90:, "During the 1970s and ’80s, the teaching of women artists – including Tina Keane, Anna Thew, Anne Tallentire, Joanna Greenhill and Pam Skelton –was one of Saint Martins’ major contributions to art education. Their influence helped create a lasting shift in the gender profile in British art, and Saint Martins in general maintained a committed concern for gender, ethnicity and sexual politics throughout the Thatcher years.” Notable students who were mentored by Keane include
105:, London, in 1978 was an early example of performance that incorporated live video and slide projections. Transparencies of neon signs, poetry and images of shop windows featuring mannequins were projected on a wall before which Keane performed, while video of the performance played on monitors surmounted with neon texts. Keane has said that the work brought into play "the actual and the recorded, the shop dummy, and the person, the illusion and the reality"
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In 2015, Keane was one of the recipients of the 21st annual Paul Hamlyn
Foundation Awards for Artists, the largest individual awards made to visual artists and composers in the UK. Her pioneering, poetic film, 'Faded Wallpaper', was acquired by Tate in 2018.
115:, in 1992, used the body as a screen with video projected onto the naked backs of men as they glide sideways standing on a travelator. Keane subsequently re-edited the piece into a double screen video installation for the inaugural Tanks programme at
75:(1995–96). She was a founder member of the non-profit women’s film distribution organization Circles - Women in Distribution. Keane also curated and programmed exhibitions and screenings including The New Pluralism exhibition at the
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in the UK. Reflecting a feminist perspective, her works have often explored gender roles, sexuality, and political concerns. She has stated that her work is primarily about "identity and play".
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Keane studied at the
Hammersmith College of Art and at the Sir John Cass School of Art (1967–70) and received an MA in Independent Film and Video from the
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Keane has been an important influence on successive generations of artists in the UK as a teacher at
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Richard Dyer; Jean Fisher; Peter Wollen (9 November 2007).
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