2057:
related by a Perſon just arrived from Grimſthorpe: Mr. Linley and Mr. Olivarez, Italian Maſter, and another Perſon, agreed to go on the Lake in a
Sailing Boat, which Mr. Linley ſaid he could manage; but no ſooner had they ſailed into the Middle of the Lake, than a ſudden Gale of Wind ſprang up, and overſet the Boat; however, they all hung by the Maſt and Rigging for ſome Time, till Mr. Linley ſaid he found it was in vain to wait for Aſsiſtance, and therefore, though he had his Boots and Great Coat on, was determined to ſwim to Shore, for which Purpoſe he quitted his Hold, but had not ſwam above a hundred Yards before he ſunk. Her Grace the Ducheſs of Ancaſter ſaw the whole from her Dreſsing-room Window, and immediately ordered ſeveral Servants to take another Boat, and go to their Aſsiſtance, but they unfortunately only came early enough to take up Mr. Olivarez, his Companion, not being able to find the Body of Mr. Linley for more than forty Minutes.— Miſs M. Linley came up to Town with the melancholy Tidings of the Diſaster, and now lies dangerously ill at the Duke of Ancaſter's in Berkeley-ſquare; Mrs Sheridan is likewiſe inconfortable
638:
RUTH, compoſed by Mr. Giardini, which has never been performed at theſe meetings; a SOLO on the VIOLIN by Mr. Giardini, and an OBOE CONCERTO by Mr. Fiſcher. On Friday morning, at the
Cathedral, the MESSIAH.- In the evening, at the Booth-hall, a Grand MISCELLANEOUS CONCERT, conſiſting of capital Songs and Choruſes, and Inſtrumental Pieces. Principal Vocal Performers:- Miſs Linley; the much-admired Signior Rauzzini, principal Singer in the ſerious Opera; Miſs Salmon, Miſs Radcliffe, and the Female Chorus Singers from the North; Meſſ. Norris, Matthews, and Price. Inſtrumental:- Meſſrs Giardini, Fiſcher, Croſdill, Malchair, Parke; the other parts of the Inſtrumental Band by the moſt approved Performers now in England. The Choruſſes are intended to be particularly full. The whole to be conducted by Mr. ISAAC. The Performers are desired to be in Gloceſter on Sunday evening, in order to rehearſe on Monday morning, the IIth, and to dine the ſame day with the Stewards, at the King's-head. The Hon. JOHN TRACY, D. D.- Sir WILLIAM GUISE, Bart. – Stewards
2038:
Grace's Park, in a
Sailing Boat, which Mr. Linley ſaid he could manage very well; but no ſooner had they ſailed into the Middle, than a ſudden Squall of Wind ſprung up, and overſet the Boat; however, they all hung by the Maſt and Rigging for ſome Time, till Mr. Linley ſaid, he found it was in vain to wait for Aſſiſtance, and therefore, though he had his Boots and Great Coat on, he was determined to ſwim to Shore, for that purpoſe he quitted his Hold, but had not ſwam above 100 Yards before he ſank to the Bottom, and was unfortunately drowned. Her Grace of Ancaſter ſaw the Whole from her Dreſſing-Room Window, and immediately diſpatched ſeveral Servants off to take another Boat to their Aſſiſtance, which unfortunately came only Time enough to save Mr. Olivarez.- Mr Linley remained under Water near 40 Minutes, ſo that every Effort made uſe of to resſtore him to Life proved ineffectual. – This Accident has deprived the Profeſſion to which he belonged of one of its Principal Ornaments, and Society of a very accompliſhed and valuable Member.
436:
555:
1082:
III also exists, though it is missing the finale. However only one of the borrowed arias survived in full score. The rest of the music only survived in the frustrating format of vocal scores (Queen
Charlotte's 1775 manuscript copy and the 1776 published one) which do not provide much aside from the vocal line and a crude skeleton accompaniment (mainly the bass line) with little to no mention of instrumental or orchestration details. The vocal score published by Broderip & Wilkinson in 1800 seems to be a simple re-edition of the 1776 one by C.&S. Thompson, without any amendment or addition. Finally, the vocal score published 1835, though it reinstated some of the musical numbers lost at the turn of the century, further diluted the original music by adapting it to the new singing conventions and musical taste.
833:
33:
879:
656:
216:
3255:. Dramatic music, with symphonies and accompaniments for flutes, trumpets (in no. 1 only), horns, oboes, bassoons, and strings, with an occasional figured bass for harpsichord, in score, transcribed by J. S. Gaudry in 1780. According to a note at the beginning by W Linley, who owned the MS in 1812, the whole of the music in the volume was composed by his eldest brother, Thomas Linley, jun., about 1777. Some of it was published, however, as the work of their father, Thomas Linley, sen. 1. 'Music in 'The Tempest.' 2. 'Songs in 'The Duenna.' Characters: Anthonio, Ferdinand, Louisa, Carlos, Isaac, and Don Jerome. British Library, Egerton MS 2493.
958:, octave scales, rapid extreme register jumps, etc.) with bare stark sober – almost plain – moments (the 'Scotch' of the second movement, the introduction of the theme by the soloist in the first movement, or the ending of the third movement in a quiet ritornello that not only does not bring the usual strong resolution expected at the end of a concerto but leaves us in suspens or 'hanging on'). His fresh approach to colourful orchestration both in terms of instrumentation and harmony (in particular the harmonic progressions in cadences and suspensions) also makes his concerto quite distinctive.
480:, where we had come on the recommendation of Herr Laugier. These two boys performed in alternation during the whole evening, constantly embracing each other. The next day, the little Englishman, a very dear boy, had his violin brought to us and played the whole afternoon; Wolfgang accompanied him on the violin. The day after, we dined with Msr. Gavard, the Grand Duke's financial administrator, and these two boys played in alternation the whole afternoon, not as boys, but as men! Little Thomas accompanied us home and cried the most bitter tears because we were leaving the next day.
499:
knaben producierten sich wechselweise den ganzen abend unter beständigen umarmungen. den anderen tag Ließ der kleine Engelländer, ein allerliebster Knab, seine Violin zu uns bringen, und spielte den ganzen nachmittag, der Wolfg. accompagnierte ihm auf der Violin. den tag darauf speisten wir beÿ Mr: Gavard dem
Administratore der Grossherzogl: Finanzen, und diese 2 knaben spielten den ganzen nachmittag wechselsweise, nicht als knaben, sondern als männer! der kleine Tomaso begleitete uns nach Hause, und weinte die bittersten Thrännen, weil wir den tag Darauf abreiseten.
525:
produciertς sich wechselweise den ganzς abend unter beständigen umarmungς. den andςς tag Ließ der kleine Engelländς, ein allerliebster Knab, seine Violin zu uns bringς, und spielte den ganzς nachmittag, der Wolfgς. accompagnierte ihm auf dς Violin. den tag darauf speistς wir beÿ Mr: Gavard dem
Administratore der Grossherzogl: Finanzen, und diese 2 knabς spieltς den ganzς nachmittag wechselsweise, nicht als knabς, sondς als mäner! der kleine Tomaso begleitete uns nach Hause, und weinte die bitterstς Thränς, weil wir den tag Darauf abreisetς.
990:
670:
2d parts, a Miſcellaneous Act.- Organ
Concerto.- Song, Miſs Linley.- Concerto Violin, Linley, jun.- Duetto Sacchini. To Subſcribers five tickets for one guinea. Single tickets at 5s. each, to be had at the Upper and Lower Rooms, the Pump-Room, and Rookfellers, where Books of the performance may be had at 6d. each. To begin at half paſt ſix o'clock. At Mr. Gyde's Rooms on Friday March 24, the celebrated Entertainment of ACIS and GALATEA.- With additional pieces, as will be expreſſed in the bills.
1031:
songs to set to music, judiciously keeping him in the dark about the play's subject by avoiding to communicate the whole libretto to the composer, undoubtbly because of the resemblance it bore to
Sheridan's own elopement with the composer's daughter, Elizabeth. Finally, Linley Sr was hoping to "take over the Lentent Oratorio seasons at the Drury Lane Theatre" and therefore may have been reluctant to take on a project at the Drury Lane's direct rival, Covent Garden.
3340:. ROYAL MUSIC COLLECTION. Linley (Thomas) Junior Ode and violin music; 1779, 1780. In score. In the hand of J.S. Gaudry: 1. Ode on the Spirits of Shakespeare; circa 1779 For solo voices and choir, with an overture; with symphonies and accompaniment for oboes, bassoons, trumpets, horns, timpani and strings. 2. Violin concerto; 1779. For solo violin; with bassoons, horns and strings. 3. Violin sonata; 1780. For solo violin and bass. 1774–1784. R.M.21.h.10.
1046:
1805:
3817:
868:), however his choral writing also has its very own assurance, strength. inventiveness, artistry and finesse. Linley's writing is as fluent in choral-like choruses as in elaborate fugues or evocative tableaux. Tom was only about 15 years old when he composed the not only incredibly skilful but magnificent double-fugue "Wonderful Art Thou". Musician Peter Holman, who worked on the Hyperion recordings of Linley's music, reckons that, in
1038:'s music, composing about a third of the total. On top of which he arranged and edited the folk songs selected by Sheridan and Elizabeth and the additional arias by other composers, his father's input representing a bit more than a quarter of the whole opera. It is to be noted that despite the haste in which they were composed, Tom Linley's songs were not just beautiful but they played a paramount role in the success of
3372:. ROYAL MUSIC COLLECTION. Linley (Thomas). Verses to the Memory of Garrick; 1780. A monody, the words by Sheridan, recited with musical sections for solo voices and chorus; with accompaniment of flutes, oboes, bassoons, trumpets, horns, strings and a figured bass. There is an opening symphony. In score, with all the words. In the hand of J.S. Gaudry. The copy was presented to the King, Ap. 22nd, 1780. 1780. R.M.21.h.7.
4321:
2840:. Composed for solo voices and 4-part chorus, with overture and accompaniments for drums, trumpets, horns, oboes, and strings, and a figured bass for harpsichord, in score. The ode was written by Dr. Lawrance (of Doctors Commons) and set to music by Thomas Linley, jun. An account of him is given on ff. 2 and 126, by Matthew Cooke, who transcribed the MS in 1812. 1812. Egerton MS 2492.
813:" In addition to that chorus, Linley also composed an air for Ariel's first appearance in the play, re-arranged some of the play's established music, including some of the numbers written by Thomas Arne, and wrote a separate setting of "Hark, hark, the watch-dogs bark" in which in the instruments of the orchestra are meant to somewhat render the sound of dogs barking and of cockerels.
3029:. Incidental Music in 'The Cadi of Bagdad,' in 3 Acts, with overture, symphonies, and accompaniments for horns, flutes, oboes, bassoons, and strings, in score, by Thomas Linley, jun. . Autograph. Characters: Abdullah, Cadi, Selima, a Dyer, Zemzonde(?), and Omar. 1 volume (95 folios). Custodial History: Belonged to William Linley, the composer's youngest brother. Add MS 29297.
4309:
2111:, and how Mozart, to whom he was being introduced for the first time, "conversed with a good deal about Thomas Linley ... with whom he was intimate at Florence, and spoke of him with great affection... that Linley was a true genius; and he felt that, had he lived, he would have been one of the greatest ornaments of the musical world."
634:: A TE DEUM and JUBILATE adapted to muſic of the moſt eminent Italian compoſers; an ANTHEM by Dr. Boyce; and Mr. Handel's CORONATION ANTHEM will be performed.- In the evening, at the Booth-hall, the Oratorio of ISRAEL IN EGYPT, and between the two parts of the Oratorio a MISCELLANEOUS ACT, conſiſting of SONGS, by Signior
485:
But when he learned that our departure had been fixed for midday, he came at 9 o'clock in the morning and gave
Wolfgang, amidst many embraces, the following piece of poetry, which Sgra. Corilla had had to write for him just the previous evening, and then accompanied our coach as far as the city gate.
415:
as he is called, and the little Mozart, are talked of all over Italy as the most promising geniuses of this age." Tom and
Wolfgang, both of them 14-year-old teenagers, formed a close friendship making and playing music together, so much so that, as is explained by Robert Gutman, their separation when
2077:
On Wednesday laſt a moſt melancholy accident happened at Grimſthorpe, the Duke of Ancaſter's ſeat in Lincolnſhire. As Mr. Linley, jun. (who with his ſiſter was ſpending the ſummer there with the Duke and Ducheſs) was in a veſſel uppon a large piece of water in the park, by some unſkilful management,
1740:
Baroque Orchestra. Richard Stuart (Don Jerome), Charlotte Page (Louisa), Damian Thantrey (Ferdinand), Nuala Willis (Margaret, the Duenna), Olivia Safe (Clara), Joseph Shovelton (Antonio), Adrian Thompson (Isaac), Jonathan Gunthorpe (Carlos), Adam Tunnicliffe (Masquerader). Conductor: Joseph McHardy.
1030:
It seems that Sheridan had originally planned for his father-in-law, Thomas Linley Sr, to write the music. However the composer did not seem to share the enthusiasm. Firstly, he doubted the possible success of a comic opera. Secondly, to Linley Sr's frustration, Sheridan was only giving him isolated
669:
BATH. AT the NEW ROOMS, on Friday March 17, will be performed the celebrated ODE of ALEXANDER's FEAST Set to muſic by Mr. HANDEL. The firſt violin by Mr. Linley, jun. The principal vocal parts by Miſs Linley, Miſs M. Linley, Mr. Linley, Mr. Brett, Mr. Matthews, and Maſter Samuel. Between the Iſt and
299:
For the Benefit of Mr. Linley. At Loggan's Room at the Hot Wells on the 29th Inſt. Will be perform'd A Concert of Vocal and Instrumental Music. The Vocal Parts by Mr. Linley, Mr. Higgins and Maſter Linley. The Firſt Violin by Mr Richards of Bath. End of the Iſt Act a Concerto on the Violin by Maſter
2037:
On the 5th Inſtant a melancholy Accident happened at Grimſthorpe in Lincolnſhire, the Seat of his Grace the Duke Ancaſter:- Mr. Thomas Linley, eldeſt Son of Mr. Linley, one of the Proprietors of Drury-lane Theatre, Mr. Olivarez, an Italian Maſter, and another Perſon, agreed to go on the Lake in his
1081:
s music is even "more fragmentary". Of the overture originally published in 8 parts a bassoon part is missing in the first and third movements. Thanks to the memorial edition of his works in 1780, Tom Linley's full score of his own numbers has survived. In addition to that, an autograph copy of Act
961:
His only surviving violin sonata also attests to Tom Linley's fantastic mastery of the instrument, with phenomenal technical difficulties including playing most of the time at the extreme upper register of the instrument (three octaves above middle C, or even higher), long passages of double-stops,
695:
manner, adapting and arranging famous airs from contemporary operas and other tunes selected by Sheridan and Elizabeth Ann. Music from his father is also present in the work. It opened in Covent Garden in November 1775 to great success, with 75 performances in its first season and a total of 254 in
498:
In Florenz fanden wir einen jungen Engelländer, welcher ein Schüler des Berühmten Violinisten Nardini ist. dieser knab, welcher wunderschön spielt, in des Wolfg: Grösse und alter ist, kam in das Hauß der gelehrten Poetin Sgra Corilla, wo wir uns aus recommendation des Mr: Laugier befanden. diese 2
904:
and the likes, delight with their particularly refined obligato instrumental parts that either playfully intertwine with the singers' voice (for instance, the virtuosic oboe in the airs 'Fly, Damon, to yon secret grove' and 'If thy too-cruel bow be bent') or colour the piece with subtle echoes of
524:
In Florenz fandς wir einς jungς Engelländς, welcher ein Schüler des Berühmtς Violinisten Nardini ist. dieser knab, welcher wunderschön spielt, in des Wolfgς: Grösse und alter ist, kam in das Hauß der gelehrtς Poetin Sgra Corilla, wo wir uns aus recomendation des Mr: Laugier befandς. diese 2 knabς
260:
were selling tickets to the concerts and soon after, as early as 1763, they were performing in front of full houses with their other siblings. Anything earned by the children was commandeered by Linley the elder and the talented youngsters quickly became a major source of income allowing the
2056:
On Wedneſday the 5th Inſtant, Mr. Thomas Linley, eldeſt Son of Mr. Linley, one of the Proprietors of Drury-lane Theatre, fell out of a Boat into a Lake belonging to his Grace the Duke Ancaſter, at Grimſthorpe in Lincolnſhire, and was unfortunately drowned. The Circumſtances of his Death are thus
637:
Rauzzini and Miſs Linley, and Inſtrumental Pieces by Meſſrs Giardini, Fiſcher, and Croſdill. On the Thursday morning, at the Cathedral, Mr Handel's Dettingen TE DEUM and JUBILATE and CORONATION ANTHEM, and an ANTHEM compoſed by Mr. Linley, jun.- In the evening, at the Booth-hall, the Oratorio of
630:
GLOCESTER MUSIC MEETING. THE Meeting of the Three Choirs of Gloceſter, Worceſter and Hereford, for the Benefit of the Widows and Orphans of the poor Clergy of the three dioceſes, will be held at Gloceſter, on Wedneſday the 13th day of September, and the two following days. At the Cathedral, on
236:
and of a modest background (Tom's grandfather was a carpenter/builder whose business later flourished thanks to Bath's urban development), the Linleys quickly became the most prominent artists among the community of musicians providing entertainment to the wealthy tenants of the elegant
3121:. ROYAL MUSIC COLLECTION. Linley (Thomas) Junior The Song of Moses; 1780. Anthem for solo voices and choir; with symphonies and accompaniment for oboes, bassoons, trumpets, horns, timpani, strings, and a figured bass for organ, in score. In the hand of J.S. Gaudry. 1780. R.M.21.h.9.
953:
and many others – pervades the whole composition, however Linley's imaginative and creative writing also transpires in his way of mixing passages of extreme technical demands on the soloist (virtuosic and complex musical lines set above the 5th position, long continuous passages of
2078:
the wind being high, the veſſel ſunk, and Mr. Linley, in endeavouring to ſwim on ſhore, was unfortunately drowned. His body was taken up in about 40 minutes, and every poſſible method (according to Mr. Hawes's plan) uſed for his recovery; but unfortunately without ſucceſs.
3303:. ROYAL MUSIC COLLECTION. Linley (Thomas) Junior Let God Arise; 1780. Anthem, with an overture, for solo voices and chorus; with symphonies and accompaniment for flutes, oboes, trumpets, horns, timpani and strings, in score. In the hand of J.S. Gaudry. 1780. R.M.21.h.8.
900:'s later music as well as the Italian operatic music still very much en vogue at the time, is full of creativity, freshness and renewed ingenuity. For instance, his orchestral cantatas, in the style of the ones composed by Arne and others for the pleasure gardens of
1059:
Linley Sr eventually agreed to go to London to assist with the rehearsals, but he "insisted for the Linley name not to be associated with the opera". Composer Andrew Edwards suggests that, though pasticcios of the kind were common practice, Linley Sr seems to have
3415:. ROYAL MUSIC COLLECTION. Linley (Thomas) and (Thomas) Junior . Part Songs; 18 th century-19th century. A volume entitled 'Elegys, etc composed by Thos Linley Senr & Junr'; for several voices, unaccompanied or with bass for harpsichord, in score. R.M.22.g.18.
510:
estellt seye, so kamm er morgens um 9 uhr, und gab dem Wolfg: unter vielen Umarmungen folgende Poesie, die die Sgra Corilla den Abend vorhero ihm noch machen muste, und dann begleitete er unsern wagen bis zum Stattthore. Ich wünschte, daß du diese Scene gesehen
3271:. Cooke: Honour, riches, marriage-blessing. Juno, Ceres and chorus – Davy: The tempest – Purcell: Come unto these yellow sands ; Full fathom five – Smith: No more dams I'll make for fish – Linley: O, bid your faithful Ariel fly. London: Samuel French. 1934.
536:
ge= stellt seye, so kam er morgens um 9 uhr, und gab dem Wolfgς: unter vielς Umarmungς folgende Poesie, die die Sgra Corilla den Abend vorhero ihm noch machς muste, und dan begleitete er unsern wagς bis zum Stattthore. Ich wünschte, daß du diese Scene gesehς
589:
by his sister Elizabeth and his brother Samuel. The same year he became a leader at Drury Lane until his death in 1778. There, he often played concertos between the acts of operas and oratorios. 1773 also saw the birth of his first large scale work, the ode
912:
The vocal and orchestral writing in his stage works also displays qualities found in music usually composed by more mature composers; his ability to intensify the protagonists' characterisations is certainly a very remarkable one. The music to
846:
Tom Linley's music is both typical of works by English composers of his time and remarkably idiosyncratic for a composer who died at such a young age. A significant number of Linley's compositions have been lost, including many in the
3638:
An eighteenth-century musical tour in France and Italy, being Dr. Charles Burney's account of his musical experiences as it appears in his published volume with which are incorporated his travel experiences according to his original
750:
His merit, even at this early time of life, is certainly sufficient to challenge the warmest encouragement from the public, even though our Amateurs should not yet be brought to overlook the misfortune of his being – an Englishman".
198:
and his wife Mary Johnson. He was one of the most precocious composers and performers that have been known in England. A highly talented violinist, Tom Linley was also the most promising of all native English composers between
962:
rapid arpeggios across the full register of the instrument, quick jumps of more than two octaves, fast scales in alternate octaves, etc, making it quite a bravura piece in the spirit of a capriccio, despite its sonata form.
3529:
Reminiscences of Michael Kelly of the King's Theatre and Theatre Royal Drury Lane, Including a Period of Nearly Half a Century with Original Anecdotes of Many Distinguished Persons, Political, Literary, and Musical, Volume
2647:
Reminiscences of Michael Kelly of the King's Theatre and Theatre Royal Drury Lane, Including a Period of Nearly Half a Century with Original Anecdotes of Many Distinguished Persons, Political, Literary, and Musical, Volume
2119:
Despite its remarkable quality and idiosyncrasies, the music of Tom Linley is not widely known. There are however a few commercial recordings in existence, most of them published by the independent British classical label
940:
His only surviving violin concerto was most probably composed after his return from Italy as it has little to do with concertos he would have known before. The en-vogue Italianate galant style – inspired by the likes of
2091:
Tom's death was a shock to his contemporaries and was immediately recognised as both a human tragedy and a tragedy for the Arts and for English music in particular. A memorial edition of his works was commissioned by
617:
of 26 August 1775 an advertising for that prestigious event shows that Tom, who had only just turned 19, was reckoned to have his rightful place among the greatest names, his anthem sitting in the program between
207:, combining prodigious talent with a delightful personality. He is sometimes referred to as the "English Mozart". His early promise was cut short when he drowned in a boating accident, aged just 22 years.
3684:
A monody (after the manner of Milton's Lycidas) on the death of Mr. Linley; who was drowned August the 5th, 1778, in a canal at Grimpsthorpe, in Lincolnshire, the Seat of his Grace the Duke of Ancaster
572:
t capital players on the violin in this kingdom" in a review of a concert given on 10 September 1774 in Winchester at the occasion of a three day musical festival. The composer Matthew Cooke, whose
3232:
ROYAL MUSIC COLLECTION. Linley (Thomas) and (Thomas) Junior The Duenna; 18th century. Music to the Duenna, a copy of the 1775 edition, lacking the overture. In score, with violins and figured bass
476:
In Florence we found a young Englishman who is a pupil of the famous violinist Nardini. This boy, who plays beautifully and is of Wolfgang's size and age, came to the house of the learned poetess
1769:(libretto by Sheridan, after Shakespeare). 1777. (Ariel's first air "O Bid Your Faithful Ariel Fly", "Come Unto These Yellow Sands" and "Hark, hark, the watch-dogs bark" and the Storm chorus)
1034:
With the date of the premiere approaching and not much work completed, Linley Sr resolved to ask his son Tom Linley to help with composing the music. Tom ended being the chief contributor to
2666:
2060:
for the Loſs of ſo valuable a Brother; and Yeſterday Mr. Linley his father whoſe Sufferings on the Occaſion no Language can expreſs, went down to pay the laſt Tribute to a beloved Son.
3717:
P. Overbeck: Die Chorwerke von Thomas Linley dem Jüngeren (1756 - 1778) : Analyse, Vergleich, kompositorisches und biographisches Umfeld (Hildesheim; Zürich : Olms, 2000)
1085:
The list of music and composers below was established by Andrew Edwards based on "the volumes of Tom's music which Thomas Senior and George III commissioned after his death and on
564:
Upon his return from Italy in 1771 Tom was soon recognised as one of the best violin virtuosos in Britain and quickly became a leading figure in London's musical life, leading the
2738:(in German). Letter to Anna Maria Walpurg Mozart and Maria Anna Mozart. Mozarteum Foundation Salzburg and The Packard Humanities Institute Salzburg. No. 177 (Bd. 1, S. 337–340).
2226:
1069:
If the original text of Sheridan's libretto rapidly slipped into unreliable, corrupted and "debased" versions due to its complex copyright and publication history, according to
3902:
1027:, created in January 1775, had been such a great success that they thought that a new comedy by the same author, to which would be added musical interludes, could not fail.
969:"shows Tom becoming more experimental, particularly in his writing for brass and winds." Conductor Peter Leech adds that "it is tempting to speculate about the directions
917:, though written in haste, has been reckoned to not only "save the comic opera from shallowness", but be the main reason of its success. However, it is to be noted that
400:
how, 10 years later, when he met Nardini, the latter "spoke with great affection of his favourite scholar, Thomas Linley, who, he said, possessed powerful abilities".
857:
and editor of some of his music), the works that survived attest to "his fluent and congenial melody, his contrapuntal facility, and his imaginative orchestration."
2277:("Come Unto these Yellow Sands" and "Faithful Ariel") – wrongly attributed by the publisher to Thomas Linley the elder – are available on the label Navona Records:
1741:
Stage director: Michael Barker-Caven. Designer: Adam Wiltshire. Lighting Designer: Guy Hoare. Assistant Director: Oliver Baird. Movement Director: Yael Loewenstein.
576:
preserved inside the covers of a score of one of Linley's works is one of the scarce first-hand sources of biographical information about Tom Linley, states that "
2088:
parish church but parish records seem to indicate that he was not buried there. Local rumour has it that his body may have been taken to Bath to be interred.
2004:
435:
546:
According to the Mozart-Linley-Kraus 250th Anniversary Festival press release, Linley kept a letter he received from Mozart for the rest of his life.
754:
According to Matthew Cooke, by this time ("between the years 1771 and 1776"), Tom Linley had "composed no less than Twenty Concertos for the violin
797:
deemed "one of the most remarkable achievements in English music". According to the Mozart-Linley-Kraus 250th Anniversary Festival press release, "
3692:
Troost, Linda V. (1986). "The Characterizing Power of Song in Sheridan's The Duenna". Eighteenth-Century Studies. 20 (2): 153–172. ISSN 0013-2586.
2442:
853:
3115:"ROYAL MUSIC COLLECTION. Linley (Thomas) Junior . The Song of Moses; 1780. Anthem for solo voices and choir; with symphonies and accompaniment"
554:
3443:
Primroses deck the bank's green side: song / the air by Thomas Linley; words anonymous; arranged and the accompaniment composed by Ella Ivimey
3297:"ROYAL MUSIC COLLECTION. Linley (Thomas) Junior . Let God Arise; 1780. Anthem, with an overture, for solo voices and chorus; with symphonies"
661:
The New Rooms at Bath. Publish'd March 3d 1779 & sold by T. Malton in Poland Street, & J. Gandon No. 48 Broad Street, Carnaby Market.
789:
at the Drury Lane theatre in 1777 gave Tom the opportunity to compose new incidental music for it, including, in lieu of the first scene, a
4356:
3795:
4381:
3075:
4426:
3838:
3441:
3266:
1073:(editor of Tom Linley's music for some of the Hyperion recordings and author of the first critical edition of Tom Linley's 1778 opera
4366:
3738:
3148:
The Duenna or double elopement, a comic-opera as performed at the theatre royal in Covent Garden for the voice, harpsichord or violin
2336:
315:
From then on, their father always asking for higher fees for them, Tom and his siblings started to appear further afield, notably in
3212:"The Duenna, English Touring Opera, Linbury Studio Theatre: A britch-splitting delight of a comedy heralds the festive season early"
998:
with John Quick as Isaac and Jane Green as the Duenna. (William Paulet Carey print from Thomas Rowlandson, 1784, The British Museum)
691:, who wrote the play, and Tom Linley who produced the majority of the music, composing some (for instance the overture), and, in a
3533:
2651:
432:
welcher wunderschön spielt" (a very dear boy who plays beautifully). He thus details the whole episode between Tom and Wolfgang:
732:
of 21 March 1776 which declares that "The composition must be allowed to be an extraordinary effort of genius in so young a man
715:. It was so successful that it remained on stage all over Britain for more than 60 years, until the middle of the 19th century.
4396:
229:
was the most fashionable city in late 18th-century England and, in Bath, the Linleys were the most influential musical family.
4416:
4371:
3618:
2687:
2389:
4411:
4401:
4361:
1306:
848:
3334:"ROYAL MUSIC COLLECTION. Linley (Thomas) Junior . Ode and violin music; 1779, 1780. In score. In the hand of J.S. Gaudry"
655:
32:
4376:
832:
300:
Linley, a child of ſeven years old. End of the 2nd Act an Elegy of Jackson's by Mr. and Maſter Linley and Mr. Higgins
256:
in 1771. He soon put his children, whose musical education he supervised, to work. First, in 1762, Tom and his sister
3864:
3595:
2715:
2303:
648:
3846:
3764:
3211:
878:
4431:
4391:
3788:
2231:
1988:
composed by 1775. Only the violin concerto in F survives complete. (The third movement of his father's overture to
248:, who worked as a music and singing teacher, took over the management of the musical performances held at the
3744:
2764:
2256:
4351:
3366:"ROYAL MUSIC COLLECTION. Linley (Thomas). Verses to the Memory of Garrick; 1780. A monody, the words by Sheridan"
747:
shews this young composer has the brilliancy and warmth of invention so peculiar attendant on the spring of life
3507:
3482:
3457:
2938:
2921:
2903:
2786:
3842:
800:
was performed in London representations of that play for about forty years after Linley's death, before it was
309:
2625:
2466:
663:(James Gandon, 1779, The BL King's Topographical Collection, British Library shelfmark: Maps K.Top.37.26.a.3.)
3734:
3192:
892:
His vocal writing and the sophisticated orchestration of his vocal music, though rooted in the influence of
3672:
3162:
2735:
4421:
4406:
3781:
4299:
3426:
3383:
3351:
3314:
3282:
3132:
3040:
2851:
1066:
put together", however the subject of the play – as mentioned above – might also have played its part.
860:
Not unlike other English composers of the second half of the 18th century, the inevitable influence of
631:
Wedneſday morning, a Sermon will be preached by the Hon. and Right Reverend the Lord Biſhop of Landaff
3572:
3409:"ROYAL MUSIC COLLECTION. Linley (Thomas) and (Thomas) Junior . Part Songs; 18 th century-19th century"
366:
all beyond expectation, and discover extraordinary abilities in one, who must be considered a child".
4224:
4005:
2311:
2134:
1008:
712:
688:
677:
643:
2103:
remembers how, in about 1786 after a concert in Vienna, he happened to be sitting at supper between
2019:
in Lincolnshire, when he drowned in a boating accident "just three months after his 22nd birthday".
215:
3827:
2249:
1855:
1562:
930:
305:
3759:
3754:
3661:
3408:
3365:
3333:
3296:
3250:
3230:
3114:
3022:
2833:
2337:
https://www.dulwichpicturegallery.org.uk/explore-the-collection/301-350/thomas-linley-the-younger/
2011:
and "his Companion Mr. Olivarez, Italian Master" – maybe the Spanish violin virtuoso and composer
1070:
416:
Mozart left for Rome was a difficult moment for the both of them, with "a melancholy Thomas follow
3895:
3831:
3642:
2671:
2104:
1502:
1234:
905:
poetically charged evocations (the french horn in the air 'Wrapt close from harm' in the cantata
804:
586:
477:
404:
351:
245:
195:
123:
52:
2381:
4386:
4325:
3682:
585:
In 1773, one of Tom's cantatas ("In Yonder Grove") was performed at his benefit concert at the
388:
Between 1768 and 1771, Tom journeyed to Italy to further study the violin and composition with
2816:
2736:"Roma dς 21 aprilis 1770. Dein Schreibς vom 2tς und das vom 6tς sind, so viel ich vermuthe..."
2679:
4254:
3524:
2642:
2100:
2012:
1737:
1017:
893:
595:
393:
327:
162:
3080:. Musical Times Supplement, September 1978. Alinda's form; Hark! the birds. London: Novello.
1919:
1814:
429:
writes in one of his letters to his daughter Anna Maria, that he is "ein allerliebster Knab
4346:
4341:
4015:
773:
257:
138:
3714:
H.D. Johnstone and R. Fiske, eds.: Music in Britain: the Eighteenth Century (Oxford, 1990)
3702:
G. Beechey: Thomas Linley, Junior: his Life, Work and Times (diss., U. of Cambridge, 1965)
3655:
Beechey, G. (1968). Thomas Linley, Junior. 1756–1778. The Musical Quarterly, 54(1), 74–82.
2196:
2187:
2178:
2168:
2140:
2128:
8:
2834:"'O Gaurdian (sic) of that sacred land': Ode 'to the Witches and Fairies of Shakespeare'"
2201:
1790:
1702:
370:
331:
253:
41:
1870:(libretto by R. B. Sheridan), recited with musical sections for solo voices and chorus.
3276:
3156:
3058:. Musica Britannica; 30. Ode on the spirits of Shakespeare. London: Stainer & Bell.
3023:"Incidental music in 'The Cadi of Bagdad'. An opera in 3 acts by Thomas Linley, junior"
2986:
2447:
2217:
2016:
934:
599:
94:
2961:
Troost, Linda V. (1986). "The Characterizing Power of Song in Sheridan's The Duenna".
2372:
Beechey, Gwilym; Troost, Linda (2001). "Linley, Thomas (ii)". In Troost, Linda (ed.).
772:
In 1777 he composes what is usually viewed as his master-piece: an oratorio about the
3624:
3614:
3591:
3420:
3377:
3345:
3308:
3126:
3034:
2978:
2882:
2845:
2711:
2683:
2385:
1620:
1012:
607:
374:
1761:(comic opera, libretto by R. B. Sheridan). 1775. (Overture, songs, ensembles, etc.)
4313:
3568:
2970:
2874:
2812:
2675:
2377:
2208:
Another recording of Linley's Violin Concerto in F major is available on the label
2165:) Julia Gooding, The Parley of Instruments, Paul Nicholson (Helios, CDA66767, 2006)
2121:
2108:
1655:
1532:
1054:
by Tom Linley (First page of the vocal score published by C.&S. Thompson, 1776)
901:
851:. However, according to Gwilym Beechey (author of the article on Tom Linley in the
728:
718:
From then on the scale of Tom's works expends dramatically. In 1776, he writes his
619:
440:
Mozart, at the keyboard, and Tom Linley, playing the violin, in Florence (c. 1770)
276:(born 1760) was a talented oboist before becoming a sailor. His youngest brother,
4045:
3699:
C. Camden: 'Songs and Choruses in The Tempest', Philological Quarterly, 61 (1962)
3674:
Reminiscences of Michael Kelly of the King's theatre and Theatre Royal Drury Lane
3146:
2315:
2287:
2237:
2222:
2067:
1836:
950:
926:
623:
316:
312:
at the time, took him under his wing and Tom studied with him from 1763 to 1768.
284:
233:
2281:
2194:
His only surviving violin concerto (Violin Concerto in F major) is available on
989:
875:
has a grandeur and sweep that makes its subsequent neglect hard to understand."
606:
in 1775 with additional arias, some of which probably composed for the castrato
411:
in September of the same year. In reference to Linley, Burney later wrote, "The
4264:
3610:
2731:
2509:
2266:
2209:
2046:
1778:
942:
918:
697:
613:
426:
408:
389:
277:
249:
238:
226:
171:
75:
3649:
4335:
4234:
3578:
3552:
2982:
2886:
2517:
2307:
2027:
1718:
946:
708:
642:
Tom carried on performing under his father both in Bath and in London at the
273:
200:
150:
3628:
2765:"Mozart-Linley-Kraus 250th Anniversary Festival (1756–2006) – Press Release"
2602:
Thomas Linley: Music for the Tempest, Overture to The Duenna, Three Cantatas
1827:(anthem, Psalm 68) for 2 sopranos, tenor, bass, chorus and orchestra. 1773.
1804:
4244:
3650:
Mozart Letters and Documents (Mozart Briefe und Dokumente) – Online Edition
2489:
2443:"Thomas Linley: how the 'English Mozart' died aged 22 in a boating tragedy"
1992:(1781) is allegedly an adaptation from another of Tom Linley's concertos.)
1876:
1839:) for 2 sopranos, tenor, bass, chorus and orchestra. 1776. (Also known as:
1486:
269:
204:
156:
2878:
676:
of 29 February 1776 in a glowing review of the representation of Handel's
4035:
3750:
Thomas Linley the Younger on the Eighteenth Century English Music website
3711:
G. Beechey: 'Thomas Linley, 1756–78, and his Vocal Music', MT, 119 (1978)
2008:
1045:
955:
897:
794:
785:
280:(born 1771) would also be a musician and, later in his life, a composer.
265:
144:
2990:
2772:
2093:
1023:
1015:
director's enthusiasm; almost 50 years had passed since the success of
984:
922:
704:
603:
3468:. Vol. XLVII, no. 2416. Drewry's. 14 August 1778. p. 1.
3654:
1841:
A Lyric Ode on the Fairies, Aerial Beings, and Witches of Shakespeare
692:
343:
3816:
2974:
2130:
A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare
350:
and played the violin. He must have made quite an impression as the
1793:). Created posthumously to Tom Linley's death, in 1782. (Overture)
1042:
by deepening the characterisation of the protagonists of the play.
347:
320:
283:
Tom, whose abilities were apparent from a very young age, played a
272:(born 1763) – were accomplished singers and actresses. His brother
3749:
2204:, The Parley of Instruments, Peter Holman (Helios, CDH55260, 2008)
2173:, The Parley of Instruments, Peter Holman (Helios, CDA67038, 2008)
1021:, and comic operas had lost their popularity. But Sheridan's play
975:
965:
The orchestration in his last major work, the incidental music to
493:
Bevor ich schlüsse, muß ich dir eine artige Begebenheit schreiben.
252: in Bath in 1766 and then became musical director of the New
2085:
519:
Bevor ich schlüsse, muß ich dir eine artige Begebenheit schreibς.
288:
3562:
505:
da er aber vernahm, daß unsere Abreise erst auf den Mittag vestg
472:
Before closing, I must tell you of a charming little occurrence.
220:
Elizabeth (14 y. old) with Thomas (12) by Gainsborough, ca. 1768
929:
regarded Sheridan's text as among the finest comedies and that
861:
531:
da er aber vernahm, daß unsere Abreise erst auf den Mittag vest
339:
2022:
The press reported the circumstances of his death as follows:
261:
family finances to prosper and raising their social standing.
3705:
G. Beechey: 'Thomas Linley, Junior, 1756–1778', MQ, 54 (1968)
3691:
3745:
Mozart-Linley-Kraus 250th Anniversary Festival press release
3176:
Davies, William (2010). "Recreating a text for The Duenna".
2865:
BEECHEY, GWILYM (1968). "THOMAS LINLEY, JUNIOR. 1756–1778".
2793:. Vol. XIV, no. 726. 15 September 1774. p. 2.
2176:
The song "To heal the wound a bee had made" is available on
972:
musical imagination would have taken", had he lived longer.
780:, which is reprised in 1778 in a slightly modified version.
724:
Ode on the Witches, Fairies and Aerial Beings of Shakespeare
3151:. London, No.13 Hay Market: Broderip & Wilkinson. 1800.
2945:. Vol. XVI, no. 802. 29 February 1776. p. 2.
672:
But Tom also occasionally "led the band", as stated by the
582:
was one of the most eminent Violin Performers of the age."
241: famously described them as "a Nest of Nightingales".
3549:
New Grove Dictionary of Music and Musicians, 2ª Ed. (2001)
2663:
1881:
The Posthumous Vocal Works of Mr. Linley and Mr. T. Linley
2283:
The Shakespeare Concerts Series, Vol. 5: Full Fathom Five
793:("Arise, ye spirits of the storm") that the musicologist
2179:
Enchanting Harmonist – A soirée with the Linleys of Bath
1813:, a madrigal by Tom Linley presented by Sheridan to the
3760:
1775 Chamber edition of the musical score to The Duenna
3532:. London: Henry Colburn, New Burlington Street (1826).
2927:. Vol. XV, no. 752. 16 March 1775. p. 3.
2650:. London: Henry Colburn, New Burlington Street (1826).
3493:. No. 1320. Jackson's. 15 August 1778. p. 2.
2664:
Gwilym Beechey; Linda Troost (2001). "Linley family".
2552:
2550:
2514:
An Eighteenth-century Musical Tour in France and Italy
4297:
3663:
A Short Account of the Late Mr. Thomas Linley, Junior
3557:
2562:
2182:, Rufus Müller, Invocation (Hyperion, CDA66698, 1993)
726:. The piece attracts the most enthusiastic review in
602:. The piece will be reprised at the same festival in
2523:
549:
3006:
Short Account of the late Mr. Thomas Linley, Junior
2547:
2535:
2424:Edwards, Andrew (2010). "The music of The Duenna".
1671:Friars' Glee: "This bottle's the sun of our table"
711:allegedly lost most of his audience at the nearby
579:industry and perseverance made him indefatigable.
574:Short Account of the late Mr. Thomas Linley Junior
3696:R. Fiske: 'A Score for The Duenna', ML, 42 (1961)
354:of 3 February 1767 said of his performance that "
4333:
3100:. London: Hyperion Records. p. 4. CDA67038.
2496:. London: Hyperion Records. p. 2. CDA66865.
864:is evident in his choral works (for instance in
342: written for the entertainment of the
3228:
2922:"Bath. At the New Rooms, on Friday March 17..."
2484:
2482:
2480:
2191:, The Locatelli Trio (Hyperion, CDA66583, 1992)
1887:1798) and other separate songs, madrigals etc.
707:brought his family to see it several times and
346:, in which Tom sang the part of Puck, danced a
3074:Linley, Thomas (1978). Beechey, Gwilym (ed.).
3054:Linley, Thomas (1970). Beechey, Gwilym (ed.).
2505:
2503:
2294:The aria "O bid your faithful Ariel fly" from
1724:Don Jerome, Louisa, Ferdinand, Clara, Antonio
646:. For instance, on Thursday 16 March 1775 the
3789:
3229:Linley, Thomas Jr; Linley, Thomas (c. 1780).
2806:
2371:
1924:Madrigal in G major (5 voices, unaccompanied)
738:the song "There in old Arden's inmost shade"
700:declared it one of "the best two comedies of
2477:
2318:(Eloquence, ELQ4824765, Decca 4824765, 1961)
2258:A Shakespeare Ode on the Witches and Fairies
1787:The Triumph of Mirth, or Harlequin's Wedding
1603:"Shall not my soul" & "Sharp is th woe"
816:Contrary to the prior resounding success of
783:Sheridan's production of Shakespeare's play
769:received with the most unbounded applause."
363:singing, playing on the violin, and dancing
186:(7 May 1756 – 5 August 1778), also known as
3845:. Unsourced material may be challenged and
3722:Tomassino: The Enigma of the English Mozart
3440:Linley, Thomas (1938). Ivimey, Ella (ed.).
3235:(Manuscripts). British Library, R.M.22.c.3.
2807:Diack Johnson, H (2001). "Cooke, Matthew".
2500:
2290:, Ian Watson (Navona Records, NV5996, 2015)
2185:A Violin Sonata in A major is available on
1952:Primroses deck the bank's green side. Song.
1941:Ye Nymphs of Albion's beauty-blooming isle.
837:A page from the manuscript of Tom Linley's
380:bound for Italy at the first opportunity".
264:Tom's sisters – Elizabeth Ann (born 1754),
3796:
3782:
3755:1776 Edition of the libretto of The Duenna
3190:
2298:is also available on the label Eloquence:
2159:Ye Nymphs of Albion's beauty-blooming isle
1918:Madrigal presented by Mr. Sheridan to the
907:Ye nymphs of Albion's beauty-blooming isle
559:View of Theatre Royal, Drury Lane, ca.1776
31:
16:English composer and violinist (1756–1778)
3865:Learn how and when to remove this message
3739:International Music Score Library Project
3191:Billington, Michael (29 September 2010).
2382:10.1093/omo/9781561592630.013.90000380319
2137:, Paul Nicholson (Helios, CDA66613, 2005)
369:In May 1768, the famous portrait painter
3735:Free scores by Thomas Linley the younger
2604:. Hyperion Records. p. 3. CDA66767.
2464:
1979:, 1769. (Only the sonata in A survived)
1803:
1044:
988:
877:
831:
654:
553:
434:
214:
3765:The Linleys of Bath by Clementina Black
3585:
3209:
2864:
2817:10.1093/gmo/9781561592630.article.06398
2680:10.1093/gmo/9781561592630.article.16713
2568:
2541:
2529:
2423:
1943:Cantata (voice, french horn, orchestra)
1247:Trio: "What vagabonds"/"Adieu Antonio"
1088:the manuscript sources by Roger Friske
4334:
3708:R. Fiske: 'The Duenna', MT, 117 (1976)
3635:
3604:
3439:
3268:The vocal music to Shakespeare's plays
3248:
3210:Coghlan, Alexandra (14 October 2010).
3175:
3109:
3107:
3095:
3073:
3053:
3017:
3015:
2960:
2956:
2954:
2952:
2898:
2896:
2802:
2800:
2730:
2705:
2599:
2488:
2304:Eighteenth-Century Shakespearean Songs
1879:, elegies and songs etc, published in
741:would not disgrace a Sacchini or Bach
735:the fugue of the overture is masterly
486:I wished that you had seen this scene.
330:, along with his sister Elizabeth, in
291:on 29 July 1763 at the age of only 7.
4273:
4271:
4263:
4261:
4253:
4251:
4243:
4241:
4233:
4231:
4223:
4213:
4211:
4205:
4203:
4201:
4199:
4193:
4191:
4185:
4183:
4181:
4175:
4173:
4167:
4165:
4077:
4067:
4065:
4049:
4044:
4034:
4032:
4024:
4022:
4014:
4004:
3962:
3924:
3922:
3920:
3918:
3916:
3914:
3901:
3894:
3892:
3890:
3888:
3886:
3884:
3882:
3880:
3670:
3659:
3567:
3563:Library of The Royal Academy of Music
3403:
3401:
3399:
3397:
3395:
3393:
3328:
3326:
3324:
3244:
3242:
3091:
3089:
3087:
3069:
3067:
3065:
2828:
2826:
2759:
2757:
2755:
2753:
2751:
2749:
2747:
2745:
2657:
2623:
2619:
2617:
2615:
2613:
2611:
2595:
2593:
2591:
2589:
2587:
2585:
2583:
2581:
2579:
2577:
2556:
2465:Morrison, Richard (15 October 2010).
2460:
2458:
2437:
2435:
2419:
2417:
2415:
2413:
2411:
2409:
2407:
2405:
2403:
2401:
2367:
2365:
2170:The Song of Moses & Let God arise
1960:
1777:(afterpiece comic opera, libretto by
652:published the following advertising:
194:, was the eldest son of the composer
3843:adding citations to reliable sources
3810:
2363:
2361:
2359:
2357:
2355:
2353:
2351:
2349:
2347:
2345:
2286:, Andrea Chenoweth, Stephen Hammer,
1937:Cantata (voice, oboe, and orchestra)
1929:Alinda's form as I survey'. Madrigal
1799:
1685:Duet:"Turn thee round, I pray thee"
1289:"Friendship is the bound of reason"
1157:Other composers (arranger uncertain)
1102:
419:the Mozarts' coach as they departed
4357:18th-century British male musicians
3178:English Touring Opera – Autumn 2010
3104:
3077:Two madrigals [SSAB, SSATB]
3012:
2949:
2893:
2797:
2426:English Touring Opera – Autumn 2010
2269:(Philips Classics, 446–689–2, 1998)
2188:English 18th-century Violin Sonatas
1545:"O had my love ne'er smiled on me"
1411:Trio: "May'st thou never happy be"
703:age". Its popularity was such that
383:
304:Tom started to compose soon after.
13:
4382:English Classical-period composers
3390:
3321:
3239:
3084:
3062:
2823:
2742:
2608:
2574:
2494:English Classical Violin Concertos
2455:
2432:
2398:
2197:English Classical Violin Concertos
2163:Daughter of Heav'n fair art though
1947:Daughter of Heav'n fair art though
1707:Ferdinand, Antonio, Louisa, Clara
1633:"How oft, Louisa, hast thou said"
1303:"Tho' cause for suspicion appear"
1052:The Duenna or The Double Elopement
1007:was not an easy one, despite both
978:The Duenna or The Double Elopement
841:, possibly in the composer's hand.
685:The Duenna or the Double Elopement
14:
4443:
4427:British male classical violinists
3728:
3193:"The Duenna's 230-year elopement"
3098:The Song of Moses – Let God arise
3003:
2943:Bath Chronicle and Weekly Gazette
2342:
2124:and its subsidiary label Helios.
1483:"Ah, sure a pair was never seen"
1372:Irish air ("The harp that once")
744:the oboe song in the second part
674:Bath Chronicle and Weekly Gazette
649:Bath Chronicle and Weekly Gazette
566:Bath Chronicle and Weekly Gazette
550:Career as a musician and composer
295:thus advertised on 25 July 1763:
4367:English male classical composers
4319:
4307:
3815:
2910:. No. 1165. 26 August 1775.
2630:Eighteenth Century English Music
2624:Slade, Roger (15 January 2013).
827:
568:to qualify him as "one of the mo
425:About Tom, "der kleine Tomaso",
3518:
3500:
3475:
3450:
3433:
3358:
3289:
3259:
3222:
3203:
3184:
3169:
3139:
3047:
2997:
2931:
2914:
2858:
2779:
2724:
2699:
2636:
2520:; Oxford University Press, 1959
2099:In his memoirs the Irish tenor
1949:. Cantata (voice and orchestra)
1868:Verses to the Memory of Garrick
1721:("Now is the month of Maying")
1699:"Oft does Hymen smile to hear"
1559:Trio: "Soft pity never leaves"
1163:Folk tunes (arranger uncertain)
824:(1778) was a relative failure.
422:" They would never meet again.
3252:A collection of dramatic music
2467:"The Duenna at Linbury Studio"
2330:
2240:(Oehms Classics, OC 753, 2010)
2114:
1750:
1575:"O the days when I was young"
1261:"Could I each fault remember"
1143:Thomas Linley Sr (arranged by)
1136:Thomas Linley Sr (composed by)
1063:of the way the music had been
887:, in the hand of J. S. Gaudry.
1:
4397:Musicians from Bath, Somerset
3543:
2227:Bayerische Kammerphilharmonie
1521:Ferdinand, Isaac, Don Jerome
1003:The birth of the comic opera
210:
45:
4417:English classical violinists
4372:Accidental deaths in England
3607:Mozart: A Cultural Biography
3514:. 15 August 1778. p. 4.
2710:. San Diego, USA: Harcourt.
2708:Mozart: A Cultural Biography
2142:Cantatas & Theatre Music
1875:ca. 13 cantatas, madrigals,
1567:Louisa, Don Carlos, Antonio
1529:"What bard O Time discover"
1253:Don Jerome, Antonio, Louisa
687:was a collaboration between
7:
4412:English classical musicians
4402:British classical musicians
4362:18th-century English people
3770:
2811:. Oxford University Press.
2626:"Thomas Linley the Younger"
2376:. Oxford University Press.
1499:Duet "Believe me good sir"
1275:"I could never lustre see"
1217:Serenade "Tell me my lute"
1121:Tom Linley Jr (arranged by)
1114:Tom Linley Jr (composed by)
310:Master of the King's Musick
10:
4448:
3677:. New York, Da Capo Press.
3249:Linley, Thomas Jr (1780).
2963:Eighteenth-Century Studies
2248:is available on the label
2084:Tom's funeral was held at
2071:, Saturday 15 August 1778
2050:, Saturday 15 August 1778:
1617:"By him we love offended"
1515:"A bumper of good liquor"
1417:Louisa, Don Carlos, Isaac
982:
620:Handel's Coronation Anthem
360:be said of the little boy
4377:Child classical musicians
4217:
4215:
4209:
4207:
4197:
4195:
4189:
4187:
4179:
4177:
4171:
4169:
4159:
4157:
4151:
4149:
4147:
4145:
4139:
4137:
4131:
4129:
4127:
4113:
4109:
4107:
4105:
4103:
4101:
4099:
4097:
4095:
4093:
4091:
4089:
4087:
4085:
4083:
4075:
4061:
4053:
4051:
4042:
4012:
4006:Richard Brinsley Sheridan
3998:
3996:
3994:
3992:
3990:
3988:
3986:
3980:
3978:
3976:
3970:
3960:
3956:
3954:
3952:
3950:
3948:
3946:
3944:
3942:
3940:
3934:
3932:
3930:
3899:
3553:British Newspaper Archive
2904:"Glocester Music Meeting"
2312:English Chamber Orchestra
2244:Another recording of the
2135:The Parley of Instruments
1383:"My mistress expects me"
1341:"If a daughter you have"
883:A page from Tom Linley's
326:In 1767, Tom appeared at
184:Thomas Linley the younger
131:
119:
102:
83:
60:
30:
23:
3636:Burney, Charles (1959).
3161:: CS1 maint: location (
2323:
2153:and the three cantatas:
2031:, Friday 14 August 1778:
1998:
1931:(4 voices unaccompanied)
1922:"Hark! Hark! The birds".
1900:Why steals from my bosom
1789:(pantomime, libretto by
1745:
1677:Friar Paul, Masquerader
1650:"Adieu thou dreary pile"
1358:Scottish or English air
373:reported in a letter to
4432:English opera composers
4392:Boating accident deaths
3671:Kelly, Michael (1968).
3660:Cooke, Matthew (1812).
3643:Oxford University Press
3605:Gutman, Robert (2000).
3590:. Allison & Busby.
3496:(subscription required)
3483:"Thursday's Post. from
3471:(subscription required)
3458:"Saturday's Post. from
2939:"Oratorio Intelligence"
2706:Gutman, Robert (1999).
2695:(subscription required)
2672:Oxford University Press
1854:(oratorio, libretto by
1731:Modern representations:
1322:"Thou can'st not boast"
849:Drury Lane Fire of 1809
774:crossing of the Red Sea
405:Wolfgang Amadeus Mozart
403:In Florence, Tom meets
392:in Florence. The Tenor
323:, including in London.
246:Thomas Linley the elder
53:Dulwich Picture Gallery
4352:18th-century composers
3588:Sheridan's Nightingale
3586:Chedzoy, Alan (1998).
3425:: CS1 maint: others (
3382:: CS1 maint: others (
3350:: CS1 maint: others (
3313:: CS1 maint: others (
3281:: CS1 maint: others (
3131:: CS1 maint: others (
3096:Holman, Peter (1998).
3039:: CS1 maint: others (
2850:: CS1 maint: others (
2600:Holman, Peter (1995).
2263:Musicians of the Globe
2151:Overture to The Duenna
2082:
2064:
2042:
2003:Tom was a host of the
1818:
1811:"Hark, Hark the Birds"
1428:"Give Isaac the nymph"
1056:
1000:
937:also set it to music.
889:
843:
820:, his last stage work
682:
665:
640:
561:
442:
302:
222:
2867:The Musical Quarterly
2339:Accessed 8 July 2024.
2147:Music for The Tempest
2073:
2052:
2033:
2013:Juan Oliver y Astorga
1807:
1469:"When a tender maid"
1170:Uncertain attribution
1048:
992:
983:Further information:
894:Johann Christian Bach
881:
835:
667:
658:
628:
557:
438:
297:
218:
188:Thomas Linley, Junior
3839:improve this section
2809:New Grove Dictionary
2374:New Grove Dictionary
1914:(3 voices with bass)
1908:(3 voices with bass)
1902:(3 voices with bass)
1896:(3 voices with bass)
1845:The Shakespeare Ode)
896:'s galant style and
854:New Grove Dictionary
596:Three Choir Festival
3724:(Shelf Lives, 2022)
3574:The Linleys of Bath
3558:The British Library
2879:10.1093/mq/liv.1.74
2451:. 15 November 2021.
2202:Elizabeth Wallfisch
1990:The Gentle Shepherd
1986:20 violin concertos
1703:Francesco Geminiani
1355:"When sable night"
1231:"The Crimson Morn"
1075:The Cady of Bagdad)
967:The Cady of Bagdad,
594:, composed for the
450:English translation
377:that "Tommy Linley
371:Thomas Gainsborough
352:Lloyds Evening Post
254:Bath Assembly Rooms
225:Outside of London,
4422:English violinists
4407:British violinists
3804:Linley family tree
3485:The London Gazette
3460:The London Gazette
3446:. London: Augener.
2925:The Bath Chronicle
2791:The Bath Chronicle
2775:on 18 August 2006.
2667:Grove Music Online
2448:BBC Music Magazine
2017:Grimsthorpe Castle
1961:Instrumental works
1894:When gay Philander
1819:
1775:The Cady of Bagdad
1507:Isaac, Don Jerome
1057:
1018:The Beggar's Opera
1001:
890:
870:The Song of Moses,
844:
839:The Cady of Bagdad
822:The Cady of Bagdad
713:Drury Lane Theatre
696:the 18th century.
666:
562:
443:
407:in April 1770 and
223:
95:Grimsthorpe Castle
4296:
4295:
4284:
4283:
3875:
3874:
3867:
3620:978-0-15-601171-6
3569:Black, Clementina
2734:(21 April 1770).
2689:978-1-56159-263-0
2516:, p. 184; ed. by
2391:978-1-56159-263-0
2218:Mozart in Italien
2080:
2062:
2040:
1996:
1995:
1977:La settima sonata
1958:
1957:
1906:To heal the wound
1852:The Song of Moses
1817:
1800:Other vocal works
1797:
1796:
1728:
1727:
1674:Thomas Linley Sr
1621:Venanzio Rauzzini
1578:Thomas Linley Sr
1518:Thomas Linley Sr
1278:Thomas Linley Sr
1250:Thomas Linley Sr
1182:
1181:
1094:William Davies."
1055:
999:
888:
885:The Song of Moses
842:
778:The Song of Moses
760:performed by him
664:
626:'s new oratorio:
608:Venanzio Rauzzini
571:
560:
544:
543:
539:
532:
527:
521:
513:
506:
501:
495:
466:
459:
452:
441:
221:
181:
180:
4439:
4324:
4323:
4322:
4312:
4311:
4310:
4303:
3878:
3877:
3870:
3863:
3859:
3856:
3850:
3819:
3811:
3798:
3791:
3784:
3775:
3774:
3720:Scotland, Tony.
3688:
3678:
3667:
3646:
3632:
3601:
3582:
3537:
3522:
3516:
3515:
3504:
3498:
3497:
3494:
3479:
3473:
3472:
3469:
3454:
3448:
3447:
3437:
3431:
3430:
3424:
3416:
3405:
3388:
3387:
3381:
3373:
3362:
3356:
3355:
3349:
3341:
3330:
3319:
3318:
3312:
3304:
3293:
3287:
3286:
3280:
3272:
3263:
3257:
3256:
3246:
3237:
3236:
3226:
3220:
3219:
3207:
3201:
3200:
3188:
3182:
3181:
3173:
3167:
3166:
3160:
3152:
3143:
3137:
3136:
3130:
3122:
3111:
3102:
3101:
3093:
3082:
3081:
3071:
3060:
3059:
3051:
3045:
3044:
3038:
3030:
3019:
3010:
3009:
3004:Cooke, Matthew.
3001:
2995:
2994:
2958:
2947:
2946:
2935:
2929:
2928:
2918:
2912:
2911:
2900:
2891:
2890:
2862:
2856:
2855:
2849:
2841:
2830:
2821:
2820:
2804:
2795:
2794:
2783:
2777:
2776:
2771:. Archived from
2761:
2740:
2739:
2728:
2722:
2721:
2703:
2697:
2696:
2693:
2670:(8th ed.).
2661:
2655:
2640:
2634:
2633:
2621:
2606:
2605:
2597:
2572:
2566:
2560:
2554:
2545:
2539:
2533:
2527:
2521:
2507:
2498:
2497:
2486:
2475:
2474:
2462:
2453:
2452:
2439:
2430:
2429:
2421:
2396:
2395:
2369:
2340:
2334:
2250:Philips Classics
2235:
2075:
2054:
2035:
2007:with his sister
2005:Duke of Ancaster
1971:, 1768. (lost?)
1969:6 violin sonatas
1965:
1964:
1935:In Yonder Grove.
1821:
1820:
1808:
1755:
1754:
1736:Oct.-Nov. 2010:
1656:Antonio Sacchini
1592:William Jackson
1589:"Ah cruel maid"
1533:Tommaso Giordani
1455:Thomas Linley Sr
1433:Thomas Linley Sr
1369:"Had I a heart"
1327:Thomas Linley Sr
1235:Thomas Linley Sr
1185:
1184:
1168:
1162:
1156:
1142:
1134:
1120:
1112:
1103:
1049:
993:
882:
836:
729:The Morning Post
722:, also known as
678:Acis and Galatea
659:
569:
558:
534:
530:
522:
517:
508:
504:
496:
491:
462:
455:
448:
445:
444:
439:
396:recounts in his
384:Journey to Italy
336:The Fairy Favour
317:charity concerts
293:The Bath Journal
287:at a concert in
268:(born 1758) and
232:Originally from
219:
90:
70:
68:
50:
47:
35:
21:
20:
4447:
4446:
4442:
4441:
4440:
4438:
4437:
4436:
4332:
4331:
4330:
4326:Classical music
4320:
4318:
4308:
4306:
4298:
4285:
4277:
4275:
4268:
4258:
4248:
4238:
4228:
4225:Thomas Sheridan
4046:Richard Tickell
4039:
4029:
4019:
4009:
3871:
3860:
3854:
3851:
3836:
3820:
3805:
3802:
3773:
3731:
3687:. Wilkie. 1778.
3681:
3621:
3598:
3546:
3541:
3540:
3523:
3519:
3512:Ipswich Journal
3506:
3505:
3501:
3495:
3481:
3480:
3476:
3470:
3456:
3455:
3451:
3438:
3434:
3418:
3417:
3413:British Library
3407:
3406:
3391:
3375:
3374:
3370:British Library
3364:
3363:
3359:
3343:
3342:
3338:British Library
3332:
3331:
3322:
3306:
3305:
3301:British Library
3295:
3294:
3290:
3274:
3273:
3265:
3264:
3260:
3247:
3240:
3227:
3223:
3216:theartsdesk.com
3208:
3204:
3189:
3185:
3174:
3170:
3154:
3153:
3145:
3144:
3140:
3124:
3123:
3119:British Library
3113:
3112:
3105:
3094:
3085:
3072:
3063:
3056:Shakespeare ode
3052:
3048:
3032:
3031:
3027:British Library
3021:
3020:
3013:
3002:
2998:
2975:10.2307/2739153
2959:
2950:
2937:
2936:
2932:
2920:
2919:
2915:
2902:
2901:
2894:
2863:
2859:
2843:
2842:
2838:British Library
2832:
2831:
2824:
2805:
2798:
2785:
2784:
2780:
2763:
2762:
2743:
2732:Mozart, Leopold
2729:
2725:
2718:
2704:
2700:
2694:
2690:
2662:
2658:
2641:
2637:
2622:
2609:
2598:
2575:
2567:
2563:
2555:
2548:
2540:
2536:
2528:
2524:
2508:
2501:
2487:
2478:
2463:
2456:
2441:
2440:
2433:
2422:
2399:
2392:
2370:
2343:
2335:
2331:
2326:
2316:Raymond Leppard
2288:Arcadia Players
2273:Two arias from
2238:Reinhard Goebel
2229:
2155:In Yonder Grove
2117:
2109:Constance Weber
2094:King George III
2068:Ipswich Journal
2001:
1963:
1837:French Laurence
1802:
1753:
1748:
1450:"When the maid"
1307:William Jackson
1183:
1175:
1174:
1166:
1160:
1154:
1147:
1146:
1140:
1132:
1125:
1124:
1118:
1110:
1077:, the state of
987:
981:
935:Roberto Gerhard
830:
720:Shakespeare Ode
705:King George III
671:
552:
386:
375:William Jackson
344:Prince of Wales
285:violin concerto
234:Gloucestershire
213:
177:
126:
115:
98:
92:
88:
79:
72:
66:
64:
56:
48:
26:
17:
12:
11:
5:
4445:
4435:
4434:
4429:
4424:
4419:
4414:
4409:
4404:
4399:
4394:
4389:
4384:
4379:
4374:
4369:
4364:
4359:
4354:
4349:
4344:
4329:
4328:
4316:
4294:
4293:
4287:
4286:
4282:
4280:
4279:
4272:
4270:
4262:
4260:
4252:
4250:
4242:
4240:
4232:
4230:
4221:
4219:
4218:
4216:
4214:
4212:
4210:
4208:
4206:
4204:
4202:
4200:
4198:
4196:
4194:
4192:
4190:
4188:
4186:
4184:
4182:
4180:
4178:
4176:
4174:
4172:
4170:
4168:
4166:
4163:
4162:
4160:
4158:
4156:
4154:
4152:
4150:
4148:
4146:
4144:
4142:
4140:
4138:
4136:
4134:
4132:
4130:
4128:
4126:
4124:
4122:
4120:
4118:
4115:
4114:
4112:
4110:
4108:
4106:
4104:
4102:
4100:
4098:
4096:
4094:
4092:
4090:
4088:
4086:
4084:
4082:
4080:
4078:
4076:
4074:
4072:
4070:
4068:
4066:
4063:
4062:
4060:
4058:
4055:
4054:
4052:
4050:
4048:
4043:
4041:
4033:
4031:
4023:
4021:
4013:
4011:
4002:
4001:
3999:
3997:
3995:
3993:
3991:
3989:
3987:
3985:
3983:
3981:
3979:
3977:
3975:
3973:
3971:
3969:
3967:
3964:
3963:
3961:
3959:
3957:
3955:
3953:
3951:
3949:
3947:
3945:
3943:
3941:
3939:
3937:
3935:
3933:
3931:
3929:
3927:
3925:
3923:
3921:
3919:
3917:
3915:
3912:
3911:
3909:
3906:
3905:
3900:
3898:
3893:
3891:
3889:
3887:
3885:
3883:
3881:
3876:
3873:
3872:
3823:
3821:
3814:
3807:
3806:
3803:
3801:
3800:
3793:
3786:
3778:
3772:
3769:
3768:
3767:
3762:
3757:
3752:
3747:
3742:
3730:
3729:External links
3727:
3726:
3725:
3718:
3715:
3712:
3709:
3706:
3703:
3700:
3697:
3694:
3689:
3679:
3668:
3657:
3652:
3647:
3633:
3619:
3611:Harcourt Brace
3602:
3596:
3583:
3565:
3560:
3555:
3550:
3545:
3542:
3539:
3538:
3525:Kelly, Michael
3517:
3508:"Country News"
3499:
3491:Oxford Journal
3474:
3449:
3432:
3389:
3357:
3320:
3288:
3258:
3238:
3221:
3202:
3183:
3168:
3138:
3103:
3083:
3061:
3046:
3011:
2996:
2969:(2): 153–172.
2948:
2930:
2913:
2908:Oxford Journal
2892:
2857:
2822:
2796:
2787:"Country News"
2778:
2741:
2723:
2716:
2698:
2688:
2656:
2643:Kelly, Michael
2635:
2607:
2573:
2569:Chedzoy (1998)
2561:
2546:
2542:Chedzoy (1998)
2534:
2530:Chedzoy (1998)
2522:
2510:Charles Burney
2499:
2476:
2454:
2431:
2397:
2390:
2341:
2328:
2327:
2325:
2322:
2321:
2320:
2292:
2291:
2271:
2270:
2267:Philip Pickett
2242:
2241:
2223:Mirjam Contzen
2210:Oehms Classics
2206:
2205:
2192:
2183:
2174:
2166:
2138:
2116:
2113:
2047:Oxford Journal
2000:
1997:
1994:
1993:
1981:
1980:
1973:
1972:
1962:
1959:
1956:
1955:
1954:
1953:
1950:
1944:
1938:
1932:
1925:
1915:
1909:
1903:
1897:
1872:
1871:
1864:
1863:
1848:
1847:
1829:
1828:
1809:First page of
1801:
1798:
1795:
1794:
1783:
1782:
1779:Abraham Portal
1771:
1770:
1763:
1762:
1752:
1749:
1747:
1744:
1743:
1742:
1726:
1725:
1722:
1716:
1713:
1709:
1708:
1705:
1700:
1697:
1693:
1692:
1691:Louisa, Clara
1689:
1688:Tom Linley Jr
1686:
1683:
1679:
1678:
1675:
1672:
1669:
1665:
1664:
1659:
1652:
1647:
1641:
1640:
1637:
1634:
1631:
1627:
1626:
1623:
1618:
1615:
1611:
1610:
1607:
1606:Tom Linley Jr
1604:
1601:
1597:
1596:
1593:
1590:
1587:
1583:
1582:
1579:
1576:
1573:
1569:
1568:
1565:
1560:
1557:
1553:
1552:
1549:
1546:
1543:
1539:
1538:
1535:
1530:
1527:
1523:
1522:
1519:
1516:
1513:
1509:
1508:
1505:
1500:
1497:
1493:
1492:
1489:
1484:
1481:
1477:
1476:
1473:
1470:
1467:
1463:
1462:
1457:
1452:
1447:
1441:
1440:
1435:
1430:
1425:
1419:
1418:
1415:
1414:Tom Linley Jr
1412:
1409:
1405:
1404:
1401:
1400:Tom Linley Jr
1398:
1397:"Gentle maid"
1395:
1391:
1390:
1389:Isaac, Louisa
1387:
1386:Tom Linley Jr
1384:
1381:
1377:
1376:
1373:
1370:
1367:
1363:
1362:
1359:
1356:
1353:
1349:
1348:
1345:
1342:
1339:
1335:
1334:
1329:
1324:
1319:
1313:
1312:
1309:
1304:
1301:
1297:
1296:
1293:
1292:Tom Linley Jr
1290:
1287:
1283:
1282:
1279:
1276:
1273:
1269:
1268:
1265:
1264:Tom Linley Jr
1262:
1259:
1255:
1254:
1251:
1248:
1245:
1241:
1240:
1237:
1232:
1229:
1225:
1224:
1221:
1220:Tom Linley Jr
1218:
1215:
1211:
1210:
1208:
1207:Tom Linley Jr
1205:
1202:
1199:
1198:
1195:
1192:
1189:
1180:
1179:
1173:
1172:
1164:
1158:
1151:
1150:
1148:
1145:
1144:
1138:
1129:
1128:
1126:
1123:
1122:
1116:
1107:
1106:
1101:
1100:
1099:
1071:William Davies
980:
974:
829:
826:
803:supplanted by
763:at Drury Lane
757:many of these
698:Samuel Johnson
614:Oxford Journal
551:
548:
542:
541:
515:
489:
468:
467:
460:
453:
427:Leopold Mozart
409:Charles Burney
390:Pietro Nardini
385:
382:
250:Assembly rooms
244:Tom's father,
239:Charles Burney
212:
209:
179:
178:
176:
175:
169:
166:
163:Ozias Thurston
160:
154:
148:
142:
135:
133:
129:
128:
121:
117:
116:
114:
113:
110:
106:
104:
100:
99:
97:, Lincolnshire
93:
91:(aged 22)
85:
81:
80:
73:
62:
58:
57:
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
4444:
4433:
4430:
4428:
4425:
4423:
4420:
4418:
4415:
4413:
4410:
4408:
4405:
4403:
4400:
4398:
4395:
4393:
4390:
4388:
4387:Linley family
4385:
4383:
4380:
4378:
4375:
4373:
4370:
4368:
4365:
4363:
4360:
4358:
4355:
4353:
4350:
4348:
4345:
4343:
4340:
4339:
4337:
4327:
4317:
4315:
4305:
4304:
4301:
4292:
4289:
4288:
4281:
4266:
4256:
4246:
4236:
4226:
4222:
4220:
4164:
4161:
4155:
4153:
4143:
4141:
4135:
4133:
4125:
4123:
4121:
4119:
4117:
4116:
4111:
4081:
4079:
4073:
4071:
4069:
4064:
4059:
4057:
4056:
4047:
4037:
4027:
4017:
4007:
4003:
4000:
3984:
3982:
3974:
3972:
3968:
3966:
3965:
3958:
3938:
3936:
3928:
3926:
3913:
3910:
3908:
3907:
3904:
3897:
3896:Thomas Linley
3879:
3869:
3866:
3858:
3848:
3844:
3840:
3834:
3833:
3829:
3824:This section
3822:
3818:
3813:
3812:
3809:
3808:
3799:
3794:
3792:
3787:
3785:
3780:
3779:
3777:
3776:
3766:
3763:
3761:
3758:
3756:
3753:
3751:
3748:
3746:
3743:
3740:
3736:
3733:
3732:
3723:
3719:
3716:
3713:
3710:
3707:
3704:
3701:
3698:
3695:
3693:
3690:
3686:
3685:
3680:
3676:
3675:
3669:
3665:
3664:
3658:
3656:
3653:
3651:
3648:
3644:
3640:
3634:
3630:
3626:
3622:
3616:
3612:
3608:
3603:
3599:
3597:0-7490-0341-3
3593:
3589:
3584:
3580:
3579:Martin Secker
3576:
3575:
3570:
3566:
3564:
3561:
3559:
3556:
3554:
3551:
3548:
3547:
3535:
3531:
3526:
3521:
3513:
3509:
3503:
3492:
3488:
3486:
3478:
3467:
3466:Derby Mercury
3463:
3461:
3453:
3445:
3444:
3436:
3428:
3422:
3414:
3410:
3404:
3402:
3400:
3398:
3396:
3394:
3385:
3379:
3371:
3367:
3361:
3353:
3347:
3339:
3335:
3329:
3327:
3325:
3316:
3310:
3302:
3298:
3292:
3284:
3278:
3270:
3269:
3262:
3254:
3253:
3245:
3243:
3234:
3233:
3225:
3217:
3213:
3206:
3198:
3194:
3187:
3179:
3172:
3164:
3158:
3150:
3149:
3142:
3134:
3128:
3120:
3116:
3110:
3108:
3099:
3092:
3090:
3088:
3079:
3078:
3070:
3068:
3066:
3057:
3050:
3042:
3036:
3028:
3024:
3018:
3016:
3007:
3000:
2992:
2988:
2984:
2980:
2976:
2972:
2968:
2964:
2957:
2955:
2953:
2944:
2940:
2934:
2926:
2923:
2917:
2909:
2905:
2899:
2897:
2888:
2884:
2880:
2876:
2872:
2868:
2861:
2853:
2847:
2839:
2835:
2829:
2827:
2818:
2814:
2810:
2803:
2801:
2792:
2788:
2782:
2774:
2770:
2766:
2760:
2758:
2756:
2754:
2752:
2750:
2748:
2746:
2737:
2733:
2727:
2719:
2717:0-15-601171-9
2713:
2709:
2702:
2691:
2685:
2681:
2677:
2673:
2669:
2668:
2660:
2653:
2649:
2644:
2639:
2631:
2627:
2620:
2618:
2616:
2614:
2612:
2603:
2596:
2594:
2592:
2590:
2588:
2586:
2584:
2582:
2580:
2578:
2571:, p. 17.
2570:
2565:
2559:, p. 21.
2558:
2553:
2551:
2543:
2538:
2532:, p. 10.
2531:
2526:
2519:
2518:P. A. Scholes
2515:
2511:
2506:
2504:
2495:
2491:
2490:Holman, Peter
2485:
2483:
2481:
2472:
2468:
2461:
2459:
2450:
2449:
2444:
2438:
2436:
2427:
2420:
2418:
2416:
2414:
2412:
2410:
2408:
2406:
2404:
2402:
2393:
2387:
2383:
2379:
2375:
2368:
2366:
2364:
2362:
2360:
2358:
2356:
2354:
2352:
2350:
2348:
2346:
2338:
2333:
2329:
2319:
2317:
2313:
2309:
2308:April Cantelo
2305:
2301:
2300:
2299:
2297:
2289:
2285:
2284:
2280:
2279:
2278:
2276:
2268:
2264:
2260:
2259:
2255:
2254:
2253:
2251:
2247:
2239:
2233:
2228:
2224:
2220:
2219:
2215:
2214:
2213:
2211:
2203:
2199:
2198:
2193:
2190:
2189:
2184:
2181:
2180:
2175:
2172:
2171:
2167:
2164:
2160:
2156:
2152:
2148:
2144:
2143:
2139:
2136:
2132:
2131:
2127:
2126:
2125:
2123:
2112:
2110:
2106:
2102:
2101:Michael Kelly
2097:
2095:
2089:
2087:
2081:
2079:
2072:
2070:
2069:
2063:
2061:
2058:
2051:
2049:
2048:
2041:
2039:
2032:
2030:
2029:
2028:Derby Mercury
2023:
2020:
2018:
2014:
2010:
2006:
1991:
1987:
1983:
1982:
1978:
1975:
1974:
1970:
1967:
1966:
1951:
1948:
1945:
1942:
1939:
1936:
1933:
1930:
1926:
1923:
1921:
1916:
1913:
1912:No other love
1910:
1907:
1904:
1901:
1898:
1895:
1892:
1891:
1890:
1886:
1882:
1878:
1874:
1873:
1869:
1866:
1865:
1861:
1857:
1853:
1850:
1849:
1846:
1842:
1838:
1835:(libretto by
1834:
1831:
1830:
1826:
1825:Let God arise
1823:
1822:
1816:
1812:
1806:
1792:
1788:
1785:
1784:
1780:
1776:
1773:
1772:
1768:
1765:
1764:
1760:
1757:
1756:
1739:
1735:
1734:
1733:
1732:
1723:
1720:
1719:Thomas Morley
1717:
1714:
1711:
1710:
1706:
1704:
1701:
1698:
1695:
1694:
1690:
1687:
1684:
1681:
1680:
1676:
1673:
1670:
1667:
1666:
1663:
1660:
1658:
1657:
1653:
1651:
1648:
1646:
1643:
1642:
1638:
1636:Scottish air
1635:
1632:
1629:
1628:
1624:
1622:
1619:
1616:
1613:
1612:
1608:
1605:
1602:
1599:
1598:
1594:
1591:
1588:
1585:
1584:
1580:
1577:
1574:
1571:
1570:
1566:
1564:
1563:William Hayes
1561:
1558:
1555:
1554:
1550:
1548:Scottish air
1547:
1544:
1541:
1540:
1536:
1534:
1531:
1528:
1525:
1524:
1520:
1517:
1514:
1511:
1510:
1506:
1504:
1501:
1498:
1495:
1494:
1490:
1488:
1485:
1482:
1479:
1478:
1474:
1471:
1468:
1465:
1464:
1461:
1458:
1456:
1453:
1451:
1448:
1446:
1443:
1442:
1439:
1436:
1434:
1431:
1429:
1426:
1424:
1421:
1420:
1416:
1413:
1410:
1407:
1406:
1402:
1399:
1396:
1393:
1392:
1388:
1385:
1382:
1379:
1378:
1374:
1371:
1368:
1365:
1364:
1360:
1357:
1354:
1351:
1350:
1346:
1344:Scottish air
1343:
1340:
1337:
1336:
1333:
1330:
1328:
1325:
1323:
1320:
1318:
1315:
1314:
1310:
1308:
1305:
1302:
1299:
1298:
1294:
1291:
1288:
1285:
1284:
1280:
1277:
1274:
1271:
1270:
1266:
1263:
1260:
1257:
1256:
1252:
1249:
1246:
1243:
1242:
1238:
1236:
1233:
1230:
1227:
1226:
1222:
1219:
1216:
1213:
1212:
1209:
1206:
1203:
1201:
1200:
1197:Character(s)
1196:
1193:
1190:
1187:
1186:
1178:
1171:
1165:
1159:
1153:
1152:
1149:
1139:
1137:
1131:
1130:
1127:
1117:
1115:
1109:
1108:
1105:
1104:
1097:
1096:
1095:
1093:
1090:
1087:
1083:
1080:
1076:
1072:
1067:
1065:
1062:
1053:
1047:
1043:
1041:
1037:
1032:
1028:
1026:
1025:
1020:
1019:
1014:
1013:Covent Garden
1010:
1006:
997:
991:
986:
979:
976:The Music to
973:
971:
968:
963:
959:
957:
952:
948:
944:
938:
936:
932:
928:
924:
920:
916:
910:
908:
903:
899:
895:
886:
880:
876:
874:
871:
867:
866:Let God Arise
863:
858:
856:
855:
850:
840:
834:
828:Musical style
825:
823:
819:
814:
812:
809:
806:
802:
799:
796:
792:
788:
787:
781:
779:
775:
770:
768:
765:
762:
759:
756:
752:
749:
746:
743:
740:
737:
734:
731:
730:
725:
721:
716:
714:
710:
706:
702:
699:
694:
690:
686:
681:
679:
675:
662:
657:
653:
651:
650:
645:
639:
636:
633:
627:
625:
621:
616:
615:
609:
605:
601:
597:
593:
592:Let God arise
588:
583:
581:
578:
575:
567:
556:
547:
540:
538:
533:
526:
520:
516:
514:
512:
507:
500:
494:
490:
488:
487:
482:
481:
479:
478:Sgra. Corilla
473:
470:
469:
465:
464:Original text
461:
458:
454:
451:
447:
446:
437:
433:
431:
428:
423:
421:
418:
414:
410:
406:
401:
399:
398:Reminiscenses
395:
394:Michael Kelly
391:
381:
379:
376:
372:
367:
365:
362:
359:
356:
353:
349:
345:
341:
337:
333:
329:
328:Covent Garden
324:
322:
318:
313:
311:
307:
306:William Boyce
301:
296:
294:
290:
286:
281:
279:
275:
271:
267:
262:
259:
258:Elizabeth Ann
255:
251:
247:
242:
240:
235:
230:
228:
217:
208:
206:
202:
201:Henry Purcell
197:
196:Thomas Linley
193:
189:
185:
173:
170:
168:Jane (sister)
167:
164:
161:
158:
155:
152:
149:
146:
143:
140:
139:Elizabeth Ann
137:
136:
134:
130:
125:
124:Thomas Linley
122:
118:
111:
108:
107:
105:
101:
96:
87:5 August 1778
86:
82:
77:
74:Abbey Green,
63:
59:
54:
43:
39:
34:
29:
25:Thomas Linley
22:
19:
4290:
4025:
3903:Mary Johnson
3861:
3852:
3837:Please help
3825:
3721:
3683:
3673:
3662:
3637:
3606:
3587:
3573:
3528:
3520:
3511:
3502:
3490:
3484:
3477:
3465:
3459:
3452:
3442:
3435:
3412:
3369:
3360:
3337:
3300:
3291:
3267:
3261:
3251:
3231:
3224:
3215:
3205:
3197:The Guardian
3196:
3186:
3177:
3171:
3147:
3141:
3118:
3097:
3076:
3055:
3049:
3026:
3005:
2999:
2966:
2962:
2942:
2933:
2924:
2916:
2907:
2873:(1): 74–82.
2870:
2866:
2860:
2837:
2808:
2790:
2781:
2773:the original
2768:
2726:
2707:
2701:
2665:
2659:
2646:
2638:
2629:
2601:
2564:
2557:Black (1911)
2544:, p. 7.
2537:
2525:
2513:
2493:
2470:
2446:
2425:
2373:
2332:
2302:
2295:
2293:
2282:
2274:
2272:
2262:
2257:
2245:
2243:
2216:
2207:
2195:
2186:
2177:
2169:
2162:
2158:
2154:
2150:
2146:
2141:
2129:
2118:
2098:
2090:
2083:
2076:
2074:
2066:
2065:
2059:
2055:
2053:
2044:
2043:
2036:
2034:
2025:
2024:
2021:
2002:
1989:
1985:
1976:
1968:
1946:
1940:
1934:
1928:
1917:
1911:
1905:
1899:
1893:
1888:
1884:
1880:
1867:
1859:
1851:
1844:
1840:
1832:
1824:
1810:
1786:
1774:
1766:
1758:
1730:
1729:
1661:
1654:
1649:
1644:
1503:John Travers
1487:Michael Arne
1459:
1454:
1449:
1444:
1437:
1432:
1427:
1422:
1331:
1326:
1321:
1316:
1176:
1169:
1135:
1113:
1092:
1089:
1086:
1084:
1078:
1074:
1068:
1064:
1061:
1058:
1051:
1050:Overture to
1039:
1035:
1033:
1029:
1022:
1016:
1004:
1002:
995:
977:
970:
966:
964:
960:
956:double-stops
939:
914:
911:
906:
891:
884:
873:
869:
865:
859:
852:
845:
838:
821:
817:
815:
810:
808:
805:Henry Bishop
801:
798:
791:Storm Chorus
790:
784:
782:
777:
771:
767:
764:
761:
758:
755:
753:
748:
745:
742:
739:
736:
733:
727:
723:
719:
717:
701:
684:
683:
673:
668:
660:
647:
641:
635:
632:
629:
611:
591:
584:
580:
577:
573:
565:
563:
545:
535:
529:
528:
523:
518:
509:
503:
502:
497:
492:
484:
483:
475:
474:
471:
463:
456:
449:
430:
424:
420:
417:
412:
402:
397:
387:
378:
368:
364:
361:
358:
355:
335:
325:
314:
303:
298:
292:
282:
263:
243:
231:
224:
205:Edward Elgar
191:
187:
183:
182:
127:Mary Johnson
89:(1778-08-05)
42:Gainsborough
37:
18:
4347:1778 deaths
4342:1756 births
4269:(1771-1835)
4239:1760 - 1778
3855:April 2015
2769:Peter Leech
2296:The Tempest
2275:The Tempest
2230: [
2115:Discography
1889:Including:
1856:John Hoadly
1833:A Lyric Ode
1791:Thomas King
1767:The Tempest
1751:Stage works
1581:Don Jerome
1551:Don Carlos
1491:Don Carlos
1403:Don Carlos
1375:Don Jerome
1347:Don Jerome
1079:The Duenna'
1011:'s and the
994:Scene from
795:Roger Fiske
786:The Tempest
332:Thomas Hull
237:city.
103:Occupations
49: 1771
4336:Categories
3609:. London:
3544:References
2045:Jackson's
1920:Catch Club
1815:Catch Club
1759:The Duenna
1609:Ferdinand
1595:Ferdinand
1460:Don Jerome
1311:Ferdinand
1267:Ferdinand
1060:"disapprov
1040:The Duenna
1036:The Duenna
1024:The Rivals
1005:The Duenna
996:The Duenna
985:The Duenna
915:The Duenna
818:The Duenna
644:Drury Lane
612:Jackson's
604:Gloucester
413:Tommasino,
211:Early life
192:Tom Linley
71:7 May 1756
67:1756-05-07
38:Tom Linley
4314:Biography
4259:1765-1831
4229:1775-1817
4016:Elizabeth
4010:1751-1816
3826:does not
3639:intention
3277:cite book
3157:cite book
2983:0013-2586
2887:0027-4631
2471:The Times
2246:Lyric Ode
2026:Drewry's
1883:(London,
1862:). 1777.
1781:). 1778.
1472:Galliard
1204:Overture
1194:Composer
1098:Color key
931:Prokofiev
693:pasticcio
600:Worcester
587:Haymarket
338:, a
321:oratorios
174:(brother)
165:(brother)
153:(brother)
132:Relatives
120:Parent(s)
112:Violinist
78:, England
4278:children
3771:See also
3629:45485135
3571:(1911).
3421:cite web
3378:cite web
3346:cite web
3309:cite web
3180:: 21–23.
3127:cite web
3035:cite web
2846:cite web
2492:(1996).
2428:: 15–19.
2122:Hyperion
1858:, after
1712:Act III
1696:Act III
1682:Act III
1668:Act III
1639:Antonio
1630:Act III
1614:Act III
1600:Act III
1586:Act III
1572:Act III
1295:Antonio
1281:Antonio
1239:Antonio
1223:Antonio
1009:Sheridan
951:Giardini
902:Vauxhall
811:Tempest.
689:Sheridan
624:Giardini
537:hättest.
511:hättest.
348:hornpipe
159:(sister)
147:(sister)
141:(sister)
109:Composer
4300:Portals
4265:William
4249:1763-84
4040:1758-87
4030:1756-78
4020:1754-92
3847:removed
3832:sources
3741:(IMSLP)
3737:at the
2991:2739153
2086:Edenham
1715:Finale
1645:Act III
1556:Act II
1542:Act II
1537:Louisa
1526:Act II
1512:Act II
1496:Act II
1480:Act II
1475:Duenna
1466:Act II
943:Nardini
927:Hazlitt
919:Johnson
709:Garrick
357:enough
289:Bristol
278:William
172:William
4291:Notes:
4276:other
4235:Samuel
4026:Thomas
3627:
3617:
3594:
3534:p. 222
2989:
2981:
2885:
2714:
2686:
2652:p. 106
2388:
2105:Mozart
1860:Exodus
1625:Clara
1445:Act II
1423:Act II
1408:Act I
1394:Act I
1380:Act I
1366:Act I
1361:Clara
1352:Act I
1338:Act I
1332:Louisa
1300:Act I
1286:Act I
1272:Act I
1258:Act I
1244:Act I
1228:Act I
1214:Act I
1191:Title
1177:
1167:
1161:
1155:
1141:
1133:
1119:
1111:
862:Handel
457:German
340:masque
274:Samuel
151:Samuel
4255:Ozias
4245:Maria
2987:JSTOR
2324:Notes
2234:]
2015:– at
1999:Death
1877:glees
1746:Works
1662:Clara
1438:Isaac
1317:Act I
947:Lolli
923:Byron
610:. In
270:Maria
157:Maria
40:, by
4036:Mary
3830:any
3828:cite
3625:OCLC
3615:ISBN
3592:ISBN
3427:link
3384:link
3352:link
3315:link
3283:link
3163:link
3133:link
3041:link
2979:ISSN
2883:ISSN
2852:link
2712:ISBN
2684:ISBN
2386:ISBN
2161:and
2107:and
2009:Mary
1984:ca.
1188:Act
1091:and
933:and
925:and
898:Arne
766:and
622:and
319:and
266:Mary
227:Bath
203:and
145:Mary
84:Died
76:Bath
61:Born
3841:by
2971:doi
2875:doi
2871:LIV
2813:doi
2676:doi
2378:doi
1885:ca.
1843:or
1738:ETO
909:).
807:'s
598:in
334:'s
190:or
4338::
4274:5
4267:,
4257:,
4247:,
4237:,
4227:,
4038:,
4028:,
4018:,
4008:,
3641:.
3623:.
3613:.
3577:.
3527:.
3510:.
3489:.
3464:.
3423:}}
3419:{{
3411:.
3392:^
3380:}}
3376:{{
3368:.
3348:}}
3344:{{
3336:.
3323:^
3311:}}
3307:{{
3299:.
3279:}}
3275:{{
3241:^
3214:.
3195:.
3159:}}
3155:{{
3129:}}
3125:{{
3117:.
3106:^
3086:^
3064:^
3037:}}
3033:{{
3025:.
3014:^
2985:.
2977:.
2967:20
2965:.
2951:^
2941:.
2906:.
2895:^
2881:.
2869:.
2848:}}
2844:{{
2836:.
2825:^
2799:^
2789:.
2767:.
2744:^
2682:.
2674:.
2645:.
2628:.
2610:^
2576:^
2549:^
2512::
2502:^
2479:^
2469:.
2457:^
2445:.
2434:^
2400:^
2384:.
2344:^
2314:,
2310:,
2306:,
2265:,
2261:,
2252::
2236:,
2232:de
2225:,
2221:,
2212::
2200:,
2157:,
2149:,
2133:,
2096:.
949:,
945:,
921:,
776:,
680:.
308:,
55:)
46:c.
44:,
4302::
3868:)
3862:(
3857:)
3853:(
3849:.
3835:.
3797:e
3790:t
3783:v
3666:.
3645:.
3631:.
3600:.
3581:.
3536:.
3530:1
3487:"
3462:"
3429:)
3386:)
3354:)
3317:)
3285:)
3218:.
3199:.
3165:)
3135:)
3043:)
3008:.
2993:.
2973::
2889:.
2877::
2854:)
2819:.
2815::
2720:.
2692:.
2678::
2654:.
2648:1
2632:.
2473:.
2394:.
2380::
2145:(
1927:'
872:"
570:ſ
69:)
65:(
51:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
