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153:. His parents were the proprietors of a local restaurant in Albany and were socially very active, while their son was mostly concentrated on music. Walter De Maria's first academic interest was music—first piano, then percussion. He also took to sports and cars, of which he made drawings. By 1946 he had joined a musicians' union.
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is a one-kilometer-long brass rod, two inches in diameter, drilled into
Friedrichsplatz Park in central Kassel, Germany. The rod's circular top, flush to the earth's surface, is framed by a two-meter square plate of red sandstone. In 1979, De Maria meticulously arranged five hundred brass rods for
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projects in the deserts of the south-west US, with the aim of creating situations where the landscape and nature, light and weather would become an intense, physical and psychic experience. In his work, De Maria stressed that the work of art is intended to make the viewer think about the earth and
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De Maria went to
California in May 2013 to celebrate his mother's 100th birthday and had a stroke there a few days later. He remained there for treatment. He died in Los Angeles on July 25, 2013, at the age of 77. He was survived by his mother, Christine De Maria; his brother, Terry; four nieces;
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De Maria avoided participating in museum shows when he could, preferring to create his installations outdoors or at unconventional urban locations. His work was more widely shown outside the United States, and he had major exhibitions in Japan and Europe.
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opened the 9 Great Jones Street gallery in New York in 1963; the same year, De Maria's first solo show of sculpture was presented there. He had his first solo exhibition in a commercial gallery in 1965, at the Paula
Johnson Gallery on New York's
360:(1977) is De Maria's best-known work. It consists of 400 stainless steel posts arranged in a calculated grid over an area of 1 mile Ă— 1 km. The time of day and weather change the optical effects. It also lights up during
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123:(October 1, 1935 – July 25, 2013) was an American artist, sculptor, illustrator and composer, who lived and worked in New York City. Walter de Maria's artistic practice is connected with
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director
Michael Govan said, "I think he's one of the greatest artists of our time." Govan, who worked with De Maria for a number of years, found De Maria's work "singular, sublime and direct".
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is also part of De Maria's series of monumental sculptures using a horizontal format, which feature groupings of elements ordered according to precise calculations. This series includes
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was one of twelve documentary films selected by the 53rd New York Film
Festival, September 25–October 11, 2015. The film released theatrically at IFC Center, New York, January 8, 2016.
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180:(1961) is inscribed with the instructions, "Transfer things from one box to the next box back and forth, back and forth, etc. Be aware that what you are doing is meaningless."
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purchased De Maria's studio for $ 27 million. Brant's plans for the space were unknown. The building was developed into the "Brant Art Center," part of the
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from 1953 to 1959. Trained as a painter, he soon turned to sculpture and began using other media. In 1960, De Maria and his friends, the avant-garde composers
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416:(1977), is a 3,600-square-foot room filled to a depth of 22 inches with 250 cubic yards of earth (the New York work is a permanent iteration of
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Thompson, Your Pretty Face Is Going to Hell: The Dangerous Glitter of David Bowie, Iggy Pop, and Lou Reed (Backbeat Books, 2009), p. 5.
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in Paris, followed in 2000 and 2004 by works for two museums on
Naoshima Island in Japan, the Naoshima Contemporary Art Museum and the
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In 1965 De Maria became the drummer in the New York-based rock group the
Primitives and an artist/musician collaborative group called
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and theatrical productions in the San
Francisco area. From his exposure to the work of La Monte Young and dancer
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in 2011, "Walter De Maria: Trilogies" was the artist's first major museum exhibition in the United States.
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832:(Second Edition, Revised and Expanded by Kristine Stiles) University of California Press 2012, pp. 629-633
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in the city's
Friedrichsplatz Park. In 1977, a major exhibition of De Maria's sculpture was held at the
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Gallery in New York, which was then permanently reinstalled in 1980 at 141 Wooster Street, New York.
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Laura Poitras, Frederick Wiseman to Screen New Work at New York Film Festival, Hollywood Reporter
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Peter Brant Purchases Walter De Maria's Massive Home Studio for Reasons that Remain to be Seen
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596:(exhibition catalogue) (in German). Staatsgalerie Stuttgart. Stuttgart, Germany: Hatje.
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In contrast to the hard metal of both Kilometer pieces, the third of these urban works,
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In the 1960s and 1970s, De Maria created enduring urban works. As complementary pieces,
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in 1972. He has also since been the subject of numerous solo exhibitions organized by
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Also in the mid-1960s, he became involved in various artistic activities. His piece,
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Le Guide de la visite du Palais Bourbon et de l'HĂ´tel de Lassay: La Cour d'Honneur
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A New Documentary Sheds Light on the 'Troublemakers' of Land Art, T Magazine,
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Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings
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487:(1992) was the first work of art to inaugurate the Resnick Pavilion at the
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American American artist, sculptor, illustrator and composer (1935 – 2013)
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Walter de Maria: 5 Kontinente Skulptur, mit Essays zum Werk des KĂĽnstlers
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where he married his wife Susanne Wilson (later Susanna) one year later.
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In 2015, filmmaker and art historian James Crump produced and directed
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A Computer Which Will Solve Every Problem in the World/3-12 Polygon
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In 1989 De Maria completed a sphere of polished granite for the
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Walter De Maria: Trilogies, September 16, 2011– January 8, 2012
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four nephews; and four grandnieces and two great-grandnieces.
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The Prestel Dictionary of Art and Artists in the 20th Century
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Spotlight on Documentary at the 53rd New York Film Festival
397:(1979), address the idea of unseen or abstracted distance.
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exhibit at the Jewish Museum in New York. He appeared in
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Mccord, R. "The Lightning Field. Santa Fe Always Online.
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Oral history interview with Walter De Maria, 1972 Oct. 4
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in Kassel; he installed his permanent public sculpture
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His early sculptures from the 1960s were influenced by
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262:in lower Manhattan with his wife Susanna, showing
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555:in Naoshima (2000 and 2004). Organized by the
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465:(2002) was installed in the
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183:In 1960, De Maria moved to
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483:, Kansas City. In 2010,
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761:"Walter de Maria"
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495:Exhibitions
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315:Peter Brant
311:Peter Brant
245:Ocean Music
216:Ethel Scull
212:Minimal art
196:suprematism
166:Terry Riley
125:minimal art
1420:Categories
1101:2012-07-15
1046:, Houston.
795:15 January
766:2022-08-01
746:2013-08-06
678:References
581:Literature
334:Minimalist
295:Con Edison
237:happenings
170:happenings
97:Minimalist
47:1935-10-01
521:Documenta
467:TĂĽrkentor
287:John Cale
279:The Druds
227:John Cage
208:aluminium
87:sculpture
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349:Land art
307:Avenue A
283:Lou Reed
253:Hardcore
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133:land art
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345:Erdraum
116:, Japan
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139:LACMA
1215:IMDb
1018:2013
797:2022
668:ISBN
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411:The
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223:Cage
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