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Tracker action

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objective of correct regulation is that the keys on each manual have the same rest height and distance of travel when pressed. The regulation wrongly set at one extreme can cause a note to sound when no keys are pressed. This may also be caused by the action sticking after the key is released. The other extreme is that notes do not sound, or sound feebly, when a key is pressed.
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On some instruments, as more stops are used, the organist must apply more pressure/force to a key in order for it to play, resulting in heavy playing action when playing full organ. This can be particularly burdensome when two or more manuals are coupled. Problems of heavy action can almost always be
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Because of construction tolerances, a means of adjustment, or regulation, of the action has to be provided. This is commonly done by having a threaded wire end on the wooden tracker rods. A circular nut varies the effective length of the tracker where it engages with other parts of the action. One
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Trackers – trackers are the portions of the action used to make a pulling motion. Trackers can be used over long distances. They are thin strips of wood, roughly 10 mm wide and 2 mm thick. Although flexible, at rest they hold their shape. Playing a note pulls on the end nearer to the
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Although tracker action was less utilized in the early 20th century, particularly in England and America, its use has enjoyed a strong renaissance in the same areas since World War II, especially in instruments modeled on historical antecedents. Today, many builders are using tracker action
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Currently, some organ builders use tracker action in new organs, others use electric action, and still others use either type depending on the instrument. There are builders and organists who have strong feelings regarding the advantages of one type of action over another.
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The above is a list of mechanisms unique to tracker action. Steam calliopes, such as those built by Thomas J. Nichol in the early twentieth century, used a very simplified tracker mechanism. For actions used in all forms of pipe organs, see
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Remote placement of sections of the organ are dependent on the distance the mechanical linkages can successfully extend, as opposed to the unlimited extendability of electric wires in electropneumatic organs.
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Backfalls â€” backfalls are used for motion over a small or short distance where trackers and stickers would be otherwise illogical to use. As a natural result, the motion also changes direction.
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Stops â€” knobs that indirectly control the flow of air over certain ranks of pipes. They are activated with a pulling motion by hand, and deactivated (or stopped) by pushing them shut.
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Roller board â€” location upon which rollers are attached (Note: rollers are often used densely in one section of the action and so are often closely associated with the roller board.)
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throughout the world, and it has been successfully employed in organs of many styles. Some active builders of tracker action organs include Taylor and Boody of Staunton, Virginia,
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Tracker action requires less maintenance than other types of action since there are no pneumatics to be re-leathered, no electric contacts to tarnish and no wires to break.
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Stickers â€” used for a pushing motion; often paired with trackers. Their length is limited by the material, though most of the time, capping off at about 250 mm.
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This control affects the attack and release of a note through different touch. Before the invention of electric action, the organ was a touch-sensitive instrument.
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Rollers â€” Wooden shafts that rotate. Used for parallel direction in vertical or horizontal motion. They have small levers on each end, like cranks.
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It was not until the mid-14th century that the action needed to be explored and expanded as finally more pipes were added, as well as the addition of
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keyboard, so they are in tension while the note is playing. The term comes from the Latin verb "trahere", to draw (in the sense of "pull");
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Squares â€” a specific type of lever commonly used in organs which is at a right angle. Squares can also come in a "T" shape and form.
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Levers â€” levers are used to transfer from a tracker (pulling) to a sticker (pushing), or a general change of direction, or both.
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The tracker mechanism is often noisy. In quieter passages, the clicking and clattering of the mechanism can be quite distracting.
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Tracker action at Cradley Heath Baptist Church showing adjusters on tracker ends which engage with the keys of the great organ.
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to indicate a mechanical linkage between keys or pedals pressed by the organist and the valve that allows air to flow into
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was also meant to counteract this problem, by providing a pneumatic assist while retaining a completely-mechanical action.
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Trundle â€” Trundles are used as a substitute for levers in the action associated with the Stops and Slider boards.
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action became the norm in large instruments, to offset the extreme key weight caused by high wind pressures.
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The action consists of many types of devices used for the playing of such said organ, as listed below:
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trace their history as far back as at least the 3rd century BC with an organlike device known as the
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This continued in the 17th and 18th centuries. No particularly great developments took place in the
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Tracker action gives the organist more precise control over the exact moment air enters the pipe.
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Pneumatic action in which compressed air is used to control valves that allow wind into the pipes
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showing the tracker action. The rollers transmit movement sideways to line up with the pipes.
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Besides tracker action, two other kinds of action used in pipe organs are as follows:
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Electric action in which electric valves are used to allow wind into the pipes
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came a new style of organ building. The organ became larger and louder and
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overcome through correct use of body weight. The invention of the
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A roller board with rollers and trackers from a 1970
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was built by Ronald Sharp in the Concert Hall of the
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of the corresponding note. This is in contrast to "
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Unsourced material may be challenged and 50:Learn how and when to remove these messages 807: 793: 625: 611: 379:largest mechanical (tracker) action organ 235:Learn how and when to remove this message 217:Learn how and when to remove this message 107:Learn how and when to remove this message 515: 447: 435: 328: 246: 1113: 814: 788: 606: 374:, Inc. of Gloucester, Massachusetts. 395: 151:adding citations to reliable sources 118: 56: 15: 13: 528: 393:, and includes over 10,500 pipes. 298: 14: 1132: 370:of Zaandam, the Netherlands, and 31:This article has multiple issues. 569: 399: 123: 61: 20: 356: 266:is a term used in reference to 39:or discuss these issues on the 641:electronic musical instruments 1: 553: 511: 454:Cradley Heath Baptist Church 7: 340: 87:the claims made and adding 10: 1137: 293: 1040: 957: 912: 827: 727: 668: 652: 452:Interior of the organ at 432:Components of the action 288:tubular-pneumatic action 284:electro-pneumatic action 506:pipe organ construction 377:Currently, the world's 368:Flentrop Orgelbouw B.V. 366:of Tacoma, Washington, 521: 457: 445: 351:pneumatically assisted 280:direct electric action 260: 1121:Pipe organ components 519: 451: 439: 329:Baroque and Classical 250: 696:Instrument amplifier 147:improve this article 1017:Trompette militaire 888:Combination action 1070:Historical Society 522: 458: 446: 411:. You can help by 383:Sydney Opera House 261: 251:Tracker action in 72:possibly contains 1108: 1107: 897:Tubular-pneumatic 892:Electro-pneumatic 782: 781: 711:Speaker enclosure 669:52. Amplification 429: 428: 245: 244: 237: 227: 226: 219: 201: 117: 116: 109: 74:original research 54: 1128: 867:Expression pedal 847:Eight-foot pitch 809: 802: 795: 786: 785: 706:Guitar amplifier 627: 620: 613: 604: 603: 424: 421: 403: 396: 335:Classical Period 312:hydraulic action 240: 233: 222: 215: 211: 208: 202: 200: 166:"Tracker action" 159: 127: 119: 112: 105: 101: 98: 92: 89:inline citations 65: 64: 57: 46: 24: 23: 16: 1136: 1135: 1131: 1130: 1129: 1127: 1126: 1125: 1111: 1110: 1109: 1104: 1036: 953: 908: 862:Crescendo pedal 823: 813: 783: 778: 730:(radioelectric) 729: 728:53. Oscillation 723: 681:Electric guitar 664: 648: 631: 572: 556: 547: 531: 529:Kinds of action 514: 469:modern English 434: 425: 419: 416: 409:needs expansion 359: 347:Romantic Period 343: 331: 301: 299:Ancient history 296: 272:steam calliopes 253:Jørlunde church 241: 230: 229: 228: 223: 212: 206: 203: 160: 158: 144: 128: 113: 102: 96: 93: 78: 66: 62: 25: 21: 12: 11: 5: 1134: 1124: 1123: 1106: 1105: 1103: 1102: 1097: 1092: 1087: 1082: 1077: 1072: 1067: 1062: 1057: 1052: 1047: 1041: 1038: 1037: 1035: 1034: 1029: 1024: 1019: 1014: 1009: 1004: 999: 994: 989: 984: 979: 974: 968: 966: 955: 954: 952: 951: 946: 941: 940: 939: 934: 924: 918: 916: 910: 909: 907: 906: 905: 904: 899: 894: 886: 881: 876: 871: 870: 869: 864: 854: 849: 844: 839: 833: 831: 825: 824: 812: 811: 804: 797: 789: 780: 779: 777: 776: 771: 766: 761: 760: 759: 749: 747:Ondes Martenot 744: 739: 733: 731: 725: 724: 722: 721: 720: 719: 713: 708: 703: 701:Bass amplifier 693: 688: 686:Electric piano 683: 678: 672: 670: 666: 665: 663: 662: 660:Tracker action 656: 654: 650: 649: 630: 629: 622: 615: 607: 601: 600: 597: 594: 586: 571: 568: 567: 566: 563: 560: 555: 552: 546: 543: 542: 541: 538: 530: 527: 513: 510: 501: 500: 497: 494: 491: 488: 485: 482: 479: 476: 442:D. 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Organ by 1085:Repertoire 1055:Fairground 1027:Vox humana 1002:Ophicleide 922:En chamade 774:Trautonium 653:51. Action 554:Advantages 512:Regulation 372:C. B. Fisk 177:newspapers 81:improve it 36:improve it 1075:Portative 1007:Plein-jeu 879:Swell box 874:Tremulant 420:June 2008 391:Australia 308:hydraulis 257:Frobenius 134:does not 85:verifying 42:talk page 1115:Category 1080:Positive 837:Builders 769:Theremin 341:Romantic 207:May 2014 97:May 2014 1095:Theatre 997:Mixture 992:Gedackt 972:Bourdon 937:Voicing 932:Scaling 884:Tracker 842:Console 757:Modular 583:keydesk 578:console 472:tractor 345:In the 294:History 282:" and " 276:pipe(s) 191:scholar 155:removed 140:sources 79:Please 1065:German 1060:French 1045:Barrel 987:Cornet 949:Tuning 857:Pedals 852:Manual 737:Buchla 691:Pickup 387:Sydney 304:Organs 259:(2009) 193:  186:  179:  172:  164:  1100:Water 1090:Shoes 1050:Crawl 977:Tibia 959:Stops 914:Pipes 444:organ 323:stops 314:of a 198:JSTOR 184:books 963:List 944:Reed 927:Flue 902:Stop 820:list 742:Moog 645:list 575:The 270:and 170:news 138:any 136:cite 643:) ( 581:or 467:cf. 415:. 149:by 83:by 1117:: 634:5. 508:. 389:, 385:, 337:. 45:. 965:) 961:( 822:) 818:( 808:e 801:t 794:v 647:) 639:( 626:e 619:t 612:v 475:. 422:) 418:( 238:) 232:( 220:) 214:( 209:) 205:( 195:· 188:· 181:· 174:· 157:. 143:. 110:) 104:( 99:) 95:( 77:. 52:) 48:(

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original research
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Jørlunde church
Frobenius
pipe organs
steam calliopes
pipe(s)
direct electric action
electro-pneumatic action

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