216:
205:
142:. While some bands use relatively simple harmony vocals, with long, slow-moving vocal harmony notes supporting the vocal lead during the chorus sections, other bands make the backup singers into more equal partners of the main vocalist. In more vocally oriented bands, backup singers may have to sing complex parts which demand a vocal agility and sensitivity equal to that of the main vocal line. Usually, pop and rock bands use harmony vocals while the rest of the band is playing; however, as an effect, some rock and pop harmony vocals are done
31:
196:
116:
singing style, congregations sang hymns arranged with four or five-part vocal harmony. In the
Romantic era of music during the 1800s, vocal harmonization became more complex, and arrangers began including more dissonant harmonies. Operas and choral music from the Romantic era used tense-sounding
268:
music, which developed in
African-American communities in the 1940s and which achieved mainstream popularity in the US both in the 1950s to the early 1960s. It used smooth, consonant vocal harmonies, with a number of singers imitating instruments while singing nonsense syllables. For example, in
88:
used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with a consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short
170:
While some bands use backup singers who only sing when they are on stage, it is common for backup singers to have other roles while they are on stage. In many rock and metal bands, the musicians doing backup vocals also play instruments, such as keyboards,
217:
137:
need to be able to adjust the pitch of their notes so that they are in tune with the pitch of the lead vocalist and the band's instruments. As well, the rhythm of the backup harmony parts has to be in time with the lead singer and the
206:
117:
vocal harmonies with augmented and diminished intervals as an important tool for underscoring the drama of the music. With contemporary music from the 1900s and 2000s, composers made increasingly difficult demands on
80:
ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in
249:
completes the chord, usually below the lead. The melody is not usually sung by the tenor or bass. Barbershop quartets are more likely to use dissonant and "tense"-sounding
282:
233:
style, in which the melody is harmonized in four parts. In a barbershop quartet arrangement, each voice has its own role: generally, the
187:, the backup singers may be required to perform elaborately choreographed dance routines while they sing through headset microphones.
315:
345:
183:
groups, backup singers may play percussion instruments or shakers while singing. In some pop and hip-hop groups and in
146:, without instrumental accompaniment. This device became widely used in the end chorus section of 1980s and 1990s-era
385:
17:
101:
Vocal harmonies have been an important part of
Western art music since the Renaissance-era introduction of
76:
and in the popular styles from many
Western cultures ranging from folk songs and musical theater pieces to
53:
39:
325:
250:
199:
176:
380:
320:
8:
242:
230:
65:
151:
85:
298:
290:
274:
265:
294:
286:
184:
106:
30:
139:
195:
374:
172:
134:
353:
102:
90:
69:
56:
note or notes are simultaneously sung as a main melody in a predominantly
278:
277:" (1950), the singers imitate the "doomph", "doomph" plucking-sound of a
234:
155:
81:
49:
35:
310:
270:
180:
143:
122:
77:
105:
melodies harmonized in sweet thirds and sixths. With the rise of the
147:
57:
246:
121:
which were singing in vocal harmony, such as instructions to sing
261:
159:
110:
61:
297:, a hit in 1958. Doo-wop remained popular until just before the
238:
118:
73:
113:
229:
One of the more complex styles of vocal harmony is the
38:, a barbershop quartet singing in four-part harmony at
158:(which cites influence from both heavy metal and
372:
133:To sing vocal harmony in a pop or rock context,
245:sings the lowest harmonizing notes, and the
194:
29:
316:Harmony Sweepstakes A Cappella Festival
14:
373:
283:In the Still of the Night (I Remember)
190:
128:
24:
25:
397:
256:
241:harmonizes above the melody, the
125:notes or make percussive sounds.
84:or sixths which fit in with the
96:
338:
165:
64:are used in many subgenres of
13:
1:
331:
281:. Well-known hits include "
7:
304:
10:
402:
346:"The Doo-Wop Hall of Fame"
264:is a style of vocal-based
386:American styles of music
253:than pop or rock bands.
251:dominant seventh chords
326:Close and open harmony
237:sings the melody, the
226:
68:, including Classical
42:
198:
33:
321:Barbershop arranging
27:Style of vocal music
191:Barbershop quartets
154:ballads as well as
231:barbershop quartet
227:
66:European art music
43:
86:chord progression
40:Walt Disney World
16:(Redirected from
393:
365:
364:
362:
361:
352:. Archived from
342:
299:British Invasion
275:Count Every Star
266:rhythm and blues
224:
223:
222:
220:
213:
212:
211:
209:
200:Barbershop chord
129:In popular music
21:
401:
400:
396:
395:
394:
392:
391:
390:
371:
370:
369:
368:
359:
357:
344:
343:
339:
334:
307:
295:The Silhouettes
287:The Five Satins
259:
218:
215:
214:
207:
204:
203:
193:
185:musical theater
168:
131:
107:Lutheran church
99:
60:texture. Vocal
28:
23:
22:
18:Vocal harmonies
15:
12:
11:
5:
399:
389:
388:
383:
367:
366:
336:
335:
333:
330:
329:
328:
323:
318:
313:
306:
303:
258:
257:Doo-wop groups
255:
192:
189:
167:
164:
140:rhythm section
135:backup singers
130:
127:
98:
95:
48:is a style of
26:
9:
6:
4:
3:
2:
398:
387:
384:
382:
379:
378:
376:
356:on 2007-09-28
355:
351:
350:doowophof.com
347:
341:
337:
327:
324:
322:
319:
317:
314:
312:
309:
308:
302:
300:
296:
292:
288:
284:
280:
276:
272:
267:
263:
254:
252:
248:
244:
240:
236:
232:
221:
210:
208:Play tempered
201:
197:
188:
186:
182:
178:
175:or drums. In
174:
173:rhythm guitar
163:
161:
157:
153:
149:
145:
141:
136:
126:
124:
120:
115:
112:
108:
104:
94:
92:
91:passing notes
87:
83:
79:
75:
71:
67:
63:
59:
55:
51:
47:
46:Vocal harmony
41:
37:
32:
19:
358:. Retrieved
354:the original
349:
340:
260:
228:
169:
132:
100:
97:In art music
70:choral music
45:
44:
381:Vocal music
279:double bass
166:Other roles
156:horror punk
152:heavy metal
52:in which a
50:vocal music
36:Dapper Dans
375:Categories
360:2007-08-18
332:References
311:A cappella
271:The Ravens
181:Afro-Cuban
144:a cappella
123:microtonal
58:homophonic
301:of 1964.
291:Get a Job
219:Play just
148:hard rock
62:harmonies
54:consonant
305:See also
273:' song "
247:baritone
262:Doo-wop
160:doo-wop
111:chorale
119:choirs
82:thirds
293:" by
289:and "
285:" by
239:tenor
202:on C
177:Latin
74:opera
243:bass
235:lead
150:and
114:hymn
103:Mass
78:rock
72:and
34:The
179:or
162:).
109:'s
93:).
377::
348:.
363:.
225:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.