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Quintus, but the two are found guilty and are marched off to execution. Aaron enters and tells Titus, Lucius and Marcus that the emperor will spare the prisoners if one of the three sacrifices a hand. Each demands the right to do so. Titus has Aaron cut off his (Titus's) left hand and take it to the emperor. Aaron's story is revealed to have been false, as a messenger brings Titus the heads of his sons and his own severed hand. In
Renaissance semiotics, the hand is a representation of political and personal agency. With his hand chopped off, Titus has truly lost power. Desperate for revenge, Titus orders Lucius to flee Rome and raise an army among their former enemy, the Goths.
1712:
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454:, in which a similarly mute victim "wrote" the name of her wrongdoer. Marcus gives her a stick to hold with her mouth and stumps. She writes the names of her attackers on the ground. Titus vows revenge. Feigning madness, he ties written prayers for justice to arrows and commands his kinsmen to aim them at the sky so they may reach the gods. Understanding the method in Titus' "madness", Marcus directs the arrows to land inside the palace of Saturninus, who is enraged by this added to the fact Lucius is at the gates of Rome with an army of Goths.
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and
Lavinia, in order to have their way with her. Lavinia begs Tamora to stop her sons, but Tamora refuses. Chiron and Demetrius throw Bassianus' body in a pit, as Aaron directed them, then take Lavinia away and rape her. To keep her from revealing what she saw and endured, they cut out her tongue as well as her hands, replacing them with tree branches. When Marcus discovers her, he begs her to reveal the identity of her assailants; Lavinia leans towards the camera and opens her bloodied mouth in a silent scream.
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film. At the beginning of the film, his toy soldiers turn into Titus' Roman army. At the end, when Titus' son Lucius avenges his father by condemning the villainous Aaron to a painful death, the boy takes pity on Aaron's infant son, carrying him away from the violence as he walks slowly into the sunrise. This ending is perhaps more positive than the ending of other productions of the play, including Taymor's stage production, in which Young Lucius is fixated upon the "tiny black coffin" holding the dead infant.
473:. She tells Titus she (as a supernatural spirit) will grant him revenge if he will convince Lucius to stop attacking Rome. Titus agrees, sending Marcus to invite Lucius to a feast. "Revenge" offers to invite the Emperor and Tamora and is about to leave, but Titus insists "Rape" and "Murder" stay with him. She agrees. When she leaves, Titus' servants bind Chiron and Demetrius. Titus cuts their throats, while Lavinia holds a basin with her stumps to catch their blood. He plans to
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435:, Marcus Andronicus, announces the people's choice for new emperor is his brother, Titus. He refuses the throne and hands it to the late emperor's eldest son Saturninus, much to the latter's delight. The new emperor states he will take Lavinia, Titus' daughter, as his bride, to honor and elevate the family. She is already betrothed to Saturninus' brother, Bassianus, who steals her away. Titus' surviving sons aid in the couple's run for the
439:, where they are to marry. Titus, angry with his sons because in his eyes they're being disloyal to Rome, kills his son Mutius as he defends the escape. The new emperor, Saturninus, dishonors Titus and marries Tamora instead. Tamora persuades the Emperor to feign forgiveness to Bassianus, Titus and his family and postpone punishment to a later day, thereby revealing her intention to avenge herself on all the Andronici.
736:, earning only $ 22,313 on its opening weekend due to its limited release in only two theaters, ranking number 57 in the box office. Its widest release in the US was only in 35 theaters, causing the film to earn only $ 2,007,290 in North America. Overseas, it grossed $ 252,390 in Chile, Mexico, and Spain, culminating in a worldwide total of $ 2,920,616.
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During a hunting party the next day, Tamora's lover, Aaron the Moor, meets Tamora's remaining sons, the sadistic Chiron and
Demetrius. The two argue over which should take sexual advantage of the newly-wed Lavinia. Aaron easily persuades them to ambush Bassianus and kill him in the presence of Tamora
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Back in the Roman Arena, Lucius tells his family's story to the people and is proclaimed
Emperor. He orders his father Titus and sister Lavinia to be buried in the family monuments, Saturninus be given a proper burial, Tamora's body to be thrown to the wild beasts, and Aaron be buried chest-deep and
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Aaron frames Titus' sons
Martius and Quintus for the murder of Bassianus with a forged letter outlining their plan to kill him. Angry, the Emperor arrests them. Later on, Marcus takes Lavinia to her father, who is overcome with grief. He and his remaining son Lucius beg for the lives of Martius and
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and gave it three and a half out of four stars, referring to the source material as "the least of
Shakespeare's tragedies" and concluding, "Anyone who doesn't enjoy this film for what it is must explain: How could it be more? This is the film Shakespeare's play deserves, and perhaps even a little
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Apart from the deliberate anachronisms, the film follows the play quite closely. One of the experimental concepts in the film was that the character of Young Lucius (Titus' grandson) is initially introduced as a boy from the present who finds himself transported to the fantastical reality of the
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The next day, during the feast at his house, Lavinia enters the dining room. Titus asks
Saturninus whether a father should kill his daughter if she is raped. When the Emperor agrees, Titus snaps Lavinia's neck, to the horror of the dinner guests, and tells Saturninus what Tamora's sons did. When
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Tamora delivers a mixed-race child, fathered by Aaron. To hide his affair from the
Emperor, Aaron kills the nurse and flees with the baby. Lucius, marching on Rome with an army of Goths, captures Aaron and threatens to hang the infant. To save the baby, Aaron reveals the entire plot to Lucius,
502:, victorious Roman General who declines a nomination for Emperor upon his return to Rome. Following a post-war ritual of executing the proudest warrior of his enemy, the vanquished Goths, Titus draws the ire of Tamora, unaware of her inevitable appointment as the Queen of Rome.
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strikes a near-impossible balance between magnificently cracked high camp and a more serious statement about corruption and the cycle of violence" and that " forceful adaptation builds to a glorious payoff and
Cumming's flamboyant performance alone—he's a sort of fascist
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647:, to give the impression of a Roman Empire that survived into the modern era. The opening scenes commence with a heavily choreographed triumphal march of the Roman troops, complete with motorcycle outriders. The selection of music is similarly diverse.
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left to die of thirst and starvation. Aaron is unrepentant to the end. Young Lucius, who appears to have lost his taste for violence after witnessing the bloody cycle of revenge, picks up Aaron's child and carries him away into the sunrise.
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Saturninus demands Chiron and
Demetrius be brought before him, Titus reveals they were in the pie Tamora enjoyed, and kills Tamora. Saturninus kills Titus after which Lucius kills Saturninus to avenge his father's death.
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as Lucius, Titus' eldest son and loyal soldier. Following his failed attempts at freeing his condemned brothers, Lucius is banished from Rome and defects to the Goths, where he rallies a sizable army to challenge
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as Saturninus, older brother to Bassianus and newly crowned Emperor of Rome. Spurned by his attempts at claiming Lavinia as his new bride, he forsakes the Andronicus family and turns instead to Tamora as his new
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Titus' grandson (Lucius' son and the boy from the opening), who helped Titus read to Lavinia, complains she will not leave his books alone. In the book, she indicates to Titus and Marcus the story of
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752:, 69% of 77 critics' reviews are positive, with an average rating of 6.6/10. The website's consensus reads: "The movie stretches too long to be entertaining despite a strong cast."
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A boy eating lunch in a 1950s-style kitchen plays war with his surrounding toys. A bomb blast outside the window frightens him under the table from where he is rescued and taken to an
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as Tamora, defeated Queen of the Goths, who swears revenge against Titus and the Andronicus family for the atrocities visited upon her eldest son, an executed
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The film received mixed reviews from critics and grossed a total of $ 2.9 million worldwide against a budget of $ 18 million, becoming a
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studios in Rome and on location at various historic monuments. The arena that appears at the beginning and ending of the film is the
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took Shakespeare's script, added various linking scenes without dialogue (while cutting some of the text) and set the play in an
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as Aaron, servant and illicit lover to Tamora, and the chief architect of her vengeful plans against the Andronicus family.
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Caesar, the Emperor of Rome, dies. His sons Saturninus and Bassianus squabble over who will succeed him. The
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Tamora, convinced of Titus' madness, approaches him along with her two sons, dressed as the spirits of
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Osheen Jones as Young Lucius, Titus' grandson and a key character who observes most of the key events.
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fantasy world that uses locations, costumes and imagery from many periods of history, including
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McCandless, David (2002). "A Tale of Two Tituses: Julie Taymor's Vision on Stage and Screen".
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as Alarbus, Tamora's eldest son who is sacrificed, setting the events of the play into motion.
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general, chronicling his downfall following a victorious return from war. It was produced by
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as Marcus Andronicus, Roman Senator and staunch ally of his brother, the ailing Titus.
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Rowe, Katherine A. (1994). "Dismembering and Forgetting in Titus Andronicus".
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gave the film a positive review, making it a "Critic's Pick".
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in Rome. Some shots of tunnels and ruins were filmed at
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as Lavinia, daughter of Titus and fiancée of Bassianus.
1390:"Weekend Box Office Results for December 24-26, 1999"
1290:"Mary Costa, Aurora – Disney Princesses Then and Now"
674:. The Emperor's palace is represented by the Fascist
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1607:"Nominees & Winners for the 72nd Academy Awards"
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878:Excellence in Production Design for a Feature Film
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1422:"Titus (1999) - International Box Office Results"
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816:Robin Askew wrote in a 2016 article for
682:in Rome. The forest scenes were shot at
2142:English-language historical drama films
989:Best Actor in a Supporting Role – Drama
595:as the Nurse, who brings Aaron his son.
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1227:"Titus (1999) - Financial Information"
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1300:from the original on 21 January 2013
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400:, although it was nominated for the
1528:Stephen Holden (24 December 1999).
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559:as Demetrius, one of Tamora's sons.
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1578:Tobias, Scott (26 December 1999).
1288:Puchko, Kristy (17 January 2012).
610:Differences from the original text
16:1999 film directed by Julie Taymor
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1649:Anwar Brett (8 September 2000).
1636:Alan A. Stone (April–May 2000).
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1975:Scott Tenorman Must Die
1941:(late third century AD)
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1296:. Screencrush Network.
1119:Best Production Design
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914:Best Supporting Actor
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1172:Rape and revenge film
1127:Bringing Out the Dead
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433:Tribune of the People
373:in the title role of
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1550:(21 January 2000).
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856:Best Costume Design
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1434:. 18 December 2002
1402:. 27 December 1999
769:The New York Times
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1372:
1354:
1327:(4): 487–511.
1311:
1280:
1261:(3): 279–303.
1245:
1215:
1182:
1181:
1179:
1176:
1175:
1174:
1169:
1162:
1159:
1156:
1155:
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1120:
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948:
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942:Luciano Tovoli
939:
935:
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931:
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923:
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915:
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908:
905:
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899:Best Director
897:
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890:
888:
885:
883:Dante Ferretti
880:
875:
869:
868:
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858:
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851:Academy Awards
847:
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837:
834:
827:
824:
803:Pee-wee Herman
764:Stephen Holden
741:
738:
726:
723:
721:
718:
708:The score for
702:Main article:
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333:
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331:$ 2.92 million
329:
325:
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309:
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301:United Kingdom
299:
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163:Luciano Tovoli
160:
159:Cinematography
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2042:Grand Guignol
2040:
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2025:
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2013:
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2008:
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1918:Metamorphoses
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1581:
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1023:Julie Taymor
1022:
1020:
1017:
1016:
1012:
1010:
1009:Jessica Lange
1007:
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993:Harry Lennix
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799:
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793:The A.V. Club
788:
785:
782:also praised
781:
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569:Kenny Doughty
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237:Release dates
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110:Jessica Lange
108:
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51:Screenplay by
49:
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43:
39:
32:
27:
22:
19:
2072:(soundtrack)
2067:
2054:
2046:
2037:Revenge play
2022:George Peele
1980:
1977:" (2001; TV)
1966:
1965:
1957:
1936:
1928:
1922:
1916:
1910:
1904:
1841:
1792:
1784:
1776:
1768:
1761:
1760:
1750:Julie Taymor
1701:
1691:
1680:
1669:
1654:
1641:
1630:Bibliography
1615:. Retrieved
1601:
1589:. Retrieved
1583:
1573:
1561:. Retrieved
1555:
1548:Ebert, Roger
1542:
1533:
1523:
1513:28 September
1508:Fandom, Inc.
1501:
1495:
1488:
1473:28 September
1471:. Retrieved
1461:
1455:
1448:
1436:. Retrieved
1425:
1416:
1404:. Retrieved
1393:
1384:
1375:
1357:
1324:
1320:
1314:
1302:. Retrieved
1293:
1283:
1258:
1254:
1248:
1236:. Retrieved
1230:
1206:. Retrieved
1199:
1193:
1186:
1125:
952:Edgar Awards
918:Harry Lennix
903:Julie Taymor
817:
815:
806:
797:
796:wrote that "
791:
789:
783:
777:
767:
762:
743:
729:
728:
709:
707:
692:Roman Ghetto
654:
637:Ancient Rome
629:Julie Taymor
627:
613:
581:Blake Ritson
557:Matthew Rhys
541:Harry Lennix
535:Laura Fraser
516:Alan Cumming
483:
479:
460:
456:
449:
445:
441:
430:
414:Amphitheatre
411:
395:
364:
354:Julie Taymor
338:
337:
336:
323:$ 18 million
283:Running time
145:Matthew Rhys
135:Harry Lennix
130:Laura Fraser
115:Alan Cumming
90:Julie Taymor
62:
54:Julie Taymor
45:Julie Taymor
18:
1950:Adaptations
1794:The Glorias
1786:The Tempest
1232:The Numbers
1208:24 December
1063:Kyle Cooper
839:Nominee(s)
819:Bristol24-7
811:cult status
774:Roger Ebert
624:Development
575:Colin Wells
550:Saturninus.
529:James Frain
287:162 minutes
125:James Frain
76:Produced by
41:Directed by
2092:1999 films
2086:Categories
1982:The Hungry
1962:(1985; TV)
1852:Characters
1708:Metacritic
1563:6 November
1511:Retrieved
1503:Metacritic
1438:28 January
1406:28 January
1178:References
1124:(also for
1107:Runner-up
1087:Nominated
1067:Nominated
1052:Nominated
1039:Nominated
1026:Nominated
1013:Nominated
976:Nominated
946:Nominated
933:Nominated
922:Nominated
907:Nominated
887:Nominated
865:Nominated
754:Metacritic
725:Box office
698:Soundtrack
619:Production
604:as Mourner
602:Mary Costa
523:Colm Feore
379:Roman army
347:surrealist
342:is a 1999
328:Box office
270:2000-09-29
259:2000-02-11
248:1999-12-24
190:Production
120:Colm Feore
86:Jody Allen
2027:Philomela
1930:Thyestes
1655:BBC Films
1617:6 January
1591:6 January
1349:194032305
836:Category
826:Accolades
720:Reception
660:CinecittĂ
641:Mussolini
587:Raz Degan
452:Philomela
292:Countries
192:companies
169:Edited by
2048:Gorboduc
2032:Thyestes
1365:Archived
1304:29 March
1298:Archived
1238:13 March
1161:See also
809:lasting
748:website
688:aqueduct
684:Manziana
437:Pantheon
312:Language
179:Music by
98:Starring
59:Based on
2063:Jan Vos
1993:Related
1897:Sources
1870:Lavinia
1613:(AMPAS)
1580:"Titus"
1552:"Titus"
1341:3844238
1275:2871232
842:Result
787:more."
776:of the
744:On the
672:Croatia
651:Filming
463:Revenge
362:tragedy
315:English
268: (
257: (
246: (
2059:(1590)
2051:(1561)
2010:Themes
1985:(2017)
1970:(1999)
1913:26 BC)
1879:Lucius
1876:Marcus
1864:Tamora
1797:(2020)
1789:(2010)
1781:(2007)
1773:(2002)
1765:(1999)
1347:
1339:
1273:
970:(play)
833:Award
732:was a
519:bride.
469:, and
467:Murder
377:, the
320:Budget
2069:Titus
1967:Titus
1925:AD 8)
1867:Aaron
1770:Frida
1762:Titus
1703:Titus
1692:Titus
1681:Titus
1670:Titus
1496:Titus
1456:Titus
1345:S2CID
1337:JSTOR
1294:TheFW
1271:JSTOR
1196:(18)"
1194:TITUS
845:Ref.
807:Titus
798:Titus
784:Titus
730:Titus
710:Titus
664:Arena
645:Italy
339:Titus
298:Italy
24:Titus
1675:IMDb
1619:2017
1593:2017
1565:2013
1515:2024
1475:2024
1440:2016
1408:2016
1306:2014
1240:2018
1210:2015
1152:Won
1134:Won
996:Won
668:Pula
639:and
489:Cast
471:Rape
426:Moor
408:Plot
385:and
344:epic
1840:'s
1706:at
1695:at
1684:at
1673:at
1329:doi
1263:doi
813:."
766:of
666:in
643:'s
498:as
360:'s
68:by
2088::
1923:c.
1911:c.
1653:.
1640:.
1609:.
1582:.
1554:.
1532:.
1506:.
1500:.
1466:.
1460:.
1430:.
1424:.
1398:.
1392:.
1343:.
1335:.
1325:53
1323:.
1292:.
1269:.
1259:45
1257:.
1229:.
1218:^
1198:.
694:.
670:,
465:,
404:.
393:.
2018:"
2014:"
1973:"
1921:(
1909:(
1830:e
1823:t
1816:v
1741:e
1734:t
1727:v
1657:.
1644:.
1621:.
1595:.
1567:.
1536:.
1517:.
1498:"
1494:"
1477:.
1458:"
1454:"
1442:.
1410:.
1351:.
1331::
1308:.
1277:.
1265::
1242:.
1212:.
1192:"
1130:)
272:)
261:)
250:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
