520:â; âPoto-Potoâ translates as âmudâ and is also the colloquial name for the big African market. It represents the children's home; many of whom are forced to wander the streets, sleeping in the market and eating bits of food that they find there. The Poto-Poto campaign is centred on the production of a music album: âThe extraordinary stories of the Poto-Poto childrenâ (âLes histoires extraordinaires des enfants de Poto-Potoâ). In this album, each rap artist plays the role of a particular child, be it
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528:, drug dealer etc. In the songs, the children meet to exchange their stories, to condemn or condone their friendsâ ways of life and to ask questions about how such situations came about. The use of rap in this way allows often sensitive topics to be broached in a way that young people are able to understand and relate to.
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In 2007 two singles from the album were released: âBienvenue a Poto-Potoâ (âWelcome to Poto-Potoâ) and âPoto-Poto
Dancingâ. These were instant hits, taking top spots in music charts across the region of Francophone West Africa. âBienvenue a Poto-Potoâ even made it to number 2 in the music charts on
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in
Senegal (child beggars). In 2007 they performed at local musical festivals in Senegal (St. Louis Festival, Dakar Banlieue Rhythmes Festival) and played regional concerts in Burkina Faso and Niger. AURA also participated in a school tour in the Netherlands that was organised by Plan Holland; the
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The songs not only address and raise awareness of problems, but they also portray the courage and humour that these children maintained. Despite the hardships that they are subjected to on a daily basis, they maintain cheerful demeanours, coming together to draw strength from one another and to
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The artistsâ underlying philosophy is that of
Africanist optimism; they believe that Africa has the ability to overcome all her challenges and they are strongly focused on encouraging youth engagement to this end. They contend that the youth represent the leaders of tomorrow and it is only by
311:) coming from ten different countries in West Africa (Benin, Burkina Faso, Gambia, Guinea, Ivory Coast, Niger, Mali, Mauritania, Senegal and Togo) and who are committed to use their voices and music for Africaâs development. With the support of the Non Governmental Organization
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In addition to the Poto-Poto album, the artists have performed concerts across the region. They theme each concert around a particular issue concerning childrenâs rights. For example, at the St Louis Jazz
Festival in May 2007, the artists sung about the problem of the
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and youth problems. With respect, they realized in 2006 the first ever hip hop musical comedy show âThe extraordinary
Stories of Poto-Poto Childrenâ.
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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Djitrinou Ă, Bertin (April 28, 2008). "Poto-poto de AURA : Une comĂ©die musicale dĂ©nonce les sĂ©vices contre les enfants".
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artists met local students and performed their Poto-Poto songs, drawing attention to Africa's pressing problems.
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engaging Africaâs currently largely marginalised youth population that the continent has a chance of developing.
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A concert tour took place in 2008 in Mali, Senegal, Mauritania, Togo, Benin, Ivory Coast and Gambia.
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720:"Ajourd'hui, Journée de l'Enfant Africain, Sous le Signe de la Participation aux Prises de Décision"
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There are currently 17 members of AURA, originating from 10 different West
African countries:
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697:"Poto-poto de AURA : Une comédie musicale dénonce les sévices contre les enfants"
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and the problems that children are facing on a daily basis. The campaign is called â
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AURA is currently engaged in a campaign designed to raise awareness about
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Please help to demonstrate the notability of the topic by citing
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743:"Les Rappeurs Africain, Mobilisés pour les Droits des Enfants"
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Pheno B and Safia (both from the band Kaidan Gaskia)
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notability guidelines for companies and organizations
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467:ALIF (Liberate Attack of the Feminist Infantry)
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811:International organizations based in Africa
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50:Learn how and when to remove these messages
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261:Learn how and when to remove this message
159:Learn how and when to remove this message
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762:"Afrolution Vol.2 : Les artistes"
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197:Please improve this article by adding
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39:or discuss these issues on the
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72:may not meet Knowledge's
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457:Positive Black Soul
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508:Poto-Poto Campaign
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307:artists (plus one
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633:"Poto Poto"
612:Baay Sooley
561:Discography
473:Baay Sooley
397:Ivory Coast
85:independent
805:Categories
619:References
603:(RapâAdio)
421:Mauritania
251:March 2014
221:newspapers
188:references
149:March 2014
119:newspapers
93:redirected
36:improve it
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83:that are
42:talk page
665:Archived
593:Myriam (
582:See also
465:Myriam (
402:Priss K
445:Senegal
426:Waraba
364:Smockey
323:Members
305:hip hop
301:, AURA)
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343:Benin
309:griot
242:JSTOR
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649:2010
595:ALIF
570:(CD)
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