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In the traditional pieces, only the clarinet register is used (overblow flap open). The melodies generally use diatonic scales without changing the sign. Of the 13 keys, only those for the h (sounding a) and the c' (sounding b') as well as the overblow key are used. Other halftone keys or forked keys
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The clarinet arrived in
Brittany in the 18th century. The most traditional Breton clarinet is an older type of instrument with 13 or even fewer keys, in contrast to the modern 'Boehm' instrument commonly used in contemporary music in France. Classical musicians in the 19th century discarded older
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instruments in favor of newer designs from makers such as Boehm, Albert, etc. replacing the formerly ubiquitous 13-key clarinet developed by Iwan MĂĽller in the 19th century. These discarded instruments eventually found their way into the hands of folk musicians and the "treujenn gaol" was born.
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In Breton music, two clarinetists typically play together, or the clarinet plays with an accordion, though they also play in ensembles with other instruments. The clarinet is a common part of Breton jazz bands, along with saxophones and drums, playing both jazz and traditional songs.
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are not used. Accordingly, the unnecessary flaps can also be clamped or removed, in particular the movable rings are locked. Diatonic clarinets without or with few keys are also used. This results in two rows of notes:
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After a decline in use in traditional music in the early 20th century, the instrument was revived in the 1970s for use in pairs of instruments (much like the
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From the fundamental note b: b, c', d', *es', f', g', a', b' (the notes marked with * are raised by a quarter tone compared to the equal temperament)
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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These series largely correspond to the traditional tonality of central
Brittany. These scales are more difficult to achieve on a 24-key clarinet.
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Content in this edit is translated from the existing German
Knowledge article at ]; see its history for attribution.
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players who found the newer instrument encroaching on their livelihood.
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The best-known Breton clarinetists are probably
Christian Duro and
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From the fundamental note c': c', d', *es', f', g', *as', *b', c"
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469:"Paotred an Dreujenn Gaol - Sonneurs de Clarinette en Bretagne"
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Paotred an
Dreujenn Gaol - Sonneurs de Clarinette en Bretagne
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Rice, Timothy; Porter, James; Goertzen, Chris (2017-09-25).
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315:"Origine et Ă©volutions techniques de la clarinette"
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a machine-translated version of the German article.
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442:(in French). 2009-04-26. Archived from
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