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to be the key to humanity, and to the humane writing of poetry; and urged the application of the best principles of classic
Japanese poetry to haiku, so as to ensure its artistic quality.
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Unlike Bashō, Uejima had few direct disciples. However he continued to have a broad influence upon the writing of haiku, one exponent opposing him to his own actual teacher, Ryōta:
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At the age of 25, Uejima moved to Osaka, where he began his professional career in haiku and other forms of poetry.
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Crowley, Cheryl. “Putting Makoto Into
Practice. Onitsura's Hitorigoto.”
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In later life he worked as a masseur, before becoming a priest.
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195:(1st ed.). New York: Palgrave Macmillan.
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298:A History of Haiku Vol I
268:A History of Haiku Vol I
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170:国立国会図書館典拠データ検索・提供サービスヘルプ
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57:and belonging to the
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349:Japanese haiku poets
281:Monumenta Nipponica
217:"俳人・上島鬼貫（うえしまおにつら）"
166:"上島, 鬼貫, 1661–1738"
108:He also considered
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323:Categories
226:15 January
176:15 January
153:References
103:Hotorigoto
96:Hitorigoto
51:Edo period
114:sincerity
73:Biography
131:See also
19:In this
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25:surname
221:伊丹市の紹介
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147:Saigyō
120:Legacy
110:makoto
29:Uejima
23:, the
285:JSTOR
79:Itami
55:Osaka
47:haiku
228:2016
197:ISBN
178:2016
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