616:, criticizing the politics but praising the direction and performances: "Now, although âUp the Sandboxâ purports to examine Margaret's changing role in relation to her husband, children, political reality, racial problemsâanything and everything that touches upon herself and the rest of the worldâit becomes a clumsy reaffirmation of the notion that staying at home and having babies is the best thing for a woman to do, especially if her husband âgenerouslyâ likes babies and is willing to give her one day a week off...However, politics aside, Irvin Kershner, the director, is often really excellent: I loved his direction of a family getâtogether on the occasion of Margaret's parents' 33rd wedding anniversary. During this party, a relative is shooting home movies the lighting, is blinding, and soâcalled normal behavior becomes abnormal or forced. The actors perform within a performance: they realize that moviesâhome moviesâare for posterity, a reservoir of information, a cheerful record... Barbra Streisand is Barbra Streisand (love her or leave her) trying to be ordinary, but being beautiful."
606:: "Barbra Streisand's sixth film is her sixth hit...it's hard not to think of this extraordinary young woman, perfectly wedded to the camera with her instant Modigliani face and timing. She's the picture, true, but the teamwork is admirable. Nearly everything works and meshes, starting with an adroit script by Paul Zindel...Fortunately and even when they're way out, the vignette musings generally miss blandness and strain because our heroine is a bright, likable girl, not a pinhead. Furthermore, Irvin Kershner has paced the pictureâin which Miss Streisand plays a non-singing role â with a kind of take-it-or-leave-it verve that nimbly enhances the sharp dialogue, the more thoughtful passages and the performances."
580:, who gave the film three out of four stars, only had praise for her in his review: "This is a Barbra Streisand movie, and so we know the central character won't (can't) be stereotyped; nothing even remotely like Streisand has existed in movies before...She does not give us a liberated woman, or even a woman working in some organized way toward liberation. Instead, she gives us a woman who feels free to be herself, no matter what anyone thinks. This is a kind of woman, come to think of it, who is rare in American movies".
496:'s biographer James Spada that he was originally unhappy with the script and that he was advised not to express his dissatisfaction to Streisand. Several days into filming, when Streisand went to Kershner and asked him why they were having so much trouble, he told her that they had started shooting with a weak script. Kershner said "Your people warned me not to tell you." Streisand said "That's ridiculous! If a script isn't good enough, let's work to improve it."
362:, imagining confrontations with her husband and mother, going on an anthropological visit to an African tribe that promises a ritual of pain-free childbirth, and being involved in a terrorist mission to plant explosives in the Statue of Liberty. After one final fantasy of visiting and then fleeing an abortion clinic, Margaret finally tells Paul about the pregnancy and then leaves in a taxi to enjoy a day without parenting responsibilities.
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the same language, obviously, but she understood what I was trying to say to her. She showed me how to dress. Everything was held together with safety pins so nobody had to sew anything. I had the greatest outfits. You rip the fabric and you safety pin in where you want it. And then jewelry made out of telephone wires, little beads. She taught me how they put makeup on their eyes with the ground stone, blue..."
570:, Streisand "never seemed so radiant as in this joyful mess, taken from the Anne Richardson Roiphe novel and directed by Irvin Kershner. The picture is full of knockabout urban humor". Kael continued: "Barbra Streisand has never seemed so mysteriously, sensually fresh, so multi-radiant. As Margaret, wife of a Columbia instructor and mother-of-two, she's a complete reason for going to a movie, as
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Streisand remembered Kenya as "quite beautiful...I remember it being so hot. We had no air conditioner or anything, so I had a little, dinky trailer filled with flies. Flies everywhere. But I loved the people, the
Samburu people, and I made very good friends with a woman of the tribe. We didnât speak
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history professor. Margaret is bored with her bourgeois day-to-day life and neglected by Paul, who is consumed by his work. She soon discovers that she is pregnant again and initially does not tell her husband, and instead finds refuge in her outrageous fantasies: being sexually pursued by a
Central
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is something rather special, a smart, imaginative, unconventional comedy about middle class married and domestic life that also is extraordinarily touching, truly loving. This is by several light years the most endearing and fundamentally joyous new movie the holiday season has to offer."
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Kershner originally planned to shoot on a backlot at MGM. When
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interview, Streisand reflected on the commercial failure of the film: "I donât think people wanted to see me play a housewife who wasnât funny. It was very discouraging."
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Murphy, A.D. (October 11, 1972). "Hoffman Tie With First
Artists Prod. Unveils Four Stars' Internal Setup; Ali McGraw Got 300G For 'Getaway'".
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was. If there is such a thing as total empathy, she has it."
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in 1972. It was
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The â70s Seen: Irvin Kershnerâs Loving and Up the Sandbox
796:(Kindle ed.). Abrams Press. pp. 932â979/3917.
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A Life in Movies: Stories from Fifty Years in Hollywood
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634:, the film has a 71% rating based on seven reviews.
234:is a 1972 American comedy-drama film directed by
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961:The 6 People Streisand Wants at Her Dinner Party
329:. The film was released on December 21, 1972 by
333:. Although it was a critical success, it was a
758:Barbra Archives. Retrieved on 20 November 2023
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911:"The Sandbox," With Streisand, Is a Joy
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282:as a character who closely resembles
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1283:Cultural depictions of Fidel Castro
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383:Ariane Heller as Elizabeth Reynolds
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353:with her husband, Paul (Selby), a
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485:. But I wasnât able to get it.â
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669:List of American films of 1972
250:as a young wife and mother in
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16:1972 film by Irvin Kershner
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612:also wrote a review for
311:Samburu National Reserve
301:. Filming took place in
1288:American feminist films
1213:1972 comedy-drama films
1161:The Empire Strikes Back
1057:Stakeout on Dope Street
892:Rogerebert.suntimes.com
792:Winkler, Irwin (2019).
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238:, with a screenplay by
1169:Never Say Never Again
1273:1970s American films
374:as Margaret Reynolds
1258:Barwood Films films
1253:First Artists films
1243:Films shot in Kenya
812:Barbra-archives.com
586:The Washington Post
355:Columbia University
303:Morningside Heights
290:in her film debut.
1153:Eyes of Laura Mars
1073:The Hoodlum Priest
1065:The Young Captives
1043:Films directed by
1008:TCM Movie Database
964:The New York Times
929:The New York Times
916:. 22 December 1972
914:The New York Times
726:The New York Times
625:The New York Times
614:The New York Times
603:The New York Times
549:Critical reception
533:Eyes of Laura Mars
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1105:The Flim-Flam Man
839:My Name is Barbra
728:. 21 January 1973
558:sexual revolution
525:Statue of Liberty
462:Stockard Channing
299:sexual revolution
288:Stockard Channing
246:. The film stars
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867:Geocities.ws
866:
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816:. Retrieved
814:. 1972-12-21
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776:. Retrieved
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746:. 2 May 2017
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694:. p. 3.
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437:as Battleaxe
400:Fidel Castro
360:Fidel Castro
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284:Fidel Castro
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220:$ 3,500,000
184:Running time
161:Release date
62:
578:Roger Ebert
435:Anne Ramsey
429:Paul Dooley
417:Conrad Bain
378:David Selby
323:Paul Newman
268:Conrad Bain
256:David Selby
244:Anne Roiphe
240:Paul Zindel
212:$ 2,926,000
96:David Selby
74:Produced by
68:Anne Roiphe
53:Paul Zindel
39:Directed by
1208:1972 films
1202:Categories
897:2017-04-02
872:2017-04-02
818:2017-04-02
778:2017-04-02
744:Talk House
675:References
652:Home media
638:Box office
469:Production
443:as Elinore
441:Lois Smith
307:California
276:Lois Smith
217:Box office
188:97 minutes
172:1972-12-21
133:Production
1185:RoboCop 2
488:Director
473:Producer
455:as Joanne
351:Manhattan
252:Manhattan
222:(rentals)
135:companies
112:Edited by
773:IMDb.com
663:See also
425:as Maria
297:and the
295:feminism
201:Language
122:Music by
88:Starring
59:Based on
1129:S*P*Y*S
1006:at the
707:Variety
691:Variety
645:Playboy
589:wrote "
544:Release
516:tribe.
510:Samburu
204:English
193:Country
170: (
1188:(1990)
1180:(1989)
1172:(1983)
1164:(1980)
1156:(1978)
1148:(1977)
1140:(1976)
1132:(1974)
1124:(1972)
1116:(1970)
1113:Loving
1108:(1967)
1100:(1966)
1092:(1964)
1084:(1963)
1076:(1961)
1068:(1959)
1060:(1958)
845:
449:as Jan
286:, and
209:Budget
572:Garbo
514:Masai
315:Kenya
986:IMDb
843:ISBN
504:and
366:Cast
341:Plot
325:and
309:and
995:at
984:at
630:On
564:in
398:as
349:in
313:in
66:by
1204::
944:.
890:.
865:.
827:^
810:.
771:.
733:^
715:^
536:;
337:.
305:,
278:,
274:,
270:,
266:,
262:,
258:,
1036:e
1029:t
1022:v
950:.
900:.
875:.
851:.
821:.
781:.
174:)
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