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110:, known for his large-scale ceramic figures, formless ceramic structures, and bronze pieces. He is recognized as one of the leading artists in the new generation of the Bay Area clay movement. Zhang's work is characterized by a fusion of California Funk influence and references to Chinese history. His monumental clay figures convey themes of globalization, politics, and power by reshaping traditional symbols with contemporary pop culture elements. Zhang's work is in the
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in 2018, and "Wanxin Zhang: Fahrenheit" at
Catharine Clark Gallery in 2018. His 2019 exhibition, "Wanxin Zhang: The Long Journey," was held at the Museum of Craft and Design in San Francisco. In 2020, he participated in "The Body, the Object, the Other" as part of the second clay biennial of
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Zhang's career in the art world began to take shape when he was represented by
Triangle Gallery in San Francisco in 1995. This marked the beginning of a series of exhibitions and shows, including a solo show in 2002; his debut museum exhibition, "Pit #5," at
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This year, Zhang's ceramic sculpture "Color Face" was featured in an outdoor group sculpture exhibition called "Claiming Space: Refiguring the Body in
Landscape" at
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Painter and
Sculptor Grant (2004), the Virginia A. Groot Foundation First Place (2006), and a curatorial award from the
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In 2014, Zhang participated in a panel discussion called "RISE UP! Art As Action" with artists
Chester Arnold and
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In recent years, Zhang's work has gained further recognition with exhibitions like "Wanxin Zhang: Totem" at the
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holding the first in-depth survey of Zhang's work with the exhibit titled "Wanxin Zhang: A Ten Year Survey."
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in 2008; and a ten-year survey traveling show from 2010 to 2012, curated by Peter Held, starting with the
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579:"March 25: Bellevue Arts Museum displays work of Wanxin Zhang and John Cederquist at Finally Friday"
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and his solo exhibit "Wanxin Zhang: Witness" was showcased at the
Catharine Clark Gallery.
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605:"Review: Terra-cotta warrior meets American pop art in 'Wanxin Zhang: A Ten Year Survey'"
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in 1980, becoming part of the first generation to receive formal art education after the
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425:"Contemporary Craft in Focus: Warrior with Color Face | Smithsonian American Art Museum"
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Wanxin Zhang's works have been collected by various public institutions, including:
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In
January 2024, Zhang's works will be presented by the Catharine Clark Gallery at
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titled, “Richard Shaw and Wanxin Zhang”, curated by Mark
Johnson and Linda Keaton.
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in San
Francisco. During his academic years, he worked at the Artworks Foundry in
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551:"Tyranny Meets Irreverence in Pit #5,, Art Beatus Gallery, Hong Kong, 2008"
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202:(2017). In 2012, Zhang enjoyed an artist-in-residence supported by the
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794:"Master ceramists of two generations at Sonoma Valley Museum of Art"
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In 2021, Zhang's piece "Warrior with Color Face" became part of the
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731:"Wanxin Zhang shares 'Long Journey' at Museum of Craft and Design"
396:"Wanxin Zhang shares 'Long Journey' at Museum of Craft and Design"
916:"Wanxin Zhang: Witness: 2022: Solo CCG | Catharine Clark Gallery"
843:"At the Renwick Gallery, craft that captures our polarized times"
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993:"Montalvo Arts Center breaks barriers with new outdoor exhibit"
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in Los
Angeles. Zhang also had a joint exhibit with ceramicist
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818:"Warrior with Color Face | Smithsonian American Art Museum"
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477:"Bellevue Arts Museum to present a collision of cultures"
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Department of Art Practice from 2010 to 2012 and at the
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Datebook | San Francisco Arts & Entertainment Guide
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Datebook | San Francisco Arts & Entertainment Guide
706:"Sidewalk Cracks: Contemporary Chinese Art Has a Laugh"
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Datebook | San Francisco Arts & Entertainment Guide
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Datebook | San Francisco Arts & Entertainment Guide
769:"The Body, The Object, The Other – Craft Contemporary"
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Renwick Gallery of the Smithsonian American Art Museum
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in San Francisco, alongside works by Masami Teracka.
502:"Wanxin Zhang | Art Museum | University of Wyoming"
249:. In 2022, Zhang's artwork was on display at the
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450:"Bay Area ceramics scene fired up in new ways"
179:; his first display at Art Beatus Gallery in
654:"RISE UP! Art As Action: A Panel Discussion"
892:"Going Out, Homing's In, March 11-18, 2022"
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260:, alongside other notable artists such as
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968:"Claiming Space • Montalvo Arts Center"
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526:"[专稿] 来自五号坑——张万新雕塑展_热点关注_艺术中国"
368:Annie Wong Art Foundation in Hong Kong
338:de Young Fine Art Museum San Francisco
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102:(born 1961) is a Chinese-American
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868:"FOCUS ON FORM: SCULPTURE GARDEN"
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364:University of Wyoming Art Museum
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126:, in 1961. He grew up during
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372:National Art Museum of China
84:https://www.wanxinzhang.com/
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217:in 2014, "40x40" at the
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215:Catharine Clark Gallery
132:Jilin University of Art
872:Intersect Palm Springs
755:"FACULTY + STAFF News"
679:"FACULTY + STAFF News"
583:Northwest Asian Weekly
377:Tokiwa Museum in Japan
232:Santa Clara University
204:Andy Warhol Foundation
1106:People from Changchun
134:). He later attended
972:Montalvo Arts Center
355:Holter Museum of Art
266:Pilar Agüero-Esparza
251:Palm Spring Art Fair
185:Bellevue Arts Museum
847:The Washington Post
359:Montalvo Art Center
295:from 2015 to 2020.
258:Montalvo Art Center
156:Stephen de Staebler
140:Cultural Revolution
945:Sculpture Magazine
822:americanart.si.edu
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333:Crocker Art Museum
299:Public Collections
270:Hank Willis Thomas
224:Craft Contemporary
1111:Chinese sculptors
1021:www.instagram.com
920:cclarkgallery.com
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585:. 2011-04-07
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530:art.china.cn
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483:. 2011-02-11
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228:Richard Shaw
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192:Michele Pred
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100:Wanxin Zhang
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23:Wanxin Zhang
1126:1961 births
1017:"Instagram"
852:25 November
689:25 November
563:26 November
262:Alison Saar
160:Manuel Neri
1100:Categories
1074:2022-11-25
1069:The Holter
1050:2023-11-28
1026:2023-11-28
1002:2022-11-25
977:2022-11-25
950:2022-11-25
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535:2022-11-26
511:2023-10-04
487:2022-11-25
459:2022-11-25
434:2022-11-25
405:2023-11-28
382:References
374:in Beijing
128:Mao Zedong
62:Occupation
36:1961
710:SF Weekly
181:Hong Kong
106:based in
47:Changchun
683:sfai.edu
633:SFArtsED
283:Teaching
234:and the
148:Berkeley
104:sculptor
66:Sculptor
206:at the
80:Website
635:. 2017
268:, and
166:Career
158:, and
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554:(PDF)
854:2022
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