373:. "Nothing is Sacred" was written by Harley after he visited the banks of the Danube in Belgrade. In 2003, he commented, "It's the true story of three of us staying up 'til dawn and partaking of the hedonism that one did in the Seventies." The song was recorded in the studio after most of Cockney Rebel and the recording crew had gone home. Harley wanted to try out the song in the studio and he ended up recording it with the band's second drummer Lindsay Elliott, bassist George Ford and guitarist Jim Cregan.
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278:, Harley described the album as "irreverent" and one which saw Cockney Rebel take a "huge leap forward". He said, "We're a real group now. It's taken us a year to get there but we've done it. Cockney Rebel are not just something I look on as my backing group. We're all in it together and I'm proud to be part of such a group. I really love those musicians." He added to
305:"It's my precious boy, my favourite child. It was such a change for me and the critics weren't ready. I never realised it was the favourite of so many people. There's a lot of personal stuff in there. 'Red is a Mean, Mean Colour' is a really personal song for me and 'All Men Are Hungry' is another I like to sing. It's a song people can relate to."
363:, he recalled, "Not everybody was in Belgrade and not everybody can see exactly what I saw that morning but everyone can reflect on the idea that everyone has a need and not everybody is fulfilled. Everybody needs space and time and that's what the song is about." In one of the song's verses, Harley refers to
265:, which had been recorded quickly under considerable pressure. In 2003, Harley recalled, "It was a sweltering summer. It was incredibly hot. The songs, many of them being semi acoustic or laid back, I think stemmed as much from that as anything else. It made me a little lethargic." In a 1976 interview with
422:
The album received its first CD release by EMI in 1991. It featured two bonus tracks, the B-side of "White, White Dove", "Throw Your Soul Down Here", and a live version of "Mad Mad
Moonlight", which was the B-side to "Black or White". In 2003 and again in 2011, BGO Records re-issued the album on CD
337:
in 1976, "I haven't achieved what I set out to do with that one. People say it's a long-winded lyric, but really I was explicit as I could be. When it started out, it had 10 verses and I edited it down drastically. It's about the concept of a communist and you can't sum up a man in one sentence for
527:
praised the "beautiful album" as one "full of great music and a cohesive story of poetic imagery", and with "intelligence and cohesiveness. He considered Harley's "subdued vocals" to be kept at a "breathy, sensuous level" which he felt "attained a nice touch of emotional impact". David
Milliken of
284:
in 1976, "I'm really proud of it. I've got a pride about this album as a piece of work which I've never had about anything I've ever done. As much as anything because of the boys in the band. I've let it become a group. It's not a dictatorship any more. I've given them all the freedom they could
505:
noted Harley's "unique approach" and "coarsely narrative vocal technique" that "lends credibility to his deeply imaginative lyrics". They felt the album will "delight FM listeners with taste" and added that AM programmers "should not overlook" "Everything
Changes" and "Don't Go, Don't Cry". Jon
490:
felt the album saw Harley "slid deeper into his romantic imagination" and "takes a few more listens its predecessors". He added, "The band are much tasteful than the original
Cockney Rebel and at times when Harley's voice becomes unbearable, their accompaniment comes to the fore as a tight,
296:
in 2016, he said, "I call it the naughty child that became a favourite. It was slightly experimental. I was only 25 in 1976 and I just did what I wanted to do at that age and we thought it was going to be a monster hit and even though it wasn't, I'm still very proud of that album." In a 2004
534:
considered the album to be "steeped in heavy poetic imagery". He noted, "Essentially a poet, Harley is best enjoyed by listening closely to his lyrics. It's difficult at times to figure out what he's singing about. Nevertheless it is immensely enjoyable." Milliken also praised the songs and
31:
715:
finds Harley getting bogged down in deliberately impenetrable wordplay and songs that, despite slick arrangements, are rather hookless vehicles for the verbose lyrics." Guarisco picked "Red Is a Mean, Mean Colour" and "Understand" as the album's highlights.
698:
felt the album was a "fans-only purchase" and concluded, "Harley blamed 1976's sapping heatwave for the fact that he traded such pop perfection for a dense, tricky, almost anti-glam party line that exploited his new crew's session-musician skills.
485:
as "a beautifully put together album", with "good lyrics" and "excellent production". He noted, "Harley is far from a brilliant vocalist, but he has a fine writing ability, a great band and he knows what to put into an album." Roger
Eversley of the
471:
considered the album to have "good music", but "questionable lyrical support systems". He concluded, "If you dig the words, the record's a
Slumberland smooth double bed affair – and if you don't, you can just sleep on the floor."
495:
was critical of the album, stating that Harley "over indulges in vocal pranks where restraint would be the more emphatic" and adding that "only the life-belt thrown out by
Cockney Rebel's solid support saves him".
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352:. Harley later described the song as "a touch of the jazz world". The song has an improvised solo, played on a Mini-Moog synthesizer, which was performed in one take by keyboardist
2156:
318:
as "loosely a concept album with a lot of live and let live philosophy". At the time of writing the material for the album, Harley drew inspiration from his recent reading on
453:, but felt the album contained "enough of Harley at his best". He picked "All Men are Hungry", "Black or White" and "Nothing Is Sacred" as the album's "finest points".
467:
appears both unremarkable and confounding. With successive spins, however, you begin to find it gently imposing and, ultimately, quite compelling." Angus
Mackinnon of
415:", was released. It also failed to reach the UK top 50, but peaked at number six in the UK Star Breakers Chart. In 2003, Harley recalled, "There were magic moments on
2516:
271:, Harley revealed, " took about three months altogether and so much hard work went into it that as far as I'm concerned, it has to be the best I've done so far."
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2164:
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689:'-ish 'adult' guitar poet-in-a-smoking-jacket crooning." John Aizlewood in Q Magazine described the same release as "a brave folly" and gave it three stars.
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411:, the album received 40,000 advance orders in America, despite the band's lack of a hit single or album there. In February 1976, the album's second single, "
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333:"Red is a Mean, Mean Colour" is an anti-Communism song that Harley wrote while Cockney Rebel were in Yugoslavia to perform an arena concert. Harley told
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2631:
419:
that I'd never experienced before. It wasn't the most commercial album ever. I understand that. But there you are. We're not machines, are we?"
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considered the album to be even more "ambitious" and "artsy" than its predecessor, but that it also "neglects the strong pop hooks that made
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2180:
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2140:
431:
With the album's release, the band embarked on a
British and European tour. Jo Partridge was hired to play rhythm guitar on the tour.
2524:
285:
possibly want now. I respect that young men who are musicians have got to be able to have self-expression, and the album shows it."
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bears plenty of Harley's melodic hallmarks, but some complex tripwires keep popping up." Donald A. Guarisco of
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as a "fine record", but "not the masterpiece that many feel Harley is striving to create". He added, "
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at first is not that easy to listen to but then, Harley has never made himself easily accessible."
359:"All Men Are Hungry" was inspired by a trip Harley took to Belgrade. In his 2004 interview for the
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1993:
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956:, Peter Clarke, Larry Steele, Liza Strike, Leroy Wiggins, Joy Yates – backing vocals (track 5)
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348:, which was produced by Harley, who at the time was in a relationship with Paay's sister,
8:
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1946:
1252:
Coon, Caroline (7 February 1976). "Steve Harley Says It Loud: 'I'm Back and I'm Proud!".
1041:
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397:. It did however reach number two in the UK Star Breakers Chart on 29 November 1975.
190:
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99:
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while Steve Harley & Cockney Rebel were touring to promote their 1975 album
1954:
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Milliken, David (2 July 1976). "Just for the record: Heavy stuff from Harley".
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319:
261:
Studio. The album was created in a more relaxed environment in comparison with
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1733:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 133.
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1237:
1106:"Timeless Flight - Steve Harley & Cockney Rebel; Songs, Reviews, Credits"
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393:" earlier in the year, "Black or White" failed to make an appearance in the
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Fox-Cumming, Ray (31 January 1976). "Albums: Harley's flight of fancy?".
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1183:
1138:
981:
220:
92:
59:
1511:
Fox-Barton, Geoff (21 February 1976). "Mouth of South slays hot Scots".
1279:"Wrexham-bound singer Steve Harley: "Not playing your hits is churlish""
2252:
1896:
906:
385:", which was released in November 1975. Despite the chart success of "
2442:
2238:
1808:
1754:"Dutchcharts.nl – Steve Harley & Cockney Rebel – Timeless Flight"
1576:
Eversley, Roger (15 April 1976). "Records: A flight of imagination".
997:
64:
2259:
1109:
704:
562:
1637:
Marlowe, Jon (28 May 1976). "Rebels... and other musical causes".
685:
were "larded with by-the-yard pastel soul clichés, florid piano, '
30:
1559:
Menhinick, N. (20 April 1976). "Youth '76: Harley at
Wembley".
1409:"STEVE HARLEY & COCKNEY REBEL; full Official Chart History"
38:
1082:
Russell, Rosalind (31 January 1976). "Rebel rouse Wembley".
972:
Tony Clark – remix engineer (all tracks), engineer (track 2)
292:
was his personal favourite from his own career. Speaking to
2157:
Make Me Smile – The Best of Steve Harley and Cockney Rebel
1453:
Aizlewood, John (5 March 1991). "Timeless Flight review".
1340:
Currie, David (September 2024). "Steve Harley Interview".
1235:
Fox-Cumming, Ray (6 December 1975). "Parley with Harley".
1218:
Fox-Cumming, Ray (7 February 1976). "Hard Harted Harley".
403:
was released in January 1976 and reached number 18 in the
18:
1976 studio album by Steve Harley & Cockney Rebel
675:
In a review of the 1991 EMI CD release, Mark Sinker of
692:
Writing about the 2003 BGO re-issue, Martin Aston of
1756:(in Dutch). Hung Medien. Retrieved 16 January 2022.
1689:
Aston, Martin (October 2003). "Q Review: Reissues".
1618:. Vol. 38, no. 1. 22 May 1976. p. 24
918:– keyboards, string arrangement on "Black or White"
463:noted, "For the first half dozen or so listenings,
381:
Preceding the release of the album was the single "
2173:More Than Somewhat – The Very Best of Steve Harley
1709:Sinker, Mark (April 1991). "Reviews: Re-issues".
535:arrangements for being "refreshingly different".
449:was "not as consistently good or disciplined" as
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1301:
1299:
1376:: CS1 maint: others in cite AV media (notes) (
1213:
1211:
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1196:: CS1 maint: others in cite AV media (notes) (
1151:: CS1 maint: others in cite AV media (notes) (
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2181:The Cream of Steve Harley & Cockney Rebel
1794:
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969:Peter Kelsey – engineer (tracks 1-2, 4, 6, 8)
322:, as well as the works of a number of French
2541:Birmingham (Live with Orchestra & Choir)
2197:The Cockney Rebel – A Steve Harley Anthology
2114:Birmingham (Live with Orchestra & Choir)
1204:
643:
605:
567:
288:Years after its release, Harley stated that
1493:
1234:
1217:
1159:
1000:– sleeve design, photography, art direction
338:Christsakes." "Understand" was recorded by
2205:The Best of Steve Harley and Cockney Rebel
2141:The Best of Steve Harley and Cockney Rebel
1801:
1787:
1510:
1335:
1333:
1099:
1097:
1095:
29:
2525:The Come Back, All is Forgiven Tour: Live
1704:
1702:
1558:
1452:
1003:Steve Ridgeway – art direction, lettering
912:George Ford – bass guitar, backing vocals
1668:
1654:Horan, Ron (27 May 1976). "Fox Tracks".
1575:
1358:(UK vinyl LP sleeve notes and credits).
1305:
538:
223:in 1976. It was written and produced by
2632:Steve Harley & Cockney Rebel albums
1759:
1636:
1330:
1092:
1081:
975:Ray Hendriksen – engineer (tracks 3, 7)
2624:
2564:List of songs recorded by Steve Harley
1708:
1699:
1591:Ford, Jon (26 March 1976). "Records".
1339:
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875:
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847:1991 EMI and 2003 BGO CD bonus tracks
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548:
491:accomplished sound." Jon Ford of the
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978:John Kurlander – engineer (track 5)
439:On its release, Ray Fox-Cumming of
309:
13:
2652:Albums recorded at Trident Studios
2642:Albums with cover art by Mick Rock
2533:Live at the Isle of Wight Festival
2336:The Best Years of Our Lives (live)
2287:Make Me Smile (Come Up and See Me)
1443:
1277:Bowman, Jamie (15 November 2016).
387:Make Me Smile (Come Up and See Me)
235:Harley began writing material for
14:
2663:
2213:Cavaliers: An Anthology 1973–1974
1679:
1306:Emondson, Graham (January 2004).
711:so appealing". He said, "Much of
645:
607:
569:
2478:For Sale. Baby Shoes. Never Worn
2322:(I Believe) Love's a Prima Donna
2109:(as The Steve Harley Band, 2004)
1814:Steve Harley & Cockney Rebel
1626:– via World Radio History.
1475:. steveharley.com. 22 March 2010
1135:Steve Harley & Cockney Rebel
895:Steve Harley & Cockney Rebel
719:
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217:Steve Harley & Cockney Rebel
112:Steve Harley & Cockney Rebel
44:Steve Harley & Cockney Rebel
1766:"Official Albums Chart Top 100"
1731:Australian Chart Book 1970–1992
1719:
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1630:
1599:
1584:
1569:
1552:
1530:"A question of lyrical balance"
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1401:
1384:
1366:. 1976. EMC 3141, 0C 062-25257.
1348:
2294:Mr. Raffles (Man, It Was Mean)
2082:Face to Face: A Live Recording
1397:. 29 November 1975. p. 2.
1270:
1245:
1228:
1141:. 1976. EMA 775, 0C 064-06000.
1123:
1075:
950:– backing vocals (tracks 3, 5)
852:
734:
391:Mr. Raffles (Man, It Was Mean)
215:is the fourth studio album by
1:
1772:. Retrieved 16 January 2022.
1578:Burton Observer and Chronicle
1308:"Interview with Steve Harley"
1068:
488:Burton Observer and Chronicle
249:during the summer of 1975 at
230:
1133:(UK vinyl LP sleeve notes).
1061:
1046:
927:Lindsay Elliott – percussion
889:
750:"Red is a Mean, Mean Colour"
423:with the same bonus tracks.
297:interview with the fan site
7:
1978:The Best Years of Our Lives
1548:– via Harley Fanzone.
1439:. 13 March 1976. p. 2.
987:Chris Blair – master cutter
879:"Mad, Mad Moonlight (Live)"
868:"Throw Your Soul Down Here"
709:The Best Years of Our Lives
451:The Best Years of Our Lives
263:The Best Years of Our Lives
242:The Best Years of Our Lives
125:The Best Years of Our Lives
10:
2668:
2090:Stripped to the Bare Bones
1344:. No. 16. p. 74.
940:– backing vocals (track 3)
725:All tracks are written by
376:
314:In 1983, Harley described
196:Released: 13 February 1976
183:Released: 14 November 1975
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2366:
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2012:
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274:In a 1975 interview with
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86:
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58:
50:
37:
28:
23:
2611:The Alan Parsons Project
2424:The Phantom of the Opera
2329:(Love) Compared with You
1497:Record Mirror & Disc
1473:"Timeless Flight (1976)"
1436:Record Mirror & Disc
1394:Record Mirror & Disc
1238:Record Mirror & Disc
1221:Record Mirror & Disc
1178:(CD album liner notes).
1085:Record Mirror & Disc
1006:Julie Harris – lettering
909:– guitar, backing vocals
442:Record Mirror & Disc
409:Record Mirror & Disc
335:Record Mirror & Disc
276:Record Mirror & Disc
268:Record Mirror & Disc
219:, which was released by
2584:Dandy in the Underworld
2403:Ballerina (Prima Donna)
2224:Singles (Cockney Rebel)
2098:Acoustic and Pure: Live
1770:Official Charts Company
1413:Official Charts Company
966:Steve Harley – producer
426:
2457:Star for a Week (Dino)
2410:Heartbeat Like Thunder
2367:Singles (Steve Harley)
2343:I Can't Even Touch You
2055:Stranger Comes to Town
370:Death in the Afternoon
307:
2492:I've Just Seen a Face
2277:Singles (Steve Harley
2106:Anytime! (A Live Set)
835:"Don't Go, Don't Cry"
539:Retrospective reviews
303:
2435:Whatever You Believe
2279:& Cockney Rebel)
2002:The Quality of Mercy
1994:Love's a Prima Donna
1970:& Cockney Rebel)
1104:Guarisco, Donald A.
984:– engineer (track 5)
932:Additional musicians
813:"Everything Changes"
787:"All Men Are Hungry"
544:Professional ratings
475:N. Menhinick of the
245:. The band recorded
143:Love's a Prima Donna
1947:The Human Menagerie
1656:Cardunal Free Press
1593:Leicester Chronicle
1540:on 10 December 2014
1372:cite AV media notes
1192:cite AV media notes
1182:, Jonathan Downes.
1147:cite AV media notes
924:– drums, percussion
848:
824:"Nothing is Sacred"
545:
525:Cardunal Free Press
493:Leicester Chronicle
342:for her 1975 album
301:, Harley revealed,
2647:EMI Records albums
2471:Faith & Virtue
2396:Freedom's Prisoner
2315:Here Comes the Sun
1893:Milton Reame-James
1528:Mackinnon, Angus.
846:
681:felt the songs on
543:
435:Critical reception
328:Charles Baudelaire
255:Abbey Road Studios
2619:
2618:
2464:A Friend for Life
2450:When I'm with You
2308:White, White Dove
1433:"Star Breakers".
1391:"Star Breakers".
1186:. 2003. BGOCD574.
1066:
1065:
1030:Kent Music Report
886:
885:
842:
841:
763:White, White Dove
673:
672:
523:Ron Horan of the
413:White, White Dove
208:
207:
191:White, White Dove
151:
150:
2659:
2598:Somebody Special
2552:Related articles
2517:Live from London
2389:Someone's Coming
2357:The Last Goodbye
2189:Best of the '70s
2023:Hobo with a Grin
1923:Lincoln Anderson
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1536:. Archived from
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395:UK Singles Chart
365:Ernest Hemingway
310:Song information
197:
194:
184:
181:
165:Timeless Flight
120:
119:
82:
81:
77:
33:
21:
20:
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2485:Ordinary People
2441:, Harley &
2428:Sarah Brightman
2362:
2278:
2272:
2219:
2165:Live at the BBC
2120:
2069:
2014:
2008:
1986:Timeless Flight
1969:
1967:
1961:
1939:(Cockney Rebel)
1938:
1932:
1914:Lindsey Elliott
1905:Francis Monkman
1859:Robbie Gladwell
1840:James Lascelles
1816:
1807:
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1776:
1764:
1760:
1752:
1748:
1741:
1724:
1720:
1707:
1700:
1695:. No. 207.
1687:
1680:
1667:
1663:
1652:
1648:
1635:
1631:
1621:
1619:
1609:
1607:"Album Reviews"
1605:
1604:
1600:
1589:
1585:
1574:
1570:
1562:Harrow Observer
1557:
1553:
1543:
1541:
1526:
1522:
1509:
1505:
1492:
1488:
1478:
1476:
1471:
1470:
1466:
1451:
1444:
1432:
1431:
1427:
1417:
1415:
1407:
1406:
1402:
1390:
1389:
1385:
1369:
1368:
1354:
1353:
1349:
1338:
1331:
1321:
1319:
1304:
1297:
1287:
1285:
1275:
1271:
1250:
1246:
1241:. pp. 6–7.
1233:
1229:
1216:
1205:
1189:
1188:
1176:Timeless Flight
1174:
1173:
1160:
1144:
1143:
1131:Timeless Flight
1129:
1128:
1124:
1114:
1112:
1102:
1093:
1080:
1076:
1071:
1022:
1013:
892:
887:
843:
722:
713:Timeless Flight
701:Timeless Flight
683:Timeless Flight
665:
660:
655:
650:
627:
622:
617:
612:
589:
584:
579:
574:
541:
518:Timeless Flight
514:Timeless Flight
483:Timeless Flight
478:Harrow Observer
465:Timeless Flight
447:Timeless Flight
437:
429:
417:Timeless Flight
407:. According to
405:UK Albums Chart
401:Timeless Flight
379:
316:Timeless Flight
312:
290:Timeless Flight
251:Trident Studios
247:Timeless Flight
237:Timeless Flight
233:
212:Timeless Flight
200:
195:
188:
187:
182:
175:
174:
146:
137:
134:Timeless Flight
128:
79:
75:
74:
54:30 January 1976
46:
24:Timeless Flight
19:
12:
11:
5:
2665:
2655:
2654:
2649:
2644:
2639:
2634:
2617:
2616:
2614:
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2601:
2594:
2587:
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2537:
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2503:
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2364:
2363:
2361:
2360:
2353:
2346:
2339:
2332:
2325:
2318:
2311:
2304:
2301:Black or White
2297:
2290:
2282:
2280:
2274:
2273:
2271:
2270:
2263:
2256:
2249:
2242:
2235:
2227:
2225:
2221:
2220:
2218:
2217:
2209:
2201:
2193:
2185:
2177:
2169:
2161:
2153:
2145:
2137:
2128:
2126:
2122:
2121:
2119:
2118:
2110:
2102:
2094:
2086:
2077:
2075:
2071:
2070:
2068:
2067:
2059:
2051:
2047:Poetic Justice
2043:
2035:
2027:
2018:
2016:
2015:(Steve Harley)
2010:
2009:
2007:
2006:
1998:
1990:
1982:
1973:
1971:
1963:
1962:
1960:
1959:
1955:The Psychomodo
1951:
1942:
1940:
1934:
1933:
1931:
1930:
1927:
1926:Paul Cuddeford
1924:
1921:
1918:
1915:
1912:
1907:
1902:
1899:
1894:
1891:
1888:
1885:
1880:
1877:
1873:
1872:
1867:
1862:
1855:
1850:
1843:
1836:
1833:Stuart Elliott
1829:
1821:
1818:
1817:
1806:
1805:
1798:
1791:
1783:
1775:
1774:
1758:
1746:
1739:
1718:
1715:. p. 100.
1698:
1678:
1672:Ottawa Journal
1661:
1646:
1640:The Miami News
1629:
1598:
1583:
1568:
1551:
1520:
1503:
1486:
1464:
1442:
1425:
1400:
1383:
1347:
1329:
1318:on 8 July 2019
1312:Harley Fanzone
1295:
1269:
1244:
1227:
1203:
1158:
1122:
1091:
1073:
1072:
1070:
1067:
1064:
1063:
1060:
1049:
1048:
1045:
1040:Dutch Albums (
1037:
1036:
1033:
1025:
1024:
1019:
1012:
1009:
1008:
1007:
1004:
1001:
989:
988:
985:
979:
976:
973:
970:
967:
958:
957:
951:
948:Barry St. John
941:
929:
928:
925:
922:Stuart Elliott
919:
913:
910:
904:
891:
888:
884:
883:
880:
877:
873:
872:
869:
866:
862:
861:
858:
855:
844:
840:
839:
836:
833:
829:
828:
825:
822:
818:
817:
814:
811:
807:
806:
803:
800:Black or White
796:
792:
791:
788:
785:
781:
780:
777:
774:
770:
769:
766:
759:
755:
754:
751:
748:
744:
743:
740:
737:
723:
721:
718:
671:
670:
641:
633:
632:
603:
595:
594:
565:
559:
558:
555:
551:
550:
540:
537:
531:Ottawa Journal
509:The Miami News
436:
433:
428:
425:
383:Black or White
378:
375:
361:Harley Fanzone
320:Rosicrucianism
311:
308:
299:Harley Fanzone
232:
229:
206:
205:
202:
201:
199:
198:
185:
178:Black or White
171:
168:
167:
157:
156:
153:
152:
149:
148:
139:
130:
116:
115:
108:
107:
102:
96:
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90:
84:
83:
72:
68:
67:
62:
56:
55:
52:
48:
47:
42:
35:
34:
26:
25:
17:
9:
6:
4:
3:
2:
2664:
2653:
2650:
2648:
2645:
2643:
2640:
2638:
2635:
2633:
2630:
2629:
2627:
2612:
2609:
2606:
2602:
2599:
2595:
2592:
2588:
2585:
2581:
2579:
2578:
2574:
2572:
2571:
2570:Beam of Light
2567:
2565:
2562:
2560:
2557:
2556:
2554:
2550:
2543:
2542:
2538:
2535:
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2522:
2519:
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2421:
2418:
2414:
2411:
2407:
2404:
2400:
2397:
2393:
2390:
2386:
2383:
2382:Roll the Dice
2379:
2376:
2372:
2371:
2369:
2365:
2358:
2354:
2351:
2347:
2344:
2340:
2337:
2333:
2330:
2326:
2323:
2319:
2316:
2312:
2309:
2305:
2302:
2298:
2295:
2291:
2288:
2284:
2283:
2281:
2275:
2268:
2267:Tumbling Down
2264:
2261:
2257:
2254:
2250:
2247:
2243:
2240:
2236:
2233:
2229:
2228:
2226:
2222:
2215:
2214:
2210:
2207:
2206:
2202:
2199:
2198:
2194:
2191:
2190:
2186:
2183:
2182:
2178:
2175:
2174:
2170:
2167:
2166:
2162:
2159:
2158:
2154:
2151:
2150:
2149:Greatest Hits
2146:
2143:
2142:
2138:
2135:
2134:
2133:A Closer Look
2130:
2129:
2127:
2123:
2116:
2115:
2111:
2108:
2107:
2103:
2100:
2099:
2095:
2092:
2091:
2087:
2084:
2083:
2079:
2078:
2076:
2072:
2065:
2064:
2060:
2057:
2056:
2052:
2049:
2048:
2044:
2041:
2040:
2036:
2033:
2032:
2031:The Candidate
2028:
2025:
2024:
2020:
2019:
2017:
2013:Studio albums
2011:
2004:
2003:
1999:
1996:
1995:
1991:
1988:
1987:
1983:
1980:
1979:
1975:
1974:
1972:
1968:(Steve Harley
1966:Studio albums
1964:
1957:
1956:
1952:
1949:
1948:
1944:
1943:
1941:
1937:Studio albums
1935:
1928:
1925:
1922:
1919:
1916:
1913:
1911:
1910:Duncan Mackay
1908:
1906:
1903:
1900:
1898:
1895:
1892:
1889:
1886:
1884:
1883:Paul Jeffreys
1881:
1879:Adam Houghton
1878:
1875:
1874:
1871:
1868:
1866:
1865:David Delarre
1863:
1861:
1860:
1856:
1854:
1851:
1849:
1848:
1847:Barry Wickens
1844:
1842:
1841:
1837:
1835:
1834:
1830:
1828:
1827:
1823:
1822:
1819:
1815:
1811:
1804:
1799:
1797:
1792:
1790:
1785:
1784:
1781:
1771:
1767:
1762:
1755:
1750:
1742:
1740:0-646-11917-6
1736:
1732:
1728:
1722:
1714:
1713:
1705:
1703:
1694:
1693:
1685:
1683:
1675:. p. 22.
1674:
1673:
1665:
1658:. p. B7.
1657:
1650:
1643:. p. 14.
1642:
1641:
1633:
1617:
1616:
1608:
1602:
1595:. p. 18.
1594:
1587:
1580:. p. 11.
1579:
1572:
1564:
1563:
1555:
1539:
1535:
1531:
1524:
1516:
1515:
1507:
1500:. p. 32.
1499:
1498:
1490:
1474:
1468:
1460:
1456:
1449:
1447:
1438:
1437:
1429:
1414:
1410:
1404:
1396:
1395:
1387:
1379:
1373:
1365:
1361:
1360:Patricia Paay
1357:
1356:Beam of Light
1351:
1343:
1336:
1334:
1317:
1313:
1309:
1302:
1300:
1284:
1280:
1273:
1265:
1261:
1257:
1256:
1248:
1240:
1239:
1231:
1224:. p. 17.
1223:
1222:
1214:
1212:
1210:
1208:
1199:
1193:
1185:
1181:
1177:
1171:
1169:
1167:
1165:
1163:
1154:
1148:
1140:
1136:
1132:
1126:
1111:
1107:
1100:
1098:
1096:
1087:
1086:
1078:
1074:
1058:
1054:
1050:
1043:
1042:Album Top 100
1038:
1034:
1031:
1026:
1018:Chart (1976)
1016:
1005:
1002:
999:
996:
995:
994:
993:
986:
983:
980:
977:
974:
971:
968:
965:
964:
963:
962:
955:
954:Madeline Bell
952:
949:
945:
944:Yvonne Keeley
942:
939:
938:Patricia Paay
936:
935:
934:
933:
926:
923:
920:
917:
916:Duncan Mackay
914:
911:
908:
905:
902:
899:
898:
897:
896:
881:
878:
874:
870:
867:
863:
850:
837:
834:
830:
826:
823:
819:
815:
812:
808:
804:
801:
797:
793:
789:
786:
782:
778:
775:
771:
767:
764:
760:
756:
752:
749:
745:
732:
729:
728:
720:Track listing
717:
714:
710:
706:
702:
697:
696:
690:
688:
684:
680:
679:
642:
640:
639:
635:
634:
604:
602:
601:
597:
596:
566:
564:
561:
560:
552:
549:Review scores
547:
536:
533:
532:
526:
521:
519:
515:
511:
510:
504:
503:
497:
494:
489:
484:
480:
479:
473:
470:
466:
462:
461:
456:
452:
448:
444:
443:
432:
424:
420:
418:
414:
410:
406:
402:
398:
396:
392:
388:
384:
374:
372:
371:
367:'s 1932 book
366:
362:
357:
355:
354:Duncan Mackay
351:
350:Yvonne Keeley
347:
346:
345:Beam of Light
341:
340:Patricia Paay
336:
331:
329:
325:
321:
317:
306:
302:
300:
295:
291:
286:
283:
282:
277:
272:
270:
269:
264:
260:
259:Scorpio Sound
256:
252:
248:
244:
243:
238:
228:
226:
222:
218:
214:
213:
203:
192:
186:
179:
173:
172:
169:
166:
162:
158:
154:
145:
144:
140:
136:
135:
131:
127:
126:
122:
121:
117:
113:
109:
106:
103:
101:
97:
94:
91:
89:
85:
73:
69:
66:
63:
61:
57:
53:
49:
45:
40:
36:
32:
27:
22:
16:
2605:Gi' Me Wings
2575:
2568:
2539:
2531:
2523:
2515:
2417:Irresistible
2375:Big Big Deal
2350:Irresistible
2211:
2203:
2195:
2187:
2179:
2171:
2163:
2155:
2147:
2139:
2131:
2125:Compilations
2112:
2104:
2096:
2088:
2080:
2061:
2053:
2045:
2037:
2029:
2021:
2000:
1992:
1985:
1984:
1976:
1953:
1945:
1917:Jo Partridge
1890:Pete Newnham
1876:John Crocker
1870:Oli Hayhurst
1869:
1864:
1857:
1852:
1845:
1838:
1831:
1826:Steve Harley
1824:
1810:Steve Harley
1761:
1749:
1730:
1721:
1710:
1690:
1670:
1664:
1655:
1649:
1638:
1632:
1620:. Retrieved
1613:
1601:
1592:
1586:
1577:
1571:
1565:. p. 2.
1560:
1554:
1542:. Retrieved
1538:the original
1533:
1523:
1512:
1506:
1495:
1489:
1477:. Retrieved
1467:
1458:
1454:
1434:
1428:
1416:. Retrieved
1403:
1392:
1386:
1355:
1350:
1341:
1320:. Retrieved
1316:the original
1311:
1286:. Retrieved
1272:
1255:Melody Maker
1253:
1247:
1236:
1230:
1219:
1180:Steve Harley
1175:
1130:
1125:
1113:. Retrieved
1088:. p. 4.
1083:
1077:
991:
990:
960:
959:
931:
930:
901:Steve Harley
894:
893:
776:"Understand"
727:Steve Harley
724:
712:
708:
700:
693:
691:
687:Astral Weeks
682:
676:
674:
636:
598:
529:
524:
522:
517:
513:
507:
500:
498:
492:
487:
482:
476:
474:
468:
464:
458:
455:Geoff Barton
450:
446:
440:
438:
430:
421:
416:
408:
400:
399:
380:
368:
360:
358:
343:
334:
332:
326:, including
315:
313:
304:
298:
293:
289:
287:
281:Melody Maker
279:
275:
273:
266:
262:
246:
240:
236:
234:
225:Steve Harley
211:
210:
209:
164:
141:
133:
132:
123:
105:Steve Harley
39:Studio album
15:
2637:1976 albums
2559:Discography
2499:Out of Time
2074:Live albums
2039:Yes You Can
1929:Marty Prior
1901:George Ford
1853:Kuma Harada
1727:Kent, David
1534:Street Life
1364:EMI Records
1184:BGO Records
1139:EMI Records
1028:Australia (
982:John Leckie
506:Marlowe of
499:In the US,
469:Street Life
2626:Categories
2253:Psychomodo
1897:Jim Cregan
1887:Nick Jones
1622:16 January
1544:16 January
1479:16 January
1455:Q Magazine
1418:16 January
1322:16 January
1288:16 January
1283:The Leader
1115:16 January
1069:References
961:Production
907:Jim Cregan
512:described
324:symbolists
294:The Leader
231:Background
114:chronology
2239:Judy Teen
2232:Sebastian
2063:Uncovered
1264:0025-9012
1053:UK Albums
1023:position
998:Mick Rock
890:Personnel
528:Canada's
65:Glam rock
2439:Anderson
2426:" (with
2260:Mr. Soft
2246:Hideaway
1920:Ian Nice
1729:(1993).
1615:Cash Box
1110:AllMusic
903:– vocals
705:AllMusic
563:AllMusic
502:Cash Box
481:praised
100:Producer
51:Released
41: by
1342:Blitzed
389:" and "
377:Release
161:Singles
147:(1976)
138:(1976)
129:(1975)
2591:Madman
2544:(2013)
2536:(2005)
2528:(1989)
2520:(1985)
2437:" (as
2216:(2012)
2208:(2008)
2200:(2006)
2192:(2000)
2184:(1999)
2176:(1998)
2168:(1995)
2160:(1992)
2152:(1987)
2144:(1980)
2136:(1975)
2117:(2013)
2101:(2003)
2093:(1999)
2085:(1977)
2066:(2020)
2058:(2010)
2050:(1996)
2042:(1992)
2034:(1979)
2026:(1978)
2005:(2005)
1997:(1976)
1989:(1976)
1981:(1975)
1958:(1974)
1950:(1973)
1737:
1712:Select
1514:Sounds
1262:
1011:Charts
992:Design
860:Length
742:Length
678:Select
638:Select
557:Rating
554:Source
460:Sounds
71:Length
2577:Score
2509:Video
1610:(PDF)
1461:: 91.
857:Title
739:Title
445:felt
163:from
88:Label
60:Genre
2443:Batt
1735:ISBN
1624:2022
1546:2022
1481:2022
1420:2022
1378:link
1324:2022
1290:2022
1260:ISSN
1198:link
1153:link
1117:2022
1021:Peak
882:5:09
871:4:03
838:5:04
827:5:42
816:2:23
805:5:48
790:4:50
779:7:14
768:5:36
753:4:29
427:Tour
257:and
1062:18
1057:OCC
1047:18
1035:98
876:10.
853:No.
735:No.
457:of
221:EMI
93:EMI
2628::
1768:.
1701:^
1681:^
1612:.
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