is interrupted several times by stories within the story. These include a tale recorded in an inscription found in the palace of Kush ibh Shaddad; a story told by a prisoner about Solomon; and an episode involving Queen Tadmur's corpse. According to Pinault, "each of these minor narratives introduces a character who confesses that he once proudly enjoyed worldly prosperity: subsequently, we learn, the given character has been brought low by God ... These minor tales ultimately reinforce the theme of the major narrative". 192:
In New Testament studies, a leitwortstil is called a verbal thread. David Rhoads, Joanna Dewey, and Donald Michie identify several verbal threads in their seminal narrative-critical study of the Gospel of Mark. For example, Mark ties together two disparate narratives with a verbal thread that forces
148:
which means "leading word style" in German, is the repetition of a wording, often with a theme, in a narrative to make sure it catches the reader's attention. An example of a leitwortstil is the recurring phrase, "So it goes", in
61:
The most common contemporary understanding of theme is an idea or point that is central to a story, which can often be summed in a single word (for example, love, death, betrayal). Typical examples of themes of this type are
91:, and are usually implied rather than stated explicitly. An example of this would be whether one should live a seemingly better life, at the price of giving up parts of one's humanity, which is a theme in 70:; and the dangers of unchecked ambition. A theme may be exemplified by the actions, utterances, or thoughts of a character in a novel. An example of this would be the thematic idea of loneliness in 163:: that things only could have happened in one way, and that the future already is predetermined. But given the anti-war tone of the story, the message perhaps is on the contrary, that 230:
Some common themes in literature are "love," "war," "revenge," "betrayal," "patriotism," "grace," "isolation," "motherhood," "forgiveness," "wartime loss," "
1532: 616: 1861: 1544: 823: 727: 273: 87:
A story may have several themes. Themes often explore historically common or cross-culturally recognizable ideas, such as
873: 528: 306: 1947: 1527: 797: 775: 751: 503: 445: 17: 173:
demonstrates how the technique can result to the unification of the constituent members of story cycles. In the
665: 588: 565: 496:
The Making of the Modern Jewish Bible: How Scholars in Germany, Israel, and America Transformed an Ancient Text
472: 374: 339: 1856: 1268: 814: 397: 193:
the reader to search for connections between the narratives. The word for ripping or tearing (Greek: σχίζω,
2125: 1410: 169: 2168: 625: 1974: 1238: 197:) is found at the baptism of Jesus in Mark 1:10 and at the rending of the temple veil in Mark 15:38. 2173: 2147: 1342: 1969: 1937: 1797: 1554: 1432: 866: 719: 2043: 1942: 1932: 1668: 1482: 767: 1952: 1777: 1772: 1752: 1653: 1106: 578: 462: 362: 296: 329: 2028: 1851: 1477: 1190: 1074: 1002: 234:," "rich versus poor," "appearance versus reality," and "help from other-worldly powers." 8: 2115: 1957: 1907: 1875: 1814: 1767: 1539: 1522: 1517: 1510: 1470: 1422: 1330: 1233: 1215: 1086: 155: 55: 208:
means the insertion of a recurring motif in a narrative. For example, various scenes in
2093: 2088: 2078: 2018: 1964: 1732: 1722: 1496: 1465: 1452: 1263: 1248: 1205: 1165: 1091: 1042: 859: 786: 637: 134: 66:
between the individual and society; coming of age; humans in conflict with technology;
812:
Kerr, John (2022-07-06). "The 3 Essential Elements of Plot Every Writer Should Know".
577:
Scalia, Joseph E.; Shamblin, Lena T. & Research and Education Association (2001),
2098: 1984: 1902: 1868: 1792: 1762: 1727: 1697: 1442: 1400: 1395: 1325: 1320: 1258: 1223: 933: 793: 771: 761: 747: 723: 661: 641: 584: 561: 524: 499: 468: 441: 370: 335: 302: 253: 110: 2038: 1880: 1782: 1757: 1747: 1742: 1717: 1621: 1437: 1427: 1385: 1175: 1140: 1059: 1027: 943: 918: 890: 629: 243: 118: 106: 102: 31: 1129: 54:
being "what the work says about the subject". Themes are often distinguished from
2083: 2033: 2023: 1890: 1846: 1829: 1737: 1080: 1007: 992: 938: 737: 231: 214: 114: 97: 76: 63: 438:
A New Kind of Big: How Churches of Any Size Can Partner to Transform Communities
2178: 2071: 2050: 1836: 1824: 1692: 1663: 1415: 1253: 1170: 1155: 913: 209: 88: 71: 633: 2162: 2132: 1997: 1885: 1841: 1787: 1707: 1677: 1616: 1574: 1357: 1335: 1282: 1122: 1101: 1096: 948: 928: 908: 160: 150: 92: 2137: 2002: 1375: 1111: 1052: 997: 970: 177:, various forms of the verb "to see" also recur and underscore the idea of 80:, wherein many of the characters seem to be lonely. It may differ from the 2142: 2108: 2103: 1712: 1702: 1648: 1626: 1460: 1347: 1160: 1145: 1116: 1069: 1012: 987: 975: 81: 1992: 1897: 1589: 1505: 1500: 1180: 1150: 898: 39: 1919: 1682: 1604: 1405: 1305: 1228: 1185: 1135: 1047: 982: 923: 903: 882: 583:, Piscataway, N.J: Research & Education Association, p. 13, 67: 43: 1064: 498:. Lanham, MD: Rowman & Littlefield Publishers, Inc. p. 85. 2120: 1927: 1611: 1579: 1491: 1486: 1365: 1310: 1243: 1200: 965: 954: 788:
Fiction First Aid: Instant Remedies for Novels, Stories and Scripts
743: 2055: 1819: 1687: 1643: 1638: 1568: 1390: 1380: 1195: 1017: 838: 467:, Studies in Arabic Literature, vol. 15, Brill, p. 18, 178: 122: 2059: 1809: 1594: 1370: 1277: 1036: 186: 2066: 1633: 1584: 1562: 1315: 1300: 248: 174: 851: 1804: 1599: 960: 545:
Mark as Story: An Introduction to the Narrative of a Gospel
398:"The 3 Essential Elements of Plot Every Writer Should Know" 369:, vol. 28, Cambridge University Press, p. 30, 218:
are about loneliness. Thematic patterning is evident in
363:"Literature Without Philosophy: "Antony and Cleopatra"" 547:, 3rd ed. (Minneapolis, MN: Fortress Press, 2012), 48. 181:
as a seer. There is also the repeated use of the root
46:. Themes can be divided into two categories: a work's 736:
Brown, Mary Ellen; Rosenberg, Bruce A., eds. (1998),
27:
Central topic, subject, or message within a narrative
821:
Kittelstad, Kit. "Examples of Theme in Literature".
785: 50:is what readers "think the work is about" and its 523:. Grand Rapids: Zondervan Academic. p. 171. 2160: 464:Story Telling Techniques in the "Arabian Nights" 328:Kirszner, Laura G.; Mandell, Stephen R. (1994), 716:The Concise Oxford Dictionary of Literary Terms 543:David Rhoads, Joanna Dewey, and Donald Michie, 327: 759: 735: 698: 687: 658:Story-telling techniques in the Arabian nights 612:Story-Telling Techniques in the Arabian Nights 576: 558:Story-telling techniques in the Arabian nights 867: 652: 650: 763:A Multicultural Dictionary of Literary Terms 617:International Journal of Middle East Studies 519:Ryken, Leland; III, Tremper Longman (2010). 435: 301:(8 ed.), Cengage Learning, p. 40, 760:Carey, Gary; Snodgrass, Mary Ellen (1999), 610:Heath, Peter (May 1994), "Reviewed work(s) 189:, to indicate "weightiness, honor, glory". 159:. Its seeming message is that the world is 84:—the text's or author's implied worldview. 874: 860: 647: 792:, Cincinnati, OH: Writer's Digest Books, 440:. Grand Rapids: Baker Books. p. 82. 783: 521:The Complete Literary Guide to the Bible 518: 493: 420: 294: 137:may be used to express literary themes. 739:Encyclopedia of Folklore and Literature 713: 676: 460: 14: 2161: 1545:Types of fiction with multiple endings 200: 855: 609: 603: 360: 436:Sweney, Chip; Murray, Kitti (2011). 431: 429: 395: 331:Fiction: Reading, Reacting, Writing 24: 806: 25: 2190: 1948:Third-person omniscient narrative 831: 426: 117:, theme is considered one of the 580:John Steinbeck's Of mice and men 165:things could have been different 692: 681: 670: 570: 550: 537: 512: 298:Writing Essays about Literature 140: 42:, subject, or message within a 1336:Conflict between good and evil 487: 454: 414: 389: 354: 321: 288: 266: 13: 1: 881: 839:"The Literary Theme Ontology" 707: 128: 699:Brown & Rosenberg (1998) 688:Carey & Snodgrass (1999) 167:. Its use in Scheherazade's 7: 423:, pp. 1, 65, 115, 171) 237: 225: 220:One Thousand and One Nights 10: 2195: 784:Obstfeld, Raymond (2002), 626:Cambridge University Press 494:Levenson, Alan T. (2011). 334:, Paulinas, pp. 3–4, 2011: 1983: 1975:Stream of unconsciousness 1918: 1662: 1553: 1506:Falling action/Catastasis 1451: 1356: 1291: 1214: 1026: 889: 634:10.1017/s0020743800060633 396:Kerr, John (2022-07-06). 295:Griffith, Kelley (2010), 275:Oxford English Dictionary 1343:Self-fulfilling prophecy 660:. Leiden: Brill. p. 23. 560:. Leiden: Brill. p. 22. 259: 1970:Stream of consciousness 1433:Suspension of disbelief 827:. Retrieved 2022-07-06. 818:. Retrieved 2022-07-06. 768:McFarland & Company 720:Oxford University Press 714:Baldick, Chris (2004), 461:Pinault, David (1992), 1511:Denouement/Catastrophe 1492:Rising action/Epitasis 656:Pinault, David. 1992. 556:Pinault, David. 1992. 361:Weitz, Morris (2002), 1857:Utopian and dystopian 1411:Narrative techniques 1191:Story within a story 1003:Supporting character 2116:Political narrative 1958:Unreliable narrator 1815:Speculative fiction 1523:Nonlinear narrative 1471:Three-act structure 1331:Deal with the Devil 815:Writer's Hive Media 614:by David Pinault", 402:Writer's Hive Media 206:Thematic patterning 201:Thematic patterning 156:Slaughterhouse-Five 2094:Narrative paradigm 2089:Narrative identity 2019:Dominant narrative 1965:Multiple narrators 1249:Fictional location 1092:Dramatic structure 824:Yourdictionary.com 367:Shakespeare Survey 52:thematic statement 2169:Literary concepts 2156: 2155: 2099:Narrative therapy 1533:television series 1478:Freytag's Pyramid 1321:Moral development 1224:Alternate history 934:False protagonist 742:, Santa Barbara: 729:978-0-19-860883-7 254:Motif (narrative) 89:ethical questions 16:(Redirected from 2186: 2079:Literary science 1622:Narrative poetry 1518:Linear narrative 1428:Stylistic device 1423:Show, don't tell 1386:Figure of speech 1176:Shaggy dog story 919:Characterization 876: 869: 862: 853: 852: 848: 846: 845: 802: 791: 780: 756: 732: 701: 696: 690: 685: 679: 674: 668: 654: 645: 644: 607: 601: 600: 599: 597: 574: 568: 554: 548: 541: 535: 534: 516: 510: 509: 491: 485: 484: 483: 481: 458: 452: 451: 433: 424: 418: 412: 411: 409: 408: 393: 387: 386: 385: 383: 358: 352: 351: 350: 348: 325: 319: 318: 317: 315: 292: 286: 285: 284: 282: 270: 244:Literary element 48:thematic concept 32:literary studies 30:In contemporary 21: 18:Theme (literary) 2194: 2193: 2189: 2188: 2187: 2185: 2184: 2183: 2174:Narrative units 2159: 2158: 2157: 2152: 2084:Literary theory 2024:Fiction writing 2007: 1979: 1914: 1666: 1658: 1549: 1447: 1352: 1287: 1210: 1081:Deus ex machina 1022: 1008:Title character 993:Stock character 939:Focal character 885: 880: 843: 841: 837: 834: 809: 807:Further reading 800: 778: 754: 730: 710: 705: 704: 697: 693: 686: 682: 675: 671: 655: 648: 608: 604: 595: 593: 591: 575: 571: 555: 551: 542: 538: 531: 517: 513: 506: 492: 488: 479: 477: 475: 459: 455: 448: 434: 427: 419: 415: 406: 404: 394: 390: 381: 379: 377: 359: 355: 346: 344: 342: 326: 322: 313: 311: 309: 293: 289: 280: 278: 272: 271: 267: 262: 240: 228: 215:Of Mice and Men 203: 143: 131: 98:Brave New World 77:Of Mice and Men 28: 23: 22: 15: 12: 11: 5: 2192: 2182: 2181: 2176: 2171: 2154: 2153: 2151: 2150: 2148:Verisimilitude 2145: 2140: 2135: 2130: 2129: 2128: 2118: 2113: 2112: 2111: 2101: 2096: 2091: 2086: 2081: 2076: 2075: 2074: 2064: 2063: 2062: 2053: 2051:Parallel novel 2048: 2047: 2046: 2041: 2036: 2021: 2015: 2013: 2009: 2008: 2006: 2005: 2000: 1995: 1989: 1987: 1981: 1980: 1978: 1977: 1972: 1967: 1962: 1961: 1960: 1955: 1950: 1940: 1935: 1930: 1924: 1922: 1916: 1915: 1913: 1912: 1911: 1910: 1905: 1895: 1894: 1893: 1888: 1883: 1878: 1873: 1872: 1871: 1866: 1865: 1864: 1859: 1854: 1844: 1839: 1834: 1833: 1832: 1822: 1812: 1807: 1802: 1801: 1800: 1795: 1785: 1780: 1775: 1770: 1765: 1760: 1755: 1750: 1745: 1740: 1735: 1730: 1725: 1720: 1715: 1710: 1705: 1700: 1695: 1693:Action fiction 1685: 1680: 1674: 1672: 1660: 1659: 1657: 1656: 1651: 1646: 1641: 1636: 1631: 1630: 1629: 1619: 1614: 1609: 1608: 1607: 1602: 1597: 1592: 1587: 1577: 1572: 1565: 1559: 1557: 1551: 1550: 1548: 1547: 1542: 1537: 1536: 1535: 1530: 1520: 1515: 1514: 1513: 1508: 1503: 1494: 1489: 1475: 1474: 1473: 1468: 1457: 1455: 1449: 1448: 1446: 1445: 1440: 1435: 1430: 1425: 1420: 1419: 1418: 1408: 1403: 1398: 1393: 1388: 1383: 1378: 1373: 1368: 1362: 1360: 1354: 1353: 1351: 1350: 1345: 1340: 1339: 1338: 1333: 1323: 1318: 1313: 1308: 1303: 1297: 1295: 1289: 1288: 1286: 1285: 1280: 1275: 1274: 1273: 1272: 1271: 1261: 1256: 1246: 1241: 1236: 1231: 1226: 1220: 1218: 1212: 1211: 1209: 1208: 1203: 1198: 1193: 1188: 1183: 1178: 1173: 1171:Self-insertion 1168: 1163: 1158: 1156:Poetic justice 1153: 1148: 1143: 1138: 1133: 1126: 1119: 1114: 1109: 1104: 1099: 1094: 1089: 1084: 1077: 1072: 1067: 1062: 1057: 1056: 1055: 1045: 1040: 1032: 1030: 1024: 1023: 1021: 1020: 1015: 1010: 1005: 1000: 995: 990: 985: 980: 979: 978: 973: 968: 958: 951: 946: 941: 936: 931: 926: 921: 916: 914:Character flaw 911: 906: 901: 895: 893: 887: 886: 879: 878: 871: 864: 856: 850: 849: 833: 832:External links 830: 829: 828: 819: 808: 805: 804: 803: 798: 781: 776: 757: 752: 733: 728: 709: 706: 703: 702: 691: 680: 677:Baldick (2004) 669: 646: 602: 589: 569: 549: 536: 530:978-0310230786 529: 511: 504: 486: 473: 453: 446: 425: 421:Obstfeld (2002 413: 388: 375: 353: 340: 320: 308:978-1428290419 307: 287: 264: 263: 261: 258: 257: 256: 251: 246: 239: 236: 227: 224: 210:John Steinbeck 202: 199: 170:Arabian Nights 142: 139: 130: 127: 72:John Steinbeck 26: 9: 6: 4: 3: 2: 2191: 2180: 2177: 2175: 2172: 2170: 2167: 2166: 2164: 2149: 2146: 2144: 2141: 2139: 2136: 2134: 2133:Screenwriting 2131: 2127: 2124: 2123: 2122: 2119: 2117: 2114: 2110: 2107: 2106: 2105: 2102: 2100: 2097: 2095: 2092: 2090: 2087: 2085: 2082: 2080: 2077: 2073: 2070: 2069: 2068: 2065: 2061: 2057: 2054: 2052: 2049: 2045: 2042: 2040: 2037: 2035: 2032: 2031: 2030: 2027: 2026: 2025: 2022: 2020: 2017: 2016: 2014: 2010: 2004: 2001: 1999: 1996: 1994: 1991: 1990: 1988: 1986: 1982: 1976: 1973: 1971: 1968: 1966: 1963: 1959: 1956: 1954: 1951: 1949: 1946: 1945: 1944: 1941: 1939: 1938:Second-person 1936: 1934: 1931: 1929: 1926: 1925: 1923: 1921: 1917: 1909: 1906: 1904: 1901: 1900: 1899: 1896: 1892: 1889: 1887: 1884: 1882: 1879: 1877: 1874: 1870: 1867: 1863: 1860: 1858: 1855: 1853: 1850: 1849: 1848: 1845: 1843: 1842:Magic realism 1840: 1838: 1835: 1831: 1828: 1827: 1826: 1823: 1821: 1818: 1817: 1816: 1813: 1811: 1808: 1806: 1803: 1799: 1796: 1794: 1791: 1790: 1789: 1786: 1784: 1781: 1779: 1776: 1774: 1773:Psychological 1771: 1769: 1766: 1764: 1761: 1759: 1756: 1754: 1753:Philosophical 1751: 1749: 1746: 1744: 1741: 1739: 1736: 1734: 1731: 1729: 1726: 1724: 1721: 1719: 1716: 1714: 1711: 1709: 1706: 1704: 1701: 1699: 1696: 1694: 1691: 1690: 1689: 1686: 1684: 1681: 1679: 1678:Autobiography 1676: 1675: 1673: 1670: 1665: 1661: 1655: 1652: 1650: 1647: 1645: 1642: 1640: 1637: 1635: 1632: 1628: 1625: 1624: 1623: 1620: 1618: 1617:Narrative art 1615: 1613: 1610: 1606: 1603: 1601: 1598: 1596: 1593: 1591: 1588: 1586: 1583: 1582: 1581: 1578: 1576: 1575:Flash fiction 1573: 1571: 1570: 1566: 1564: 1561: 1560: 1558: 1556: 1552: 1546: 1543: 1541: 1538: 1534: 1531: 1529: 1526: 1525: 1524: 1521: 1519: 1516: 1512: 1509: 1507: 1504: 1502: 1498: 1495: 1493: 1490: 1488: 1484: 1481: 1480: 1479: 1476: 1472: 1469: 1467: 1466:Act structure 1464: 1463: 1462: 1459: 1458: 1456: 1454: 1450: 1444: 1441: 1439: 1436: 1434: 1431: 1429: 1426: 1424: 1421: 1417: 1414: 1413: 1412: 1409: 1407: 1404: 1402: 1399: 1397: 1394: 1392: 1389: 1387: 1384: 1382: 1379: 1377: 1374: 1372: 1369: 1367: 1364: 1363: 1361: 1359: 1355: 1349: 1346: 1344: 1341: 1337: 1334: 1332: 1329: 1328: 1327: 1324: 1322: 1319: 1317: 1314: 1312: 1309: 1307: 1304: 1302: 1299: 1298: 1296: 1294: 1290: 1284: 1283:Worldbuilding 1281: 1279: 1276: 1270: 1267: 1266: 1265: 1262: 1260: 1257: 1255: 1252: 1251: 1250: 1247: 1245: 1242: 1240: 1237: 1235: 1232: 1230: 1227: 1225: 1222: 1221: 1219: 1217: 1213: 1207: 1204: 1202: 1199: 1197: 1194: 1192: 1189: 1187: 1184: 1182: 1179: 1177: 1174: 1172: 1169: 1167: 1164: 1162: 1159: 1157: 1154: 1152: 1149: 1147: 1144: 1142: 1139: 1137: 1134: 1132: 1131: 1130:Kishōtenketsu 1127: 1125: 1124: 1123:In medias res 1120: 1118: 1115: 1113: 1110: 1108: 1105: 1103: 1102:Foreshadowing 1100: 1098: 1097:Eucatastrophe 1095: 1093: 1090: 1088: 1085: 1083: 1082: 1078: 1076: 1073: 1071: 1068: 1066: 1063: 1061: 1060:Chekhov's gun 1058: 1054: 1051: 1050: 1049: 1046: 1044: 1041: 1039: 1038: 1034: 1033: 1031: 1029: 1025: 1019: 1016: 1014: 1011: 1009: 1006: 1004: 1001: 999: 996: 994: 991: 989: 986: 984: 981: 977: 974: 972: 969: 967: 964: 963: 962: 959: 957: 956: 952: 950: 949:Gothic double 947: 945: 942: 940: 937: 935: 932: 930: 929:Deuteragonist 927: 925: 922: 920: 917: 915: 912: 910: 909:Character arc 907: 905: 902: 900: 897: 896: 894: 892: 888: 884: 877: 872: 870: 865: 863: 858: 857: 854: 840: 836: 835: 826: 825: 820: 817: 816: 811: 810: 801: 799:1-58297-117-X 795: 790: 789: 782: 779: 777:0-7864-0552-X 773: 769: 766:, Jefferson: 765: 764: 758: 755: 753:1-57607-003-4 749: 745: 741: 740: 734: 731: 725: 721: 717: 712: 711: 700: 695: 689: 684: 678: 673: 667: 663: 659: 653: 651: 643: 639: 635: 631: 627: 623: 619: 618: 613: 606: 592: 586: 582: 581: 573: 567: 563: 559: 553: 546: 540: 532: 526: 522: 515: 507: 505:9781442205161 501: 497: 490: 476: 470: 466: 465: 457: 449: 447:9780801013690 443: 439: 432: 430: 422: 417: 403: 399: 392: 378: 372: 368: 364: 357: 343: 337: 333: 332: 324: 310: 304: 300: 299: 291: 277: 276: 269: 265: 255: 252: 250: 247: 245: 242: 241: 235: 233: 223: 221: 217: 216: 211: 207: 198: 196: 190: 188: 184: 180: 176: 172: 171: 166: 162: 161:deterministic 158: 157: 152: 151:Kurt Vonnegut 147: 146:Leitwortstil, 138: 136: 126: 124: 120: 116: 112: 108: 104: 101:. Along with 100: 99: 94: 93:Aldous Huxley 90: 85: 83: 79: 78: 73: 69: 65: 59: 57: 53: 49: 45: 41: 38:is a central 37: 33: 19: 2138:Storytelling 1953:Subjectivity 1943:Third-person 1933:First-person 1567: 1376:Comic relief 1292: 1128: 1121: 1112:Flashforward 1079: 1053:Origin story 1035: 998:Straight man 953: 842:. Retrieved 822: 813: 787: 762: 738: 715: 694: 683: 672: 657: 628:: 358–360 , 621: 615: 611: 605: 596:February 11, 594:, retrieved 579: 572: 557: 552: 544: 539: 520: 514: 495: 489: 480:February 10, 478:, retrieved 463: 456: 437: 416: 405:. Retrieved 401: 391: 382:February 10, 380:, retrieved 366: 356: 347:February 11, 345:, retrieved 330: 323: 314:February 10, 312:, retrieved 297: 290: 279:, retrieved 274: 268: 229: 219: 213: 205: 204: 194: 191: 182: 168: 164: 154: 145: 144: 141:Leitwortstil 132: 96: 86: 75: 60: 51: 47: 35: 29: 2143:Tellability 2109:Metafiction 2104:Narratology 1876:Theological 1768:Pop culture 1649:Short story 1627:Epic poetry 1348:Time travel 1161:Red herring 1146:Plot device 1117:Frame story 1070:Cliffhanger 1013:Tritagonist 988:Protagonist 281:January 26, 2163:Categories 2029:Continuity 1898:Nonfiction 1862:Underwater 1758:Picaresque 1733:Historical 1718:Epistolary 1590:Fairy tale 1501:Peripeteia 1483:Exposition 1239:Dreamworld 1181:Stereotype 1151:Plot twist 899:Antagonist 844:2023-04-05 718:, Oxford: 708:References 666:9004095306 590:087891997X 566:9004095306 474:9004095306 407:2022-07-06 376:0521523656 341:015501014X 135:techniques 129:Techniques 119:components 1920:Narration 1869:Superhero 1793:Chivalric 1778:Religious 1763:Political 1698:Adventure 1683:Biography 1605:Tall tale 1453:Structure 1438:Symbolism 1406:Narration 1306:Leitmotif 1234:Crossover 1229:Backstory 1186:Story arc 1136:MacGuffin 1107:Flashback 1048:Backstory 924:Confidant 904:Archenemy 891:Character 883:Narrative 642:162223060 232:treachery 153:'s novel 107:character 68:nostalgia 44:narrative 2126:Glossary 2121:Rhetoric 1928:Diegesis 1908:Creative 1881:Thriller 1830:Southern 1748:Paranoid 1743:Nautical 1654:Vignette 1612:Gamebook 1580:Folklore 1487:Protasis 1366:Allegory 1311:Metaphor 1269:parallel 1264:universe 1244:Dystopia 1201:Suspense 1087:Dialogue 1075:Conflict 983:Narrator 955:Hamartia 744:ABC-CLIO 238:See also 226:Examples 187:Samuel I 133:Various 64:conflict 56:premises 2056:Prequel 2012:Related 1998:Present 1891:Western 1847:Science 1820:Fantasy 1788:Romance 1738:Mystery 1723:Ergodic 1688:Fiction 1644:Parable 1639:Novella 1569:Fabliau 1540:Premise 1391:Imagery 1381:Diction 1259:country 1216:Setting 1196:Subplot 1018:Villain 971:Byronic 179:Abraham 123:fiction 111:setting 2060:Sequel 2044:Retcon 2039:Reboot 2003:Future 1837:Horror 1825:Gothic 1810:Satire 1728:Erotic 1595:Legend 1497:Climax 1371:Bathos 1278:Utopia 1166:Reveal 1065:Cliché 1043:Action 1037:Ab ovo 976:Tragic 796:  774:  750:  726:  664:  640:  587:  564:  527:  502:  471:  444:  373:  338:  305:  195:schizō 113:, and 82:thesis 2179:Theme 2067:Genre 2034:Canon 1985:Tense 1903:Novel 1886:Urban 1798:Prose 1783:Rogue 1708:Crime 1703:Comic 1664:Genre 1634:Novel 1585:Fable 1563:Drama 1528:films 1358:Style 1326:Motif 1316:Moral 1301:Irony 1293:Theme 1206:Trope 638:S2CID 624:(2), 260:Notes 249:Moral 175:Bible 115:style 40:topic 36:theme 2072:List 1993:Past 1852:Hard 1805:Saga 1713:Docu 1669:List 1600:Myth 1555:Form 1443:Tone 1416:Hook 1401:Mood 1396:Mode 1254:city 1141:Pace 1028:Plot 966:Anti 961:Hero 944:Foil 794:ISBN 772:ISBN 748:ISBN 724:ISBN 662:ISBN 598:2013 585:ISBN 562:ISBN 525:ISBN 500:ISBN 482:2013 469:ISBN 442:ISBN 384:2013 371:ISBN 349:2013 336:ISBN 316:2013 303:ISBN 283:2012 103:plot 34:, a 1461:Act 630:doi 212:'s 185:in 183:kbd 121:of 95:'s 74:'s 2165:: 2058:/ 770:, 746:, 722:, 649:^ 636:, 622:26 620:, 428:^ 400:. 365:, 125:. 109:, 105:, 58:. 1671:) 1667:( 1499:/ 1485:/ 875:e 868:t 861:v 847:. 632:: 533:. 508:. 450:. 410:. 20:)

Index

Theme (literary)
literary studies
topic
narrative
premises
conflict
nostalgia
John Steinbeck
Of Mice and Men
thesis
ethical questions
Aldous Huxley
Brave New World
plot
character
setting
style
components
fiction
techniques
Kurt Vonnegut
Slaughterhouse-Five
deterministic
Arabian Nights
Bible
Abraham
Samuel I
John Steinbeck
Of Mice and Men
treachery

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.