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Víctor Grippo

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104:. His work, one of whose main motives is the idea of transformation, has always revolved around daily life, the world of work, food and energy. From the beginning he used materials and unconventional means in his objects, sculptures and installations, to reflect on the social and spiritual conditions of the workers, of the artists. It belonged to the group of the thirteen, integrated by Jacques Bedel, Luis Fernando Benedit, Gregorio Dujovny, among others. Finally, this group becomes the CAYC Group. 93:
at the Fine Arts School. He had been interested in art from an early age. He started off as a painter and engraver in the 1950s, and in the 1960s he began experimenting with sculpture, and produced animated pieces (with engines and lighting).
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He made invaluable calculations for quantum physics, relating the atoms and the theories of the absorbent nebula in a totally renewing way with conceptual art, thus achieving a kind of tactile hologram.
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He creates facilities that are at the same time spaces of liberated energy, behind these works is also found a meaning referring to alchemy and to the efforts to transfigure the material world.
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The works of this artist no longer speak of the power that technology has to transform the lives of people, but rather of its articulation as an instrument of thought.
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Victor Grippo researches the energy generation processes through very simple technical resources. One of the raw materials used in his work has been the
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Between the years of 1968 and 1970 his works led to a luminous kinetic, machines were wrapped in fabrics, subjected to the surface passage of light.
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that measured the energy generated. That kind of works became a classic of the artist who was developing in different facilities around the world.
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In 1966 he held his first solo exhibition at the Lirolay gallery in Buenos Aires, presenting oils linked to geometric abstraction.
512: 507: 138:, at the Museum of Modern Art, and which has been presented later in different versions in different parts of the world. 86: 302: 114:(which he uses as a metaphor) food that was born in America, but after the conquest spread throughout Europe. 17: 210:, second prize in the Third Salon Artists with Acolics Paolini, in the Museum of Modern Art of Buenos Aires. 329: 368: 54: 283:, exhibited in the Museum of Sciences and Arts of the National Autonomous University of Mexico ( 69:
Grippo was raised in his birth town, and in his youth he moved to the capital of the province,
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One of his most well-known works is Analogía I (1970), presented in the collective exhibition
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Using electrodes and measuring systems, the artist shows the latent power in plant life.
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Grippo, based on its cultural symbolism, used the energy contained in potatoes, forming
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Elogio de la Low- Tech. Historia y estética de las artes electrónicas en América Latina
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and connecting them with cables to operate different devices, from a radio to a
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1966. Lirolay Gallery. Presents his geometric paintings in oil.
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at the Internationaal Cultureel Centrum in Antwerp and at the
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In his work he has sought a convergence between science and
431:. Buenos Aires, Argentina: Luna Editores. pp. 57–58. 101: 34:
painter, engraver and sculptor, considered the father of
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Index

Victor Grippo
Argentine
conceptual art
Junín
province
Buenos Aires
Italian
immigrant
Albanese
La Plata
Buenos Aires
Chemistry
Pharmacy
University of La Plata
Héctor Cartier
art
potato
electric batteries
multimeter
Konex Foundation
Konex Award
Tandil
Marcel Duchamp
San Pablo
UNAM
Palais des Beaux-Arts
Brussels
São Paulo Biennial

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