289:
43:
304:. Barraud's original painting depicts Nipper staring intently into the horn of an Edison-Bell while both sit on a polished wooden surface. The horn on the Edison-Bell machine was black and after a failed attempt at selling the painting to a cylinder record supplier of Edison Phonographs in the UK, a friend of Barraud's suggested that the painting could be brightened up (and possibly made more marketable) by substituting one of the brass-belled horns on display in the window at the new gramophone shop on
348:
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399:", scientifically designed by Western Electric to play these new records. Victor's first electrical recordings, issued in the spring of 1925 were not advertised as such; in order to create an extensive catalog of records made by the new process to satisfy anticipated demand, and to allow dealers time to liquidate their stocks of old-style Victrolas, Victor and its longtime rival,
280:, derived the word from his wife's name 'Victoria.' Finally, a fourth story is that Johnson took the name from the popular 'Victor' bicycle, which he had admired for its superior engineering. Of these four accounts, the first two are the most generally accepted." The first use of the Victor name was on a letterhead, dated March 28, 1901.
312:
in London was founded and managed by an
American, William Barry Owen. Barraud paid a visit with a photograph of the painting and asked to borrow a horn. Owen gave Barraud an entire gramophone and asked him to paint it into the picture, offering to buy the result. On close inspection of the painting,
343:
In the company's early years, Victor issued recordings on the Victor, Monarch and De Luxe labels, with the Victor label on 7-inch records, Monarch on 10-inch records and De Luxe on 12-inch records. De Luxe
Special 14-inch records were briefly marketed in 1903–1904. In 1905, all labels and sizes were
434:
gathered to record "A Miniature
Concert". Several takes were recorded by the old acoustical process, then additional takes were recorded electrically for test purposes. The electrical recordings turned out well, and Victor issued the results that summer as the two sides of twelve inch 78 rpm
407:
386:
The advent of radio as a home entertainment medium in the early 1920s presented Victor and the entire record industry with new challenges. Not only was music becoming available over the air free of charge, but a live radio broadcast made using high-quality microphones and heard over amplified
494:(DAHR) is a continuation of the Encyclopedic Discography of Victor Recordings (EDVR) project by Ted Fagan and William Moran to make a complete discography of all Victor recordings as well as adding the recordings of Columbia, Brunswick and other historic American labels now controlled by
403:, agreed to keep electrical recording secret until the autumn of 1925. Then, with the company's largest advertising campaign to date, Victor publicly announced the new technology and introduced its new records and the Orthophonic Victrolas on November 2, 1925, dubbed "Victor Day".
272:, he writes, "One story claims that Johnson considered his first improved Gramophone to be both a scientific and business 'victory.' A second account is that Johnson emerged as the 'Victor' from the lengthy and costly patent litigations involving Berliner and Frank Seaman's
387:
receivers provided sound that was startlingly more clear and realistic than a contemporary phonograph record. After plummeting sales and much resistance from Victor's senior executives, the company switched from the acoustical or mechanical method of recording to the new
505:
and Victor catalog owner Sony Music
Entertainment launched the National Jukebox offering streaming audio of more than 10,000 pre-1925 recorded works for listening by the general public; the majority of these recordings have not been widely available for over 100 years.
236:" trademark, the design, production and marketing of the popular "Victrola" line of phonographs and the company's extensive catalog of operatic and classical music recordings by world famous artists on the prestigious
896:
300:
Herbert Rose
Barraud's deceased brother, a London photographer, willed him his estate, including his DC-powered Edison-Bell cylinder phonograph with a case of cylinders and his dog, named
1057:
887:
598:
Report to the
Phonothèque Québécoise on the Search for Archival Documents of Berliner Gram-O-Phone Co., Victor Talking Machine Co., R.C.A. Victor Co. (Montréal), 1899–1972
414:
Victor's first commercial electrical recording was made at the company's Camden, New Jersey studios on
February 26, 1925. A group of eight popular Victor artists,
305:
293:
240:
label. After Victor merged with RCA in 1929, the company maintained its eminence as
America's foremost producer of records and phonographs until the 1960s.
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443:'s thirty-seventh annual production of the Mask and Wig Club, released in April, 1925. On March 21, 1925, Victor recorded its first electrical
1047:
491:
268:
There are different accounts as to how the "Victor" name came about. RCA historian Fred Barnum gives various possible origins of the name in
971:
324:'s ownership of the plant in its later years. Today, one of the original windows is located at the Smithsonian museum in Washington, D.C.
395:
in 1925. Victor called its version of the improved fidelity recording process "Orthophonic", and sold a new line of phonographs called "
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Victor recorded the first jazz and blues records ever issued. The Victor
Military Band recorded the first recorded blues song, "
17:
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at Victor's headquarters in Camden, New Jersey. The building still stands today with replica windows installed during
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232:, Victor was the largest and most prestigious firm of its kind in the world, best known for its use of the iconic "
987:
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In 1915, the "His Master's Voice" logo was rendered in immense circular leaded-glass windows in the tower of the
213:
manufacturer, incorporated in 1901. Victor was an independent enterprise until 1929 when it was purchased by the
948:
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In 1926, Johnson sold his controlling (but not holding) interest in the Victor
Company to the banking firms of
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was Victor 19626, a ten-inch record consisting of two numbers recorded on March 16, 1925, from the
51:
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Victor "scroll" label used from 1926 to 1934, featuring the company's house band directed by
233:
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the contours of the Edison-Bell phonograph are visible beneath the paint of the gramophone.
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The Talking Machine Review International, Ernie Bayly © 1973 The Gramophone Company Limited
8:
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with a customized Victrola given to him as a wedding gift by the Victor Company in 1918
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553: – Canine mascot of HMV, RCA, and the Victor Talking Machine Company (1884–1895)
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Instructions for the setting up, operation & care of The Victrola, Spring Type
996:
728:"VICTOR 78 RECORDS: Evolution of the Victor Talking Machine Company record labels"
702:
643:
221:
Division of the Radio Corporation of America until late 1968, when it was renamed
975:
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498:. The Victor archive files are the main source of information for this project.
249:
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735:
1016:
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448:
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423:
336:
277:
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Barnum, Fred, "'His Master's Voice' In America", General Electric Co, 1991.
783:"Victor matrix B-19331. Livery stable blues / Original Dixieland Jazz Band"
583: – American classical music label; budget label operated by RCA Victor
580:
571:
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600:. Further augmented ed. Montréal: Phonothèque Québécoise, 1994. 19, p.
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419:
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253:
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113:
406:
273:
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533: – Painting, British record label, and international trademark
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758:"Victor matrix B-15065. The Memphis blues / Victor Military Band"
559: – international record label; budget imprint of RCA Victor
888:"Library of Congress, Sony launch streaming 'National Jukebox'"
829:
550:
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1001:, Victor Talking Machine Company, Camden, NJ., c. 1924. (from
991:
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disc, Victor 35753. Victor's first electrical recording to be
370:
321:
181:
Classical, blues, popular, jazz, country, bluegrass, folk
167:
576:
Pages displaying short descriptions of redirect targets
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Pages displaying short descriptions of redirect targets
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Pages displaying short descriptions of redirect targets
327:
294:
Museo Nazionale Scienza e Tecnologia Leonardo da Vinci
1058:
Former components of the Dow Jones Industrial Average
959:"Identifying Victor Products" at Victor-Victrola page
359:", on July 15, 1914, in Camden, New Jersey. In 1917,
969:
RCA Corporation records at Hagley Museum and Library
585:
Pages displaying wikidata descriptions as a fallback
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Pages displaying wikidata descriptions as a fallback
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817:
454:
410:The "VE", indicating a Victor electrical recording
27:Former American record and phonograph manufacturer
474:
1014:
524: – American award for achievements in music
978:(1887–1983) About the history of RCA and Victor
861:"Discography of American Historical Recordings"
30:"Victrola" redirects here. For other uses, see
832:, England: Harvard University Press. pp.
806:Victor Recording Book log, pp. 4761 and 4761A.
949:Discography of American Historical Recordings
787:Discography of American Historical Recordings
762:Discography of American Historical Recordings
539: – State park in Delaware, United States
492:Discography of American Historical Recordings
964:Victor timeline at the David Sarnoff Library
954:"Victrola Credenza" at Victor-Victrola page
276:. A third story is that Johnson's partner,
800:
703:"RCA Nipper Window on Display at Rutgers"
518: – American businessman and engineer
87:Learn how and when to remove this message
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618:
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405:
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331:
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50:This article includes a list of general
982:RCA Corporation photos at Hagley Museum
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371:Electrical recording era (1925–present)
14:
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644:"Preserving the History of RCA Victor"
391:-based electrical system developed by
344:consolidated into the Victor imprint.
256:and disc record, contracted machinist
209:was an American recording company and
1063:Companies based in Camden, New Jersey
1053:Defunct companies based in New Jersey
925:from the original on January 10, 2018
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1048:Record labels disestablished in 1929
848:jw seligman victor talking machines.
661:
328:Acoustical recording era (1901–1925)
36:
451:, of works by Chopin and Schubert.
24:
899:from the original on April 2, 2015
624:The Fabulous Phonograph: 1877–1977
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447:disc, twelve inch 6502 by pianist
56:it lacks sufficient corresponding
25:
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1043:Record labels established in 1901
1033:Record labels based in New Jersey
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885:Jouvenal, Justin (May 10, 2011).
467:, who in turn sold Victor to the
1068:Mass media in Camden, New Jersey
546:List of phonograph manufacturers
361:The Original Dixieland Jazz Band
112:
41:
911:
878:
853:
816:Suisman, David (May 31, 2009).
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455:Post-acquisition (1929–present)
270:"His Master's Voice" In America
260:to manufacture his inventions.
1004:The Roaring 20's Victrola page
775:
750:
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685:
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481:List of Victor Records artists
475:List of Victor Records artists
207:Victor Talking Machine Company
107:Victor Talking Machine Company
13:
1:
701:Levins, Hoag (January 2013).
626:, MacMillan, New York, 1954.
604:
568: – American record label
919:"About the National Jukebox"
469:Radio Corporation of America
283:
215:Radio Corporation of America
136:; 123 years ago
7:
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485:
10:
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990:on the Internet Archive's
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441:University of Pennsylvania
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318:Victrola cabinet building
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32:Victrola (disambiguation)
707:Historiccamdencounty.com
648:Historiccamdencounty.com
496:Sony Music Entertainment
351:A Victor Talking Machine
170:in 1929; known today as
921:. Library of Congress.
574: – US record label
537:Johnson Victrola Museum
263:
71:more precise citations.
974:June 16, 2019, at the
947:Victor masters in the
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383:
352:
340:
297:
292:Victor IV gramophone.
252:, the inventor of the
217:(RCA) and became the
18:Victor Talking Machine
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397:Orthophonic Victrolas
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350:
335:
291:
738:on January 11, 2018
516:Eldridge R. Johnson
503:Library of Congress
422:, Albert Campbell,
365:Livery Stable Blues
258:Eldridge R. Johnson
153:Eldridge R. Johnson
1038:Jazz record labels
531:His Master's Voice
412:
384:
381:Nathaniel Shilkret
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310:Gramophone Company
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234:His Master's Voice
230:Camden, New Jersey
198:Camden, New Jersey
120:His Master's Voice
843:978-0-674-03337-5
596:Bryan, Martin F.
357:The Memphis Blues
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186:Country of origin
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903:January 10,
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712:January 10,
653:January 10,
566:RCA Records
461:JW Seligman
306:Maiden Lane
223:RCA Records
172:RCA Records
69:introducing
1017:Categories
673:0939766167
605:References
557:RCA Camden
420:Henry Burr
389:microphone
363:recorded "
254:gramophone
219:RCA Victor
211:phonograph
52:references
471:in 1929.
284:Marketing
274:Zonophone
248:In 1896,
972:Archived
923:Archived
897:Archived
510:See also
486:Archives
445:Red Seal
296:, Milan.
238:Red Seal
194:Location
244:History
149:Founder
139: (
131:Founded
65:improve
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830:London
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551:Nipper
437:issued
430:, and
308:. The
302:Nipper
163:Status
124:Nipper
54:, but
178:Genre
931:2018
905:2018
872:2018
838:ISBN
828:and
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769:2018
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714:2018
677:ISBN
669:ISBN
655:2018
628:ISBN
490:The
463:and
264:Name
205:The
141:1901
134:1901
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367:".
322:RCA
168:RCA
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