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1798, on her deathbed extracting a promise from her sister never to marry
Lawrence. Sally kept her promise and refused to see Lawrence again; she died in 1803. Lawrence continued on friendly terms with their mother and painted several portraits of her. He never married. In later years, two women provided him with companionship — friends Elizabeth Croft, and Isabella Wolff, who met Lawrence when she sat for her portrait in 1803. Isabella was married to Danish consul Jens Wolff, but she separated from him in 1810. Sir Michael Levey suggests that people may have wondered if Lawrence was the father of her son Herman.
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932:) found their way to the United States during the early-20th-century enthusiasm there for English portraits. Sir Michael Levey acknowledges that Lawrence is still dismissed by some art historians: "He was a highly original artist, quite unexpected on the English scene: self-taught, self-absorbed in perfecting his own personal style, and in effect self-destructing, since he left behind no significant followers or creative influence. Leaving aside Sargent, his sole successor has been not in painting, but in fashionable, virtuoso photography."
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Croft and
Archibald Keightley. After a post-mortem examination, doctors concluded that the artist's death had been caused by ossification of the aorta and vessels of the heart. Lawrence's first biographer, D. E. Williams suggested that this in itself was not enough to cause death and it was his doctors' over-zealous bleeding and leeching that killed him. Lawrence was buried on 21 January in the crypt of
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he was a prodigiously hard worker (once referring in a letter to his portrait painting as "mill-horse business") and did not appear to live extravagantly. Lawrence himself said: "I have never been extravagant nor profligate in the use of money. Neither gaming, horses, curricles, expensive entertainments, nor secret sources of ruin from vulgar licentiousness have swept it from me".
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At the Royal
Academy exhibition of 1788 he was represented by five portraits in pastels and one in oils, a medium he quickly mastered. Between 1787 and his death in 1830 he missed only two of the annual exhibitions: in 1809, protesting how his paintings had been displayed; and in 1819, because he was
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Although commissions were pouring in, Lawrence was in financial difficulties. His debts stayed with him for the rest of life. He narrowly avoided bankruptcy, had to be bailed out by wealthy sitters and friends, and died insolvent. Biographers have never been able to discover the source of his debts;
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Lawrence's formal schooling was limited to two years at The Fort, a school in
Bristol, when he was six to eight; and a little tuition in French and Latin from a dissenting minister. He also became accomplished in dancing, fencing, boxing and billiards. By age ten his fame had spread sufficiently for
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Lawrence's love affairs were not happy (his tortuous relationships with Sally and Maria
Siddons were the subjects of several books) and, in spite of his success, he spent most of life deep in debt and never married. At his death, he was the most fashionable portrait painter in Europe. His reputation
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Lawrence was famed for the length of time he took to finish some of his paintings (Isabella Wolff waited twelve years for her portrait to be completed) and, at his death, his studio contained a large number of unfinished works. Some were completed by his assistants and other artists, some were sold
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Another source of unhappiness in
Lawrence's life was his romantic entanglement with two of Sarah Siddons' daughters. He fell in love first with Sally, then transferred his affections to her sister Maria, then broke with Maria and turned to Sally again. Both sisters had fragile health; Maria died in
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It was during the family's six-year stay at the Black Bear Inn that
Lawrence senior began to make use of his son's precocious talents for drawing and reciting poetry. Visitors would be greeted with the words "Gentlemen, here's my son—will you have him recite from the poets, or take your portraits?"
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did something to restore it in the 1930s, when he described
Lawrence as having a "consummate mastery over the means of artistic expression" with an "unerring hand and eye". At one time Lawrence was more popular in the United States and France than in Britain; and some of his best known portraits,
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Lawrence's parents died within a few months of each other in 1797. He gave up his house in
Picadilly, where he had moved from Old Bond Street, to set up his studio in the family home in Greek Street. By now, to keep up with the demand for replicas of his portraits, he was using studio assistants,
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Lawrence died suddenly on 7 January 1830, just months after his friend
Isabella Wolff. A few days previously he had experienced chest pains but had continued working and was eagerly anticipating a stay with his sister at Rugby, when he collapsed and died during a visit from his friends Elizabeth
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describing Lawrence as "…a huge figure. But a huge figure who we believe deserves a great deal more attention. He is one of the great painters of the last 250 years and one of the great stars of portraiture on a European stage." In December 2018, a portrait of Lady Selina Meade (1797–1872), who
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The queen found Lawrence presumptuous (although he made a good impression on the princesses and ladies-in-waiting) and she did not like the finished portrait, which remained in Lawrence's studio until his death. When it was exhibited at the Royal Academy in 1790, however, it received critical
744:, had died. That very evening Lawrence was voted the new president, a position he would hold until his death 10 years later. George III had died in January; Lawrence was granted a place in the procession for the coronation of George IV. On 28 February 1822 he was elected as a
406:' studio. He was introduced to Reynolds, who advised him to study nature rather than the Old Masters. Lawrence set up a studio at 41 Jermyn Street and installed his parents in a house in Greek Street. He exhibited several works in the 1787 Royal Academy exhibition at
292:, Bristol. But the venture did not prosper, and in 1773 Lawrence senior removed his family from Bristol and took over the tenancy of the Black Bear Inn in Devizes, a favourite stopping place for the London gentry making their annual trip to take the waters at Bath.
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570:" into Caroline's morals. He swore an affidavit that although he had on occasion been alone with her, the door had never been locked or bolted and he had "not the least objection for all the world to have heard or seen what took place". Expertly defended by
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Self-taught, he was a brilliant draughtsman and known for his gift of capturing a likeness, as well as his virtuoso handling of paint. He became an associate of the Royal Academy in 1791, a full member in 1794, and president in 1820.
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284:. They had 16 children, but only five survived infancy: Lawrence's brother Andrew became a clergyman; William had a career in the army; and sisters Lucy and Anne married a solicitor and a clergyman (Lawrence's nephews included
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as "without the most distant instruction from anyone, capable of copying historical pictures in a masterly style". But once again Lawrence senior failed as a landlord; in 1779, he was declared bankrupt and the family moved to
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to write the artist's biography, but he passed on the task to D.E. Williams, whose two rather inaccurate volumes were published in 1831. It was nearly 70 years later, in 1900, before another biography of Lawrence appeared by
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shows Lawrence at 65 Russell Square, surrounded by casts of classical sculpture. The prince also had plans for Lawrence to travel abroad and paint foreign royalty and leaders, and as a preliminary he was given a
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A description of Mr Tite Barnacle of the Circumlocution Office as someone who "seemed to have been sitting for his portrait to Sir Thomas Lawrence all the days of his life" is one of 25 references to art in
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put these plans on hold, although Lawrence did make a visit to Paris, where his friend Lord Charles Stewart was ambassador, and saw the art that Napoleon had looted from Italy, including Raphael's
335:. His oval portraits, for which he was soon charging three guineas, were about 12 inches by 10 inches (30 by 25 centimetres), and usually portrayed a half-length. His sitters included
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as they were. In his will Lawrence left instructions to offer, at a price much below their worth, his collection of Old Master drawings to first George IV, then the trustees of the
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1979–80 Lawrence exhibition, produced books on the artist in 1979 and 2005. Lawrence's entanglements with the Siddons family has been the subject of three books (by Oswald Knapp,
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and one of Lady Cremorne, his first attempt at a full-length portrait. They received favourable comments in the press, with one critic referring to him as "the
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By the time the Prince of Wales was made regent in 1811, Lawrence was acknowledged as the country's foremost portrait painter. Through one of his sitters,
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of futurity not far off". Aged just 20, Lawrence received his first royal commission, a summons arriving from Windsor Palace to paint the portraits of
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792:. The latter portrait attracted much praise when it was exhibited in Paris in 1827. One of the artist's last commissions was of future prime-minister
607:, he met the Prince Regent who became his most important patron. As well as portraits of himself, the prince commissioned portraits of allied leaders
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870:. In 1913, Sir Walter Armstrong, who was not a great admirer of Lawrence, published a monograph. The 1950s saw the publication of two further works:
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566:. Lawrence stayed at Montague House, the princess's residence in Blackheath, while he was painting the portraits and thus became implicated in the "
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The early years of the 19th century saw Lawrence's portrait practice continue to flourish. Amongst his sitters were major political figures such as
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and Mary Hartley gave him encouragement. Wealthy people allowed him to study their collections of paintings, and Lawrence's drawing of a copy of
288:). Soon after Thomas was born, his father decided to become an innkeeper and took over the White Lion Inn and next-door American Coffee House in
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for the Waterloo series, for which Lawrence made a trip to Paris, taking Herman Wolff with him. Lawrence acquired another important patron in
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469:. His reputation was established, and he moved to a studio in Old Bond Street. In 1794 he became a full member of the Royal Academy.
442:, soon to be the Countess of Derby, "completely Elizabeth Farren: arch, spirited, elegant and engaging", according to one newspaper.
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refers to "...the Lawrence portraits, tawdry and beautiful, and, thirty years ago, deemed as precious as works of real genius...".
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Eventually, in September 1818, Lawrence was able to make his postponed trip to the continent to paint the allied leaders, first at
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359:. Talented, charming and attractive (and surprisingly modest) Lawrence was popular with Bath residents and visitors. Artists
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Sometime before his eighteenth birthday in 1787 Lawrence arrived in London, taking lodgings in Leicester Square, near to
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The family settled at 2 Alfred Street in Bath, and the young Lawrence established himself as a portraitist in
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Lawrence's departures from portraiture were very rare. In the early 1790s he completed two history pictures:
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introduces Lord Caversham with a stage direction that describes him as "ather like a portrait by Lawrence".
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In 1791 Lawrence was elected an associate of the Royal Academy and the following year, on the death of Sir
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but did not stay long, abandoning the drawing of classical statues to concentrate on his portraiture.
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1036:, painted by Lawrence in Vienna in 1819, sold for £2.29 million at auction, a record for the artist.
878:, and Kenneth Garlick's catalogue of Lawrence's paintings (a further edition was published in 1989).
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The royal commissions continued during the 1820s, including one for a portrait of the king's sister
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held a retrospective exhibition of Lawrence's work. The director of the National Portrait Gallery,
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portraits. At 18, he went to London and soon established his reputation as a portrait painter in
180:(13 April 1769 – 7 January 1830) was an English portrait painter and the fourth president of the
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Lawrence arrived back in London 30 March 1820 to find that the president of the Royal Academy,
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acclaim. Also shown that year was another of Lawrence's most famous portraits, that of actress
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house smaller collections of his work in London. There are a few examples of his work in the
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Among those who listened to a recitation from Tom, or Tommy as he was called, was actor
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3239:"'Funeral of Sir Thomas Lawrence: A Sketch from Memory', Joseph Mallord William Turner"
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Lawrence's reputation as an artist fell during the Victorian era. Critic and artist
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posed for the naked body of Satan; the face is that of Sarah Siddons' brother,
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Royal Academy of the Arts Collections artist of the month: Sir Thomas Lawrence
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In 1817 the prince commissioned Lawrence to paint a portrait of his daughter
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328:. From this point on, Lawrence supported his parents with his portrait work.
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I.B. Nadel 1977 "Wonderful Deception": Art and the artist in Little Dorrit.
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3350:"National Portrait Gallery shines light on forgotten artist Thomas Lawrence"
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abroad. In 1789 he exhibited 13 portraits, mostly in oil, including one of
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196:. At age ten, having moved to Bath, he was supporting his family with his
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he also painted. The king commissioned portraits of his daughter-in-law
638:, the painting he had reproduced for his silver-gilt palette as a boy.
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The most extensive collections of Lawrence's work can be found in the
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994:, Lady Harriet Maria Conyngham, and the Calmady children are in the
763:, one of Lawrence's favourite authors), as well as one to paint the
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palette and a prize of 5 guineas by the Society of Arts in London.
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484:' daughter Sally. Painting by Thomas Lawrence, eighteenth century.
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Richard Holmes reviews the National Portrait Gallery exhibition,
3165:"Library and Archive Catalogue: Lawrence, Sir Thomas (1769–1830)"
1014:(presented by the king himself) as almost its only British work.
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Regency portrait painter: the life of Sir Thomas Lawrence, P.R.A
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223:, was sent abroad to paint portraits of allied leaders for the
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Sir Thomas Lawrence: A Complete Catalogue of the Oil Paintings
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192:, where his father was an innkeeper at the Bear Hotel in the
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and then at the conference of Vienna, for what would become
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3331:"National Portrait Gallery – Person – Sir Thomas Lawrence"
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and Henriette his wife, Lady Selina Caroline, wife of the
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on his birthday, as agreed. The princess's obstetrician,
496:, a small picture of the poet in a pastoral setting; and
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3502:"Gainsborough's forgotten rival is recognised at last"
928:(known to her family as Pinkie) and Charles Lambton (
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Lady Selina Meade, 1819. Auctioned at £2.29 million
219:In 1810, he acquired the generous patronage of the
3713:Caroline, Princess of Wales and Princess Charlotte
3120:"The Private Sitting Room of Sir Thomas Lawrence"
1725:Anne Frances Bankes, Countess of Falmouth 1810-15
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2069:Portrait of the Honorable Mrs. Seymour Bathurst
1002:has a few examples of Lawrence's work, and the
621:The private sitting-room of Sir Thomas Lawrence
3468:. New Haven and London: Yale University Press.
3228:p. 468: London; Chapman & Hall, Ltd; 1909.
812:, a portrait of Master Lambton, eldest son of
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3491:Thomas Lawrence: Regency Power and Brilliance
853:raised £3,000 which was given to his nieces.
255:
3514:"Thomas Lawrence: the new romantic – review"
944:– a portrait of Sarah Barrett Moulton, 1794
19:For other people named Thomas Lawrence, see
3721:Princess Caroline of Brunswick-Wolfenbüttel
3493:exhibition at the National Portrait Gallery
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391:(1789). Lawrence's first royal commission:
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2558:Wilhelmina Bowlby (1798–1834), circa 1825
1800:Emily Harriet Wellesley-Pole, Lady Raglan
628:on 22 April 1815. Napoleon's return from
500:, a giant canvas illustrating lines from
247:, but has since been partially restored.
3524:337 artworks by or after Thomas Lawrence
2104:Arthur Wellesley, 1st Duke of Wellington
1928:Frances Vane, Marchioness of Londonderry
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272:Lawrence was born at 6 Redcross Street,
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204:, receiving his first royal commission,
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2009:Portrait of the Countess of Blessington
1243:Amelia Stewart, Viscountess Castlereagh
861:Lawrence's friends asked Scottish poet
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1955:Richard Meade, 3rd Earl of Clanwilliam
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2324:John Bloomfield, 2nd Baron Bloomfield
578:"Pictorial chronicler of the Regency"
1528:Portrait of the Young Lord Melbourne
548:William Lamb, 2nd Viscount Melbourne
467:"painter-in-ordinary to his majesty"
16:English portrait painter (1769–1830)
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3497:Thomas Lawrence exhibition catalogs
3224:"Memorials of St Paul's Cathedral"
978:Bristol City Museum and Art Gallery
544:Henry Dundas, 1st Viscount Melville
410:, and enrolled as a student at the
378:"Always in love and always in debt"
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2263:Portrait of the Duke of Wellington
2243:Portrait of the Duke of Wellington
2210:Portrait of the Marquess Wellesley
698:Field-Marshal Prince Schwarzenberg
588:Portrait of the Duke of Wellington
184:. A child prodigy, he was born in
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4053:19th-century English male artists
4048:18th-century English male artists
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3433:. London: Bloomsbury. p. 7.
3293:, 1934) quoted in Levey 2005: 309
2372:Portrait of the Duke of Richelieu
1496:Portrait of Caroline of Brunswick
1208:Rebecca, Lady Simeon, early 1790s
831:sketch of the funeral from memory
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3429:Wilde, Oscar (10 October 2013).
3040:Dictionary of national biography
2874:The Black Bear is still a hotel.
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2346:
2331:
2316:
2301:
2286:
2271:
2254:
2235:
2218:
2201:
2183:
2171:
2155:
2141:
2126:
2109:
2097:
2079:
2061:
2040:
2021:
2000:
1983:
1962:
1947:
1935:
1920:
1901:
1886:
1878:Portrait of Francis I of Austria
1869:
1857:
1840:
1833:Frederick William III of Prussia
1824:
1807:
1792:
1777:
1762:
1745:
1730:
1718:
1703:
1686:
1671:
1654:
1639:
1622:
1601:
1589:
1572:
1557:
1542:
1519:
1504:
1487:
1470:
1455:
1440:
1425:
1404:
1389:
1362:
1344:
1329:
1314:
1297:
1280:
1265:
1250:
1235:
1213:
1201:
1186:
1178:Portrait of the Duke of Portland
1169:
1154:
1137:
1121:
1104:
1039:
814:John Lambton, 1st Earl of Durham
154:
54:
21:Thomas Lawrence (disambiguation)
3451:
3422:
3409:
3389:
3367:
3341:
3323:
3305:
3296:
3291:Reflections on British Painting
3283:
3274:
3265:
3256:
3231:
3218:
3209:
3200:
3191:
3182:
3157:
3148:
3139:
3130:
3112:
3103:
3094:
3079:
3070:
3054:
3045:
3032:
3023:
3014:
3005:
2996:
2987:
2978:
2969:
2960:
2572:Portrait of Charles X of France
2279:Ernest Frederick, Count Munster
2192:Portrait of Sir Charles Stewart
1356:Museum of the Shenandoah Valley
4098:Burials at St Paul's Cathedral
4083:Principal Painters in Ordinary
3585:President of the Royal Academy
3090:. Oxford: Phaidon. p. 25.
2951:
2942:
2933:
2924:
2915:
2906:
2897:
2888:
2868:
2496:Portrait of Frederick Robinson
1957:1819, close friend of Lawrence
1596:Marchioness of Ailesbury, 1809
990:, and Lawrence's portraits of
724:President of the Royal Academy
1:
4043:19th-century English painters
4038:18th-century English painters
3552:Principal Painter in Ordinary
3377:. Christie's. 6 December 2018
3348:Brown, Mark (4 August 2010).
2881:
2686:, then Duke of Clarence, 1827
2194:(3rd Marquess of Londonderry)
2087:Francis Humberstone MacKenzie
1992:Portrait of Mikhail Vorontsov
1816:Portrait of Prince Metternich
1532:
1415:
1375:
1306:Portrait of Sir Edward Pellew
905:
786:for 600 guineas and known as
732:A bust of Thomas Lawrence by
65:
4078:Fellows of the Royal Society
2700:Portrait of Julia, Lady Peel
2668:Portrait of Sir Walter Scott
2355:Portrait of Count Nesselrode
1849:Portrait of the Duke of York
1695:Portrait of Mirza Abul Hasan
1631:Portrait of Lord Castlereagh
1397:Codrington Edmund Carrington
911:, went to the United States.
748:"for his eminence in art".
690:Emperor Francis I of Austria
558:, the estranged wife of the
315:him to receive a mention in
299:An early pastel portrait of
250:
7:
3987:Congress of Aix-la-Chapelle
3065:Satan summoning his legions
2849:
2528:Portrait of Princess Sophia
2227:Portrait of Marshal Blücher
1615:State Opening of Parliament
1412:Princess Charlotte of Wales
1337:Mary, Countess of Inchiquin
1146:Portrait of Arthur Atherley
1128:Miss Marthe Carr, c. 1789,
1052:William Makepeace Thackeray
894:) and a recent radio play.
884:National Portrait Gallery's
841:, then Robert Peel and the
825:. Amongst the mourners was
746:Fellow of the Royal Society
702:Archduke Charles of Austria
591:in 1815, later used on the
498:Satan summoning his legions
388:Portrait of Queen Charlotte
10:
4114:
3785:John Philip Kemble as Cato
3375:"Old Masters Evening Sale"
2856:English school of painting
2762:Marchioness of Londonderry
2732:George, Duke of Cumberland
2434:Portrait of Lord Liverpool
2118:Portrait of George Canning
2033:Metropolitan Museum of Art
1864:Countess of Plymouth, 1817
1754:John Philip Kemble as Cato
1479:Portrait of Sir John Moore
1383:National Gallery of Canada
1113:Portrait of William Linley
1097:
996:Metropolitan Museum of Art
531:most notable of whom were
480:Lawrence was in love with
256:Childhood and early career
18:
4073:English portrait painters
4068:English romantic painters
3979:
3640:
3591:
3582:
3574:
3569:
3559:
3549:
3541:
3536:
3124:National Portrait Gallery
3086:Garlick, Kenneth (1989).
2841:Portrait of Lord Aberdeen
2810:Duchess of Richmond, 1829
2054:Thyssen-Bornemisza Museum
1912:, between 1818 and 1819,
1663:Portrait of Benjamin West
1019:National Portrait Gallery
954:National Portrait Gallery
856:
613:Field-Marshal von Blücher
605:painted in Hussar uniform
449:Lawrence exhibited in 40
337:the Duchess of Devonshire
162:
153:
148:
144:
134:
126:
116:
97:
75:
53:
30:
3109:Levey 2005: 174-175, 190
3042:, vol. 32, 1892: 278–285
2861:
2178:Sir William Forbes, 1803
1581:Portrait of William Pitt
1289:The Young Lord Liverpool
980:. In the United States,
876:Regency portrait painter
562:; and his granddaughter
494:Homer reciting his poems
3889:Countess of Blessington
2388:Prince of Schwarzenberg
966:Dulwich Picture Gallery
684:. His sitters included
3317:royalcollection.org.uk
3262:Goldring 1951: 335–342
3100:Goldring 1951: 213–219
2623:or Master Lambton 1825
2480:John Julius Angerstein
2164:Merton College, Oxford
1610:Portrait of George III
1352:Captain Herbert Taylor
982:The Huntington Library
970:Holburne Museum of Art
945:
912:
817:
737:
706:Count of Clam-Martinic
650:
609:the Duke of Wellington
596:
568:delicate investigation
527:
485:
454:
399:
303:
269:
4063:Painters from Bristol
4058:English male painters
3486:at Wikimedia Commons
3038:Lawrence, Sir Thomas
2339:Alexander Chernyshyov
1032:married the Count of
938:
926:Sarah Barrett Moulton
900:
806:
731:
644:
585:
574:, he was exonerated.
522:
479:
448:
385:
298:
263:
188:and began drawing in
3857:Francis I of Austria
3461:. London: Macdonald.
3051:Levey 2005: 194, 263
2824:Portrait of Maria II
2465:Leopold I of Belgium
2073:Dallas Museum of Art
2029:Lady Maria Conyngham
1463:Sir James Mackintosh
1221:The Two Sons of the
1194:Sophia, Lady Burdett
974:Victoria Art Gallery
794:the Earl of Aberdeen
678:the Waterloo Chamber
601:Lord Charles Stewart
3913:Charles X of France
3793:Sir Charles Stewart
3545:Sir Joshua Reynolds
3466:Sir Thomas Lawrence
3197:Levey 2005: 249–258
3154:Levey 2005: 207–238
3145:Levey 2005: 201–203
2796:William Van Mildert
2637:Anne, Lady Bentinck
2135:Ayscoghe Boucherett
1975:Coronation Portrait
1785:Count Matvei Platov
1371:Alexander MacKenzie
1044:In the 1848 novel,
920:including those of
851:British Institution
823:St Paul's Cathedral
768:Charles X of France
734:Edward Hodges Baily
537:George Henry Harlow
453:annual exhibitions.
235:portraitist of the
169:Sir Thomas Lawrence
121:St Paul's Cathedral
4088:Royal Academicians
3897:Frederick Robinson
3825:Duke of Wellington
3801:Marquess Wellesley
3595:Martin Archer Shee
3457:D Goldring, 1951,
3302:Levey 2005: 312–13
3215:Goldring 1951: 330
3206:Levey 2005: 296–99
3076:Goldring 1951: 110
2930:Annual Review 1830
2512:Duke of Devonshire
2162:Shute Barrington (
2014:Wallace Collection
1910:John Capo d'Istria
1770:Lady Hinchingbrook
1550:Lady Caroline Lamb
1322:John Philip Kemble
1071:In his 1895 play,
1004:Vatican Pinacoteca
946:
913:
818:
738:
680:series, housed in
655:Princess Charlotte
651:
597:
552:Lady Caroline Lamb
528:
514:John Philip Kemble
486:
455:
400:
304:
270:
4015:
4014:
3881:Mikhail Vorontsov
3849:Duke of Richelieu
3817:Prince Metternich
3705:Sir Edward Pellew
3601:
3600:
3592:Succeeded by
3570:Cultural offices
3560:Succeeded by
3520:, 16 October 2010
3482:Media related to
3440:978-1-4081-3720-8
3280:Levey 2005: 302–3
3169:The Royal Society
2993:Levey 2005: 85–90
2984:Levey 2005: 76–77
2975:Levey 2005: 77–79
2948:Levey 2005: 49–59
2939:Goldring 1951: 40
2921:Goldring 1951: 29
2912:Goldring 1951: 35
2903:Goldring 1951: 28
2717:Jeffrey Wyatville
2403:Cardinal Consalvi
1565:Lord Ellenborough
1258:Lord Mount Stuart
1084:In the 1943 film
998:. In Europe, the
892:Naomi Royde-Smith
882:, curator of the
880:Sir Michael Levey
868:Lord Ronald Gower
718:Cardinal Consalvi
667:Sir Richard Croft
645:Lawrence painted
317:Daines Barrington
166:
165:
4105:
4093:Knights Bachelor
4007:Waterloo Chamber
3953:Julia, Lady Peel
3945:Sir Walter Scott
3921:Duchess of Berry
3841:Count Nesselrode
3777:Mirza Abul Hasan
3761:Lord Castlereagh
3681:Duke of Portland
3665:Elizabeth Farren
3627:
3620:
3613:
3604:
3603:
3575:Preceded by
3542:Preceded by
3534:
3533:
3481:
3445:
3444:
3431:An Ideal Husband
3426:
3420:
3413:
3407:
3405:
3401:, 1848, p.
3393:
3387:
3386:
3384:
3382:
3371:
3365:
3364:
3362:
3360:
3345:
3339:
3338:
3327:
3321:
3320:
3313:"The Collection"
3309:
3303:
3300:
3294:
3287:
3281:
3278:
3272:
3269:
3263:
3260:
3254:
3253:
3251:
3249:
3235:
3229:
3222:
3216:
3213:
3207:
3204:
3198:
3195:
3189:
3186:
3180:
3179:
3177:
3175:
3161:
3155:
3152:
3146:
3143:
3137:
3134:
3128:
3127:
3116:
3110:
3107:
3101:
3098:
3092:
3091:
3083:
3077:
3074:
3068:
3058:
3052:
3049:
3043:
3036:
3030:
3027:
3021:
3018:
3012:
3009:
3003:
3000:
2994:
2991:
2985:
2982:
2976:
2973:
2967:
2964:
2958:
2955:
2949:
2946:
2940:
2937:
2931:
2928:
2922:
2919:
2913:
2910:
2904:
2901:
2895:
2892:
2875:
2872:
2836:
2819:
2807:
2792:
2777:
2758:
2743:
2728:
2712:
2695:
2680:
2663:
2648:
2633:
2616:
2599:
2584:
2567:
2555:
2540:
2523:
2508:
2491:
2476:
2461:
2446:
2429:
2414:
2399:
2384:
2367:
2350:
2335:
2320:
2305:
2290:
2275:
2258:
2247:Waterloo Chamber
2239:
2222:
2205:
2187:
2175:
2159:
2145:
2133:The Children of
2130:
2113:
2101:
2091:78th Highlanders
2083:
2065:
2044:
2025:
2004:
1987:
1966:
1951:
1939:
1924:
1914:Royal Collection
1905:
1894:Archduke Charles
1890:
1873:
1861:
1844:
1828:
1811:
1796:
1781:
1766:
1749:
1734:
1722:
1707:
1690:
1679:Robert Brownrigg
1675:
1658:
1643:
1626:
1605:
1593:
1576:
1561:
1546:
1537:
1534:
1523:
1508:
1491:
1474:
1459:
1444:
1429:
1420:
1417:
1408:
1393:
1380:
1377:
1366:
1348:
1333:
1318:
1301:
1284:
1269:
1254:
1239:
1217:
1205:
1190:
1173:
1162:Sir Graham Moore
1158:
1141:
1125:
1108:
1074:An Ideal Husband
1060:Charles Dickens'
1025:, was quoted in
1008:swagger portrait
992:Elizabeth Farren
976:in Bath, and in
962:National Gallery
950:Royal Collection
922:Elizabeth Farren
910:
907:
902:Elizabeth Farren
872:Douglas Goldring
847:Ashmolean Museum
757:Sir Walter Scott
649:in Rome in 1819.
572:Spencer Perceval
440:Elizabeth Farren
357:Sir Elijah Impey
345:Sir Henry Harpur
264:The Bear Hotel,
225:Waterloo Chamber
179:
158:
104:
85:
83:
70:
67:
58:
48:
28:
27:
4113:
4112:
4108:
4107:
4106:
4104:
4103:
4102:
4018:
4017:
4016:
4011:
3975:
3905:Princess Sophia
3809:Marshal Blücher
3697:Lord Hawkesbury
3673:Arthur Atherley
3657:Queen Charlotte
3636:
3634:Thomas Lawrence
3631:
3597:
3588:
3580:
3565:
3556:
3547:
3510:, 5 August 2010
3507:The Independent
3484:Thomas Lawrence
3475:
3464:M Levey, 2005,
3454:
3449:
3448:
3441:
3427:
3423:
3414:
3410:
3395:
3394:
3390:
3380:
3378:
3373:
3372:
3368:
3358:
3356:
3346:
3342:
3329:
3328:
3324:
3311:
3310:
3306:
3301:
3297:
3288:
3284:
3279:
3275:
3271:Levey 2005: 306
3270:
3266:
3261:
3257:
3247:
3245:
3237:
3236:
3232:
3223:
3219:
3214:
3210:
3205:
3201:
3196:
3192:
3188:Levey 2005: 263
3187:
3183:
3173:
3171:
3163:
3162:
3158:
3153:
3149:
3144:
3140:
3136:Levey 2005: 198
3135:
3131:
3118:
3117:
3113:
3108:
3104:
3099:
3095:
3084:
3080:
3075:
3071:
3059:
3055:
3050:
3046:
3037:
3033:
3029:Levey 2005: 137
3028:
3024:
3019:
3015:
3010:
3006:
3001:
2997:
2992:
2988:
2983:
2979:
2974:
2970:
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2956:
2952:
2947:
2943:
2938:
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2893:
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2879:
2878:
2873:
2869:
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2837:
2828:
2820:
2811:
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2778:
2769:
2759:
2750:
2744:
2735:
2729:
2720:
2713:
2704:
2696:
2687:
2684:King William IV
2681:
2672:
2664:
2655:
2649:
2640:
2634:
2625:
2617:
2608:
2600:
2591:
2585:
2576:
2568:
2559:
2556:
2547:
2541:
2532:
2524:
2515:
2509:
2500:
2492:
2483:
2477:
2468:
2462:
2453:
2447:
2438:
2430:
2421:
2415:
2406:
2400:
2391:
2385:
2376:
2368:
2359:
2351:
2342:
2336:
2327:
2321:
2312:
2306:
2297:
2291:
2282:
2276:
2267:
2259:
2250:
2240:
2231:
2223:
2214:
2206:
2197:
2188:
2179:
2176:
2167:
2160:
2151:
2149:Abraham Redwood
2146:
2137:
2131:
2122:
2114:
2105:
2102:
2093:
2084:
2075:
2066:
2057:
2045:
2036:
2026:
2017:
2005:
1996:
1988:
1979:
1967:
1958:
1952:
1943:
1940:
1931:
1925:
1916:
1906:
1897:
1891:
1882:
1874:
1865:
1862:
1853:
1845:
1836:
1829:
1820:
1812:
1803:
1797:
1788:
1782:
1773:
1767:
1758:
1750:
1741:
1738:Warren Hastings
1735:
1726:
1723:
1714:
1708:
1699:
1691:
1682:
1676:
1667:
1659:
1650:
1647:Thomas Campbell
1644:
1635:
1627:
1618:
1606:
1597:
1594:
1585:
1577:
1568:
1562:
1553:
1547:
1538:
1535:
1524:
1515:
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1500:
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1385:
1378:
1367:
1358:
1349:
1340:
1334:
1325:
1319:
1310:
1302:
1293:
1285:
1276:
1270:
1261:
1255:
1246:
1240:
1231:
1228:Neue Pinakothek
1218:
1209:
1206:
1197:
1191:
1182:
1174:
1165:
1159:
1150:
1142:
1133:
1126:
1117:
1109:
1100:
1092:Stuart Lindsell
1087:The Man in Grey
1042:
1000:Musée du Louvre
956:in London. The
908:
863:Thomas Campbell
859:
827:J. M. W. Turner
780:Charles Calmady
726:
694:King of Prussia
635:Transfiguration
593:Five Pound Note
580:
560:Prince of Wales
463:King George III
459:Joshua Reynolds
432:Princess Amelia
428:Queen Charlotte
404:Joshua Reynolds
393:Queen Charlotte
380:
368:Transfiguration
353:Warren Hastings
258:
253:
245:Victorian times
210:Queen Charlotte
171:
112:
106:
102:
93:
87:
81:
79:
71:
68:
49:
40:
38:
37:Thomas Lawrence
35:
24:
17:
12:
11:
5:
4111:
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4090:
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4080:
4075:
4070:
4065:
4060:
4055:
4050:
4045:
4040:
4035:
4030:
4013:
4012:
4010:
4009:
4004:
3999:
3994:
3989:
3983:
3981:
3977:
3976:
3974:
3973:
3965:
3957:
3949:
3941:
3937:George Canning
3933:
3925:
3917:
3909:
3901:
3893:
3885:
3877:
3869:
3865:Lord Liverpool
3861:
3853:
3845:
3837:
3829:
3828:(c. 1815)
3821:
3813:
3805:
3797:
3789:
3781:
3773:
3765:
3757:
3749:
3741:
3737:Lord Melbourne
3733:
3732:(c. 1804)
3729:Sir John Moore
3725:
3717:
3709:
3701:
3693:
3685:
3677:
3669:
3668:(c. 1790)
3661:
3653:
3649:William Linley
3644:
3642:
3638:
3637:
3630:
3629:
3622:
3615:
3607:
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3558:
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3543:
3539:
3538:
3537:Court offices
3532:
3531:
3521:
3511:
3504:Jerome Taylor,
3499:
3494:
3474:
3473:External links
3471:
3470:
3469:
3462:
3453:
3450:
3447:
3446:
3439:
3421:
3408:
3388:
3366:
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3111:
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3093:
3078:
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3031:
3022:
3013:
3011:Levey 2005: 93
3004:
3002:Levey 2005: 92
2995:
2986:
2977:
2968:
2966:Levey 2005: 56
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2957:Levey 2005: 43
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2781:Sir John Soane
2779:
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2027:
2020:
2018:
2006:
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1989:
1982:
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1970:King George IV
1968:
1961:
1959:
1953:
1946:
1944:
1941:
1934:
1932:
1926:
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1711:Robert Southey
1709:
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1433:Earl of Camden
1431:
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1395:
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1262:
1256:
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1223:Earl of Talbot
1219:
1212:
1210:
1207:
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1198:
1192:
1185:
1183:
1175:
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1134:
1127:
1120:
1118:
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1103:
1099:
1096:
1041:
1038:
858:
855:
843:Earl of Dudley
839:British Museum
829:who painted a
776:George Canning
725:
722:
686:Tsar Alexander
682:Windsor Castle
659:Prince Leopold
579:
576:
465:appointed him
420:William Linley
408:Somerset House
379:
376:
370:was awarded a
282:Worcestershire
257:
254:
252:
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229:Windsor Castle
164:
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136:
132:
131:
128:
127:Known for
124:
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114:
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107:
105:(aged 60)
101:7 January 1830
99:
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77:
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59:
51:
50:
39:
36:
31:
15:
9:
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4:
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4008:
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4002:Royal Academy
4000:
3998:
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3993:
3990:
3988:
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3969:Lord Aberdeen
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3769:Benjamin West
3766:
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3419:19(1), 17-33.
3418:
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2598:
2593:
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2545:
2544:Princess Mary
2539:
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2294:Lord Uxbridge
2289:
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2274:
2269:
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2238:
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2055:
2051:
2050:
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2038:
2034:
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2024:
2019:
2015:
2011:
2010:
2003:
1998:
1994:
1993:
1986:
1981:
1977:
1976:
1971:
1965:
1960:
1956:
1950:
1945:
1938:
1933:
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1530:
1529:
1522:
1517:
1513:
1512:Sarah Siddons
1507:
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1498:
1497:
1490:
1485:
1481:
1480:
1473:
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1307:
1300:
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1290:
1283:
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1273:Duke of Leeds
1268:
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1259:
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1248:
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1216:
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1089:
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1080:
1076:
1075:
1069:
1067:
1066:
1065:Little Dorrit
1061:
1055:
1053:
1049:
1048:
1040:In literature
1037:
1035:
1034:Clam-Martinic
1030:
1029:
1024:
1020:
1015:
1013:
1009:
1005:
1001:
997:
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988:
983:
979:
975:
971:
967:
963:
959:
955:
951:
943:
942:
937:
933:
931:
930:the "Red Boy"
927:
923:
918:
904:'s portrait,
903:
899:
895:
893:
889:
888:André Maurois
885:
881:
877:
873:
869:
864:
854:
852:
848:
844:
840:
834:
832:
828:
824:
815:
811:
810:
805:
801:
799:
795:
791:
790:
785:
781:
777:
773:
769:
766:
765:newly-crowned
762:
758:
755:, and one of
754:
749:
747:
743:
742:Benjamin West
735:
730:
721:
719:
715:
714:Pope Pius VII
711:
707:
703:
699:
695:
691:
687:
683:
679:
675:
670:
668:
664:
660:
656:
648:
647:Pope Pius VII
643:
639:
637:
636:
631:
627:
622:
618:
614:
610:
606:
602:
594:
590:
589:
584:
575:
573:
569:
565:
561:
557:
553:
550:, whose wife
549:
545:
540:
538:
534:
526:
521:
517:
515:
511:
507:
506:Paradise Lost
503:
499:
495:
490:
483:
482:Sarah Siddons
478:
474:
470:
468:
464:
460:
452:
451:Royal Academy
447:
443:
441:
435:
433:
429:
425:
421:
415:
413:
412:Royal Academy
409:
405:
398:
394:
390:
389:
384:
375:
373:
369:
366:
362:
361:William Hoare
358:
354:
350:
346:
342:
341:Sarah Siddons
338:
334:
329:
327:
322:
318:
312:
310:
309:David Garrick
302:
297:
293:
291:
287:
286:Andrew Bloxam
283:
279:
278:Tenbury Wells
275:
267:
262:
248:
246:
243:waned during
240:
238:
234:
230:
226:
222:
221:Prince Regent
217:
213:
211:
207:
203:
199:
195:
194:Market Square
191:
187:
183:
182:Royal Academy
178:
174:
170:
161:
157:
152:
147:
143:
140:
137:
133:
129:
125:
122:
119:
117:Resting place
115:
110:
100:
96:
91:
86:13 April 1769
78:
74:
63:
62:self-portrait
57:
52:
47:
43:
34:
29:
26:
22:
3967:
3959:
3951:
3943:
3935:
3927:
3919:
3911:
3903:
3895:
3887:
3879:
3871:
3863:
3855:
3847:
3839:
3833:Duke of York
3831:
3823:
3815:
3807:
3799:
3791:
3783:
3775:
3767:
3759:
3751:
3745:William Pitt
3743:
3735:
3727:
3719:
3711:
3703:
3695:
3687:
3679:
3671:
3663:
3655:
3647:
3633:
3583:
3563:David Wilkie
3554:to the King
3550:
3526: at the
3518:The Guardian
3517:
3505:
3476:
3465:
3458:
3452:Bibliography
3430:
3424:
3416:
3411:
3397:
3391:
3379:. Retrieved
3369:
3357:. Retrieved
3354:The Guardian
3353:
3343:
3334:
3325:
3316:
3307:
3298:
3290:
3285:
3276:
3267:
3258:
3246:. Retrieved
3242:
3233:
3226:Sinclair, W.
3220:
3211:
3202:
3193:
3184:
3172:. Retrieved
3168:
3159:
3150:
3141:
3132:
3123:
3114:
3105:
3096:
3087:
3081:
3072:
3064:
3056:
3047:
3039:
3034:
3025:
3016:
3007:
2998:
2989:
2980:
2971:
2962:
2953:
2944:
2935:
2926:
2917:
2908:
2899:
2890:
2870:
2839:
2822:
2764:and her son
2747:John Fawcett
2698:
2666:
2619:
2602:
2570:
2526:
2494:
2450:Humphry Davy
2432:
2370:
2353:
2261:
2242:
2225:
2208:
2190:
2116:
2068:
2047:
2028:
2007:
1990:
1973:
1876:
1847:
1814:
1752:
1693:
1661:
1649:, circa 1810
1630:
1608:
1579:
1526:
1495:
1477:
1448:Lord Thurlow
1369:
1304:
1287:
1220:
1176:
1144:
1130:Prado Museum
1111:
1085:
1083:
1072:
1070:
1063:
1056:
1045:
1043:
1028:The Guardian
1026:
1023:Sandy Nairne
1017:In 2010 the
1016:
986:
958:Tate Britain
947:
940:
914:
875:
860:
835:
819:
807:
798:Fanny Kemble
787:
759:(along with
750:
739:
708:and a young
671:
652:
633:
620:
617:Count Platov
598:
586:
541:
533:William Etty
529:
525:Henry Dundas
523:Portrait of
510:John Jackson
497:
493:
491:
487:
471:
456:
436:
416:
401:
386:
367:
330:
321:Miscellanies
320:
313:
305:
301:Maria Linley
290:Broad Street
271:
241:
218:
214:
168:
167:
103:(1830-01-07)
25:
4033:1830 deaths
4028:1769 births
3997:Romanticism
3992:Regency era
3929:The Red Boy
3398:Vanity Fair
3381:14 February
3289:Roger Fry (
2621:The Red Boy
2418:Napoleon II
2031:, 1824–25,
1617:dress, 1809
1536: 1805
1419: 1801
1379: 1800
1079:Oscar Wilde
1062:1857 novel
1047:Vanity Fair
909: 1790
809:The Red Boy
789:The Red Boy
784:Lord Durham
772:Robert Peel
761:Jane Austen
710:Napoleon II
502:John Milton
372:silver-gilt
349:Calke Abbey
139:Romanticism
69: 1825
60:Unfinished
4022:Categories
3753:George III
3589:1820–1830
3557:1792–1830
3335:npg.org.uk
3174:17 January
3020:Levey: 109
2894:Levey p.30
2882:References
2049:David Lyon
2035:, New York
952:, and the
626:knighthood
424:Sir Joshua
397:George III
395:, wife of
206:a portrait
82:1769-04-13
3873:George IV
3641:Portraits
3417:Criticism
3063:features
2420:, c. 1819
2249:1814-1815
1881:, c. 1818
1772:as "Hope"
1482:, c. 1804
1354:(c.1800,
1164:, c. 1792
1012:George IV
917:Roger Fry
816:, c. 1825
663:Claremont
564:Charlotte
365:Raphael's
251:Biography
149:Signature
111:, England
92:, England
3961:Maria II
3359:24 April
2850:See also
2719:, c.1828
2671:, c.1826
2296:, c.1816
2281:, c.1815
2245:for the
2071:, 1828,
2056:, Madrid
2052:, 1825,
2016:, London
2012:, 1822,
1802:, c.1815
1552:, c.1805
1381:–1801),
1230:, Munich
1226:, 1793,
1196:, c.1793
1132:, Madrid
972:and the
964:and the
556:Caroline
508:. Boxer
233:Romantic
135:Movement
130:Painting
3980:Related
3248:16 June
2827:, 1829.
2089:of the
1098:Gallery
984:houses
603:who he
333:pastels
274:Bristol
266:Devizes
237:Regency
190:Devizes
186:Bristol
90:Bristol
3972:(1830)
3964:(1829)
3956:(1827)
3948:(1826)
3940:(1826)
3932:(1825)
3924:(1825)
3916:(1825)
3908:(1824)
3900:(1824)
3892:(1822)
3884:(1821)
3876:(1821)
3868:(1820)
3860:(1819)
3852:(1818)
3844:(1818)
3836:(1816)
3820:(1815)
3812:(1814)
3804:(1813)
3796:(1812)
3788:(1812)
3780:(1810)
3772:(1810)
3764:(1809)
3756:(1809)
3748:(1807)
3740:(1805)
3724:(1804)
3716:(1801)
3708:(1797)
3700:(1796)
3692:(1794)
3689:Pinkie
3684:(1792)
3676:(1792)
3660:(1789)
3652:(1788)
3528:Art UK
3437:
2844:, 1830
2798:, 1829
2783:, 1829
2768:, 1828
2766:George
2749:, 1828
2734:, 1828
2703:, 1827
2654:, 1825
2639:, 1825
2607:, 1825
2590:, 1825
2575:, 1825
2546:, 1824
2531:, 1824
2514:, 1824
2499:, 1824
2482:, 1824
2467:, 1821
2452:, 1821
2437:, 1820
2405:, 1818
2390:, 1819
2375:, 1818
2358:, 1818
2341:, 1818
2326:, 1819
2311:, 1818
2266:c.1815
2230:, 1814
2213:, 1813
2196:, 1812
2121:, 1826
1995:, 1821
1978:, 1821
1908:Count
1896:, 1819
1852:, 1816
1835:c.1814
1819:, 1815
1787:, 1814
1757:, 1812
1740:, 1811
1713:, 1810
1698:, 1810
1681:, 1810
1666:, 1810
1634:, 1809
1584:, 1807
1567:, 1806
1514:, 1804
1499:, 1804
1465:, 1804
1450:, 1803
1435:, 1802
1399:, 1801
1339:, 1800
1324:, 1798
1309:, 1797
1292:, 1796
1275:, 1796
1260:, 1795
1245:, 1794
1181:, 1792
1149:, 1792
1116:, 1788
1006:has a
987:Pinkie
960:, the
941:Pinkie
890:, and
857:Legacy
753:Sophia
736:, 1830
692:, the
674:Aachen
355:, and
198:pastel
109:London
2862:Notes
1831:King
175:
44:
3530:site
3435:ISBN
3383:2020
3361:2014
3250:2022
3243:Tate
3176:2023
2715:Sir
1930:1818
716:and
630:Elba
615:and
546:and
535:and
430:and
347:(of
326:Bath
202:oils
98:Died
76:Born
3403:436
1972:'s
1613:in
1374:, (
1010:of
874:'s
661:at
504:'s
434:.
319:'s
311:.
280:in
239:.
227:at
208:of
177:FRS
173:PRA
46:FRS
42:PRA
33:Sir
4024::
3352:.
3333:.
3315:.
3241:.
3167:.
3122:.
1533:c.
1531:,
1416:c.
1414:,
1376:c.
1094:.
1077:,
1068:.
1050:,
924:,
906:c.
833:.
796:.
720:.
700:,
696:,
688:,
611:,
539:.
516:.
461:,
343:,
339:,
66:c.
64:,
3626:e
3619:t
3612:v
3443:.
3406:.
3385:.
3363:.
3337:.
3319:.
3252:.
3178:.
3126:.
3067:.
2166:)
595:.
268:.
84:)
80:(
23:.
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_-_Self-portrait_of_Sir_Thomas_Lawrence_-_03-950_-_Royal_Academy_of_Arts.jpg)
