279:) printing anti-war leaflets. All four, however, resist the temptation to desert. Hagen responds that his works can speak for themselves; the young man considers his companions closer to him than his new love; Sasse finds he no longer likes revolutionaries: "We soldiers are dying for our country while you drink, hold meetings, and make love. ... I have nothing in common with you any more." He fights his way out of the meeting and arrives with a black eye and bruises. Hartmann loses track of time, but his family all pile into a friend's lorry and race the train to the next station; the lieutenant spots the speeding vehicle and all the men are back as they promised.
271:) is a composer; he visits his music teacher, who will shortly be performing one of his works and begs him to be true to his talent rather than throwing his life away in a futile cause. Private Hartmann, who is middle-aged, surprises his young wife, Anna, who has replaced him at his work driving a tram; she begs him to stay with her and their four children rather than returning to a war which is already lost. The third, a young man, after discovering his only relative has died, meets a girl and falls in love for the first time. The fourth, Infantryman Emil Sasse (
259:, the film is set late in 1918, during the final stages of the First World War. A troop of German infantry are on their way from the Eastern to the Western Front and must change trains in Berlin. After marching through the centre of the city from one station to another, they must wait several hours for their connecting train. The major in command gives strict orders that no one must go into this city full of "deserters, revolutionaries, and defeatists", even though most of the men are from Berlin, but in response to the pleading of Private Hartmann (
897:
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267:) grants passes on the men's solemn promise to return in time: "I have your word of honor that you will return and fulfill your duty in this critical hour of the fatherland. The unit is counting on you—and so is Germany." The film follows several of the men, in particular four of different ages and from different social backgrounds. Infantryman Ullrich Hagen (
488:
While the men are regarded overall in terms of community, the women are contrasted as good and bad and in terms of good and bad women's roles. Hartmann's wife and
Krawutke's mother have taken their places on the job, but only by necessity: the barber Krawutke finishes shaving the customer while his
480:
studios in
Neubabelsberg. It was the third of three 'soldier films' set in the First World War which Karl Ritter directed in 1936–37 while Nazi Germany was rearming in preparation for renewed war. Its theme is the importance of duty, even in the face of military futility, or as one character
543:
UFA promoted the film aggressively, calling it "a grand song of comradeship ... born in the storm of steel of the front, meeting its greatest test in the lunatic asylum of a sick, politically incited metropolis."
592:
also presented Ritter with a silver-framed photograph of himself inscribed "in thankful recognition of his exemplary pioneering contribution to German film on the occasion of the great success of his film
457:
The musical score, by Ernst Erich Buder, featured songs from the Great War and was unusually dramatic. The lyrics to the song "Die Liebe ist das
Element des Lebens" are by Franz Baumann.
940:
275:) is a "leftist intellectual" who was cursing the notion of 'heroic death' and announcing his intention to desert in the opening scenes of the film; he finds his girlfriend Fritzi (
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485:(that damned duty consciousness). The film is a "morality play" which depicts the victory of comradeship and duty over various "forces of evil" afflicting Germany.
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1004:
235:(variously translated as Leave on Word of Honour, Holiday on Parole, Furlough on Parole, Leave on Parole and Pass on a Promise) is a 1938
32:
1163:
830:
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cadet orchestra. It was shown a few months later in New York, and in
Philadelphia in April 1940 after the removal of bedroom scenes.
1143:
1043:
John E. Davidson, "Working for the Man, Whoever That May Be: The
Vocation of Wolfgang Liebeneiner", in Robert C. Reimer, ed.,
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489:
mother goes to make tea, and when
Hartmann surprises her, his wife almost crashes the tram. Prätorius' own girlfriend Inge (
1123:
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913:, ed. Bernhard Chiari, Matthias Rogg and Wolfgang Schmidt, Beiträge zur Militärgeschichte 59, Munich: Oldenbourg, 2003,
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was first shown at the Ufa-Palast in
Cologne on 11 January 1938, and then received a grand première at the
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570:"a meaningful turning point in the history of German film" and Albert Schneider in the cinema magazine
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1047:, Studies in German literature, linguistics, and culture, Rochester, New York: Camden House, 2000,
560:
552:
The film was highly praised by the German press after the Berlin première, Ludwig
Eberlein in the
476:. Shooting took place between late August and late October 1937, with interior scenes shot at the
652:
282:
David
Stewart Hull, in his 1969 study of Nazi films, pointed out that the film greatly resembles
584:(particular political and artistic value) and was awarded a Special Recommendation at the 1938
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49:
978:
696:
1045:
Cultural
History through a National Socialist Lens: Essays on the Cinema of the Third Reich
774:
609:
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497:), a self-centred career woman. Illustrating dangerous women, the Hungarian singer Ilonka (
243:, the last of three films set in the First World War which he made during the period when
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66:(from ideas by Kilian Koll (Walter Julius Bloem, Jr.) and Charles Klein)
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calling it "a major victory of German cinematic art", von Arndt in the
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263:), who had saved his life in the trenches, young Lieutenant Prätorius (
222:
909:
Reiner Rother, "'Stukas'. Zeitnaher Film unter Kriegsbedingungen", in
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576:"a great achievement of German cinematic creativity". It received the
844:
Film in the Third Reich: A Study of the German Cinema 1933–1945
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in Berlin on 19 January, where it was introduced by the Overture to
406:
597:", with which the director later posed for press photographs.)
532:
388:
Hadrian Maria Netto as First Lieutenant von Treskow-Dyrenfurth
505:). In this respect the film prefigures wartime films such as
255:
Based on the autobiographical novella of the same title by
846:, Berkeley/Los Angeles: University of California, 1969,
716:, Jefferson, North Carolina/London: McFarland, 2008,
687:, Jefferson, North Carolina/London: McFarland, 2003,
379:
Franz Weber as Non-Commissioned Officer Schnettelker
582:
staatspolitisch und künstlerisch besonders wertvoll
657:Propaganda and the German Cinema, 1933–1945
564:"an overwhelming experience", Joachim Brenner in
1095:
685:Nazi Propaganda Films: A History and Filmography
815:To Die for Germany: Heroes in the Nazi Pantheon
708:According to Welch, p. 219, note 74 (rev. ed.,
911:Krieg und Militär im Film des 20. Jahrhunderts
580:(Propaganda Ministry award of distinction) of
796:
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659:, Oxford: Oxford University-Clarendon, 1983,
340:as Infantryman Dr. Jens Kirchhoff (his début)
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817:, Bloomington: Indiana University, 1990,
78:by Kilian Koll (Walter Julius Bloem, Jr.)
930:
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770:
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674:
627:
460:
430:Eduard Bornträger as Professor Hasenkamp
370:as Infantryman Ullrich Hagen, a composer
364:as Infantryman Julius Krawutke, a barber
310:as Private Heini Hartmann, a tram driver
643:
1096:
1087:at the German Internet Movie Database
714:Nazi Films in America, 1933–1942
765:
732:, 5.1, Autumn 1950, pp. 61–72,
295:
781:Friedrich Wilhelm Murnau Foundation
13:
14:
1180:
1164:Films scored by Ernst Erich Buder
1065:
954:Filming Women in the Third Reich
442:as Adelheid, Jahnke's girlfriend
436:as Infantryman Krawutke's mother
427:as Professor Knudsen, a sculptor
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483:das verdammte Pflichtbewußtsein
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1034:Baird, p. 185, p. 293 note 31.
807:
752:
702:
316:as Lieutenant Walter Prätorius
292:which was made the same year.
1:
1144:Films directed by Karl Ritter
621:
472:; it was commissioned by the
452:
403:as Fritzi, Sasse's girlfriend
288:, a British film directed by
37:Theatrical release poster by
1129:German black-and-white films
783:, retrieved 5 December 2012
547:
397:Käte Haack as Maria, a nurse
352:as Infantryman Ludwig Pichel
7:
1124:1930s German-language films
10:
1185:
514:
376:as Infantryman Dr. Wegener
346:as Infantryman Schmiedecke
1169:German-language war films
1073:Furlough on Word of Honor
887:Giesen, pp. 227–28.
667:, p. 320 (rev. ed. 2001,
615:Furlough on Word of Honor
600:
328:as Infantryman Emil Sasse
217:
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174:11 January 1938
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1149:German World War I films
956:, New York: Berg, 2000,
358:as recruit Kurt Hellwig
608:was remade in 1955 by
474:Ministry of Propaganda
1154:1930s political films
1119:Films of Nazi Germany
712:) and Harry Waldman,
561:Völkischer Beobachter
503:Hans Reinhardt Knisch
461:Production and themes
394:as Lieutenant Colonel
356:Hans Reinhardt Knisch
1084:Urlaub auf Ehrenwort
1055:, pp. 240–67,
921:, pp. 349–70,
842:David Stewart Hull,
776:Urlaub auf Ehrenwort
610:Wolfgang Liebeneiner
606:Urlaub auf Ehrenwort
595:Urlaub auf Ehrenwort
586:Venice Film Festival
520:Urlaub auf Ehrenwort
466:Urlaub auf Ehrenwort
232:Urlaub auf Ehrenwort
75:Urlaub auf Ehrenwort
26:Urlaub auf Ehrenwort
1139:Films set in Berlin
730:Hollywood Quarterly
555:Berliner Morgenpost
448:as Mrs. Schmiedecke
1159:1930s German films
470:Staatsauftragsfilm
409:as Dolores Schulze
1134:Films set in 1918
524:Ufa-Palast am Zoo
434:Lotte Werkmeister
334:as recruit Jahnke
296:Partial cast list
228:
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144:Ernst Erich Buder
64:Felix Lützkendorf
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567:Das 12 Uhr Blatt
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392:Heinrich Schroth
322:as Anna Hartmann
304:as Inge, a nurse
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135:Gottfried Ritter
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401:Margot Erbst
338:Carl Raddatz
332:Heinz Welzel
326:René Deltgen
314:Rolf Moebius
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277:Margot Erbst
273:René Deltgen
265:Rolf Moebius
254:
251:Plot summary
245:Nazi Germany
239:directed by
231:
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204:Nazi Germany
191:Running time
167:Release date
108:René Deltgen
98:Rolf Moebius
74:
18:Nazi Germany
1089:(in German)
926:(in German)
785:(in German)
669:p. 275
653:David Welch
320:Berta Drews
257:Kilian Koll
241:Karl Ritter
86:Karl Ritter
83:Produced by
50:Karl Ritter
46:Directed by
39:Paul Aigner
1104:1938 films
1098:Categories
804:–65.
736:, October.
622:References
481:terms it,
453:Soundtrack
383:Otz Tollen
362:Willi Rose
344:Jakob Sinn
290:Tim Whelan
178:1938-01-11
151:Production
896:Altmann,
800:Waldman,
758:Altmann,
745:Altmann,
548:Reception
538:Luftwaffe
530:'s opera
499:Iwa Wanja
425:Otto Graf
415:as Ilonka
413:Iwa Wanja
132:Edited by
113:Otto Graf
1007:, 185, .
952:Jo Fox,
939:Giesen,
590:Goebbels
578:Prädikat
221:598,000
210:Language
140:Music by
91:Starring
71:Based on
1005:pp. 180
1003:Baird,
977:Baird,
874:Baird,
829:–
827:pp. 183
802:pp. 164
515:Release
407:Evi Eva
200:Country
195:87 mins
176: (
153:company
1057:p. 242
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923:p. 350
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876:p. 181
856:p. 120
850:
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726:p. 164
720:
710:p. 201
697:p. 227
691:
663:
601:Remake
533:Rienzi
528:Wagner
468:was a
218:Budget
213:German
992:p. 84
990:Fox,
941:p. 52
898:p. 62
852:46409
760:p. 66
747:p. 65
734:p. 65
16:1938
1078:IMDb
1049:ISBN
958:ISBN
915:ISBN
848:OCLC
819:ISBN
718:ISBN
689:ISBN
661:ISBN
20:film
1076:at
588:. (
478:UFA
159:UFA
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180:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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