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Voix céleste

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23: 130:. When both stops are played together an undulant, warm sounding string effect is generated. When proper organ terminology is used, "Voix Celeste" will always use string-voiced pipes. Frequently, both ranks of pipes required are placed on the same stop knob, and it is labeled as "Voix Celeste II". The celeste concept is extended to other types of organ voices (notably flutes) but they will be called by the name of the primary sound (e.g. "Spitzflöte Celeste"). 525: 137:, which is similar to the Voix celeste except that it typically uses a Dulciana or a softer-scale string (or even flutes), as opposed to the Voix Celeste which almost always refers to a brighter-scaled string celeste. The 39: 37: 111:
effect when combined with a normally tuned rank. It is also used to refer to a compound stop of two or more ranks in which all the ranks are detuned relative to each other.
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on French organs. It is designed to be used in conjunction with a stop of similar tonal quality of its own, normally a
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consisting of either one or two ranks of pipes slightly out of tune. The term
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is an Italian variant of the celeste employing Principal pipes.
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refers to a rank of pipes detuned slightly so as to produce a
524: 577: 560: 205: 567: 553: 212: 198: 118:on British and American organs and in the 578: 219: 193: 519: 114:The Voix celeste is located in the 13: 169: 16:Organ stop detuned for beat effect 14: 602: 55:Jeanne d'Arc et les voix célestes 523: 99:'heavenly voice') is an 71:Problems playing this file? See 35: 21: 163: 1: 156: 539:. You can help Knowledge by 45:Sound of "voix céleste" stop 7: 176:Encyclopedia of Organ Stops 144: 10: 607: 518: 591:Woodwind instrument stubs 531:This article relating to 445: 362: 317: 232: 586:String type organ stops 133:A similar stop is the 89: 533:free reed aerophones 182:on January 12, 2019. 422:Trompette militaire 293:Combination action 475:Historical Society 548: 547: 513: 512: 302:Tubular-pneumatic 297:Electro-pneumatic 98: 62: 40: 598: 569: 562: 555: 527: 520: 272:Expression pedal 252:Eight-foot pitch 214: 207: 200: 191: 190: 184: 183: 178:. Archived from 170:Stauff, Edward. 167: 93: 59:Diogene Maillart 52: 42: 41: 25: 606: 605: 601: 600: 599: 597: 596: 595: 576: 575: 574: 573: 516: 514: 509: 441: 358: 313: 267:Crescendo pedal 228: 218: 188: 187: 168: 164: 159: 147: 120:Récit expressif 78: 77: 69: 67: 66: 65: 64: 51: 43: 36: 33: 26: 17: 12: 11: 5: 604: 594: 593: 588: 572: 571: 564: 557: 549: 546: 545: 528: 511: 510: 508: 507: 502: 497: 492: 487: 482: 477: 472: 467: 462: 457: 452: 446: 443: 442: 440: 439: 434: 429: 424: 419: 414: 409: 404: 399: 394: 389: 384: 379: 373: 371: 360: 359: 357: 356: 351: 346: 345: 344: 339: 329: 323: 321: 315: 314: 312: 311: 310: 309: 304: 299: 291: 286: 281: 276: 275: 274: 269: 259: 254: 249: 244: 238: 236: 230: 229: 217: 216: 209: 202: 194: 186: 185: 161: 160: 158: 155: 154: 153: 146: 143: 124:Viola da gamba 68: 44: 34: 29: 28: 27: 20: 19: 18: 15: 9: 6: 4: 3: 2: 603: 592: 589: 587: 584: 583: 581: 570: 565: 563: 558: 556: 551: 550: 544: 542: 538: 534: 529: 526: 522: 521: 517: 506: 503: 501: 498: 496: 493: 491: 488: 486: 483: 481: 478: 476: 473: 471: 468: 466: 463: 461: 458: 456: 453: 451: 448: 447: 444: 438: 435: 433: 430: 428: 425: 423: 420: 418: 415: 413: 410: 408: 405: 403: 400: 398: 395: 393: 390: 388: 385: 383: 380: 378: 375: 374: 372: 369: 365: 361: 355: 352: 350: 347: 343: 340: 338: 335: 334: 333: 330: 328: 325: 324: 322: 320: 316: 308: 305: 303: 300: 298: 295: 294: 292: 290: 287: 285: 282: 280: 277: 273: 270: 268: 265: 264: 263: 260: 258: 255: 253: 250: 248: 245: 243: 240: 239: 237: 235: 231: 226: 222: 215: 210: 208: 203: 201: 196: 195: 192: 181: 177: 173: 166: 162: 152: 149: 148: 142: 140: 136: 131: 129: 125: 121: 117: 112: 110: 106: 102: 96: 91: 87: 83: 76: 74: 63: 60: 56: 50: 49:voix célestes 47:and image of 32: 31:Vox coelestis 24: 541:expanding it 530: 515: 427:Voix céleste 426: 417:Registration 387:Tibia Clausa 234:Construction 180:the original 175: 165: 138: 134: 132: 119: 113: 104: 90:Voix céleste 82:Voix celeste 81: 79: 70: 54: 48: 46: 437:Zimbelstern 221:Pipe organs 580:Categories 490:Repertoire 460:Fairground 432:Vox humana 407:Ophicleide 327:En chamade 157:References 151:Vox humana 139:Voce Umana 135:Unda maris 128:Salicional 101:organ stop 73:media help 57:(1890) by 480:Portative 412:Plein-jeu 284:Swell box 279:Tremulant 172:"Celeste" 116:swell box 485:Positive 242:Builders 145:See also 500:Theatre 402:Mixture 397:Gedackt 377:Bourdon 342:Voicing 337:Scaling 289:Tracker 247:Console 109:beating 105:celeste 97:  470:German 465:French 450:Barrel 392:Cornet 354:Tuning 262:Pedals 257:Manual 86:French 535:is a 505:Water 495:Shoes 455:Crawl 382:Tibia 364:Stops 319:Pipes 537:stub 368:List 349:Reed 332:Flue 307:Stop 225:list 95:lit. 80:The 126:or 582:: 174:. 92:, 88:: 568:e 561:t 554:v 543:. 370:) 366:( 227:) 223:( 213:e 206:t 199:v 84:( 75:. 61:) 53:(

Index


Vox coelestis
Diogene Maillart
media help
French
lit.
organ stop
beating
swell box
Viola da gamba
Salicional
Vox humana
"Celeste"
the original
v
t
e
Pipe organs
list
Construction
Builders
Console
Eight-foot pitch
Manual
Pedals
Crescendo pedal
Expression pedal
Tremulant
Swell box
Tracker

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