436:
simply one strand among many in a texture whose timbres sound more like impressionistic allusions to instruments than representations. But the guitar has a latency about it, a potential. Because it has no microphone of its own, it effectively inhabits a different ambient space from the rest of the track. As it chugs along in its accompanying role, it forms a connection with a parallel sound world of which we are, for the moment, unaware. Indeed, we would never know of the secondary ambient layer were it not for the fact that this guitar is the one that takes the solo. As it steps out of the groove texture and asserts its individuality, a doorway opens to an entirely other place in the track. It becomes quite clear that this guitar inhabits a world all its own, which has been before us from the beginning yet has somehow gone unnoticed.
467:
control of the record's sound away from the producer in favor of the listener, resulting in an infringement of the Wall of Sound's carefully balanced combination of sonic textures as they were meant to be heard. Brian Wilson agreed, stating: "I look at sound like a painting, you have a balance and the balance is conceived in your mind. You finish the sound, dub it down, and you’ve stamped out a picture of your balance with the mono dubdown. But in stereo, you leave that dubdown to the listener—to his speaker placement and speaker balance. It just doesn't seem complete to me."
708:
484:
29:
5251:
3892:
887:
5263:
266:
1132:, respectively, utilized the Wall of Sound for the album. Steinman composed the songs based on Spector's productions as well as Wagner and Springsteen (also including the E Street Band's Roy Bittan and Max Weinberg on piano and drums, respectively), with the title track also being influenced by songs such as "Leader of the Pack". As with Brian Wilson, Steinman had aimed to create "anthems to the kind of feeling you get listening to 'Be My Baby
444:, accordingly: "I never wanted all the bleed between instruments – I had it, but I never wanted it – and since I had to live with it, that meant manipulating other things to lessen the effect; bringing the guitars up just a hair and the drums down just a hair so that it didn't sound like it was bleeding." In order to offset the mixing problems percussion leakage caused, he applied a minimal number of microphones to the drum kits, using
372:, and they would all play the same thing and it would all be swimming around like it was all down a well. Musically, it was terribly simple, but the way he recorded and miked it, they’d diffuse it so that you couldn't pick any one instrument out. Techniques like distortion and echo were not new, but Phil came along and took these to make sounds that had not been used in the past. I thought it was ingenious.
836:
3108:
812:', and Wilson went right for it, but took the Wall of Sound in a different direction. Where Phil would go for total effect by bringing the music to the edge of cacophony – and therefore rocking to the tenth power – Brian seemed to prefer audio clarity. His production method was to spread out the sound and arrangement, giving the music a more lush, comfortable feel."
202:. The recording was achieved by taking a demo tape of the song and playing it back over the studio's speaker system to overdub another performance over it. The end product was a cacophony, with stacked harmony vocals that could not be heard clearly. Spector spent the next several years further developing this unorthodox method of recording.
536:
It has been inaccurately suggested in critical shorthand that
Spector's "wall of sound" filled every second with a maximum of noise. Levine recalled how "other engineers" mistakenly thought that the process was "turning up all the faders to get full saturation, but all that achieved was distortion."
322:
described the process thus: they started by recording four acoustic guitars, playing eight bars over and over again, changing the figure if necessary until
Spector thought it ready. They then added the pianos, of which there were three, and if they didn't work together, Spector started again with the
624:
According to author
Matthew Bannister, Spector's Wall of Sound is distinct from what is typically characterized as a "wall of sound" in rock music. Bannister writes that, during the 1980s, "Jangle and drone plus reverberation create a contemporary equivalent of Spector's 'Wall of Sound' – a massive,
380:
350 tape recorder. Levine explained that during mixing, "I record the same thing on two of the three tracks just to reinforce the sound, and then I would erase one of those and replace it with the voice. The console had a very limited equalizer for each input ... That was basically it in terms of
815:
According to Larry Levine, "Brian was one of the few people in the music business Phil respected. There was a mutual respect. Brian might say that he learned how to produce from watching Phil, but the truth is, he was already producing records before he observed Phil. He just wasn't getting credit
466:
According to Zak: "Aside from the issues of retail and radio exposure, mono recordings represented an aesthetic frame for musicians and producers, who had grown up with them." Despite the trend toward multi-channel recording, Spector was vehemently opposed to stereo releases, claiming that it took
435:
It was at this moment that the complex of relationships among all the layers and aspects of the sonic texture came together to bring the desired image into focus. As long as
Strange's unmiked guitar plugs away as one of the layered timbral characters that make up the track's rhythmic groove, it is
190:
during a period when they sought a fuller sound by the use of excessive instrumentation, using up to five electric guitars and four percussionists. Later this evolved into
Spector's Wall of Sound, which Leiber and Stoller considered to be very distinct from what they were doing, stating: "Phil was
1166:, Spector denounced Steinman and other producers as "amateurs, students, and bad clones of yours truly", to which Steinman responded, "I’m thrilled to be insulted by Phil Spector. He’s my God, my idol. To be insulted by Phil Spector is a big honor. If he spits on me I consider myself purified."
355:
on the piano and the mandoguitar, and it turned into this fantastic, chimey harmonic instrument. We almost got the old
Spector '60s sound, not by layering, but by really compressing what was already there between the melodic events happening between these two instruments." Nonetheless, layering
88:
A popular misconception holds that the Wall of Sound was created simply through a maximum of noise and distortion, but the method was actually more nuanced. To attain the Wall of Sound, Spector's arrangements called for large ensembles (including some instruments not generally used for ensemble
506:
401:. The signal from the studio was played through the speakers and reverberated throughout the room before being picked up by the microphones. The echo-laden sound was then channeled back to the control room, where it was recorded on tape. The natural
276:
The process was almost the same for most of
Spector's recordings, with Spector starting by rehearsing the assembled musicians for several hours before recording. The backing track was performed live and recorded monaurally; a bass drum overdub on
151:' or 'listen to this string section now.' It was all a definite sound. There weren't combinations of sound and, with the advent of Phil Spector, we find sound combinations, which—scientifically speaking—is a brilliant aspect of sound production."
84:
of the era. Spector explained in 1964: "I was looking for a sound, a sound so strong that if the material was not the greatest, the sound would carry the record. It was a case of augmenting, augmenting. It all fit together like a jigsaw."
191:
the first one to use multiple drum kits, three pianos and so on. We went for much more clarity in terms of instrumental colors, and he deliberately blended everything into a kind of mulch. He definitely had a different point of view."
545:-derived rhythm section, generous echo and prominent choruses blending percussion, strings, saxophones and human voices. But equally important were its open spaces, some achieved by physical breaks (the pauses between the thunder in "
1022:, with songs such as "I Can Hear the Rain", "Please Don't Take My World Away", and "Walk in the Sunlight". It was because of such experiments that their manager sought to secure Spector's involvement for their second album,
726:
727:
504:
89:
playing, such as electric and acoustic guitars), with multiple instruments doubling or tripling many of the parts to create a fuller, richer tone. For example, Spector often duplicated a part played by an
505:
493:
431:
onto other microphones in the room, creating a ghostly ambiance that obscured the instrument. In reference to this nuance of the song's recording, music professor Albin Zak has written:
724:
678:
The Wall of Sound forms the foundation of Phil
Spector's recordings. Certain records are considered to have epitomized its use. Spector himself is quoted as believing his production of
1560:
581:
lines of typical funk and reggae textures , which seem to invite to insert in those spaces and actively participate." Supporting this, Jeff Barry said, " buried the lead and he
925:" (No. 8), both of which featured elements of the Wall of Sound, among other songs. Similarly, when the Righteous Brothers ended their relationship with Spector and signed with
2354:
Brearley, David; Waldren, Murray; Butler, Mark; Shedden, Iain (August 9, 2003). "25 classic albums that never get played ... and the 25 good reasons why not – ROCK monuments".
725:
6069:
1010:", which utilized the Wall of Sound with great effect towards the end, with the help of the Wrecking Crew. The production was modeled on the Righteous Brothers' version of "
608:
Closer reflection reveals that the Wall of Sound was compatible with, even supportive of, vocal protagonism. Such virtuosity was ultimately serving of
Spector's own agenda—
1160:") has been described as an "alternate-universe Wall of Sound". When asked about his involvement with Dion for songs such as "River Deep – Mountain High" in the album
1351:
816:
for it, something that in the early days, I remember really used to make Phil angry. Phil would tell anybody who listened that Brian was one of the great producers."
825:
323:
guitars. This is followed by three basses, the horns (two trumpets, two trombones, and three saxophones), then finally the drums. The vocals were then added with
1853:
405:
and echo from the hard walls of the echo chamber gave
Spector's productions their distinctive quality and resulted in a rich, complex sound that, when played on
561:
The Wall of Sound has been contrasted with "the standard pop mix of foregrounded solo vocal and balanced, blended backing" as well as the airy mixes typical of
409:, had a texture rarely heard in musical recordings. Jeff Barry said: "Phil used his own formula for echo, and some overtone arrangements with the strings."
288:, who worked extensively with Spector, described the Wall of Sound as "by and large ... a formula arrangement" with "four or five guitars ... two basses in
3556:
1798:
1820:
858:
124:
approach to rock & roll: little symphonies for the kids". The combination of large ensembles with reverberation effects also increased the average
2232:
848:
1268:
393:
Microphones in the recording studio captured the musicians' performance, which was then transmitted to an echo chamber—a basement room fitted with
1214:
585:
himself from doing that ... if you listen to his records in sequence, the lead goes further and further in and to me what he is saying is, 'It is
1637:
314:" formed the basis of Spector and Levine's future mixing practices, almost never straying from the formula it established. For the recording of "
2034:
1018:
has explicitly compared it to the Spector-produced "Let It Be". Spector's work with the Righteous Brothers also influenced the R&B band
165:
sound: you had a lot of air moving around, notes being played in the air but not directly into the mics. Then, when we sent it all into the
1552:
1412:
3654:
2390:
3184:
2681:
553:") and some by simply letting the music breathe in the studio. He also knew when to clear a path, as he does for the sax interlude and
3395:
3088:
4794:
3491:
516:
423:
During the mixing for "Zip-A-Dee-Doo-Dah", Spector turned off the track designated for electric guitar (played on this occasion by
315:
245:
1614:
3471:
3261:
2798:
2202:
1108:. The E Street Band would become famous practitioners of this method, with songs such as Ronnie Spector's cover of Billy Joel's "
717:
3736:
3647:
3205:
3144:
969:
894:
760:
Outside of Spector's own songs, the most recognizable example of the "Wall of Sound" is heard on many classic hits recorded by
3485:
2637:
2604:
2571:
2550:
2460:
2427:
2384:
2120:
1498:
1136:" for the album. Steinman would later similarly utilize such instrumentation in his own productions for other songs, such as
1044:
2643:
2610:
2577:
2521:
2466:
2433:
519:" stands as an example of a Spector production with open spaces, contradicting the Wall of Sound's reputation as pure noise.
6137:
5153:
4610:
3928:
1347:
1101:
961:
347:
1776:
169:, this air effect is what was heard—all the notes jumbled and fuzzy. This is what we recorded—not the notes. The chamber.
5301:
3750:
3577:
3508:
3464:
3367:
934:
4806:
4799:
3353:
3233:
1843:
944:
One of the earliest persons outside of Spector's talent pool to adopt the Wall of Sound approach was British producer
3549:
3457:
3437:
3275:
2929:
2515:
2491:
2236:
1989:
1956:
1929:
1892:
1157:
1149:
1007:
139:
The intricacies of the technique were unprecedented in the field of sound production for popular music. According to
73:
6074:
4858:
4816:
3715:
3191:
2406:
Guthrie, Robin (November 6, 1993), "Robin Guthrie of Cocteau Twins Talks about the Records That Changed His Life",
570:
195:
4789:
2288:
1529:
1486:
356:
identical instrumental parts remained an integral component of many of Spector's productions, as session musician
5071:
3847:
2235:; Browne, David; Greene, Andy; Hudak, Joseph; Martoccio, Angie; Sheffield, Rob; Shteamer, Hank (April 20, 2021).
537:
Biographer David Hinckley wrote that the Wall of Sound was flexible, more complex, and more subtle, elaborating:
307:
147:, who used the formula extensively: "In the '40s and '50s, arrangements were considered 'OK here, listen to that
2262:
3813:
3529:
2674:
2008:
992:
20:
4726:
248:". An earlier usage of the phrase "wall of sound" was made in reference to the instrumentation of jazz artist
6020:
4649:
3063:
2716:
1812:
1079:
187:
4854:
6237:
5431:
5357:
5133:
4811:
3690:
3339:
3247:
3226:
3198:
1792:
1296:
788:
612:' vocal prowess provided him a "secure and prosperous headrest", such as in Bobby Hatfield's rendering of "
6015:
5699:
6232:
5367:
5101:
3806:
3388:
3268:
3240:
3083:
1024:
1260:
5206:
3777:
3708:
3633:
3612:
3402:
3360:
3254:
3137:
1210:
1141:
957:
6252:
6227:
5873:
5694:
5128:
5021:
4886:
4776:
4288:
3619:
3591:
2837:
2822:
2813:
2667:
1408:
683:
449:
352:
226:
129:
69:
4479:
132:. By 1979, the use of compression had become common on the radio, marking the trend that led to the
5372:
5352:
5106:
3921:
3640:
3332:
3112:
1109:
965:
5742:
5294:
5046:
5016:
4821:
4771:
4721:
3877:
3289:
3177:
2788:
6152:
5689:
5416:
5138:
4761:
4741:
4537:
3782:
3661:
3346:
2924:
2314:
2111:
Fire and Rain: The Beatles, Simon and Garfunkel, James Taylor, CSNY, and the Lost Story of 1970
1391:
769:
734:
609:
512:
241:
1946:
1090:
on the band's recordings to simulate an orchestra, becoming an integral part of ABBA's sound.
252:, who utilized numerous brass instruments to create a vibrating sound that jolted human ears.
6242:
6196:
6157:
6059:
5801:
5789:
5747:
5661:
5160:
4781:
4746:
4706:
4701:
4696:
4686:
4676:
4671:
4644:
4620:
4605:
4600:
4595:
4034:
3895:
3743:
3130:
2748:
2374:
1144:" (produced specifically in Spector's model), to the point that his discography ranging from
1063:
2060:
1172:
derives its characterization from a merge between Spector's Wall of Sound and the operas of
699:
104:
Among other features of the sound, Spector incorporated an array of orchestral instruments (
101:. Mixed well enough, the three instruments would then be indistinguishable to the listener.
6147:
6086:
6032:
4990:
4959:
4756:
4751:
4736:
4731:
4716:
4691:
4681:
4511:
4499:
4474:
4283:
3501:
3219:
2848:
2818:
1067:
1052:
1011:
686:" to be the summit of his Wall of Sound productions, and this sentiment has been echoed by
8:
6126:
6111:
5895:
5762:
5384:
5344:
5255:
5186:
5148:
5143:
5051:
4766:
4711:
3961:
3914:
3820:
2763:
2563:
Reckless: Millionaire Record Producer Phil Spector and the Violent Death of Lana Clarkson
1003:
953:
890:
679:
300:
adding the little punches ... percussion instruments—the little bells, the shakers, the
37:
4639:
673:
6247:
5287:
4615:
3956:
3626:
3282:
2914:
2828:
1606:
984:
854:
743:(1966) features an assortment of pianos, accordions, and guitars augmenting each other.
644:
626:
237:
1981:
1921:
1917:
1884:
6142:
6064:
5961:
5833:
5794:
5714:
5267:
5262:
5201:
4467:
4142:
4117:
4014:
3478:
3416:
3381:
3212:
2721:
2711:
2633:
2600:
2567:
2546:
2511:
2487:
2456:
2423:
2380:
2116:
2109:
1985:
1952:
1925:
1888:
1494:
1091:
1075:
949:
640:
311:
206:
105:
57:
33:
3951:
5993:
5485:
5121:
5096:
4849:
4844:
4329:
4268:
4177:
4172:
3729:
3515:
3430:
3325:
3025:
2934:
2853:
2161:
2136:
1162:
1059:
1036:
1019:
922:
910:
656:
613:
550:
222:
109:
65:
19:
This article is about Phil Spector's music production formula. For other uses, see
2085:
5998:
5811:
5777:
5633:
5581:
5576:
5468:
5421:
5379:
5329:
5061:
4898:
4579:
4564:
4258:
4112:
3966:
3842:
3772:
3767:
3522:
3374:
3296:
3015:
2878:
2873:
2833:
2773:
2690:
2627:
2594:
2561:
2505:
2450:
2417:
2207:
1772:
1647:
1128:
980:
809:
773:
687:
630:
199:
162:
2353:
120:
was also highlighted for additional texture. He characterized his methods as "a
6167:
6049:
5905:
5586:
5527:
5500:
5231:
5196:
4974:
4964:
4947:
4930:
4574:
4559:
4532:
4527:
4489:
4263:
4253:
4097:
4062:
3976:
3862:
3722:
3584:
3409:
3078:
3073:
3020:
3000:
2980:
2698:
2501:
1768:
1760:
1643:
1173:
1169:
914:
801:
765:
761:
365:
364:
There was a lot of weight on each part... The three pianos were different, one
342:
328:
293:
278:
214:
183:
94:
90:
6221:
6010:
5890:
5596:
5510:
5458:
5334:
5324:
5216:
5165:
5111:
4942:
4913:
4839:
4664:
4569:
4462:
4389:
4349:
4202:
4122:
4029:
3872:
3598:
3030:
2883:
2863:
2808:
2741:
2539:
1974:
1910:
1877:
1404:
1119:
1105:
1071:
1040:
1015:
976:
926:
797:
441:
428:
424:
418:
402:
357:
338:
289:
175:
28:
4547:
800:
centered around interpretations of Phil Spector's recording methods. Author
6201:
6172:
5853:
5821:
5671:
5601:
5591:
5522:
5221:
5211:
5056:
4995:
4908:
4903:
4864:
4630:
4554:
4504:
4494:
4384:
4107:
3867:
3857:
3852:
3683:
3605:
3570:
3170:
3153:
3068:
3035:
3010:
3005:
2888:
2768:
2731:
2726:
2706:
2408:
1848:
1553:"Classic Tracks: The Righteous Brothers' "You've Lost That Lovin' Feeling""
1137:
1115:
945:
937:", which Medley produced using this approach and also reached No. 1 on the
805:
777:
554:
445:
382:
332:
319:
297:
272:, one of the several girl groups Spector produced in the early to mid-1960s
269:
240:
coined the phrase "Phil Spector's Wall of Sound" within advertisements for
218:
210:
166:
144:
133:
117:
61:
53:
5848:
6121:
6116:
6054:
6044:
5858:
5767:
5532:
5441:
5436:
5426:
5406:
5391:
5362:
5066:
5041:
4925:
4881:
4435:
4425:
4344:
4167:
4152:
4132:
4102:
4092:
4087:
4072:
3971:
3058:
3042:
2985:
2975:
2939:
2919:
2758:
1390:
Vickers, Earl (November 4, 2010). "A Brief History of the Loudness War".
1153:
1096:
1087:
972:" for the latter (both of which were No. 1 hits in the United Kingdom).
930:
648:
394:
369:
324:
249:
148:
125:
112:
and percussion) not previously associated with youth-oriented pop music.
98:
1521:
6189:
6162:
6003:
5954:
5806:
5737:
5616:
5554:
5475:
5453:
5446:
5411:
5226:
5181:
4935:
4918:
4869:
4542:
4484:
4374:
4364:
4359:
4313:
4308:
4298:
4238:
4228:
4212:
4207:
4192:
4187:
4162:
4082:
4077:
4046:
4041:
4019:
3937:
3799:
3563:
3423:
2990:
2949:
2868:
2753:
1145:
988:
906:
782:
752:
739:
546:
528:
398:
341:
recounted a situation during the recording of the track "Goodbye" from
301:
285:
140:
77:
6025:
2419:
Sonic Alchemy: Visionary Music Producers and Their Maverick Recordings
886:
52:) is a music production formula developed by American record producer
6206:
6179:
6106:
6079:
5983:
5971:
5926:
5900:
5721:
5704:
5666:
5638:
5621:
5611:
5606:
5569:
5559:
5505:
5480:
5463:
5401:
5310:
4969:
4952:
4891:
4659:
4430:
4420:
4415:
4339:
4334:
4303:
4293:
4278:
4273:
4248:
4243:
4233:
4197:
4182:
4157:
4137:
4127:
2803:
2778:
1123:
652:
121:
385:
that were also there, of course, directly behind the control room."
265:
6184:
5966:
5843:
5828:
5772:
5757:
5709:
5628:
5564:
5544:
5515:
5495:
5490:
4654:
4379:
4369:
4147:
4067:
4024:
3981:
2858:
2736:
2659:
635:
461:
406:
5939:
2376:
White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock
1400:
5988:
5976:
5949:
5885:
5549:
5539:
5396:
5191:
5000:
4874:
4625:
4405:
2843:
1813:"Shoegaze, the Sound of Protest Shrouded in Guitar Fuzz, Returns"
1032:
995:"), Morton aspired to become the Phil Spector of the East Coast.
625:
ringing, cavernous noise and a device used by many indie groups:
331:
singing into separate microphones and backing vocals supplied by
81:
2237:"From Meat Loaf to Celine Dion: 10 Essential Jim Steinman Songs"
376:
All early Wall of Sound recordings were made with a three-track
6037:
5944:
5934:
5784:
4354:
3122:
1348:"INTERVIEW WITH BRIAN WILSON OF THE BEACH BOYS IN EARLY 1980'S"
898:
562:
542:
113:
2203:"The Year Abba channeled Phil Spector and conquered the world"
1976:
He's a Rebel: Phil Spector--Rock and Roll's Legendary Producer
1912:
He's a Rebel: Phil Spector--Rock and Roll's Legendary Producer
1879:
He's a Rebel: Phil Spector--Rock and Roll's Legendary Producer
1393:
The Loudness War: Background, Speculation, and Recommendations
5910:
5878:
5865:
5838:
5816:
5752:
3906:
3093:
2452:
The Producer as Composer: Shaping the Sounds of Popular Music
1493:. Denton, Tex.: University of North Texas Press. p. 50.
1325:
1323:
1321:
377:
5279:
2339:
Crawford, Jeff (March 3, 2004). "'Old Ham' using his loaf".
2184:
2182:
5116:
1048:
566:
1659:
1657:
1318:
1192:
1190:
1188:
1058:
ABBA also utilized the technique for songs starting with "
780:
used a similar recording technique, especially during the
194:
Spector's first production was the self-penned 1958 song "
4410:
2486:(Reprint ed.). Philadelphia: Open University Press.
2179:
690:, who called it "a perfect record from start to finish".
659:" (1966) as a primary musical influence on the movement.
427:). However, the sound of the guitar could still be heard
2035:"The Number Ones: The Shangri-Las' "Leader Of The Pack""
1729:
826:
Category:Song recordings with Wall of Sound arrangements
772:"—and especially, the psychedelic "pocket symphony" of "
494:
The Righteous Brothers – "You've Lost That Lovin' Feelin
2995:
2231:
1717:
1693:
1681:
1669:
1654:
1466:
1185:
161:
We were working on the transparency of music; that was
6127:
1430:
1383:
1373:
1371:
1369:
998:
Another prominent example that reached the top of the
913:
and recruited some of Spector's colleagues to create "
804:
observed, "The Ronettes had sung a dynamic version of
1705:
1086:, which inspired him to layer multiple instrumental
987:", went to No. 1 in the United States. According to
2507:
Smile: The Story of Brian Wilson's Lost Masterpiece
2009:"Remember (Walking in the Sand) by The Shangri-Las"
1607:"Entertainment | Phil Spector's Wall of Sound"
1454:
1442:
1366:
1308:
1306:
1112:" (itself conceived as a tribute to the Ronettes).
80:aesthetic that came across well through radios and
2538:
2108:
2086:"Across America Promotional CD Interview With Art"
1973:
1909:
1876:
1741:
1587:
1035:revived the Wall of Sound in three of their hits "
909:was fired from Philles Records, he signed up with
1575:
557:vocal in "(Today I Met) The Boy I'm Gonna Marry".
16:Music production effect developed by Phil Spector
6219:
3557:A Love Like Yours (Don't Come Knocking Everyday)
1944:
1303:
991:(who played piano in another Shangri-Las song, "
941:Hot 100, and stayed at the top for three weeks.
452:on the kick to establish a feeling of presence.
2629:Poetics of Rock: Cutting Tracks, Making Records
2061:"Shadow Morton, Legendary Producer, Dead at 72"
1797:: CS1 maint: others in cite AV media (notes) (
1639:Good Vibrations: Thirty Years of The Beach Boys
1290:
1288:
1286:
1209:Hoffman, Frank (2003). Birkline, Robert (ed.).
60:, in the 1960s, with assistance from engineer
5295:
3922:
3138:
2675:
1971:
1907:
1874:
1254:
1252:
1094:also emulated the Wall of Sound in his album
74:exploit the possibilities of studio recording
1283:
1250:
1248:
1246:
1244:
1242:
1240:
1238:
1236:
1234:
1232:
1074:"; prior to recording "Ring Ring", engineer
2200:
1261:"CLASSIC TRACKS: The Ronettes 'Be My Baby'"
182:During the late 1950s, Spector worked with
5302:
5288:
3929:
3915:
3185:A Christmas Gift for You from Phil Spector
3145:
3131:
2682:
2668:
2448:
2227:
2225:
1753:
1735:
1401:129th Audio Engineering Society Convention
1196:
1084:Out of His Head: The Sound of Phil Spector
209:in Los Angeles because of its exceptional
3089:Music technology (electronic and digital)
2481:
2372:
2312:
2201:Vincentelli, Elisabeth (March 31, 2018).
1868:
1699:
1663:
1550:
1229:
1062:" and fully realized with songs such as "
3315:
2592:
2536:
2338:
2188:
1901:
1723:
1711:
1687:
1675:
1472:
1436:
1377:
1342:
1340:
1338:
1329:
885:
662:
573:wrote: "This can be contrasted with the
475:
264:
205:In the 1960s, Spector usually worked at
27:
2405:
2365:
2222:
2032:
2003:
2001:
1389:
1271:from the original on September 24, 2014
1217:from the original on September 18, 2014
1208:
1047:". "See My Baby Jive" later influenced
440:Levine disliked Spector's penchant for
6220:
3396:Why Do Lovers Break Each Other's Heart
2500:
2469:from the original on February 10, 2017
2415:
2286:
2162:"Checkmates Ltd Part 2 | Soul Express"
2106:
2058:
1945:Richard Williams (November 17, 2009).
1841:
1823:from the original on December 18, 2019
1779:from the original on December 27, 2014
1747:
1563:from the original on November 17, 2015
1484:
1460:
1258:
718:The Beach Boys – "Wouldn't It Be Nice"
5283:
3910:
3126:
2663:
2559:
2287:Segell, Michael (November 16, 1978).
2260:
2194:
1448:
1418:from the original on January 17, 2021
1335:
1045:I Wish It Could Be Christmas Everyday
901:influenced by Spector's Wall of Sound
845:focuses too much on specific examples
213:. He also typically worked with such
5154:Rock music and the fall of communism
3655:Do You Remember Rock 'n' Roll Radio?
2689:
1998:
1856:from the original on August 22, 2016
1635:
829:
700:Brian Wilson § Production style
619:
3368:He Hit Me (And It Felt Like a Kiss)
2625:
2524:from the original on March 13, 2016
1951:(Revised ed.). Omnibus Press.
1617:from the original on March 26, 2012
1593:
1581:
1544:
1312:
970:The Sun Ain't Gonna Shine (Anymore)
895:The Sun Ain't Gonna Shine (Anymore)
865:these or similar examples within a
792:eras of the band. Wilson considers
13:
3509:Is This What I Get for Loving You?
3486:Why Don't They Let Us Fall in Love
2632:. University of California Press.
2393:from the original on July 23, 2016
2313:Gordinier, Jeff (March 29, 1996).
2059:Lifton, Dave (February 15, 2013).
1532:from the original on July 15, 2009
1491:Stan Kenton: this is an orchestra!
1487:"7. The Artistry Orchestra (1946)"
1354:from the original on July 26, 2014
1211:"Survey of American Popular Music"
706:
647:". He cites 1960s psychedelic and
482:
14:
6264:
3571:You Came, You Saw, You Conquered!
3438:Christmas (Baby Please Come Home)
2930:Recording studio as an instrument
2646:from the original on May 13, 2016
2613:from the original on May 12, 2016
2580:from the original on May 13, 2016
2436:from the original on May 13, 2016
1761:"Musician Comments: Larry Levine"
1150:Making Love Out of Nothing at All
962:You Don't Have to Say You Love Me
589:the song... just listen to those
470:
292:, with the same type of line ...
281:" was the exception to the rule.
5261:
5250:
5249:
3891:
3890:
3848:Bob B. Soxx & the Blue Jeans
3192:Presenting the Fabulous Ronettes
3152:
3106:
2261:Siwek, Daniel (April 27, 2020).
2088:. Art Garfunkel Official Website
1980:. Cooper Square Press. pp.
1916:. Cooper Square Press. pp.
1213:. Sam Houston State University.
935:(You're My) Soul and Inspiration
834:
751:Problems playing this file? See
722:
674:Phil Spector § Musicianship
527:Problems playing this file? See
502:
308:Bob B. Soxx & the Blue Jeans
5072:Progressive rock (radio format)
3585:Instant Karma (We All Shine On)
3516:Hung Up on You/Unchained Melody
3492:"You've Lost That Lovin' Feelin
3354:There's No Other (Like My Baby)
2347:
2332:
2306:
2280:
2254:
2154:
2129:
2100:
2078:
2052:
2026:
1965:
1938:
1883:. Cooper Square Press. p.
1835:
1805:
1629:
1599:
1514:
1478:
975:Another was the productions of
693:
667:
517:You've Lost That Lovin' Feelin'
316:You've Lost That Lovin' Feelin'
246:You've Lost That Lovin' Feelin'
3936:
3814:Tearing Down the Wall of Sound
3550:I'll Never Need More Than This
3458:(The Best Part of) Breakin' Up
2315:"Celine Dion takes on America"
1844:"10 of the best: Scott Walker"
1259:Buskin, Richard (April 2007).
1202:
1158:It's All Coming Back to Me Now
993:Remember (Walking in the Sand)
21:Wall of Sound (disambiguation)
1:
5309:
3716:Don't You Worry My Little Pet
2596:Phil Spector: Out of His Head
2033:Breihan, Tom (July 5, 2018).
1972:Mark Ribowsky (May 2, 2000).
1948:Phil Spector: Out Of His Head
1908:Mark Ribowsky (May 2, 2000).
1875:Mark Ribowsky (May 2, 2000).
1842:Dennis, Jon (March 5, 2014).
1522:"Featured Content on Myspace"
948:, specifically his work with
196:Don't You Worry My Little Pet
188:Jerry Leiber and Mike Stoller
76:to create an unusually dense
5432:Contemporary Christian music
3248:Living in the Material World
3227:John Lennon/Plastic Ono Band
3113:Record production portal
2263:"Q&A with Todd Rundgren"
1350:. Global Image Works. 1976.
1179:
381:effects, aside from the two
232:
198:", performed with his group
7:
6128:
5102:List of years in rock music
3084:Music technology (electric)
2482:Middleton, Richard (1989).
2449:Moorefield, Virgil (2010).
2422:. Hal Leonard Corporation.
2379:. Ashgate Publishing, Ltd.
2373:Bannister, Matthew (2007).
2289:"What Makes Meat Loaf Cook"
2137:"Checkmates | Soul Express"
1551:Dan Daley (March 1, 2002).
1122:, composer and producer of
1025:Love Is All We Have to Give
859:reliable, secondary sources
849:explaining their importance
541:Its components included an
351:: "We put a huge amount of
260:
10:
6269:
5207:Rock and Roll Hall of Fame
3778:Phil Spector International
3709:To Know Him Is to Love Him
3530:River Deep – Mountain High
3255:Some Time in New York City
3234:The Concert for Bangladesh
3206:River Deep – Mountain High
2593:Williams, Richard (2003).
1142:Total Eclipse of the Heart
1008:Bridge over Troubled Water
958:I Only Want to Be with You
917:" (which went to No. 1 on
823:
697:
671:
459:
416:
255:
225:who later became known as
154:
18:
6099:
5919:
5730:
5682:
5654:
5647:
5343:
5317:
5245:
5174:
5129:Electronics in rock music
5080:
5034:
5009:
4983:
4832:
4795:Hard rock and heavy metal
4588:
4520:
4455:
4448:
4398:
4322:
4289:Pub rock (United Kingdom)
4221:
4055:
4007:
3992:
3944:
3886:
3830:
3791:
3760:
3700:
3675:
3648:Rock 'n' Roll High School
3592:The Long and Winding Road
3539:
3447:
3306:
3160:
3102:
3051:
2958:
2897:
2787:
2697:
2416:Howard, David N. (2004).
2267:Music Connection Magazine
1409:Audio Engineering Society
1300:; 1991; ABKCO music, Inc.
897:" (1966), an existential
819:
684:River Deep, Mountain High
5107:Origins of rock and roll
3691:Back to Mono (1958–1969)
3641:Happy Xmas (War Is Over)
3389:He's Sure the Boy I Love
3333:Pretty Little Angel Eyes
1485:Sparke, Michael (2010).
1297:Back to Mono (1958–1969)
1110:Say Goodbye to Hollywood
979:, such as his work with
966:Make It Easy On Yourself
933:in 1966, they released "
412:
221:and the conglomerate of
128:in a way that resembles
72:". The intention was to
64:and the conglomerate of
5047:Adult album alternative
3878:Murder of Lana Clarkson
3751:This Could Be the Night
3403:(Let's Dance) The Screw
2560:Smith, Carlton (2007).
2537:Ribowsky, Mark (1989).
1765:The Pet Sounds Sessions
863:evaluate and synthesize
455:
388:
6153:Popular music pedagogy
5139:Rock Against Communism
4538:Brazilian thrash metal
3783:Warner-Spector Records
3347:Under the Moon of Love
3276:Death of a Ladies' Man
2566:. St. Martin's Press.
2484:Studying Popular Music
2107:Browne, David (2012).
1031:In 1973, British band
964:" for the former and "
956:, with songs such as "
902:
711:
610:The Righteous Brothers
559:
513:The Righteous Brothers
487:
438:
374:
273:
242:the Righteous Brothers
171:
41:
6158:Rockism and poptimism
5161:Rockism and poptimism
4621:British rock and roll
3001:Ghostwriters in music
2599:. Music Sales Group.
2510:. London: Sanctuary.
2065:Ultimate Classic Rock
1004:Simon and Garfunkel's
889:
710:
663:Legacy and popularity
539:
486:
476:As a maximum of noise
433:
362:
268:
159:
31:
6148:Pop music automation
4996:Sahara desert region
4284:Pub rock (Australia)
3807:Take Me Home Tonight
3502:Just Once in My Life
3220:All Things Must Pass
3199:Just Once in My Life
2366:General bibliography
2341:Messenger – Guardian
1636:Leaf, David (1993).
855:improve this article
851:to its main subject.
32:Spector (center) at
6238:Musical terminology
6138:Honorific nicknames
5385:Paisley Underground
5187:List of rock genres
5149:Rock Against Sexism
5144:Rock Against Racism
5052:Album-oriented rock
3613:Power to the People
3472:Walking in the Rain
3269:Born to Be with You
2626:Zak, Albin (2001).
2166:www.soulexpress.net
2141:www.soulexpress.net
1819:. August 14, 2017.
1793:cite AV media notes
1332:, pp. 185–186.
954:the Walker Brothers
891:The Walker Brothers
770:Wouldn't It Be Nice
735:Wouldn't It Be Nice
680:Ike and Tina Turner
335:and other singers.
38:Modern Folk Quartet
6233:Musical techniques
5353:Adult contemporary
3627:Try Some, Buy Some
3283:End of the Century
2915:Hip hop production
2356:Weekend Australian
1613:. April 14, 2009.
985:Leader of the Pack
903:
712:
645:the JPS Experience
488:
274:
238:Andrew Loog Oldham
42:
6215:
6214:
6197:Verse–chorus form
6143:Music and fashion
6095:
6094:
5802:Hong Kong English
5648:Regional variants
5318:Stylistic origins
5277:
5276:
5202:Progressive music
5030:
5029:
4468:Palm Desert Scene
4444:
4443:
4118:Experimental rock
4015:Instrumental rock
3904:
3903:
3671:
3670:
3479:Ringo, I Love You
3417:Then He Kissed Me
3382:Zip-a-Dee-Doo-Dah
3120:
3119:
2722:Critical distance
2639:978-0-520-92815-2
2606:978-0-7119-9864-3
2573:978-1-4299-0890-0
2552:978-0-525-24727-2
2462:978-0-262-51405-7
2429:978-0-634-05560-7
2386:978-0-7546-8803-7
2191:, pp. 29–30.
2122:978-0-306-82072-4
2115:. Da Capo Press.
2013:www.songfacts.com
1500:978-1-57441-284-0
1092:Bruce Springsteen
1076:Michael B. Tretow
983:, one of which, "
950:Dusty Springfield
884:
883:
728:
641:Straitjacket Fits
620:As a generic term
571:Richard Middleton
507:
312:Zip-A-Dee-Doo-Dah
296:... six or seven
227:The Wrecking Crew
223:session musicians
207:Gold Star Studios
70:the Wrecking Crew
66:session musicians
58:Gold Star Studios
48:(also called the
34:Gold Star Studios
6260:
6253:Sound production
6228:Music production
6131:
5931:Balkan pop-folk
5652:
5651:
5304:
5297:
5290:
5281:
5280:
5265:
5253:
5252:
5122:Rhythm and blues
5097:British Invasion
4453:
4452:
4330:Alternative rock
4269:Post-progressive
4178:Psychedelic rock
4173:Progressive rock
4005:
4004:
4001:
3995:decade of origin
3931:
3924:
3917:
3908:
3907:
3894:
3893:
3737:Little by Little
3730:I Can Hear Music
3495:
3431:Baby, I Love You
3326:Corrine, Corrina
3313:
3312:
3147:
3140:
3133:
3124:
3123:
3111:
3110:
3109:
3026:Session musician
2691:Music production
2684:
2677:
2670:
2661:
2660:
2655:
2653:
2651:
2622:
2620:
2618:
2589:
2587:
2585:
2556:
2544:
2533:
2531:
2529:
2497:
2478:
2476:
2474:
2445:
2443:
2441:
2412:
2402:
2400:
2398:
2360:
2359:
2351:
2345:
2344:
2336:
2330:
2329:
2327:
2325:
2310:
2304:
2303:
2301:
2299:
2284:
2278:
2277:
2275:
2273:
2258:
2252:
2251:
2249:
2247:
2233:Spanos, Brittany
2229:
2220:
2219:
2217:
2215:
2198:
2192:
2186:
2177:
2176:
2174:
2172:
2158:
2152:
2151:
2149:
2147:
2133:
2127:
2126:
2114:
2104:
2098:
2097:
2095:
2093:
2082:
2076:
2075:
2073:
2071:
2056:
2050:
2049:
2047:
2045:
2030:
2024:
2023:
2021:
2019:
2005:
1996:
1995:
1979:
1969:
1963:
1962:
1942:
1936:
1935:
1915:
1905:
1899:
1898:
1882:
1872:
1866:
1865:
1863:
1861:
1839:
1833:
1832:
1830:
1828:
1809:
1803:
1802:
1796:
1788:
1786:
1784:
1757:
1751:
1745:
1739:
1733:
1727:
1721:
1715:
1709:
1703:
1697:
1691:
1685:
1679:
1673:
1667:
1661:
1652:
1651:
1633:
1627:
1626:
1624:
1622:
1603:
1597:
1591:
1585:
1579:
1573:
1572:
1570:
1568:
1548:
1542:
1541:
1539:
1537:
1518:
1512:
1511:
1509:
1507:
1482:
1476:
1470:
1464:
1458:
1452:
1446:
1440:
1434:
1428:
1427:
1425:
1423:
1417:
1398:
1387:
1381:
1375:
1364:
1363:
1361:
1359:
1344:
1333:
1327:
1316:
1310:
1301:
1294:David Hinckley;
1292:
1281:
1280:
1278:
1276:
1256:
1227:
1226:
1224:
1222:
1206:
1200:
1194:
1163:Falling Into You
1135:
1104:, backed by the
1102:the titular song
1100:, starting with
1080:Richard Williams
1060:People Need Love
1037:See My Baby Jive
1020:Checkmates, Ltd.
911:Atlantic Records
879:
876:
870:
838:
837:
830:
730:
729:
709:
657:Eight Miles High
614:Unchained Melody
604:
597:musicians, it's
577:spaces and more
551:Baby, I Love You
509:
508:
497:
485:
448:overhead and an
178:
68:later known as "
6268:
6267:
6263:
6262:
6261:
6259:
6258:
6257:
6218:
6217:
6216:
6211:
6091:
5999:French Mandopop
5915:
5726:
5700:Brazilian (MPB)
5678:
5643:
5339:
5330:Traditional pop
5313:
5308:
5278:
5273:
5241:
5170:
5090:
5076:
5062:Mainstream rock
5026:
5005:
4979:
4828:
4584:
4516:
4449:Regional scenes
4440:
4394:
4318:
4259:Industrial rock
4217:
4113:Electronic rock
4051:
3999:
3998:(sub-subgenres
3997:
3996:
3994:
3988:
3967:Electric guitar
3940:
3935:
3905:
3900:
3882:
3843:The Teddy Bears
3826:
3787:
3773:Phi-Dan Records
3768:Philles Records
3756:
3696:
3667:
3662:Silence Is Easy
3541:
3535:
3493:
3449:
3443:
3317:
3308:
3302:
3297:Silence Is Easy
3290:Season of Glass
3162:
3156:
3151:
3121:
3116:
3107:
3105:
3098:
3047:
3016:Record producer
2969:
2965:
2954:
2908:
2904:
2893:
2834:Double tracking
2790:
2783:
2774:Sound recording
2712:Audio mastering
2693:
2688:
2658:
2649:
2647:
2640:
2616:
2614:
2607:
2583:
2581:
2574:
2553:
2527:
2525:
2518:
2502:Priore, Domenic
2494:
2472:
2470:
2463:
2439:
2437:
2430:
2396:
2394:
2387:
2368:
2363:
2352:
2348:
2337:
2333:
2323:
2321:
2311:
2307:
2297:
2295:
2285:
2281:
2271:
2269:
2259:
2255:
2245:
2243:
2230:
2223:
2213:
2211:
2199:
2195:
2187:
2180:
2170:
2168:
2160:
2159:
2155:
2145:
2143:
2135:
2134:
2130:
2123:
2105:
2101:
2091:
2089:
2084:
2083:
2079:
2069:
2067:
2057:
2053:
2043:
2041:
2031:
2027:
2017:
2015:
2007:
2006:
1999:
1992:
1970:
1966:
1959:
1943:
1939:
1932:
1906:
1902:
1895:
1873:
1869:
1859:
1857:
1840:
1836:
1826:
1824:
1811:
1810:
1806:
1790:
1789:
1782:
1780:
1773:Capitol Records
1759:
1758:
1754:
1746:
1742:
1736:Moorefield 2010
1734:
1730:
1722:
1718:
1710:
1706:
1698:
1694:
1690:, pp. 192.
1686:
1682:
1674:
1670:
1662:
1655:
1648:Capitol Records
1642:(Liner notes).
1634:
1630:
1620:
1618:
1605:
1604:
1600:
1592:
1588:
1580:
1576:
1566:
1564:
1549:
1545:
1535:
1533:
1520:
1519:
1515:
1505:
1503:
1501:
1483:
1479:
1475:, pp. 401.
1471:
1467:
1459:
1455:
1447:
1443:
1435:
1431:
1421:
1419:
1415:
1396:
1388:
1384:
1376:
1367:
1357:
1355:
1346:
1345:
1336:
1328:
1319:
1311:
1304:
1293:
1284:
1274:
1272:
1257:
1230:
1220:
1218:
1207:
1203:
1197:Moorefield 2010
1195:
1186:
1182:
1133:
1129:Bat Out of Hell
981:the Shangri-Las
880:
874:
871:
867:broader context
852:
839:
835:
828:
822:
774:Good Vibrations
758:
757:
749:
747:
746:
745:
744:
731:
723:
720:
713:
707:
702:
696:
688:George Harrison
676:
670:
665:
631:Sneaky Feelings
622:
602:
569:. Musicologist
534:
533:
525:
523:
522:
521:
520:
515:' 1965 single "
510:
503:
500:
495:
489:
483:
478:
473:
464:
458:
421:
415:
391:
368:, one not, one
263:
258:
235:
215:audio engineers
200:the Teddy Bears
180:
173:
163:the Teddy Bears
157:
24:
17:
12:
11:
5:
6266:
6256:
6255:
6250:
6245:
6240:
6235:
6230:
6213:
6212:
6210:
6209:
6204:
6199:
6194:
6193:
6192:
6187:
6177:
6176:
6175:
6168:Talent manager
6165:
6160:
6155:
6150:
6145:
6140:
6135:
6134:
6133:
6124:
6119:
6114:
6103:
6101:
6100:Related topics
6097:
6096:
6093:
6092:
6090:
6089:
6084:
6083:
6082:
6072:
6070:SFR Yugoslavia
6067:
6062:
6057:
6052:
6047:
6042:
6041:
6040:
6030:
6029:
6028:
6018:
6013:
6008:
6007:
6006:
6001:
5991:
5986:
5981:
5980:
5979:
5974:
5964:
5959:
5958:
5957:
5952:
5947:
5942:
5937:
5929:
5923:
5921:
5917:
5916:
5914:
5913:
5908:
5903:
5898:
5893:
5888:
5883:
5882:
5881:
5876:
5868:
5863:
5862:
5861:
5856:
5851:
5846:
5836:
5831:
5826:
5825:
5824:
5819:
5814:
5804:
5799:
5798:
5797:
5792:
5787:
5782:
5781:
5780:
5770:
5765:
5760:
5750:
5745:
5740:
5734:
5732:
5728:
5727:
5725:
5724:
5719:
5718:
5717:
5712:
5702:
5697:
5692:
5686:
5684:
5680:
5679:
5677:
5676:
5675:
5674:
5669:
5658:
5656:
5649:
5645:
5644:
5642:
5641:
5636:
5631:
5626:
5625:
5624:
5619:
5609:
5604:
5599:
5594:
5589:
5587:Schlager music
5584:
5579:
5574:
5573:
5572:
5567:
5562:
5557:
5552:
5542:
5537:
5536:
5535:
5525:
5520:
5519:
5518:
5513:
5503:
5498:
5493:
5488:
5483:
5478:
5473:
5472:
5471:
5461:
5456:
5451:
5450:
5449:
5444:
5434:
5429:
5424:
5419:
5417:Brill Building
5414:
5409:
5404:
5399:
5394:
5389:
5388:
5387:
5377:
5376:
5375:
5370:
5365:
5360:
5349:
5347:
5341:
5340:
5338:
5337:
5332:
5327:
5321:
5319:
5315:
5314:
5307:
5306:
5299:
5292:
5284:
5275:
5274:
5272:
5271:
5259:
5246:
5243:
5242:
5240:
5239:
5234:
5232:Wagnerian rock
5229:
5224:
5219:
5214:
5209:
5204:
5199:
5197:Outlaw country
5194:
5189:
5184:
5178:
5176:
5172:
5171:
5169:
5168:
5163:
5158:
5157:
5156:
5151:
5146:
5141:
5134:Social effects
5131:
5126:
5125:
5124:
5119:
5114:
5104:
5099:
5093:
5091:
5089:
5088:
5085:
5081:
5078:
5077:
5075:
5074:
5069:
5064:
5059:
5054:
5049:
5044:
5038:
5036:
5032:
5031:
5028:
5027:
5025:
5024:
5019:
5013:
5011:
5007:
5006:
5004:
5003:
4998:
4993:
4987:
4985:
4981:
4980:
4978:
4977:
4972:
4967:
4962:
4957:
4956:
4955:
4945:
4940:
4939:
4938:
4928:
4923:
4922:
4921:
4911:
4906:
4901:
4896:
4895:
4894:
4889:
4879:
4878:
4877:
4867:
4862:
4852:
4847:
4842:
4836:
4834:
4830:
4829:
4827:
4826:
4825:
4824:
4819:
4814:
4809:
4807:Neo-rockabilly
4804:
4803:
4802:
4792:
4784:
4779:
4774:
4769:
4764:
4759:
4754:
4749:
4744:
4739:
4734:
4729:
4724:
4719:
4714:
4709:
4704:
4699:
4694:
4689:
4684:
4679:
4674:
4669:
4668:
4667:
4662:
4657:
4647:
4642:
4637:
4636:
4635:
4634:
4633:
4623:
4613:
4608:
4603:
4598:
4592:
4590:
4586:
4585:
4583:
4582:
4577:
4572:
4567:
4562:
4557:
4552:
4551:
4550:
4545:
4540:
4530:
4524:
4522:
4518:
4517:
4515:
4514:
4509:
4508:
4507:
4497:
4492:
4487:
4482:
4477:
4472:
4471:
4470:
4459:
4457:
4450:
4446:
4445:
4442:
4441:
4439:
4438:
4433:
4428:
4423:
4418:
4413:
4408:
4402:
4400:
4396:
4395:
4393:
4392:
4387:
4382:
4377:
4372:
4367:
4362:
4357:
4352:
4347:
4342:
4337:
4332:
4326:
4324:
4320:
4319:
4317:
4316:
4311:
4306:
4301:
4296:
4291:
4286:
4281:
4276:
4271:
4266:
4261:
4256:
4254:Heartland rock
4251:
4246:
4241:
4236:
4231:
4225:
4223:
4219:
4218:
4216:
4215:
4210:
4205:
4200:
4195:
4190:
4185:
4180:
4175:
4170:
4165:
4160:
4155:
4150:
4145:
4140:
4135:
4130:
4125:
4120:
4115:
4110:
4105:
4100:
4098:Christian rock
4095:
4090:
4085:
4080:
4075:
4070:
4065:
4063:Anatolian rock
4059:
4057:
4053:
4052:
4050:
4049:
4044:
4039:
4038:
4037:
4027:
4022:
4017:
4011:
4009:
4002:
3990:
3989:
3987:
3986:
3985:
3984:
3979:
3977:Rhythm section
3974:
3969:
3959:
3954:
3948:
3946:
3942:
3941:
3934:
3933:
3926:
3919:
3911:
3902:
3901:
3899:
3898:
3887:
3884:
3883:
3881:
3880:
3875:
3870:
3865:
3863:Ronnie Spector
3860:
3855:
3850:
3845:
3840:
3834:
3832:
3828:
3827:
3825:
3824:
3817:
3810:
3803:
3795:
3793:
3789:
3788:
3786:
3785:
3780:
3775:
3770:
3764:
3762:
3758:
3757:
3755:
3754:
3747:
3744:Spanish Harlem
3740:
3733:
3726:
3723:Chapel of Love
3719:
3712:
3704:
3702:
3698:
3697:
3695:
3694:
3687:
3679:
3677:
3673:
3672:
3669:
3668:
3666:
3665:
3658:
3651:
3644:
3637:
3630:
3623:
3616:
3609:
3602:
3595:
3588:
3581:
3574:
3567:
3560:
3553:
3545:
3543:
3537:
3536:
3534:
3533:
3526:
3519:
3512:
3505:
3498:
3489:
3482:
3475:
3468:
3465:Do I Love You?
3461:
3453:
3451:
3445:
3444:
3442:
3441:
3434:
3427:
3420:
3413:
3410:Da Doo Ron Ron
3406:
3399:
3392:
3385:
3378:
3371:
3364:
3357:
3350:
3343:
3336:
3329:
3321:
3319:
3310:
3304:
3303:
3301:
3300:
3293:
3286:
3279:
3272:
3265:
3258:
3251:
3244:
3237:
3230:
3223:
3216:
3209:
3202:
3195:
3188:
3181:
3174:
3166:
3164:
3158:
3157:
3150:
3149:
3142:
3135:
3127:
3118:
3117:
3103:
3100:
3099:
3097:
3096:
3091:
3086:
3081:
3076:
3071:
3066:
3061:
3055:
3053:
3049:
3048:
3046:
3045:
3040:
3039:
3038:
3028:
3023:
3021:Rhythm section
3018:
3013:
3008:
3003:
2998:
2993:
2988:
2983:
2981:Audio engineer
2978:
2972:
2970:
2968:
2967:
2963:
2959:
2956:
2955:
2953:
2952:
2947:
2942:
2937:
2932:
2927:
2925:Overproduction
2922:
2917:
2911:
2909:
2907:
2906:
2902:
2898:
2895:
2894:
2892:
2891:
2886:
2881:
2876:
2871:
2866:
2861:
2856:
2854:Exciter effect
2851:
2846:
2841:
2831:
2826:
2816:
2811:
2806:
2801:
2795:
2793:
2785:
2784:
2782:
2781:
2776:
2771:
2766:
2761:
2756:
2751:
2746:
2745:
2744:
2739:
2729:
2724:
2719:
2714:
2709:
2703:
2701:
2695:
2694:
2687:
2686:
2679:
2672:
2664:
2657:
2656:
2638:
2623:
2605:
2590:
2572:
2557:
2551:
2534:
2516:
2498:
2492:
2479:
2461:
2446:
2428:
2413:
2403:
2385:
2369:
2367:
2364:
2362:
2361:
2346:
2331:
2305:
2279:
2253:
2221:
2193:
2178:
2153:
2128:
2121:
2099:
2077:
2051:
2025:
1997:
1990:
1964:
1957:
1937:
1930:
1900:
1893:
1867:
1834:
1817:New York Times
1804:
1769:The Beach Boys
1752:
1740:
1728:
1726:, p. 250.
1716:
1704:
1700:Bannister 2007
1692:
1680:
1678:, p. 149.
1668:
1664:Middleton 1989
1653:
1644:The Beach Boys
1628:
1598:
1596:, p. 148.
1586:
1574:
1543:
1513:
1499:
1477:
1465:
1453:
1441:
1429:
1382:
1365:
1334:
1317:
1302:
1282:
1265:Sound on Sound
1228:
1201:
1183:
1181:
1178:
1174:Richard Wagner
1170:Wagnerian rock
921:Hot 100) and "
915:I Got You Babe
882:
881:
842:
840:
833:
821:
818:
802:Domenic Priore
776:"), for which
766:God Only Knows
762:The Beach Boys
748:
732:
721:
716:
715:
714:
705:
704:
703:
695:
692:
669:
666:
664:
661:
621:
618:
524:
511:
501:
492:
491:
490:
481:
480:
479:
477:
474:
472:
471:Misconceptions
469:
460:Main article:
457:
454:
417:Main article:
414:
411:
390:
387:
343:Emmylou Harris
329:Bobby Hatfield
310:' version of "
279:Da Doo Ron Ron
262:
259:
257:
254:
234:
231:
184:Brill Building
158:
156:
153:
136:in the 1980s.
95:electric piano
91:acoustic piano
15:
9:
6:
4:
3:
2:
6265:
6254:
6251:
6249:
6246:
6244:
6241:
6239:
6236:
6234:
6231:
6229:
6226:
6225:
6223:
6208:
6205:
6203:
6200:
6198:
6195:
6191:
6188:
6186:
6183:
6182:
6181:
6178:
6174:
6171:
6170:
6169:
6166:
6164:
6161:
6159:
6156:
6154:
6151:
6149:
6146:
6144:
6141:
6139:
6136:
6132:
6130:
6125:
6123:
6120:
6118:
6115:
6113:
6110:
6109:
6108:
6105:
6104:
6102:
6098:
6088:
6085:
6081:
6078:
6077:
6076:
6073:
6071:
6068:
6066:
6063:
6061:
6058:
6056:
6053:
6051:
6048:
6046:
6043:
6039:
6036:
6035:
6034:
6031:
6027:
6024:
6023:
6022:
6019:
6017:
6014:
6012:
6009:
6005:
6002:
6000:
5997:
5996:
5995:
5992:
5990:
5987:
5985:
5982:
5978:
5975:
5973:
5970:
5969:
5968:
5965:
5963:
5960:
5956:
5953:
5951:
5948:
5946:
5943:
5941:
5938:
5936:
5933:
5932:
5930:
5928:
5925:
5924:
5922:
5918:
5912:
5909:
5907:
5904:
5902:
5899:
5897:
5894:
5892:
5889:
5887:
5884:
5880:
5877:
5875:
5872:
5871:
5869:
5867:
5864:
5860:
5857:
5855:
5852:
5850:
5847:
5845:
5842:
5841:
5840:
5837:
5835:
5832:
5830:
5827:
5823:
5820:
5818:
5815:
5813:
5810:
5809:
5808:
5805:
5803:
5800:
5796:
5793:
5791:
5790:Zhongguo feng
5788:
5786:
5783:
5779:
5776:
5775:
5774:
5771:
5769:
5766:
5764:
5761:
5759:
5756:
5755:
5754:
5751:
5749:
5746:
5744:
5741:
5739:
5736:
5735:
5733:
5729:
5723:
5720:
5716:
5713:
5711:
5708:
5707:
5706:
5703:
5701:
5698:
5696:
5693:
5691:
5688:
5687:
5685:
5681:
5673:
5670:
5668:
5665:
5664:
5663:
5660:
5659:
5657:
5653:
5650:
5646:
5640:
5637:
5635:
5632:
5630:
5627:
5623:
5620:
5618:
5615:
5614:
5613:
5610:
5608:
5605:
5603:
5600:
5598:
5595:
5593:
5590:
5588:
5585:
5583:
5580:
5578:
5575:
5571:
5568:
5566:
5563:
5561:
5558:
5556:
5553:
5551:
5548:
5547:
5546:
5543:
5541:
5538:
5534:
5531:
5530:
5529:
5526:
5524:
5521:
5517:
5514:
5512:
5511:Dunedin sound
5509:
5508:
5507:
5504:
5502:
5499:
5497:
5494:
5492:
5489:
5487:
5484:
5482:
5479:
5477:
5474:
5470:
5467:
5466:
5465:
5462:
5460:
5457:
5455:
5452:
5448:
5445:
5443:
5440:
5439:
5438:
5435:
5433:
5430:
5428:
5425:
5423:
5420:
5418:
5415:
5413:
5410:
5408:
5405:
5403:
5400:
5398:
5395:
5393:
5390:
5386:
5383:
5382:
5381:
5378:
5374:
5371:
5369:
5366:
5364:
5361:
5359:
5356:
5355:
5354:
5351:
5350:
5348:
5346:
5342:
5336:
5335:Rock and roll
5333:
5331:
5328:
5326:
5325:Tin Pan Alley
5323:
5322:
5320:
5316:
5312:
5305:
5300:
5298:
5293:
5291:
5286:
5285:
5282:
5270:
5269:
5264:
5260:
5258:
5257:
5248:
5247:
5244:
5238:
5237:Wall of Sound
5235:
5233:
5230:
5228:
5225:
5223:
5220:
5218:
5217:Rock festival
5215:
5213:
5210:
5208:
5205:
5203:
5200:
5198:
5195:
5193:
5190:
5188:
5185:
5183:
5180:
5179:
5177:
5173:
5167:
5166:Women in rock
5164:
5162:
5159:
5155:
5152:
5150:
5147:
5145:
5142:
5140:
5137:
5136:
5135:
5132:
5130:
5127:
5123:
5120:
5118:
5115:
5113:
5112:Country music
5110:
5109:
5108:
5105:
5103:
5100:
5098:
5095:
5094:
5092:
5086:
5083:
5082:
5079:
5073:
5070:
5068:
5065:
5063:
5060:
5058:
5055:
5053:
5050:
5048:
5045:
5043:
5040:
5039:
5037:
5035:Radio formats
5033:
5023:
5020:
5018:
5015:
5014:
5012:
5008:
5002:
4999:
4997:
4994:
4992:
4989:
4988:
4986:
4982:
4976:
4973:
4971:
4968:
4966:
4963:
4961:
4958:
4954:
4951:
4950:
4949:
4946:
4944:
4941:
4937:
4934:
4933:
4932:
4929:
4927:
4924:
4920:
4917:
4916:
4915:
4912:
4910:
4907:
4905:
4902:
4900:
4897:
4893:
4890:
4888:
4885:
4884:
4883:
4880:
4876:
4873:
4872:
4871:
4868:
4866:
4863:
4860:
4856:
4853:
4851:
4848:
4846:
4843:
4841:
4838:
4837:
4835:
4831:
4823:
4820:
4818:
4815:
4813:
4810:
4808:
4805:
4801:
4800:Extreme metal
4798:
4797:
4796:
4793:
4791:
4788:
4787:
4785:
4783:
4780:
4778:
4775:
4773:
4770:
4768:
4765:
4763:
4760:
4758:
4755:
4753:
4750:
4748:
4745:
4743:
4740:
4738:
4735:
4733:
4730:
4728:
4725:
4723:
4720:
4718:
4715:
4713:
4710:
4708:
4705:
4703:
4700:
4698:
4695:
4693:
4690:
4688:
4685:
4683:
4680:
4678:
4675:
4673:
4670:
4666:
4663:
4661:
4658:
4656:
4653:
4652:
4651:
4648:
4646:
4643:
4641:
4638:
4632:
4629:
4628:
4627:
4624:
4622:
4619:
4618:
4617:
4614:
4612:
4609:
4607:
4604:
4602:
4599:
4597:
4594:
4593:
4591:
4587:
4581:
4578:
4576:
4573:
4571:
4568:
4566:
4563:
4561:
4558:
4556:
4553:
4549:
4546:
4544:
4541:
4539:
4536:
4535:
4534:
4531:
4529:
4526:
4525:
4523:
4521:South America
4519:
4513:
4510:
4506:
4503:
4502:
4501:
4498:
4496:
4493:
4491:
4488:
4486:
4483:
4481:
4478:
4476:
4473:
4469:
4466:
4465:
4464:
4461:
4460:
4458:
4456:North America
4454:
4451:
4447:
4437:
4434:
4432:
4429:
4427:
4424:
4422:
4419:
4417:
4414:
4412:
4409:
4407:
4404:
4403:
4401:
4397:
4391:
4388:
4386:
4383:
4381:
4378:
4376:
4373:
4371:
4368:
4366:
4363:
4361:
4358:
4356:
4353:
4351:
4348:
4346:
4343:
4341:
4338:
4336:
4333:
4331:
4328:
4327:
4325:
4321:
4315:
4312:
4310:
4307:
4305:
4302:
4300:
4297:
4295:
4292:
4290:
4287:
4285:
4282:
4280:
4277:
4275:
4272:
4270:
4267:
4265:
4262:
4260:
4257:
4255:
4252:
4250:
4247:
4245:
4242:
4240:
4237:
4235:
4232:
4230:
4227:
4226:
4224:
4220:
4214:
4211:
4209:
4206:
4204:
4203:Southern rock
4201:
4199:
4196:
4194:
4191:
4189:
4186:
4184:
4181:
4179:
4176:
4174:
4171:
4169:
4166:
4164:
4161:
4159:
4156:
4154:
4151:
4149:
4146:
4144:
4141:
4139:
4136:
4134:
4131:
4129:
4126:
4124:
4123:Flamenco rock
4121:
4119:
4116:
4114:
4111:
4109:
4106:
4104:
4101:
4099:
4096:
4094:
4091:
4089:
4086:
4084:
4081:
4079:
4076:
4074:
4071:
4069:
4066:
4064:
4061:
4060:
4058:
4054:
4048:
4045:
4043:
4040:
4036:
4033:
4032:
4031:
4030:Rock and roll
4028:
4026:
4023:
4021:
4018:
4016:
4013:
4012:
4010:
4006:
4003:
4000:not included)
3991:
3983:
3980:
3978:
3975:
3973:
3972:Electric bass
3970:
3968:
3965:
3964:
3963:
3960:
3958:
3955:
3953:
3950:
3949:
3947:
3943:
3939:
3932:
3927:
3925:
3920:
3918:
3913:
3912:
3909:
3897:
3889:
3888:
3885:
3879:
3876:
3874:
3873:Jack Nitzsche
3871:
3869:
3866:
3864:
3861:
3859:
3856:
3854:
3851:
3849:
3846:
3844:
3841:
3839:
3838:Wall of Sound
3836:
3835:
3833:
3829:
3823:
3822:
3818:
3816:
3815:
3811:
3808:
3804:
3801:
3797:
3796:
3794:
3792:Related media
3790:
3784:
3781:
3779:
3776:
3774:
3771:
3769:
3766:
3765:
3763:
3759:
3752:
3748:
3745:
3741:
3738:
3734:
3731:
3727:
3724:
3720:
3717:
3713:
3710:
3706:
3705:
3703:
3699:
3693:
3692:
3688:
3686:
3685:
3681:
3680:
3678:
3674:
3663:
3659:
3656:
3652:
3649:
3645:
3642:
3638:
3635:
3631:
3628:
3624:
3621:
3617:
3614:
3610:
3607:
3603:
3600:
3599:My Sweet Lord
3596:
3593:
3589:
3586:
3582:
3579:
3575:
3572:
3568:
3565:
3561:
3558:
3554:
3551:
3547:
3546:
3544:
3538:
3531:
3527:
3524:
3520:
3517:
3513:
3510:
3506:
3503:
3499:
3497:
3490:
3487:
3483:
3480:
3476:
3473:
3469:
3466:
3462:
3459:
3455:
3454:
3452:
3446:
3439:
3435:
3432:
3428:
3425:
3421:
3418:
3414:
3411:
3407:
3404:
3400:
3397:
3393:
3390:
3386:
3383:
3379:
3376:
3372:
3369:
3365:
3362:
3358:
3355:
3351:
3348:
3344:
3341:
3337:
3334:
3330:
3327:
3323:
3322:
3320:
3314:
3311:
3305:
3299:
3298:
3294:
3292:
3291:
3287:
3285:
3284:
3280:
3278:
3277:
3273:
3271:
3270:
3266:
3264:
3263:
3262:Rock 'n' Roll
3259:
3257:
3256:
3252:
3250:
3249:
3245:
3243:
3242:
3238:
3236:
3235:
3231:
3229:
3228:
3224:
3222:
3221:
3217:
3215:
3214:
3210:
3208:
3207:
3203:
3201:
3200:
3196:
3194:
3193:
3189:
3187:
3186:
3182:
3180:
3179:
3175:
3173:
3172:
3168:
3167:
3165:
3159:
3155:
3148:
3143:
3141:
3136:
3134:
3129:
3128:
3125:
3115:
3114:
3101:
3095:
3092:
3090:
3087:
3085:
3082:
3080:
3077:
3075:
3072:
3070:
3067:
3065:
3064:Interpolation
3062:
3060:
3057:
3056:
3054:
3050:
3044:
3041:
3037:
3034:
3033:
3032:
3031:Backup singer
3029:
3027:
3024:
3022:
3019:
3017:
3014:
3012:
3009:
3007:
3004:
3002:
2999:
2997:
2994:
2992:
2989:
2987:
2984:
2982:
2979:
2977:
2974:
2973:
2971:
2964:
2961:
2960:
2957:
2951:
2948:
2946:
2945:Wall of Sound
2943:
2941:
2938:
2936:
2933:
2931:
2928:
2926:
2923:
2921:
2918:
2916:
2913:
2912:
2910:
2903:
2900:
2899:
2896:
2890:
2887:
2885:
2882:
2880:
2877:
2875:
2872:
2870:
2867:
2865:
2864:Octave effect
2862:
2860:
2857:
2855:
2852:
2850:
2847:
2845:
2842:
2839:
2835:
2832:
2830:
2827:
2824:
2820:
2817:
2815:
2812:
2810:
2809:Chorus effect
2807:
2805:
2802:
2800:
2797:
2796:
2794:
2792:
2786:
2780:
2777:
2775:
2772:
2770:
2767:
2765:
2762:
2760:
2757:
2755:
2752:
2750:
2747:
2743:
2742:Wah-wah pedal
2740:
2738:
2735:
2734:
2733:
2730:
2728:
2725:
2723:
2720:
2718:
2715:
2713:
2710:
2708:
2705:
2704:
2702:
2700:
2696:
2692:
2685:
2680:
2678:
2673:
2671:
2666:
2665:
2662:
2645:
2641:
2635:
2631:
2630:
2624:
2612:
2608:
2602:
2598:
2597:
2591:
2579:
2575:
2569:
2565:
2564:
2558:
2554:
2548:
2543:
2542:
2535:
2523:
2519:
2517:1-86074-627-6
2513:
2509:
2508:
2503:
2499:
2495:
2493:0-335-15276-7
2489:
2485:
2480:
2468:
2464:
2458:
2455:. MIT Press.
2454:
2453:
2447:
2435:
2431:
2425:
2421:
2420:
2414:
2411:
2410:
2404:
2392:
2388:
2382:
2378:
2377:
2371:
2370:
2357:
2350:
2342:
2335:
2320:
2316:
2309:
2294:
2293:Rolling Stone
2290:
2283:
2272:September 18,
2268:
2264:
2257:
2246:September 18,
2242:
2241:Rolling Stone
2238:
2234:
2228:
2226:
2210:
2209:
2204:
2197:
2190:
2189:Williams 2003
2185:
2183:
2167:
2163:
2157:
2142:
2138:
2132:
2124:
2118:
2113:
2112:
2103:
2087:
2081:
2066:
2062:
2055:
2040:
2036:
2029:
2014:
2010:
2004:
2002:
1993:
1991:9781461661030
1987:
1983:
1978:
1977:
1968:
1960:
1958:9780857120564
1954:
1950:
1949:
1941:
1933:
1931:9781461661030
1927:
1923:
1919:
1914:
1913:
1904:
1896:
1894:9781461661030
1890:
1886:
1881:
1880:
1871:
1855:
1851:
1850:
1845:
1838:
1822:
1818:
1814:
1808:
1800:
1794:
1778:
1774:
1770:
1766:
1762:
1756:
1749:
1744:
1738:, p. 16.
1737:
1732:
1725:
1724:Ribowsky 1989
1720:
1713:
1712:Ribowsky 1989
1708:
1702:, p. 39.
1701:
1696:
1689:
1688:Ribowsky 1989
1684:
1677:
1676:Williams 2003
1672:
1666:, p. 89.
1665:
1660:
1658:
1649:
1645:
1641:
1640:
1632:
1616:
1612:
1608:
1602:
1595:
1590:
1584:, p. 83.
1583:
1578:
1562:
1558:
1554:
1547:
1531:
1527:
1523:
1517:
1502:
1496:
1492:
1488:
1481:
1474:
1473:Ribowsky 1989
1469:
1462:
1457:
1451:, p. 57.
1450:
1445:
1439:, p. 44.
1438:
1437:Ribowsky 1989
1433:
1414:
1410:
1406:
1405:San Francisco
1402:
1395:
1394:
1386:
1379:
1378:Williams 2003
1374:
1372:
1370:
1353:
1349:
1343:
1341:
1339:
1331:
1330:Ribowsky 1989
1326:
1324:
1322:
1315:, p. 77.
1314:
1309:
1307:
1299:
1298:
1291:
1289:
1287:
1270:
1266:
1262:
1255:
1253:
1251:
1249:
1247:
1245:
1243:
1241:
1239:
1237:
1235:
1233:
1216:
1212:
1205:
1199:, p. 10.
1198:
1193:
1191:
1189:
1184:
1177:
1175:
1171:
1167:
1165:
1164:
1159:
1155:
1151:
1147:
1143:
1139:
1131:
1130:
1125:
1121:
1120:Todd Rundgren
1117:
1113:
1111:
1107:
1106:E Street Band
1103:
1099:
1098:
1093:
1089:
1085:
1081:
1077:
1073:
1072:Dancing Queen
1069:
1065:
1061:
1056:
1054:
1050:
1046:
1042:
1041:Angel Fingers
1038:
1034:
1029:
1027:
1026:
1021:
1017:
1016:Art Garfunkel
1013:
1012:Old Man River
1009:
1005:
1001:
996:
994:
990:
986:
982:
978:
977:Shadow Morton
973:
971:
967:
963:
959:
955:
951:
947:
942:
940:
936:
932:
928:
924:
923:Baby Don't Go
920:
916:
912:
908:
900:
896:
892:
888:
878:
868:
864:
860:
856:
850:
846:
843:This section
841:
832:
831:
827:
817:
813:
811:
807:
803:
799:
798:concept album
795:
791:
790:
785:
784:
779:
775:
771:
767:
763:
756:
754:
742:
741:
736:
719:
701:
691:
689:
685:
681:
675:
660:
658:
654:
650:
646:
642:
638:
637:
632:
628:
617:
615:
611:
606:
600:
596:
592:
588:
584:
580:
576:
572:
568:
564:
558:
556:
552:
548:
544:
538:
532:
530:
518:
514:
499:
468:
463:
453:
451:
447:
446:Neumann U 67s
443:
437:
432:
430:
426:
425:Billy Strange
420:
419:Spill (audio)
410:
408:
404:
403:reverberation
400:
396:
386:
384:
383:echo chambers
379:
373:
371:
367:
361:
359:
358:Barney Kessel
354:
350:
349:
348:Wrecking Ball
344:
340:
339:Daniel Lanois
336:
334:
330:
326:
321:
317:
313:
309:
305:
303:
299:
295:
291:
287:
282:
280:
271:
267:
253:
251:
247:
244:1964 single "
243:
239:
230:
228:
224:
220:
216:
212:
211:echo chambers
208:
203:
201:
197:
192:
189:
185:
179:
177:
176:Marshall Leib
170:
168:
164:
152:
150:
146:
142:
137:
135:
131:
127:
123:
119:
115:
111:
107:
102:
100:
96:
92:
86:
83:
79:
75:
71:
67:
63:
59:
55:
51:
50:Spector Sound
47:
46:Wall of Sound
39:
35:
30:
26:
22:
6243:Phil Spector
6202:Virtual band
6173:Talent agent
5683:The Americas
5592:Sophisti-pop
5486:Experimental
5266:
5254:
5236:
5222:Rock musical
5212:Rock concert
5057:Classic rock
4786:Yugoslavian
4631:Post-Britpop
4512:Puerto Rican
4505:Chicano rock
4385:Slacker rock
4108:Country rock
4073:Baroque rock
3868:Larry Levine
3858:The Crystals
3853:The Ronettes
3837:
3831:Other topics
3821:Phil Spector
3819:
3812:
3689:
3684:Menlove Ave.
3682:
3676:Compilations
3606:What Is Life
3375:He's a Rebel
3295:
3288:
3281:
3274:
3267:
3260:
3253:
3246:
3239:
3232:
3225:
3218:
3211:
3204:
3197:
3190:
3183:
3178:He's a Rebel
3176:
3171:Twist Uptown
3169:
3154:Phil Spector
3104:
3069:Loudness war
3036:Ghost singer
3011:Orchestrator
3006:Horn section
2944:
2889:Reverse echo
2849:Equalization
2819:Delay effect
2769:Punch in/out
2764:Ping-ponging
2732:Effects unit
2727:Effects loop
2717:Audio mixing
2707:Audio filter
2648:. Retrieved
2628:
2615:. Retrieved
2595:
2582:. Retrieved
2562:
2541:He's a Rebel
2540:
2526:. Retrieved
2506:
2483:
2471:. Retrieved
2451:
2438:. Retrieved
2418:
2409:Melody Maker
2407:
2395:. Retrieved
2375:
2355:
2349:
2340:
2334:
2322:. Retrieved
2318:
2308:
2296:. Retrieved
2292:
2282:
2270:. Retrieved
2266:
2256:
2244:. Retrieved
2240:
2212:. Retrieved
2206:
2196:
2169:. Retrieved
2165:
2156:
2144:. Retrieved
2140:
2131:
2110:
2102:
2090:. Retrieved
2080:
2068:. Retrieved
2064:
2054:
2042:. Retrieved
2038:
2028:
2016:. Retrieved
2012:
1975:
1967:
1947:
1940:
1911:
1903:
1878:
1870:
1860:December 18,
1858:. Retrieved
1849:The Guardian
1847:
1837:
1827:December 17,
1825:. Retrieved
1816:
1807:
1783:December 27,
1781:. Retrieved
1764:
1755:
1743:
1731:
1719:
1707:
1695:
1683:
1671:
1638:
1631:
1619:. Retrieved
1610:
1601:
1589:
1577:
1565:. Retrieved
1556:
1546:
1534:. Retrieved
1525:
1516:
1504:. Retrieved
1490:
1480:
1468:
1463:, p. 5.
1456:
1444:
1432:
1422:November 17,
1420:. Retrieved
1392:
1385:
1356:. Retrieved
1295:
1273:. Retrieved
1264:
1219:. Retrieved
1204:
1168:
1161:
1138:Bonnie Tyler
1127:
1116:Jim Steinman
1114:
1095:
1083:
1057:
1030:
1023:
1002:Hot 100 was
999:
997:
974:
946:Johnny Franz
943:
938:
918:
904:
872:
866:
862:
853:Please help
844:
814:
810:I'm So Young
808:' 1961 hit '
806:The Students
793:
787:
781:
778:Brian Wilson
759:
750:
738:
694:Brian Wilson
677:
668:Phil Spector
634:
623:
607:
598:
594:
590:
586:
582:
578:
574:
560:
540:
535:
526:
465:
442:mic bleeding
439:
434:
422:
392:
375:
363:
346:
337:
333:the Blossoms
320:Larry Levine
318:", engineer
306:
283:
275:
270:The Ronettes
236:
219:Larry Levine
204:
193:
186:songwriters
181:
172:
160:
145:Brian Wilson
138:
134:loudness war
118:echo chamber
108:, woodwind,
103:
87:
62:Larry Levine
54:Phil Spector
49:
45:
43:
25:
6122:Teenybopper
6117:Sasaeng fan
6112:Bobby soxer
5866:Kazakhstani
5859:Shibuya-kei
5795:Chinoiserie
5748:Azerbaijani
5634:Traditional
5582:Psychedelic
5577:Progressive
5442:Bro-country
5380:Alternative
5363:Quiet storm
5067:Modern rock
5042:Active rock
5022:New Zealand
4850:Bangladeshi
4845:Azerbaijani
4480:Costa Rican
4436:Viking rock
4426:Stoner rock
4345:Gothic rock
4168:Occult rock
4143:Heavy metal
4133:Garage rock
4103:Comedy rock
4093:Chamber pop
4088:Boogie rock
3701:Other songs
3578:Black Pearl
3059:Click track
3043:Vocal coach
2986:Backup band
2966:professions
2940:Turntablism
2814:Compression
2799:Pitch shift
2759:Overdubbing
2699:Engineering
2070:January 21,
2044:January 21,
2018:January 21,
1767:(Booklet).
1748:Priore 2005
1621:October 14,
1567:December 5,
1506:February 8,
1461:Howard 2004
1221:October 17,
1154:Celine Dion
1097:Born to Run
931:MGM Records
649:garage rock
583:cannot stop
450:RCA Type 77
399:microphones
370:harpsichord
353:compression
325:Bill Medley
302:tambourines
284:Songwriter
250:Stan Kenton
149:French horn
130:compression
126:audio power
99:harpsichord
6222:Categories
6190:Girl group
6163:Songwriter
6021:Macedonian
5994:French pop
5955:Turbo-folk
5911:Vietnamese
5901:Philippine
5829:Indonesian
5617:Electropop
5528:Orchestral
5501:Hypnagogic
5476:Disco polo
5227:Rock opera
5182:Beatlesque
5017:Australian
4936:Rock kapak
4919:Visual kei
4899:Indonesian
4742:Portuguese
4727:Macedonian
4722:Lithuanian
4601:Belarusian
4580:Venezuelan
4565:Ecuadorian
4548:Tropicália
4543:Samba rock
4375:Rock kapak
4365:Jangle pop
4360:Indie rock
4314:Yacht rock
4309:Visual kei
4299:Shock rock
4239:Dance-rock
4229:Arena rock
4213:Swamp rock
4208:Space rock
4193:Samba rock
4188:Roots rock
4163:Noise rock
4083:Blues rock
4078:Beat music
4047:Surf music
4042:Rockabilly
4020:Latin rock
3957:Distortion
3945:Components
3938:Rock music
3800:B Boy Baby
3564:Proud Mary
3424:Be My Baby
3340:Talk to Me
2991:Bandleader
2950:Xenochrony
2905:aesthetics
2869:Noise gate
2829:Distortion
2791:processing
2754:Microphone
2545:. Dutton.
2092:August 15,
1449:Smith 2007
1275:August 19,
1146:Air Supply
989:Billy Joel
907:Sonny Bono
893:recorded "
875:April 2022
857:by citing
824:See also:
794:Pet Sounds
783:Pet Sounds
753:media help
740:Pet Sounds
698:See also:
672:See also:
627:Flying Nun
547:Be My Baby
529:media help
360:recalled:
286:Jeff Barry
141:Beach Boys
78:orchestral
6248:Recording
6207:Worldbeat
6180:Teen idol
6107:Celebrity
6087:Ukrainian
6080:VIA music
6011:Hungarian
5984:Eurodance
5972:Nederbeat
5927:Austropop
5896:Pakistani
5891:Malaysian
5849:Kayōkyoku
5722:Nueva ola
5695:Argentine
5667:Afrobeats
5622:Futurepop
5612:Synth-pop
5597:Space age
5560:Pop metal
5469:Freestyle
5459:Dancehall
5422:Bubblegum
5358:Christian
5311:Pop music
4965:Taiwanese
4948:Pakistani
4931:Malaysian
4859:1959–1975
4855:Cambodian
4817:Post-punk
4782:Ukrainian
4762:Slovenian
4732:Norwegian
4702:Icelandic
4697:Hungarian
4660:Nederbeat
4575:Uruguayan
4560:Colombian
4533:Brazilian
4528:Argentine
4490:Dominican
4431:Sufi rock
4421:Post-rock
4416:Math rock
4390:Trop rock
4340:Dream pop
4335:Deathrock
4304:Soft rock
4294:Punk rock
4279:Power pop
4274:Post-punk
4249:Glam rock
4244:Funk rock
4234:Cock rock
4198:Soft rock
4183:Raga rock
4158:Krautrock
4153:Jazz rock
4138:Hard rock
4128:Folk rock
3993:Genres by
3962:Rock band
3761:Companies
3213:Let It Be
2901:Practices
2804:Auto-Tune
2779:Tape loop
2749:Diffusion
2650:March 13,
2617:March 13,
2584:March 13,
2528:March 13,
2473:March 13,
2440:March 13,
2397:March 13,
2039:Stereogum
1180:Citations
1124:Meat Loaf
1078:had read
1064:Ring Ring
1051:'s song "
1000:Billboard
939:Billboard
919:Billboard
653:the Byrds
593:. I want
233:Etymology
122:Wagnerian
82:jukeboxes
6185:Boy band
6050:Schlager
6033:Romanian
5839:Japanese
5822:Hindutva
5773:Mandopop
5758:Cantopop
5743:Assyrian
5710:Tropipop
5690:American
5672:Moroccan
5602:Sunshine
5565:Pop-punk
5545:Pop rock
5523:Operatic
5496:Hyperpop
5368:Rhythmic
5256:Category
4943:Nepalese
4914:Japanese
4870:Filipino
4840:Armenian
4812:New wave
4790:Art rock
4747:Romanian
4672:Estonian
4655:Indorock
4640:Croatian
4596:Albanian
4570:Peruvian
4475:Canadian
4463:American
4380:Shoegaze
4370:Rap rock
4264:New wave
4068:Art rock
4025:Pop rock
3982:Drum kit
3952:Backbeat
3896:Category
3523:Ebb Tide
3309:produced
3163:produced
2976:Arranger
2935:Sampling
2859:Flanging
2737:Talk box
2644:Archived
2611:Archived
2578:Archived
2522:Archived
2504:(2005).
2467:Archived
2434:Archived
2391:Archived
2324:June 16,
2298:June 16,
2214:April 1,
2171:June 29,
2146:June 29,
1854:Archived
1821:Archived
1777:Archived
1775:. 1997.
1615:Archived
1611:BBC News
1594:Zak 2001
1582:Zak 2001
1561:Archived
1536:June 16,
1530:Archived
1413:Archived
1411:. 8175.
1358:July 18,
1352:Archived
1313:Zak 2001
1269:Archived
1215:Archived
1088:overdubs
1070:", and "
1068:Waterloo
1053:Waterloo
847:without
796:to be a
764:(e.g., "
651:such as
636:Send You
462:Monaural
429:spilling
407:AM radio
395:speakers
366:electric
261:Layering
116:from an
93:with an
40:in 1965
6065:Turkish
6060:Swedish
6055:Serbian
6045:Russian
6026:Čalgija
6016:Italian
5989:Europop
5977:New pop
5962:British
5950:Tallava
5870:Korean
5854:Ryūkōka
5834:Iranian
5812:Bhangra
5768:Hokkien
5753:Chinese
5715:Mexican
5540:Pop rap
5533:Baroque
5437:Country
5427:Chamber
5392:Ambient
5192:Motorik
5175:Related
5087:Culture
5084:History
5010:Oceania
5001:Zambian
4991:Angolan
4975:Turkish
4960:Russian
4909:Israeli
4904:Iranian
4887:Bengali
4875:Bisrock
4865:Chinese
4772:Swedish
4767:Spanish
4757:Serbian
4752:Russian
4717:Latvian
4712:Italian
4677:Finnish
4626:Britpop
4616:British
4611:Bosnian
4606:Belgian
4555:Chilean
4500:Mexican
4495:Haitian
4406:Britpop
4035:British
3634:Imagine
3307:Singles
3241:Imagine
2879:Pumping
2844:Ducking
2789:Signal
1526:Myspace
1082:' book
1043:" and "
1033:Wizzard
1014:", and
968:" and "
960:" and "
737:" from
629:, from
591:strings
543:R&B
294:strings
256:Process
167:chamber
155:Origins
143:leader
106:strings
6075:Soviet
6038:Manele
5945:Manele
5935:Chalga
5920:Europe
5807:Indian
5785:Xinyao
5778:French
5738:Arabic
5662:Africa
5655:Africa
5555:Jangle
5454:Cringe
5447:Cowboy
5345:Styles
5268:Portal
4984:Africa
4926:Korean
4882:Indian
4737:Polish
4687:German
4682:French
4645:Danish
4589:Europe
4355:Grunge
3620:Mother
3361:Uptown
3161:Albums
3079:Medley
3074:Mashup
2884:Reverb
2874:Phaser
2636:
2603:
2570:
2549:
2514:
2490:
2459:
2426:
2383:
2319:EW.com
2119:
1988:
1955:
1928:
1891:
1497:
1152:") to
905:After
899:ballad
820:Others
563:reggae
555:Love's
549:" or "
290:fifths
114:Reverb
97:and a
6004:Yé-yé
5967:Dutch
5940:Laïko
5879:South
5874:North
5817:Filmi
5763:Hakka
5705:Latin
5639:Wonky
5607:Swamp
5570:Power
5506:Indie
5481:Dream
5464:Dance
5407:Beach
5402:Avant
5373:Urban
4777:Swiss
4707:Irish
4692:Greek
4665:Ultra
4650:Dutch
4485:Cuban
4399:1990s
4350:Grebo
4323:1980s
4222:1970s
4056:1960s
4008:1950s
3540:1967–
3448:1964–
3316:1960–
3094:Remix
3052:Other
2962:Roles
2920:Lo-fi
2823:STEED
2208:Salon
1416:(PDF)
1397:(PDF)
927:Verve
861:that
789:Smile
579:equal
413:Spill
378:Ampex
298:horns
110:brass
36:with
6129:Wota
5906:Thai
5844:City
5731:Asia
5629:Teen
5516:Twee
5491:Folk
5412:Beat
5117:Jazz
4970:Thai
4953:Sufi
4892:Raga
4833:Asia
4822:Punk
3542:2003
3450:1966
3318:1963
2652:2016
2634:ISBN
2619:2016
2601:ISBN
2586:2016
2568:ISBN
2547:ISBN
2530:2016
2512:ISBN
2488:ISBN
2475:2016
2457:ISBN
2442:2016
2424:ISBN
2399:2016
2381:ISBN
2326:2022
2300:2022
2274:2021
2248:2021
2216:2018
2173:2022
2148:2022
2117:ISBN
2094:2012
2072:2022
2046:2022
2020:2022
1986:ISBN
1953:ISBN
1926:ISBN
1889:ISBN
1862:2016
1829:2019
1799:link
1785:2014
1623:2011
1569:2015
1538:2009
1508:2022
1495:ISBN
1424:2020
1360:2014
1277:2014
1223:2014
1140:'s "
1118:and
1066:", "
1049:ABBA
1039:", "
952:and
786:and
768:", "
682:'s "
643:and
595:more
575:open
567:funk
565:and
456:Mono
397:and
389:Echo
327:and
44:The
5886:Lao
5550:Emo
5397:Art
4411:Emo
4148:Jam
2838:ADT
1982:213
1922:213
1918:211
1885:179
1557:Mix
1126:'s
1055:".
655:' "
639:to
616:".
587:not
345:'s
304:".
217:as
56:at
6224::
2996:DJ
2642:.
2609:.
2576:.
2520:.
2465:.
2432:.
2389:.
2317:.
2291:.
2265:.
2239:.
2224:^
2205:.
2181:^
2164:.
2139:.
2063:.
2037:.
2011:.
2000:^
1984:.
1924:.
1887:.
1852:.
1846:.
1815:.
1795:}}
1791:{{
1771:.
1763:.
1656:^
1646:.
1609:.
1559:.
1555:.
1528:.
1524:.
1489:.
1407::
1403:.
1399:.
1368:^
1337:^
1320:^
1305:^
1285:^
1267:.
1263:.
1231:^
1187:^
1176:.
1156:("
1148:("
1028:.
633:'
605:"
599:me
229:.
5303:e
5296:t
5289:v
4861:)
4857:(
3930:e
3923:t
3916:v
3809:"
3805:"
3802:"
3798:"
3753:"
3749:"
3746:"
3742:"
3739:"
3735:"
3732:"
3728:"
3725:"
3721:"
3718:"
3714:"
3711:"
3707:"
3664:"
3660:"
3657:"
3653:"
3650:"
3646:"
3643:"
3639:"
3636:"
3632:"
3629:"
3625:"
3622:"
3618:"
3615:"
3611:"
3608:"
3604:"
3601:"
3597:"
3594:"
3590:"
3587:"
3583:"
3580:"
3576:"
3573:"
3569:"
3566:"
3562:"
3559:"
3555:"
3552:"
3548:"
3532:"
3528:"
3525:"
3521:"
3518:"
3514:"
3511:"
3507:"
3504:"
3500:"
3496:"
3494:'
3488:"
3484:"
3481:"
3477:"
3474:"
3470:"
3467:"
3463:"
3460:"
3456:"
3440:"
3436:"
3433:"
3429:"
3426:"
3422:"
3419:"
3415:"
3412:"
3408:"
3405:"
3401:"
3398:"
3394:"
3391:"
3387:"
3384:"
3380:"
3377:"
3373:"
3370:"
3366:"
3363:"
3359:"
3356:"
3352:"
3349:"
3345:"
3342:"
3338:"
3335:"
3331:"
3328:"
3324:"
3146:e
3139:t
3132:v
2840:)
2836:(
2825:)
2821:(
2683:e
2676:t
2669:v
2654:.
2621:.
2588:.
2555:.
2532:.
2496:.
2477:.
2444:.
2401:.
2358:.
2343:.
2328:.
2302:.
2276:.
2250:.
2218:.
2175:.
2150:.
2125:.
2096:.
2074:.
2048:.
2022:.
1994:.
1961:.
1934:.
1920:–
1897:.
1864:.
1831:.
1801:)
1787:.
1750:.
1714:.
1650:.
1625:.
1571:.
1540:.
1510:.
1426:.
1380:.
1362:.
1279:.
1225:.
1134:'
1006:"
929:/
877:)
873:(
869:.
755:.
733:"
603:'
601:.
531:.
498:"
496:'
277:"
174:—
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
