498:, London, in January 1967. They practised and played in a basement coffee bar club called the Butterfly Club, which they also ran. The premises were at one time `used as a gambling den. While managing the club themselves, they played music nightly and handled the cooking and cleaning. They would get to bed around 6am or 7am, sleep until 4pm, and open again at 8pm. Sometimes they barely made enough money to pay the rent, occasionally living off leftovers and a couple of pounds of rice. Gomez recalled in 1969 that he, MacBeth, Allandale and Harris were living on Β£2 per week and could not afford a packet of razor blades. His mother would come and tell him off for leaving his job in the County Hall architect's department. The situation of saxophonist Mike Elliott was also not ideal. He had been staying in a top floor flat, in a condemned house, where the roof had been removed. Elliott was still paying rent. Clem Curtis recalled going to see him one morning, knocking on his door which got Elliott out of bed. He asked him, "Hey, Mike, where's your roof gone?", to which Elliott replied, "I don't know, man, they just came and knocked it off."
950:) that he, Peter MacBeth, and Eric Allandale had some ideas that they wanted to put together. Curtis later recalled that Macaulay was a problem. "Tony Macaulay was very talented, but could be difficult to get on with. When we asked to record some of our own material β just as B sides, we weren't after the A side β he called us 'ungrateful' and stormed out of the studio." The group felt that Macaulay had reined in their "real" sound, making them seem more pop-oriented than they were. Tony Macaulay also recalled, "I was never close to the Foundations. I couldn't stand them, and they hated me! But the body of work we recorded was excellent."
997:. In a court hearing that took three hours, Morrison claimed that he had discovered the talent of the group. He failed in his bid to put a freeze on a portion of the group's earnings. He had been released from prison in July 1967 following a six-month sentence for assault. The case was heard by Judge Stamp who said in reference to "Baby, Now That I've Found You", "I cannot understand how it can be suggested that a song which came into existence after Mr. Morrison had severed his connection with the group can he one in which he can have any share or interest". He also dismissed a similar motion against the Pye label.
8003:
8317:
51:
2224:
hit with one of their own compositions, "Born to Live, Born to Die". They had minor hit with "My Little
Chickadee" in the United States. This was written by Tony Macaulay and John Macleod. There were other titles announced that were either never recorded or were never released. They were "Our Love Went Thataway", "Tear Jerker, Music-worker, You" which was to be released around the same time as "Better By Far" by
1625:
headed by Mike Dolan of
Marquee-Martin and Jim Dawson. Barry Class took legal action against the group. Class was granted temporary injunctions by High Court Judge McGarry to restrain Dawson from disposing of any documents relating to the group. Also, with contracts negotiated prior to Nov. 28, 1969 (the day of contract breach), a percentage of money was to go to Class. The article in the 3 January 1970 issue of
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sorts by becoming the first act to play as a band there as well as playing in clothes other than the suit types. They also broke new ground by being the first "self-contained group" and first "rock group" to play there. The group also did well by earning a week's worth of pay in one night. They had also secured a booking for when they were on their next tour in next
November / October. They also played at the
1784:" b/w "I'll Give You Love" MCA MCA 5075 in 1971. The composers were actually Conan Byrne and Warren Davis of the Warren Davis Monday Band fame. Davis had tried out for the role of Foundations' lead singer in 1968. For the week of 29 January 1972 along with releases by Santana, Rod Stewart, The Hillside Singers and BJ Thomas etc., the song was on the pop section of the
1061:, and was encouraged to try his luck in the United States. Also in that month, they played at the Brave New World in Portsmouth. Drummer Tim Harris was out of action due to a poisoned arm and Eric Allandale filled in as the drummer. They were also set to go into the studio in October to record and it was speculated that it would be with the new singer.
471:(aka Ramong Morrison) and Clem Curtis. Curtis had come to the group by way of his guitar-playing uncle, who was impressed by his nephew's voice and told him that there was a band called the Ramongs looking for singers. Curtis auditioned and joined the band, and rose from being a backing singer to sharing the lead with Raymond Morrison.
1877:. It said, "If you missed Eurovision on TV watch CRACKERJACK this Friday FOUNDATIONS "Where Were You When I Needed Your Love". Also that month, "Where Were You When I Needed Your Love" was being played on Radio Tees and David Hoare had it as a hit pick. Backed with "Love Me Nice and Easy", it was released on Summit SU 100 in 1977.
2232:" was released. It is believed that this single was actually by Colin Young and his new backing band Development. It seems quite likely as the Colin Young and Development debut single "Any Time at All" pre-dates "Stoney Ground". In the mid and late 1970s, there were two more singles released under the Foundationsβ name. They were "
694:, when the Foundations' single at no. 11 in the chart, the group had been booked for two star shows. One was for 31 October at Bily Smart's Circus at London Clapham Common, an event where a member of the Royal Family attends each year. The other was for 11 November to play at a banquet for the Lord Mayor and civic dignitaries.
1256:
get a recording permit so that was cancelled. So they instead were booked in for a week's worth cabaret work in
Detroit. They were also to do a week in Toronto. Publicist Harrod wondered why they never received requests to play in Canada. He noted that there was another group in Canada that went by the same name.
1475:. She began by saying that she liked all things Foundations because of their tight identifiable sounds but she said she was a little weary of this record. There was a lot of things happening in the background that made her uneasy and didn't seem to gel. She also said at the beginning they sounded a lot like
2017:
Guitarist Alan Warner was interviewed by
Strange Brew in 2022. He was talking about the group's relationship with Tony Macaulay. He also talked about the members and made a reference to Mike Elliott where he said, "The oldest guy in the band he was about forty". He then said "Funny enough I found out
1641:
when their current single was "Take a Girl Like You. The article told of the group's frustration with the material they were performing live and the teen scene they were having play on. With disgust, Colin Young explained that they were having to perform the same music on stage for the last two years
1193:
Pop 30 chart at no. 16 on the Week of 26 March, the bass player was interviewed. He said that the group wanted to have two albums out that year. The second album would be done after coming back from their US tour. He said that several months prior, they had written some songs for a freaky type of LP.
1904:
In the early 1990s, an album of re-recordings was released. It featured Clem Curtis on lead vocals, Alan Warner on guitar, Vince Cross on keyboards and Andy
Bennett on drums. The recordings were arranged and produced by Keith Bateman. Released on Double Play GRF176, it included the old hits plus new
1849:
In the mid-1970s, while Clem Curtis and the
Foundations were on the road, there was also another Foundations line-up that was led by Colin Young who were touring at the same time, and were playing basically the same material. This eventually led to court action which resulted in Curtis being allowed
985:
which told of a near violent situation involving Clem Curtis where he had been accused of being involved in a fight the night before. It was at the end of a dance that the group had played at and Curtis was at the bar. Curtis said, "I went to the bar, and was confronted by a guy who stuck a knife in
715:
had the exclusive on the follow up to "Baby, Now That I've Found You" being "Back on My Feet Again". The article also said that the group would be doing a string of radio and television appearances to tie in with the single's release. With "Baby, Now that I've Found You" being released in the United
2223:
From the band's beginning to their breakup towards the end of 1970, the
Foundations released ten singles in the United Kingdom including two versions of the same song. The majority of the singles were composed by Tony Macaulay and John Macleod. They had four significant hits from these plus a minor
1537:
on vocals has the same backing track as the original Clem Curtis version. The new version of "Tomorrow" years later has been referred to as the alternate version. This version has Colin Young on vocals instead of Clem Curtis' vocals which appeared on the live version. They too have the same backing
1421:
and the Seven Dwarfs. There was a plan to use a colored actress to play snow white. Parts were also to be played by members of the band. They were allegedly working on music for the presentation and if a suitable theater could be found then it could go ahead. The group's aspirations were to have it
1255:
They had been booked to play at a club in Dayton, Ohio. At the time of booking, the manager had not realized that they were a multi-racial group and was not going to let them go on. However, he changed his mind. The group had planned to do a week's worth of recording at Motown
Studios but could not
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club. He informed them that a couple of members of the
Temptations had been taken unwell and asked if the Foundations could step in for the night. Not knowing that the group played their own instruments, he asked them to go immediately to rehearse with the house orchestra. The group made history of
1221:
about the Foundation's US tour. The interview was published in the magazine's 17 May issue. At the time the group was halfway through their tour, and the lineup was Peter Macbeth, Eric Allandale, Tony Gomez, Tim Harris, Alan Warner, Pat Burke and Colin Young. The show they played at the Filmore was
702:
wrote that it was likely to be several months before the case would be heard. According to Dopson, Fairway had leaked a story to the media saying that the Foundations had broken up which only served to keep the Foundations name in the news headlines. Barry Class was quoted in the 18 November issue
697:
Not long after their success with "Baby, Now That I've Found You", there were issues. Rock historian Roger Dopson describes what followed as a "behind the scenes struggle", where Fairway was "pushed out" and his partner, Barry Class, remained as sole manager of the group. Fairway later attempted to
568:
Arthur Brown appears to have left the group between the first and second quarter of 1967. According to a 1993 interview of Brown with Allan Vorda, Arthur Brown could have signed with the Foundations and sung material from the writers of "Baby, Now That I've Found You" but he did not want to be with
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on vocals. The group had an agreement with management that they would appear as The Foundations but between gigs Colin Young would explain that they were becoming a new outfit called Development. They toured throughout Latin America and even played at the Expo-Show in Buenos Aires. They continued
1301:
As of July 5, the entities under the umbrella of Class International that handled aspects of The Foundations career were, Class Managements - exclusive management handled by Barry Class; First Class Agency - sole agents, handled by Jim Dawson; Top Class Music - joint publishers handled by Sleeping
632:
was looking to avoid any records being played by the pirate radio stations and looked back at some recent releases that the pirate stations had missed. "Baby, Now That I've Found You" was one of them. The single then took off. The group members except for Pat Burke were pictured on page 4 of the 7
1624:
It had been reported in a publicity sheet around early December 1969 that the band had broken away from their manager Barry Class. Jim Dawson who was formerly their agent and Mike Dolan took over the group's affairs. Having left Barry Class's management, the group had joined a management company
1569:
The absence of the group in Sweden caused concern to their management in late September. They were reported missing. At the time there were heavy storms in Sweden that resulted in injuries and deaths. Rod Harrod, spokesman for the group said that management was very worried. The group's agent was
1487:
in the 13 September issue in the magazine's Picks of the Week section. The improved production quality was noted. There was a possibility of heavy sales if FM would pick up on it. The reviewer also said that it was one of the strongest Foundations singles since their last resurge into the Top 40.
482:
as a replacement. Brown was straight and clean living, and did not drink, smoke or take drugs. Decades later, Brown recalled when he walked into the Westbourne Grove bar for an audition, he saw Curtis holding a spear to the throat of the drummer, bent backwards over the bar. Brown and Curtis each
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He also said that if they played underground-type numbers in the US, people would listen but he was unsure about back home in the UK, how it would be received. Around that time they had been asked by John Carter-Davies, a Texas oil millionaire to play at a 21st birthday party for his son, David.
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had also offered to write a song for Curtis. It was also suggested that Curtis left in 1968, because he felt that a couple of the band's members were taking it a bit too easy, thinking that because they had now had a hit, they did not have to put in as much effort as they had previously. Curtis'
1857:
In 1975, Young and his group, The New Foundations, released a lone single on "Something for My Baby" / "I Need Your Love" on Pye 45533. Also in the same period, another group, also called New Foundations released a soul ballad single, "Darling (You're All I Need)" on Atlantic 45-3225. This New
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reported in the 27 September issue that in Canada, Phonodisc was ahead of other countries with its rush release of "Born to Live, Born to Die". Heavy promotion for it was expected when the band would start their cross-country tour of universities commencing on 16 October. On the week ending 27
1278:
Also, in early June the Foundations issued an injunction against Clem Curtis's group, Clem Curtis and The New Foundations who were touted as alternative attraction when the Foundations had to leave the United States a week early when their booking for a week at a Detroit cabaret was cancelled.
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in the magazine's January 20 issue. It was referred to as a scorcher and a very good pop record. The throaty vocals, organ, handclaps, brass and stormy beat were obvious bonuses. The only criticisms, minor as they were, was that the tune was not as catchy as the B-side, "Need Your Loving" (the
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having been leaked to other artists. According to the group, the songs were supposed to be exclusive to them. The group were holding off on the release of their album until September. They discovered that the songs were going to be released by other artists. One of the "exclusive" songs to be
720:
label that week, they were filming a US promo for the single and hoping to fit in a three-day visit to the States at the end of the month. They were also planning to fly to the United States after the completion of their radio and television promotions for "Back on My Feet Again" in January.
1949:
Following the touring with the Foundations and the fatigue that went with it, Alan Warner was happy to settle down and spend time with his wife and daughter and had moved into their home in Edgeware, NW London. Answering an ad, he joined a band which had already been formed, the rock group
1850:
to bill his group as either the Foundations or Clem Curtis & the Foundations. Young was allowed to bill himself as "The New Foundations", or as "Colin Young & the New Foundations". The New Foundations name was previously used for the Australian release of "Build Me Up Buttercup" on
1939:
Various sources have erroneously stated that there was an early 1970s English line-up that had nothing, or little to do with the original Foundations. However, Curtis had been leading a new line-up of the Foundations since coming back to the UK and re-forming the group in the early
1908:
There was another line-up formed in 1999 that included Colin Young (vocals), Alan Warner (Guitar), Steve Bingham (bass), Gary Moberly (keyboards), Tony Laidlaw (sax) and Sam Kelly then Steve Dixon (drums). This version of the group was re-formed due to the popularity of the film
572:
The day Tony Macaulay came to hear the Foundations play, he was suffering from what he described as "the worst hangover of his life". The band was playing so loud he could not judge how good they were, but he decided to give them a chance. His comments are recorded in the book,
1500:
September, it had dropped down to no. 50 in the UK. The 4 October issue showed that the single was back at no. 46. It was also in the Malaysian Top Ten having moved from no. 11 to no. 8. The peak position of no. 4 in the Malaysian chart was shown in the 25 October issue of
939:
Since "Back on My Feet Again" (their second single) had been released, tensions developed between the band and their songwriter/producer, Tony Macaulay. He would not allow them to record any of their own songs. In an interview, the band's organ player, Tony Gomez, told the
1314:
for the 2 August issue. In reply to Middleton's question about the group changing musical direction, he said, "We've changed it some already". He also said "We all think the same musically". And he mentioned that they had split from Tony Macaulay because things got stale.
518:
Following the band being forced out of their club by a protection racket gang who tied up Clem Curtis and held a knife to his throat, they moved next door to the new premises, a run-down place that was once a mini-cab office. According to Alan Warner in his interview with
1845:
on the White Plains Chronicles website, there is information provided by James Payne that gives a partial line-up of a 1973 version of the Foundations. Listed were Clem Curtis on vocals, Eric Allandale on trombone, Brian Johnston on keyboards and Jim Payne on drums.
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label. This self-titled third album featured re-recordings of their previous hits and songs, but with Young on vocals instead of Curtis. It also featured a version of a new track, "Build Me Up Buttercup". There was also a second American album released called
577:
by Jon Kutner and Spencer Leigh, that he woke up that morning with a stinking headache, and when he got to the studio and heard the Foundations, he thought they were terrible. He decided his hangover was to blame, and so he gave them the benefit of the doubt.
490:
as a singer. They had a jam session with him, but he turned down their offer as he preferred other musical styles. Alan Warner recalled decades later that Stewart's then girlfriend, Dee Harrington, had ended up being secretary for the Foundations' management.
1204:
At the height of their popularity, the Foundations' management were in negotiations with a UK TV company for a television series that would star members of the band. They had turned down a number of offers to appear in films because of script unsuitability.
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added as well. It was cancelled due to the promoters dropping Berry. Due to Creedence Clearwater Revival being unavailable and no other suitable top acts being found, it was all cancelled. The Foundations however were planning to tour the UK in early 1970.
1212:
in the 19 April issue that the group had just finished a tour with Stevie Wonder and were completing their third album. They were also on their way to the US for their second major tour and had expectations of recording in Detroit. They were in the
1229:
that the group had earlier considered calling off their United States tour due to a union ban preventing them from being televised there. Weeks later, it still had not been resolved but there were hopes that it would while they were still on tour.
678:
that most managements would have pulled them out of the "bargain priced dates" that had been booked for some time. He expressed gratitude to everyone for their support, and said that they would fulfill every engagement for which they had signed.
1880:
In 1978, there was another single credited to The Foundations. It was "Closer to Loving You" b/w "Change My Life" released on Psycho P2603. Over the years the B side "Change My Life" gained popularity among Northern soul fans. It appears on the
1024:
wrote in their 31 August issue, that at press-time no confirmation could be obtained. They did however write that he wanted to develop his career and record as a solo artist with Tony Macaulay. Curtis had made a request to record a solo record.
1546:
Bassist Peter Macbeth left the band in 1969 to join the group Bubastis with Bernie Living. Over time, other members included Geoff Nicholson and Brian Appleyard from East of Eden, Simon Lee from Alexis Korner, and soul sax player Mike Freeman.
1802:, Development, Colin Young's group was alternating between that name and The Foundations when gigging around the UK. They were looking to release their first album the following month. Colin Young had an album released on the Stateside label,
724:
With the success of "Baby Now that I've Found You" having been established, there was talk within the group of adding a trumpet player to the line-up. Both Allandale and Burke could double on trumpet, but they were still looking to add one.
1246:
in the May 3, 1969, issue, things had seemingly gone well for the group with their playing the Copa club and the magazine wrote that Kip Cohen the Filmore manager had given them a release to do the show there. However the following week,
1251:
corrected things and said that the Foundations leaving Filmore was not amicable. According to a spokesman for Filmore, the group asked permission to leave to play at the Copa club, and it was denied. So, they decided to leave anyway.
1112:. In the same issue, a member of the group mis-named Peter Gomez said that they were frustrated with playing other people's sounds. But now that Clem has left, they felt that they were able to change their sound but only gradually.
287:
The Foundations attracted much interest because of the size and structure of the group. Not only was there a diverse ethnic mix in the group, there was also diversity in ages and musical backgrounds. The oldest member of the group,
1331:
was released, it containined twelve tracks, half of them were original compositions by the band members. The album cover showed the band members in prison garb, ball and chain with shovels and picks. An ad in the April 26 issue of
1479:. She also admitted that the chorus was amazingly catchy, but she felt that the group had been given too much of a free hand. The single was one of the singles in the Special Merit Spotlight section of the 13 September issue of
1100:
album released in 1968. Young had joined the Foundations in late September / early October. He had been rehearsing with them for the week of October 5 and was ready to make his debut on Friday October 4 at Aberdeen University.
608:, the reviewer Benny Valentine liked it but remarked that it needed a bit more drive on the production and singing. It was a sleeper And for ten weeks it did not do anything in the charts. Unlike the Ways and Means' single, "
972:
that the single was due for release "Tomorrow". The magazine also mentioned the recent completion of the group's "next album" which is rush-released in the US and would be available in the UK within the next eight weeks.
561:
Ron Fairway told the group that he was going to get them a gig at Herne Bay. However, this job never materialized. The group sourced their own gigs which included a Caribbean club along Edgware Road and a few other clubs.
1712:
in the week ending 10 October 1970 issue that lead singer Colin Young had left the group to pursue a solo career. He had already signed a contract with Barry Class and was putting together his new group which was called
1528:
MALS 1157. It featured stereo re-recordings of previously recorded songs. The songs "Any Old Time (Your'e Lonely And Sad)", "Back on My Feet Again", "Harlem Shuffle", "Tomorrow" and "We Are Happy People" appeared on the
1829:
When Curtis returned to the UK, he formed a new version of the group with little success in spite of releasing several singles, but later had a lucrative spell on the 1960s nostalgia circuit. Re-formed members included
1118:
In his early period with the Foundations, Young had to learn that he was just another group member. Other members put him in into Coventry but he eventually learnt to toe the line and was accepted by the other members.
1309:
it was reported that Barry Class had negotiated a new contract for the group with Pye. It was also noted that the group would take charge of producing their own material. Tony Gomez was interviewed by Ian Middleton of
1406:. Also on Friday 19 July, the group's van was being unloaded in Birmingham and Alan Warner's Fender Stratocaster was stolen. Due to the theft, the group had to delay the recording of the B side to their single, "
1717:. Young would later claim that the rest of the band had got above themselves, the band hardly rehearsing, staying in the biggest most expensive hotels in the US and some members failing to turn up for bookings.
1650:. At the time of the article, the line-up was given as Eric Allandale, Steve Bingham, Pat Burke, Tony Gomez, Tim Harris, Alan Warner and Colin Young. The group was also leaning towards a more progressive sound.
2236:" and "Closer to Loving You" which featured the Northern Soul classic "Change My Life" as the B side. These last two singles to bear the Foundationsβ name featured Clem Curtis once more as the lead vocalist.
378:
Mike Elliott came to the group after he had heard from one of the members that they were looking for a tenor saxophonist. He had played in various jazz and rock and roll bands, as well as the ensembles of
957:, Tony Macaulay was to fly to the United States on 20 May for ten days. While there, he was to supervise some recording sessions in Detroit by The Foundations who were to cut an album and a single there.
581:
At first, they found progress quite slow, and one of their sax players, Pat Burke, had to drop out of the band and take another job while they went through a rough patch. He later rejoined them in 1967.
531:. Fairway had his own agency, Ron Fairway Enterprises which was located at 6 Artesian Road, London W.2. Fairway already had some success with his group, the Ways and Means. They already had record out, "
1542:
album which was a mixture of actual live and studio tracks. This suggests that there were some recordings with Clem Curtis on lead vocals existed but his vocals were replaced with those by Colin Young.
1965:
In the 1970s, there would be a collaborative attempt between two former members of the Foundations. Original Foundations trombonist Eric Allandale attempted to work with original Foundations drummer
910:
as her backing vocalists. However, the list of tracks given on the BBC site are, "A Whole New Thing", "Back on My Feet Again" and "Help Me". A recording of "96 Tears" did find its way on to an EP,
1115:
On 30 November with Young still a fledgling lead singer, the group was to do two shows on one night, the first being the Old Hill Plaza at 9 pm and then followed by the Handsworth Plaza at 11 pm.
1275:
the same time as The Foundations' version was released on the UNI label in the US. The group's manager Barry Class was due to meet with Pye chief, Louis Benjamin when the article went to press.
1041:. Class Management on behalf of the Foundations were inviting enquiries from soul, r&b and progressive singers who considered themselves suitable to join the above-named group. Saxophonist
1045:
also left around this time and was never replaced. Curtis hung around and helped them audition a replacement singer. They auditioned 200 singers. It was reported in the September 14 issue of
428:, Harris had joined the merchant navy as a deckhand on a timber ship and had travelled to various parts of the world, including Siberia. He came back to the UK and became involved with groups.
424:
Tim Harris, who was born in St. John's Wood, London, had two brothers, including his twin, Nick. According to an article, "Digging the Foundations", by Bob Farmer in the 5 July 1969 issue of
1108:
that the Foundations would record their next single "Build Me Up Buttercup" as soon as legal complications for the release of Joey Young (Colin Young) were sorted out with his former label,
1962:. The band also released a single, "Rag a Bone Joe" and "Stealing My Thunder" in October 1971. They followed up with a single "I Really Want It" and " Something That You Loved" in 1972.
4420:
the charts, Foundations began in the basement ! FOUNDATIONS (l to r) front TIM HARRIS, ERIC ALLENDALE, CLEM CURTIS, TONY GOMEZ, back row MIKE ELLIOT, PETER McGRATH and ALAN WARNER.
1351:. One song "Waiting on the Shores of Nowhere" was composed by Robert Saker and Jack Winsley. The remaining five were original compositions by the band members. A song from the album, "
1773:
6099 005. It was produced by Tony Rockliff and Barry Class. It was credited to Colin Young introducing Development. It was also released on Uni 55286. A Hot 100 prediction, it was in
925:, head of Pye Records presenting a gold record to three members of the Foundations to mark the million sales of their debut single. Also pictured was the group's manager Barry Class.
5900:
2244:
During the 1960s, the Foundations recorded and released four LPs in the United Kingdom. Before the release of their debut album, it was originally announced in the October 1967, by
7714:
3368:
936:. There was still speculation on whether the group would add a trumpet player. Macbeth said that if they do go to the United States, they would pick up one to tour with them.
527:
stated that Barry Class was the first to discover them. Other sources claim they were discovered by Ron Fairway, a man with many music connections and who managed the group,
1597:
who had been taken on as a producer for Trend in 1968 co-directed the recording with Worsley. Backed with Colin Young's composition "Penny Sir", it was released on single,
1197:
When they were on tour with Stevie Wonder, they had success with a ballad they performed. This prompted them to consider releasing a Macaulay / Macleod ballad. According to
1286:
that the group was planning to record a live gospel album inside a church. According to their publicity manager, Rod Harrod, the group was inspired by the success that the
1901:" that was released on the IDM label that year. Charting in the UK, it debuted in the IPA Airplay Top 10 on 1 September at no. 3 and was at no. 5 on the 29 of that month.
357:
Pat Burke had been in groups since arriving in the UK at age 15, and had studied music at the London Music Conservatorium. A man of few words according to Bob Farmer of
1146:
Hot 100 for the week ending 4 January 1969, it would reach the peak position of no. 3 on the week ending 22 February 1969. It held that position for another two weeks.
698:
sue the band, alleging that he was wrongfully dismissed as the group's co-manager, though the band said that he had resigned of his own accord. The December 2 issue of
1873:". They were picked to be winners but due to a strike by electricians, they were not televised. A small ad appeared on the bottom of page 55 of the 26 March issue of
7189:
483:
performed solo numbers as well as duets and one of the band members recalled later that they had experiment with "underground-type music" when Brown was with them.
6860:
The Warren Davis Monday Band β last line up late 1968. Left to right: Stuart Cowell, Jim Toomey, Warren Davis (front), Tom Tierney and Con Byrne. Photo: Paul Brett
1566:
composition "Take a Girl Like You" on October 8. It was also reported in the same article that their rock opera that was planned for Christmas had to be shelved.
1723:
During their time, the group took on bassists, Tony Collinge (possibly joined when the group left Barry Class in 1969), Paul Lockey (in 1970) who had been with
1455:
The Foundations were at no. 1 in the Top Male Vocal Group category, and "Build Me Up Buttercup" was no. 10 in the Top Record category in the 16 August issue of
1178:
Hot 100 at no. 77 for the week ending 5 April 1969. It would get to no. 8 in the UK and no. 51 in the US. It also reached No. 23 in Canada on 5 May that year.
3926:
8401:
2287:
album, while side two consisted of "Build Me Up Buttercup", the B side of that single, plus some earlier Foundations tracks. The group's last LP release was
1905:
tracks, "You Can't Fool Me", "Knock On Wood", "No-One Loves Me Like You Do", "Together", "Love You Now", "Sitting On The Dock Of The Bay" and "Loving You".
682:
In addition to establishing the Foundations as a group, "Baby, Now That I've Found You" was also the song that established their song writer Tony Macaulay.
6321:
1034:'s reason, who in 2022 claimed Curtis left because he tried to change the band name to "Clem Curtis & the Foundations" and left when the band refused.
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The Foundations were booked to appear at Eel Pie Island on Sunday 14 May 1967. Appearing as a support act, for their efforts they were paid a sum of Β£10.
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magazine was not included. Since then, there have been various compilations of the Foundations songs, released on both the Golden Hour and PRT labels.
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opened by the Savoy Brown Blues Band and was closed by the Paul Butterfield Blues Band. The group knew what kind of audience they would be playing to.
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By August, rumors had leaked out that Clem Curtis may be leaving the group. The group had been together for a year when there was speculation on this.
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Alan Warner β The Foundations, Alan Warner, guitarist for The Foundations, talks about the groupβs history including the hits βBaby Now That I - 34:28
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1483:. The reviewer gave it a possibility of getting into the Hot 100 and that it would surpass their recent hit "My Little Chickadee. It was reviewed by
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Bunny; Five Minute Films - promotional films handled by Sylvia Class and Overlord Publicity, worldwide press and publication handled by Rod Harrod.
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Top 30 chart at no. 25. Spending 15 weeks in the UK chart, it would get to the peak position of no. 2. Making its debut at no. 84 in the US, on the
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Q&A with veteran UK bass guitarist, Steve Bingham - Rock n Roll has played a huge part in his life and career by Michael Limnios Blues Network
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After their return from their time in the US at the end of May, the group were set to appear at the Bratislava Song Festival in Czechoslovakia.
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At some stage Morrison was imprisoned for six months. In his absence, a friend of the band called Joan who ran a record store, suggested future
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NEWS, Sonny Roberts, Jamaican producer who opened Britainβs first Black-owned recording studio, to be honoured with blue plaque - MARISSA CETIN
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with a cautionary warning for the listeners to look out for their neck from excessive jerking. "In the Bad Bad Old Days" made its debut in the
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reviewer most likely referring to the B side, "I Can Take or Leave Your Loving"), and too much top (possibly referring the treble). Along with
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Pop 30 chart. This period was the ideal time for the group because of the soul boom that was happening in the UK since 1965 and, with American
1919:" being featured in the film. Some time later, Young left this version of the group and was replaced by Hue Montgomery (aka Hugh Montgomery).
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and credited to Colin Young's Development. The musicians on the album included Graham Preskett on violin, guitar, banjo, harmonica, melodica,
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It did not do as well as the first single, but it spent ten weeks in the UK chart, and made it to No. 18. It made it to No. 29 in Canada.
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in the 29 March issue, tentatively titled, "No Place on Earth Could Find Him" (later referred to as "No Place on Earth Could Find You").
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that same week that Fairway no longer had any association with the group and that agency representation would be only handled by Class.
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Bassist Peter Macbeth was a former teacher who had taught English and draughtsmanship in Singapore and worked for a paperback publisher.
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Page 40 International News Reports, PYE RECORDS (London) chief Louis Benjamin presents a gold disk to three members of the Foundations
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2018:
the other day, that he's still around. He celebrated his 90th ... or ninety something birthday the other day, I couldn't believe it!"
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of the same name, and a heavy blues rock song "I'm Gonna Be a Rich Man", which was one of the few songs that Steve Bingham played on.
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Arthur Brown first came to prominence in swinging London. He is most well-known for The Crazy World of Arthur Brown and Kingdom Come.
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Page 67 Billboard Hot 100 for Week Ending 22 February 1969, THIS WEEK 3, 1 Wk. Ago 4, 2 Wks. Ago 5, 3 Wks. Ago 10, Weeks On Chart 8
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1428:. There had also been some dialogue with a major film company for a film release which would depend on the success of the musical.
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in the 24 August issue that The Foundations were completing a live album allegedly recorded live in Britain and the US. The album
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Page 50 Billboard HOT 100 FOR WEEK ENDING 4 JANUARY 1969, THIS WEEK 84, 1 Wk. ago _, 2 Wks. ago _, 3 Wks. ago _, Weeks on chart 1
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Page 66 BILLBOARD HOT 100 FOR WEEK ENDING 5 APRIL 1969, THIS WEEK 77, 1 Wk. ago _, 2 Wks. ago _, 3 Wks. ago _, Weeks on chart 1
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Page 68 Billboard Hot 100 for Week Ending 15 March 1969, THIS WEEK 4, 1 Wk. Ago 3, 2 Wks. Ago 3, 3 Wks. Ago 3, Weeks On Chart 11
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The Foundations Top Songs, Top Songs / Chart Singles Discography, 1969, 5. 03/1969 β’ In the Bad Bad Old Days by The Foundations
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also mentioned that the group's royalties had been frozen. Dawson was also ordered to return any documents belonging to Class.
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A full list of all Record Mirror UK Disco Chart entries, 1975-1979, Clem Curtis Unchained Melody (RCA) β 25 August 1979: 75, 3
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The Foundations Top Songs, Top Songs / Chart Singles Discography, 1968, 4. 11/1968 β Build Me Up Buttercup by The Foundations
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Page 7 You'll never find a B-side on a Flashback., 6. Baby Now That I've Found You/Build Me Up Buttercup- Foundations (FB 6)
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5056:"The Strange Brew - artist stories behind the greatest music ever recorded: Alan Warner β The Foundations on Apple Podcasts"
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album, released the same year. Another song from the album, "Solomon Grundy" also composed by Allandale had been covered by
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that the Foundations were in a row with their record label (Pye) and producer due to five tracks from their upcoming album,
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1954:. The line up also included Paul Gardner, Derek Jarvis and Michael Worth. They recorded an album which was released on the
1935:
on guitar and vocals, John Dee on bass guitar, Dave Lennox on keyboards, Pete Stroud on drums, and Nick Payn on saxophone.
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It appears that the Foundations were in Pye Studios around the second quarter of 1970. According to the May, 1970 issue of
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as saying that it was a friction of personalities and it had been going on for about four months. It was also confirmed by
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Due to South African authorities not allowing mixed groups to be seen, the album had to be issued there in a plain cover.
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932:. He said that they had a van for their equipment and had recently bought a twelve-seater car that used to belong to the
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which he felt was getting stale. One of the few songs they were performing that was not one of their hits was the song "
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Page 4 BUZZ HEAVY GOSSIP by Caroline Boucher and Roy Shipston, A PROMISING new group you'll be hearing soon is Bubastis
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365:", Burke's first love was jazz. He played with jazz groups, but as the jobs did not pay much he joined The Foundations.
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601:", but they turned it down. So it was given to the Foundations, and they recorded it with Clem Curtis on lead vocals.
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feel of "The Writings on the Wall". One of his favorites was "Mr. Personality Man". One song he did not warm to was "
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shows a booking for the Ramong Sound (mis-spelt as Ramog Sound) to play at the All-Star Club on Sunday, 5 February.
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had been in bands the Skeletones and the Line-up, a popular Dublin-based group. Warner turned down an offer to join
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The Foundations Top Songs, Top Songs / Chart Singles Discography, 1972, 8. 02/1972 Stoney Ground by The Foundations
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2008:
label had reissued "Baby, Now that I've Found You" and Build Me Up Buttercup" back to back on single, cat # FBS 6.
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in the 18 October issue. It would be listed as one of the best-selling singles from Pye in the 4 July 1970 issue.
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in the 9 August issue that the Foundations were planning a rock-musical pantomime. It was supposed to be based on
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They were preparing for their second appearance at the Filmore when they had a phone call from the manager of the
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for the role. Curtis said he would not leave the band until they found a replacement. He had become friendly with
589:, who added them to the roster of his NEMS Agency, but the contract became void after he died on August 27, 1967.
558:. The interview appears to suggest that Raymond Morrison was still in the group when Ron Fairway approached them.
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said that it was due for release in the US shortly. It received a track-by-track review in the 5 July issue of
421:
Tony Gomez, the keyboard player, was a former clerk who had worked in County Hall in the architect's department.
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The single "Take a Girl Like You" was released in February, 1970. An article appeared in the 21 March issue of
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1096:. Young was born in Barbados and had previously been in a group called Joe E. Young and the Tonics who had the
846:
According to bass guitarist Peter MacBeth, they had a choice of three songs. They recorded two and then chose "
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2011:
Raymond Morrison later had some success as part of a duo called Ram & Tam. He died on February 24, 2013.
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The group were going to spend ten days from the beginning of October to film their musical contribution to
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The Foundations would tour the United States after their first hit, playing 32 states with artists such as
260:
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Pluto interview with Paul Gardner & Alan Warner, You were in The Foundations and recorded four albums.
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According to Roy Delo of Ron Fairway's group, the Ways and Means, they were offered the chance to record "
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With Born to Live, Born to Die" ready to hit the record store shelves the following day, was reviewed by
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Page 47 DISCS, RAM & TAM New Single "WILL YOU STILL LOVE ME TOMORROW" in the reggae charts at no. 32
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1410:". This in turn delayed the release of the single by a week. The new release date was set for 8 August.
1294:". The article also mentioned the new artistic freedom the group had as a result of a recent deal that
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292:, was 38 years old. The youngest was Tim Harris, who, at 18, was barely out of school. The West Indian
289:
180:
64:
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1157:, where Tom Jones was giving the band a gold disc at Elstree Studios where they appeared on his show.
964:". It had been announced for release for April 26. It was backed with an Eric Allandale composition, "
8411:
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1834:, Derek "Del" Watson, Paul Wilmot (all members of the band Elegy) and Roy Carter who later on joined
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1558:. The group cut short their Dutch tour so they could go back to London to record that song plus the
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Page 88 Curtis, Clem (Note: Info correct but photo is incorrect. It is of Pat Burke, not Clem Curtis
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With the Foundations in the top spot with "Baby, Now That I've Found You", Ron Fairway commented to
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2260:. This album featured Curtis on lead vocals. The next release was in 1968. It was a live LP called
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Vinyl Vibes by Jack Hodgins, Steve Bingham - Former Bass Player of The Foundations (20:55 - 28:25)
243:
The Foundations were one of the few British acts to imitate successfully what became known as the
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The Foundations, Baby Now That I've Found You CD Sequel Records β NEECD 300 Notes by Roger Dopson
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The Foundations: The '60s band behind 'Baby, Now That I've Found You' and 'Build Me Up Buttercup'
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City Sixty chart for the Sunday 1 - Sunday 8 January 1967 period, and on the 21st, no. 41 on the
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The last record released in the early 1970s period credited to "The Foundations" was a single "
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The Foundations β In Session on Bouton Rouge β 1968 β Nights at the Roundtable: Session Edition
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Vinyl Vibes by Jack Hodgins - Alan Warner - Original Guitarist of the Foundations 15:50 - 17:00
1932:
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7178:'Baby Now That I've Found You' singer Clem Curtis of The Foundations dies at 76 By Justin Harp
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The Foundations - Baby Now That I've Found You (Stereo) (Colin Young Version) (Official Audio)
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The Foundations, Story of The Foundations By Ralph Gowling, Deputy Editor of The Beat magazine
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Juke Box Programming Guide. For the week ending 26 February, the single made its debut on the
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Vinyl Vibes by Jack Hodgins - Alan Warner - Original guitarist of the Foundations (interview)
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1504:. It was still in the Top Ten a week later. Breakout sales action for Canada was reported by
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847:
554:
In August 2023, Alan Warner was interviewed by Jack Hodgins of the Australian radio station,
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Radio Caroline Countdown Of Sound, Last week 44, This week 41 Sea Of Faces, Ways & Means
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1966:
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Vinyl Vibes by Jack Hodgins, Steve Bingham - Former bassist of The Foundations (interview)
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There would be two more singles released credited to "The Foundations" in the late 1970s.
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In 1971, Colin Young also had a single, "Any Time at All" bw "You're No Good" released on
1749:
Since late 1970, Barry Class attempted to have the Foundations name revived. The band had
8:
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Page 15 DISC SPECIAL, Digging the Foundations By BOB FARMER, Tim Harris -seagoing drummer
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Page 15 DISC SPECIAL, Digging the Foundations By BOB FARMER, Tony Gomez -once a 'stinker'
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Page 15 Disc Special, Digging the Foundations By BOB FARMER, Pat Burke -in love with jazz
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Page 15 DISC SPECIAL, Digging the Foundations By BOB FARMER, Peter Macbeth -intellectual
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track. However, the Colin Young re-recording is a longer edit. It was originally on the
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showed the entry of "Born to Live Born to Die" in the National Top 50 charts at no. 46.
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Vinyl Vibes by Jack Hodgins - Alan Warner - Original Guitarist of the Foundations 16:35
1985:
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Page 183 #33 (R&B Charts), "Baby, Now That I've Found You" (1967), THE FOUNDATIONS
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Bass player Peter MacBeth was interviewed by Bob Dawbarn for the 17 February issue of
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2005:
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that the new single for the group was "Love Song" which was written for the group by
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stars visiting the country, interest and intrigue in the Foundations was generated.
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Date: 1993-11-08, Vorda, Allan (interviewer) Arthur Brown: Interview (Side A) 20:42
4060:
Page 3 'Before this record, WE were just what you'd call 'bums" say the Foundations
2506:
2307:". A track "Why Does She Keep On" that was mentioned in the 26 April 1969 issue of
1977:
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994:
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on trombone. They were all highly experienced musicians who came from professional
222:
150:
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A Song for Europe 1977: The Foundations - "Where were you when I needed your love"
7069:
6726:
2268:" and "Coming Home Baby". Also in 1968, another LP was released, this time on the
547:
chart. Interestingly the Ways and Means would later end up being involved with a
205:
band who were primarily active between 1967 and 1970. The group's background was:
7709:
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Page 39 TOP 60 POP SPOTLIGHT, Spotlights to reach the top 60 of the HOT 100 Chart
3939:
Alan Warner original guitarist of The Foundations interview by Alice Randall 9:00
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1951:
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The group also had a tentative booking for an Australian tour at Christmas time.
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my stomach". Curtis had to talk himself out of the situation which took an hour.
781:
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reviewer gave the album a solid review and a track by track analysis, noting the
411:
375:
and professional boxer. He had also a background in wrestling and weight-lifting.
329:
276:
272:
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The Foundations β Build Me Up Buttercup, Label: Pilz β 44 8235-2, Released: 1993
3069:"β" denotes releases that did not chart or were not released in that territory.
1217:
Top Five that week as well. The group's publicist Rod Harrod was interviewed by
1186:
The Foundations were scheduled to appear on the Tom Jones Show on 9 March 1969.
976:"Any Old Time" would enter the UK charts at no. 48 and stay around for 2 weeks.
8297:
8085:
8037:
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Foundations - Stoney Ground / I'll Give You Love - MCA Demo MKS 5075 - Northern
6817:
6644:
4205:
3857:
2518:
2256:. The American version of this album, on the Uni label, was given the title of
1928:
1831:
1660:"My Little Chickadee" proved to be the band's last hit. In spite of releasing "
1594:
1424:
1170:
The song was released on Friday, February 28. It received a positive review by
1138:
On the week of 30 November 1968, "Build Me Up Buttercup" made its debut in the
1069:
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362:
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68:
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THE FOUNDATIONS Closer To Loving You 1978 UK demo/DJ copy, PSYCHO P2603 N/MINT
7248:
7122:
SOMETHING ABOUT MY BABY is incorrect. Title should be "Something For My Baby")
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Foundations Rocking The Foundations UK vinyl LP album record NPL18227 PYE 1968
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2203:, Surrey. Co-wrote and guested on "Build Me Up Buttercup" contributing piano.
1601:
7N 17849 in 1969. It became a minor hit in Holland, making it on to the Dutch
850:". This, their second single was released in January 1968, It was reviewed by
649:. The Foundations were pictured on the front page of the 11 November issue of
8335:
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The Foundations - Rocking The Foundations - Pye Records - NSPL 18227 NM/NM LP
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2396:"Baby, Now That I've Found You" (PRT Pyt 24, 1989) β 3 tracks including remix
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395:'s brother, Colin Hicks), and others. He had recorded under his own name for
347:
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7681:(1st ed.). Enfield, Middlesex: Guinness Superlatives Ltd. p. 112.
7382:
The Foundations β Greatest Hits, Label: Double Play β GRF176, Released: 1996
6996:
The Foundations Closer to Loving You / Change My Life Psycho rare Soul Mint-
4739:
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In mid-'69, the group was approached to record music for two films. One was
867:
appearance in the next few days. The single made its debut at no. 24 in the
244:
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Foundations The Foundations Marble Arch Records MAL1157 Mono Vinyl LP Album
6027:
Page 8 BUT ARE DROPPING BRITISH TOUR -After Berry ban and Creedence refusal
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A selection of lower priced records were listed in the 18 October issue of
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523:, dated 22 July 2011, this is where they were discovered. The biography on
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DISCOGRAPHY, The Foundations, Golden Hour of the Foundations Greatest Hits
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Page 11 FOUNDATIONS CLEAN UP IN AMERICA TO THE TUNE OF Β£100,000, Too close
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Page 11 FOUNDATIONS CLEAN UP IN AMERICA TO THE TUNE OF Β£100,000, Difficult
604:
It was released on 25 August 1967. Reviewed in the Quick Spins section of
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1973:
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as the musical director and on electric violin and guitar. Other members
1728:
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in the magazine's September 5 issue, The Foundations were appearing with
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According to the Seventies Sevens website, the November 5, 1969 issue of
1534:
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1360:
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An advertisement appeared on page 22 of the September 14, 1968, issue of
805:
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were alerted to the new album by the Foundations with the words in bold,
717:
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443:
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325:
251:, at the time one of only four big UK record companies (the others being
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Page 83 Billboard HITS OF THE WORLD, MALAYSIA, This Week 10, Last Week 4
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Page 80 Billboard HITS OF THE WORLD, BRITAIN, This Week 50, Last Week 46
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Page 12 Digging the Foundations, Digging their new album, track by track
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Page 12 Digging the Foundations, Digging their new album, track by track
5722:
Page 11 FOUNDATIONS CLEAN UP IN AMERICA TO THE TUNE OF Β£100,000, Cowboys
3726:
Page 11 Eight faces that laid the FOUNDATIONS of a hit!, * Peter Macbeth
3543:
R.I.P. Clem Curtis of The Foundations 1940β2017 by Roger Wink, VVN Music
2180:: bass guitar β b. 4 February 1947, Selly Park, Birmingham β (1969β1970)
1766:, Development aka The Foundations did remarkably well in Latin America.
7477:
6505:
6214:
Page 89 Billboard HITS OF THE WORLD, MALAYSIA, This Week 4, Last Week 6
5651:
Page 11 FOUNDATIONS CLEAN UP IN AMERICA TO THE TUNE OF Β£100,000, Bugged
5561:
FROM THE FOUNDATIONS to the Skies By ROD HARROD, Band to Cut in Detroit
5245:
Page 17 POP TODAY AND TOMORROW, ENTERTAINMENT HAS BECOME A DIRTY WORD,
4045:
Page 28 Foundations never thought they'd make the charts by Crotus Pike
3501:
The History of British Rock and Roll: The Psychedelic Years 1967 - 1969
2485:
List of singles, with selected peak chart positions and certifications
2200:
2091:
2081:
1989:
1694:
1533:
album released the previous year. "Baby Now That I've Found You" with
1418:
1271:
released on single was "My Little Chickadee" which had been covered by
624:, "Baby, Now that I've Found You" was not played on them. Luckily, the
333:
300:-born Mike Elliott and Pat Burke, both saxophonists and Dominican-born
264:
7624:
Page 11 Eight faces that laid the FOUNDATIONS of a hit! β
Mike Elliott
6346:
The Foundations - Baby Now That I've Found You (Mono) (Official Audio)
6262:
Page 26 Part II β International Section, BEST SELLING SINGLES FROM PYE
3666:
Page 11 Eight faces that laid the FOUNDATIONS of a hit!, * Tony Gomesz
3591:
Page 11 Eight faces that laid the FOUNDATIONS of a hit!, * Clem Curtis
3288:(19th ed.). London: Guinness World Records Limited. p. 209.
831:. Eric Allandale would be recruited to produce records for the label.
7886:
6490:
4778:
Page 6 MORE POP -PACKED TV Pet spec, Cilia, Freeman, Dee, Dodd guests
3681:
Page 11 Eight faces that laid the FOUNDATIONS of a hit!, * Tim Harris
2264:, and also featured Curtis on lead vocals, plus two instrumentals β "
2133:
1927:
As of April 2024, the line up of the re-created Foundations group is
1602:
1077:
1065:
899:
887:
813:
761:
495:
399:
297:
214:
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Page 40 ILA AIRPLAY GUIDE, (Independent Airplay Action in UK) TOP 12
4976:
FOUNDATIONS, FOUNDATIONS Songs, ANY OLD TIME (YOUβRE LONELY AND SAD)
4271:
1984:
UK Disco Chart, peaking at no. 75. In 2005, he recorded the single "
1858:
Foundations was a group from the United States who were produced by
979:
An article "Ireland not for us" appeared in the April 1968 issue of
890:'s radio show. One of the tracks that they laid down was a cover of
871:
Pop 30 on the week of 10 February. It also debuted at no. 24 in the
7859:
2171:
2167:
2105:
2061:
2047:
1585:
who were songwriters with Southern Music left to Join Barry Class'
895:
524:
8042:
7352:
ILA AIRPLAY GUIDE, (Independent Airplay Action in UK) TOP 10 . . .
7070:
The Foundations - Discography, Australia, A: Build Me Up Buttercup
5805:
Page 12 'Now it's called funk!', Tony Gomez talks to Ian Middleton
4325:
NME Originals Vol 2 Issue 2, Foundations Revive British Soul Scene
3445:
1960s British Beat Music Producers & Labels - Discographies -
3279:
3277:
3275:
3273:
3271:
3269:
3267:
1444:
that was to commence on 27 September. There was also hope to have
50:
7998:
6818:
The Foundations - Discography, UK, The Foundations, Stoney Ground
5756:, Foundations New Pye Arrangement Calls For Indie Recording Dates
4574:
Page 10 Foundations prove 'one -hit' knockers wrong - BOB DAWBARN
2157:
2125:
769:
350:
produced single, single "Come Back, Baby Come Back", released on
337:
7237:
this Friday FOUNDATIONS "Where Were You When I Needed Your Love"
6199:
Billboard HITS OF THE WORLD, MALAYSIA, This Week 8, Last Week 11
6184:
Billboard HITS OF THE WORLD, BRITAIN, This Week 46, Last Week 50
6080:
Page 19 PENNY VALENTINE, Foundations get too much freedom !
4716:
Page 24 Instrumental News, Barry Class Starts Trend Record Label
2393:"Baby, Now That I've Found You" (Pye Big Deal BD 107) β 4 tracks
1777:
s Top 60 Pop Spotlight section for the week ending 5 June 1971.
1611:
would assume of the role of Foundations bass guitarist in 1969.
1064:
Curtis would move to the United States for a solo career on the
7704:"Who'd be a state school teacher? β Education News β Education"
7088:
in due course content will be moved to the new re-branded site)
6358:
The Foundations - Tomorrow (Alternate Version) (Official Audio)
5096:
Soul Serenade: The Foundations, "Baby, Now That I've Found You"
4649:
Page 13 Cash Box RECORD REVIEWS, MIGHTY HANNIBAL (Shurfire 011)
3264:
2512:
2283:
of Foundations tracks. Side one consisted of tracks from their
2129:
2071:
2025:
CD which brought together the tracks the band recorded for the
2014:
Clem Curtis died on 27 March 2017 at age 76, from lung cancer.
1993:
886:
In January 1968, they were invited to put down some tracks for
666:
460:
407:
7241:
5531:
page 16, Foundations aren't going to desert the British Public
4746:
Strong Foundations β The Singles And More, Music Club MCCD 327
4368:
This Day in HistoryAugust 27Beatles manager Brian Epstein dies
1149:
Two members of the band, McBeth and Gomez were pictured with
838:
television show. Their appearance was recorded on 30 January.
7816:, Third Edition, Compiled and Edited By Colin Larkin, (2002)
6506:
Record Details, Artist: The Foundations, Baby, I Couldn't See
3447:
CBS Records - UK and European Singles Discography (1965-1969)
2252:. However, when it was released on Pye, it had the title of
2228:
and "No Place On Earth Could Find You". In 1971, the single "
1657:, the group had been in the studios to lay down some tracks.
864:
653:. Moving up from the previous week's no. 2 spot, they pushed
6563:
5570:
5568:
4698:
Page 40 International News Reports, Barry Class Starts Label
1242:
which earned them $ 14,000 for just one night. According to
993:
that legal action had been taken against the Foundations by
834:
The group was in France in January and they appeared on the
225:
and Canada, and number eleven in the US. Their 1968 single "
30:
This article is about the UK soul band. For other uses, see
7737:"Foundations, The β My Little Chickadee (Vinyl) at Discogs"
5501:
Page 3, FOUNDATIONS TO PLAY SONG FESTIVAL IN CZECHOSLOVAKIA
3960:
3958:
3815:
40 Hits, 40 Stories Behind Top Songs of the 1960s and 1970s
3369:"50connect : A Chat With The Foundations' Clem Curtis"
2021:
In September 2023, music label London Calling released the
1810:
on bass, Roger Cawkwell on flute, recorder and saxophones,
555:
305:
7482:"Eric Allandale: Powerful trombone master of jazz and pop"
5408:
Page 3 FOUNDATIONS TO PLAY SONG FESTIVAL IN CZECHOSLOVAKIA
5279:
Page 14 DISC SPECIAL, Colin Young - longs to sing ballads!
4230:
The Musical View From Eel Pie Island, Eelpiland Performers
4218:
1967 Roll-call, 1967, 14 May 1967 β The Foundations (Β£10)
2064:, West Indies - replaced Clem Curtis in 1968 β (1968β1970)
229:" reached number two in the UK and number three on the US
7937:"Flavour of New Zealand : NZ Listener chart summary"
6598:
1970 Record Releases by Graham Appleyard, 1 April 2015 -
5642:
5640:
5565:
3973:(2nd ed.). London: Barrie and Jenkins Ltd. pp.
1678:
On August 6, a broadcast showed the band's appearance on
942:
625:
403:
256:
252:
7549:"HAWK vs HAWK, Frances Taylor meets RAM, TAM & JO".
5183:
Joe E Young & the Tonics 'Soulbuster!' 1968 Toast LP
4862:"Radio 1 - Keeping It Peel - 08/01/1968 The Foundations"
4161:
The City Sixties, The City Sixty, 1st - 8th January 1967
3955:
2186:: bass guitar β joined in 1970 for nine months. β (1970)
1915:, and the interest created resulting from the 1968 hit "
1865:
The Clem Curtis led Foundations were competitors in the
7672:
7670:
7668:
7666:
7664:
7662:
7660:
7658:
7163:
Page 58 Billboard's Top Single Picks, Soul, recommended
6964:
IN THE BEGINNING COLIN YOUNG'S DEVELOPMENT PROG.RARISS.
5633:
Page 9 FOUNDATIONS DEPUTISE FOR TEMPTATIONS AT THE COPA
4514:(illustrated ed.). UK: Omnibus Press. p. 82.
4027:
Page 7 OUT OF JAZZ, TAMLA, R&B COME THE FOUNDATIONS
3490:
Page 11 Eight faces that laid the FOUNDATIONS of a hit!
1992:
feat. Clem Curtis. Years later, spending a week in the
1012:
also reported the same thing in their 27 August issue.
750:
on the front cover of the November 25 issue. The album
240:
group to have a number one hit in the UK in the 1960s.
5637:
5171:
Page 3 HOW FOUNDATIONS ESCAPED THE ONE HIT WONDER TRAP
4820:
FOUNDATIONS, FOUNDATIONS Songs, Official Singles Chart
1762:
though to early 1971. According to a later article in
1359:. It was a hit for him in Germany the following year.
1126:", which was their third big hit in January 1969 and "
320:
in the early 1960s, releasing two singles, including "
7310:
THE FOUNDATIONS"CHANGE MY LIFE"RARE SOUL ORIG. PSYCHO
5546:
Page 3 MILLIONAIRE ASKS FOR FOUNDATIONS AT 21st PARTY
3937:
Alice Randall RadioShows channel, 4 February 2022 -
7655:
7298:
Rare UK Northern Soul/Modern-The Foundations-Hear it
5393:
SONG, In the Bad, Bad Old Days (Before You Loved Me)
4146:
Page 2 OUT NOW FROM THE WAYS AND MEANS, SEA OF FACES
3240:
3238:
3236:
3234:
3232:
3230:
1841:
According to an article about Brian Johnston of the
1739:
1122:
With Young, the band would have two more big hits; "
827:
In January 1968, Barry Class had started his label,
6573:(1st ed.). UK: Tony Brainsby. 1969. p. 1.
5922:
Mac Kissoon "Souled Out" (back cover) DECCA DL 5718
5157:
CD Sequel Records β NEECD 300 Notes by Roger Dopson
4289:
2431:
Build Me Up Buttercup (The Complete Pye Collection)
2090:: bass guitar β b. Peter McGrath, 2 February 1941,
7702:
4835:Page 1 THE RPM 100, 29 29 39 BACK ON MY FEET AGAIN
3966:
1795:chart. Charting for a week, it peaked at no. 113.
968:". It was also mentioned in the April 27 issue of
7649:Clear Spot - London Calling LCCD0005136 - 2023 -
7218:Clem Curtis, original singer with the Foundations
6600:1970 UK Record Releases by Date, 27 February 1970
6571:Tony Brainsby Publicity Ltd (circa) December 1969
3227:
2174:, West Indies β died 23 August 2001 β (1966β1970)
1550:An article appeared in the September 20 issue of
8333:
6464:Page 6 DONOVAN PENS NEW DISC FOR THE FOUNDATIONS
3839:R.I.P. Clem Curtis of The Foundations 1940-2017
3558:Foundations lead singer Clem Curtis dies aged 76
2199:: piano β b. Michael David D'Abo, 1 March 1944,
1757:on keys and Roger Cawkwell on sax and flute and
1363:also covered the song which was included on his
1355:", an Eric Allandale composition was covered by
1104:It had been reported in the October 12 issue of
7025:
6011:Foundations are planning rock-musical pantomime
5865:
5863:
5468:Page 5 RPM 100 23 25 28 IN THE BAD BAD OLD DAYS
1605:chart, where it peaked at no. 8 on week three.
641:chart at no. 25 that week. And by November was
340:who recorded the title song for the 1966 film,
5906:Page 10 Left Army Awhile to Tour With 'Hair',
5880:
5878:
5660:
5658:
5084:Page 22 CLASS MANAGEMENTS LTD. (advertisement)
4354:Build Me Up Buttercup, Castle Select SELCD 527
1282:It was reported in the June 21, 1969 issue of
486:The group had unsuccessfully tried to recruit
467:, aka Ramongs. The band had two lead singers,
8211:In the Bad Bad Old Days (Before You Loved Me)
8058:
7912:"The Foundations β Born To Live, Born To Die"
7599:"Foundations singer Clem Curtis dies aged 76"
7233:Page 55 If you missed Eurovision on TV watch
6873:THE WARREN DAVIS MONDAY BAND - NICK WARBURTON
6719:"Band of Joy | Birmingham Music Archive"
6500:
6498:
6420:"A TRIBUTE TO JAMES JAMERSON by Pete Macbeth"
6394:"Bernie Living info (The Musicians' Olympus)"
4991:Page 33 "Ireland not for us" says Clem Curtis
4933:Page 3 Foundations single released this month
4833:, Volume 9 No. 9 Week Ending 27 April 1968 -
4707:
4705:
4539:Page 1 Foundations rocked by management split
4356:(1st ed.). UK: Castle Select. p. 4.
4317:
4248:Page 10 FOUNDATIONS -EIGHT NAMES FROM NOWHERE
2715:In the Bad Bad Old Days (Before You Loved Me)
2170:β b. Eric Allandale Dubuisson, 4 March 1936,
1128:In the Bad Bad Old Days (Before You Loved Me)
459:The origins of the Foundations go back to an
8402:1971 disestablishments in the United Kingdom
7204:by Roger Dopson CD, Sequel Records NEECD 300
6477:, no. 1185 Week ending September 27, 1969 -
6462:, no. 1184 Week ending September 20, 1969 -
5860:
4632:, No. 1089 Week ending' November 21, 1967 -
4614:, No. 1089 Week ending' November 21, 1967 -
4587:, No. 1089 Week ending' November 21, 1967 -
3614:Tighten Up!: The History of Reggae in the UK
3345:Page 16 Eric Allandale's New Orleans Knights
1996:chart, it peaked at no. 54 on 3 April 2022.
1440:They were to undertake an English tour with
1262:It had been reported in the June 7 issue of
5952:You Got Me So I Don't Know by Pickettywitch
5875:
5655:
5603:Page 7 Foundations have never been stronger
4848:, Volume 9 No. 10 Week Ending 4 May 1968 -
4634:Page 14 Filled with Sweet Soul - Nick Logan
4327:(1st ed.). UK. April 2005. p. 81.
1620:Break away from management and legal action
960:A third single, also released in 1968 was "
494:The Foundations are said to have formed in
8065:
8051:
8001:
7990:Clem Curtis & The Foundations web site
7855:"The Foundations - Awards : AllMusic"
7849:
7847:
7845:
7775:: CS1 maint: location missing publisher (
7645:
7643:
7476:
6698:
6696:
6694:
6495:
5967:Page 11 Face Face Face Face Face Face Face
5737:Page 3 FOUNDATIONS IN ROW WITH PYE RECORDS
5492:
5490:
5035:
5033:
4702:
4659:
4337:: CS1 maint: location missing publisher (
4309:: CS1 maint: location missing publisher (
4297:NME, Foundations Revive British Soul Scene
3897:Arthur Brown: Fire Starter by Hugh Fielder
1944:
1189:When "In the Bad Bad Old Days" was in the
322:Enjoy Yourself (It's Later than You Think)
8397:1966 establishments in the United Kingdom
7376:
7374:
7361:
7359:
7286:NORTHERN SOUL-THE FOUNDATIONS- CHANGE MY-
7116:Page 7 Internationally yours PYE RECORDS
7101:Something for My Baby The New Foundations
6975:
6973:
6971:
6942:
6940:
6687:Page 8 Foundations lose their lead singer
5871:The Foundations β Digging The Foundations
5481:, Volume 11 No. 10 Week of 12 May 1969 -
5119:
5117:
5115:
4618:Six Superlative Albums in Your Shops Now.
4554:Page 13 Foundations' next single revealed
4512:Then, now and rare British beat 1960β1969
4185:
4183:
4170:
4168:
4155:
4153:
4127:Page 11 THE NEW TREND, MOLTONS NEW WAVE,
4036:
4034:
3798:
3796:
3642:
3640:
3537:
3535:
3408:THE ORIGINAL SOUNDTRACK ALBUM (Amazon) -
2413:Strong Foundations β The Singles and More
2248:, that the debut album's title was to be
1798:As reported in the 4 March 1972 issue of
1734:
1225:It was reported in the 26 April issue of
756:was issued on Pye NPL 18206. Nick Logan,
7814:The Virgin Encyclopedia of Sixties Music
7679:The Guinness Book of 500 Number One Hits
7593:
7591:
6984:Page 32 needletime Radio Tees, HIT PICKS
6368:The Foundations Channel, Jul 21, 2021 -
6344:The Foundations channel, Dec 22, 2022 -
6151:, From The Music Capitals of the World,
5466:, Volume 11 No. 10 Week of 5 May 1969 -
5169:, No. 1147 Week ending 4 January 1969 -
4565:
4563:
4561:
4509:
4239:
4237:
3964:
3927:Page 12 FOUNDATIONS WERE SINGING WAITERS
3567:
3565:
3481:
3479:
3477:
3475:
2343:
1092:Clem Curtis' successful replacement was
1008:was cited for release in mid-September.
989:It was reported in the July 27 issue of
55:The Foundations in 1968. Left to right:
7879:
7842:
7640:
7470:
7430:Encyclopedie Du Hard Rock Des Seventies
7394:"THE FOUNDATIONS featuring Alan Warner"
6918:Page 33 Bubbling Under The HOT 100, 113
6842:Mighty Dodos β Honey (I Need Your Love)
6691:
6356:The Foundations channel, Jan 4, 2023 -
6332:The Foundations channel, Jan 4, 2023 -
6025:, No. 1178 Week ending 9 August 1969 -
6007:, No. 1178 Week ending 9 August 1969 -
5979:Calendar for Year 1969 (United Kingdom)
5631:, No. 1163 Week Ending 26 April 1969 -
5487:
5195:Calendar for Year 1968 (United Kingdom)
5030:
4916:, No. 1156 Week ending March 8, 1969 -
4351:
3779:, 2017, By Harris M. Lentz III, (2017)
3745:
3743:
3741:
3739:
3737:
3735:
3733:
3283:
2965:Where Were You When I Needed Your Love?
2234:Where Were You When I Needed Your Love?
2046:: lead vocals β born 28 November 1940,
1871:Where Were You When I Needed Your Love?
1030:reason for leaving differs from member
14:
8334:
7521:Stuck in a Wind Up (feat. Clem Curtis)
7371:
7356:
7056:White Plains Chronicles, 1 May 2018 -
6968:
6937:
6888:Page 56 JUKEBOX PROGRAMMING GUIDE, Pop
6854:The Warren Davis Monday Band β part 3
6132:Page 11 NATIONAL TOP FIFTY, 46, _, (1)
5803:, No. 438 Week ending 2 August 1969 -
5790:, From The Music Capitals of the World
5112:
4180:
4165:
4150:
4031:
3998:An Avid's Guide to Sixties Songwriters
3793:
3637:
3532:
3467:60s Productions by Irving Martin on 45
3244:
2451:(Uni 3016 (Mono)/73016 (Stereo), 1967)
2156:: tenor saxophone β b. 6 August 1929,
2060:: lead vocals - b. 12 September 1944,
1682:performing "I'm Gonna Be a Rich Man".
8362:Musical groups disestablished in 1971
8046:
7962:"Foundations - Build Me Up Buttercup"
7765:(1st ed.). UK. 28 December 1968.
7588:
7536:, Volune Two / No. 4 April 9, 1979 -
7058:Brian Johnston The Foundations (1973)
6871:Garage Hangover, February 11, 2018 -
4558:
4234:
4058:, No. 347 Week ending Nov.11, 1967 -
3562:
3472:
3457:Martin Roberts UK family home page -
2498:
2495:
2492:
2489:
2380:"It's All Right" (Pye NEP24297, 1968)
2314:
2136:) β d. 19 December 2015 β (1966β1970)
1704:Departure of Colin Young and break up
1343:Five of the eleven songs composed by
1298:chief Louis Benjamin had negotiated.
690:According to the 21 October issue of
371:who was born in Trinidad had been an
361:who also described him as "a dormant
59:, Tim Harris, Tony Gomez, Pat Burke,
8197:Any Old Time (You're Lonely and Sad)
7755:
7676:
7584:In loving memory of Raymond Morrison
7454:Rag a Bone Joe - Stealing My Thunder
5306:Build Me Up Buttercup by Foundations
4918:Page 8 Foundations to wax in Detroit
4299:(1st ed.). UK. 1967. p. 4.
4204:FM103.7, Wednesday 23 August 2023 -
4075:Page 13 CLUBS, THE NEW ALL-STAR CLUB
3856:FM103.7, Wednesday 23 August 2023 -
3730:
3080:
2634:Any Old Time (You're Lonely and Sad)
2150:, Jamaica, West Indies β (1966β1970)
1720:The Foundations split in late 1970.
1068:circuit, encouraged by the likes of
962:Any Old Time (You're Lonely and Sad)
316:Eric Allandale had led his own band
8072:
7634:Apple Podcasts, The Strange Brew -
7557:(12). R.W. Daniell: 17. April 1981.
7419:ALAN WARNER - THE FOUNDATIONS/PLUTO
7417:Primitive Man Soundz, 6 Feb 2022 -
6903:Page 50 Bubbling Under The HOT 100
6657:The Foundations, Artist Appearances
5143:Foundations singer Clem Curtis dies
4743:
2331:(Pye NSPL 18227, 1968) β live album
2291:in 1969, which featured their hit "
2124:: keyboards β b. 13 December 1948,
2032:
798:Big Brother and the Holding Company
24:
8357:Musical groups established in 1966
7863:. 30 November 2012. Archived from
7249:"The Foundations Discography β UK"
7080:THE OFFICIAL MIKE DβABO WEBSITE -
6289:The Foundations 1970 LP: MALS 1157
4763:Page 4 NEW FOUNDATIONS A SCORCHER!
3247:"The Foundations | Biography"
2427:(Sequel Records β NEECD 300, 1999)
2080:: lead guitar β b. 21 April 1947,
2074:, Yorkshire, β (one month in 1967)
2037:
1700:show on Saturday at 5:15 pm.
1593:" which The Foundations recorded.
1130:" which was a hit in April 1969.
1016:Curtis and Elliott leave the group
953:According to the March 8 issue of
784:song, mistakenly referred to as a
768:". Other tracks on the album were
25:
8423:
7983:
7717:from the original on 18 June 2022
7322:Various β Fab-U-Lus Northern Soul
6538:TIPPARADE-LIJST VAN WEEK 50, 1969
6519:TIPPARADE-LIJST VAN WEEK 49, 1969
6396:. 26 October 2009. Archived from
6046:, Most Promising Male Vocal Group
5044:Page 6 Clem quitting Foundations?
4884:EP Baby, Now That I've Found You
3777:Obituaries in the Performing Arts
3410:Back cover notes by Stanley Myers
3371:. 18 October 2008. Archived from
2409:(Knight Records KGH CD 104, 1990)
2104:: bass guitar β b. 4 April 1949,
1980:" which spent three weeks in the
1895:Clem Curtis & The Foundations
1888:
1740:Late 1970 to the end of the 1970s
1520:. Among them was the self-titled
637:. The single had broken into the
141:Clem Curtis & The Foundations
8387:Trend Records (UK label) artists
8316:
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7551:BM Black Music & Jazz Review
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6988:
6956:
6922:
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6892:
6877:
6865:
6846:
6834:
6822:
6810:
6788:"F r e e U K β FreeUK Broadband"
6780:
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5427:
5412:
5397:
5385:
5381:Page 3 Gold Disc for Foundations
5370:
5355:
5340:
5325:
5310:
5298:
5283:
5268:
5253:
5234:
5216:
5199:
5187:
5175:
5160:
5147:
5132:
5100:
5088:
5073:
5048:
5015:
4995:
4980:
4968:
4414:, Week ending October 7, 1967 -
4228:TW Magazines, October 1, 2022 -
4159:The Pirate Radio Hall of Fame -
3951:Alan Warner radio feature part 2
3576:Page 4 Clem to quit Foundations?
3513:Chapter Four: The Summer of Love
3286:British Hit Singles & Albums
2054:β d. 27 March 2017 β (1966β1968)
414:, the label's house band led by
410:records, and he was a member of
49:
8250:I Can Take or Leave Your Loving
6725:. 30 March 2010. Archived from
6095:Page 74 SPECIAL MERIT SPOTLIGHT
5935:, No. 413 February 8th, 1969 -
5822:250,000 Advance On Unmade Album
5423:Page 10 Chris Welch POP SINGLES
4953:
4937:
4922:
4907:
4892:
4876:
4854:
4839:
4824:
4812:
4797:
4782:
4767:
4752:
4748:(1st ed.). UK: Music Club.
4726:Past Daily, October 25, 2013 -
4720:
4687:
4653:
4638:
4623:
4605:
4578:
4543:
4528:
4488:
4473:
4458:
4439:
4435:Page 1 Foundations hit top spot
4424:
4405:
4387:
4372:
4360:
4264:
4252:
4222:
4210:
4195:
4135:
4116:
4104:
4079:
4064:
4049:
4016:
3991:
3943:
3931:
3916:
3901:
3886:
3874:
3862:
3847:
3831:
3808:
3770:
3758:
3715:
3700:
3685:
3670:
3655:
3622:
3607:
3601:Tapir's Reggae Discographies -
3595:
3580:
3547:
3517:
3494:
3451:
3439:
2421:(Castle Select SELCD 527, 1998)
1512:Further activities in late 1969
1369:Danny Diaz & the Checkmates
1049:that they were also trying out
818:the Crazy World of Arthur Brown
661:" off of the no. 1 spot of the
593:"Baby, Now that I've Found You"
336:bands. He was also a member of
328:and was a former member of the
7507:James Hamilton's Disco Page -
7466:Pluto (Rock) - Discography, UK
6588:Page 49 Class Sues Foundations
6544:, the foundations 8 16 4 WEKEN
6525:, the foundations 13 8 3 WEKEN
5908:Soulful Supply Sgt. Cuts Discs
5904:, Wednesday, January 12, 1972,
5106:Click Americana, 6 Mar 2021 -
4945:ORIGINAL, We Are Happy People
4776:, No. 1097, 20 January 1968 -
4666:. Omnibus Press. p. 324.
4484:Page 7 FOUNDATIONS FOR ROYALTY
4469:Page 279 - 280 THE FOUNDATIONS
3908:It's Psychedelic Baby Magazine
3750:It's Psychedelic Baby Magazine
3414:
3399:
3387:
3361:
3349:
3334:
2475:(Varèse Sarabande 74648, 2017)
2407:Golden Hour of the Foundations
2356:Golden Hour of the Foundations
2213:
2114:: drums β b. 14 January 1948,
1999:
917:The 10 February 1968 issue of
521:It's Psychedelic Baby Magazine
13:
1:
4761:, No. 1097 20 January 1968 -
3949:Mixcloud - The3decadesshow -
3220:
2425:Baby, Now That I've Found You
2415:(Music Club β MCCD 327, 1997)
2258:Baby, Now That I've Found You
1976:recorded a disco version of "
1818:on trombone and trumpet etc.
1491:On the week of September 13,
1153:in the 1 March 1969 issue of
914:, released on Pye PNV 24199.
912:Baby, Now That I've Found You
511:The 4 February 1967 issue of
282:
8407:Pop music groups from London
8183:Baby Now That I've Found You
7202:Baby Now That I've Found You
6761:COLIN YOUNG - ANYTIME AT ALL
6749:Colin Young - Anytime At All
6723:Birminghammusicarchive.co.uk
5155:Baby Now That I've Found You
4450:Page 2 MELODY MAKER POP 30,
3331:CD, Sequel Records NEECD 300
3329:Baby Now That I've Found You
2561:Baby Now That I've Found You
2449:Baby Now That I've Found You
2442:
2383:"Mini Monster" (Pye PMM.103)
2352:(Marble Arch MALS 1157β1968)
2146:/flute β b. 9 October 1937,
2118:, North London β (1966β1970)
2108:, Warwickshire β (1969β1970)
2070:: vocals - b. 24 June 1942,
1912:There's Something About Mary
1446:Creedence Clearwater Revival
599:Baby Now That I've Found You
247:. The Foundations signed to
221:" reached number one in the
219:Baby Now That I've Found You
7:
8372:Marble Arch Records artists
8352:British soul musical groups
5771:Page 15 Class International
4000:, by Peter Dunbavin, 2017,
3343:, Wednesday 5 April 1961 -
3075:
2084:, west London β (1966β1970)
1745:Colin Young and Development
1570:flying out to investigate.
1463:"Born to Live, Born to Die"
217:. Their 1967 debut single "
32:Foundation (disambiguation)
10:
8428:
8014:Interview with Clem Curtis
7887:"Songs from the Year 1967"
7601:. BBC News. 1 January 1970
7432:By Denis Protat, ( 2004),
6707:Page 10 A SOLID FOUNDATION
6655:Top of the Pops archive -
6643:FM103.7, 20 August 2023 -
5937:Page 10 NAMES & FACES
5788:International News Reports
5516:Page 2 Melody Maker POP 30
5094:Pop Dose, 19 April 2018 -
4793:Page 2 MELODY MAKER POP 30
4660:Jon Kutner (26 May 2010).
4467:, The Radio One Part 10 -
4383:Page 15 QUICK SPINS :
3868:Centre Stage Promotions -
3837:Noise 11, 28 March 2017 -
3631:, Tuesday, 25 July 2023 -
3357:ArtistInfo, Eric Allendale
3068:
2891:"I'm Gonna Be a Rich Man"
2479:
2219:Summary of single releases
1885:10" LP album compilation.
1793:Bubbling Under the Hot 100
1589:that year. They composed "
1471:for the 9 August issue of
1382:Further activities in 1969
1182:Further activities in 1969
863:etc., they were set for a
612:" which was played on the
551:that Barry Class created.
402:label, which issued early
236:. The group was the first
29:
8311:
8280:
8241:
8218:Born to Live, Born to Die
8174:
8149:
8080:
7651:FOUNDATIONS - LIVE ON AIR
7214:The Sydney Morning Herald
6950:Colin Young's Development
5754:International News Report
5304:Official Singles Chart -
5128:Page 4 Clem finally Quits
4216:Eel Pie Island Museaum -
3965:Murrells, Joseph (1978).
3817:, by Rick Simmons (2023)
3393:Eel Pie Island Museaum -
2852:
2750:Born to Live, Born to Die
2709:
2593:
2246:Beat Instrumental Monthly
2240:Summary of album releases
2190:
2160:, West Indies (1966β1968)
1664:", the title song to the
1408:Born to Live, Born to Die
1166:"In the Bad Bad Old Days"
569:the group for two years.
539:. It got to no.39 on the
501:
454:
160:
156:
146:
132:
106:
96:
88:
80:
75:
48:
41:
8347:English pop music groups
7792:Billboard β Google Books
6615:Page 14 The frustrations
5825:* Continued from page 41
5577:Billboard β Google Books
5264:Page 4 Live, Foundations
4510:Rawlings, Terry (2002).
4499:Page 10 FOUNDATIONS SUED
4400:* continued from page 43
3969:The Book of Golden Discs
3880:The Little Box Office -
3541:Noise 11, 28 Mar 2017 -
3503:, By Robin Bell Β· 2017,
3395:1962 Roll-call July 1962
3035:"Build Me Up Buttercup"
2303:" and the minor US hit "
1988:" which was credited to
1922:
1816:Eddie "Tan Tan" Thornton
1055:Warren Davis Monday Band
875:TOP 30 chart that week.
6130:, September 13, 1969 -
5082:, September 14, 1968 -
4964:Page 7 Foundations disc
4663:1000 UK Number One Hits
4131:RON FAIRWAY ENTERPRISES
3284:Roberts, David (2006).
3001:"Closer to Loving You"
2467:Digging the Foundations
2336:Digging the Foundations
2329:Rocking the Foundations
2293:In the Bad Bad Old Days
2289:Digging The Foundations
2285:Rocking the Foundations
2262:Rocking the Foundations
1958:label, a subsidiary of
1945:Outside the Foundations
1883:Fab-U-Lus Northern Soul
1814:on organ and piano and
1614:
1540:Rocking the Foundations
1531:Rocking the Foundations
1415:The New Musical Express
1328:Digging the Foundations
1320:Digging the Foundations
1305:In the 5 July issue of
1160:
1134:"Build Me Up Buttercup"
1006:Rocking the Foundations
902:was in the studio with
842:"Back on My Feet Again"
791:
506:
324:". He also played with
318:the New Orleans Knights
7570:, November 10, 1979 -
7398:Thefoundationsband.com
7350:, 29 September 1984 -
6747:happening45 channel -
6670:, September 5, 1970 -
6167:, 27 September 1969 -
6145:, 27 September 1969 -
6108:, 13 September 1969 -
6093:, 13 September 1969 -
5499:, February 22, 1969 -
5406:, February 22, 1969 -
5126:, 14 September 1968 -
4901:, February 10, 1968 -
4864:. BBC. 14 January 1968
4647:, November 20, 1965 -
4537:, 18 November 1967 -
4352:Clayson, Alan (1998).
4258:Digital Collections -
3802:Alan Warner Website -
2339:(Pye NSPL 18290, 1969)
2325:(Pye NSPL 18206, 1967)
1897:recorded a version of
1735:Other versions of band
1082:the Righteous Brothers
463:and ska outfit called
76:Background information
8367:Astor Records artists
8264:That Same Old Feeling
8204:Build Me Up Buttercup
8190:Back on My Feet Again
8165:Build Me Up Buttercup
7622:, November 4, 1967 -
7480:(21 September 2001).
7335:, 1 September 1984 -
7161:, January 25, 1975 -
7136:, January 25, 1975 -
7114:, January 31, 1976 -
6916:, 26 February 1972 -
6901:, 19 February 1972 -
6275:, October 18, 1969 -
5902:The Stars and Stripes
5690:Insights & Sounds
5671:Insights & Sounds
5349:, 22 February 1969 -
5292:, 30 November 1968 -
5262:, 30 November 1968 -
5243:, October 12, 1968 -
5225:, October 12, 1968 -
4806:, 10 February 1968 -
4791:, 10 February 1968 -
4696:, January 20, 1968 -
4572:, 17 February 1968 -
4552:, 18 November 1967 -
4497:, December 2, 1967 -
4482:, October 21, 1967 -
4448:, 11 November 1967 -
4433:, 11 November 1967 -
4246:, October 21, 1967 -
4025:, October 21, 1967 -
3895:, January 15, 2004 -
3843:ROGER WINK, VVN MUSIC
3724:, November 4, 1967 -
3679:, November 4, 1967 -
3664:, November 4, 1967 -
3589:, November 4, 1967 -
3488:, November 4, 1967 -
2669:Build Me Up Buttercup
2599:Back on My Feet Again
2496:Peak chart positions
2456:Build Me Up Buttercup
2419:Build Me Up Buttercup
2344:UK compilation albums
2301:That Same Old Feeling
2276:Build Me Up Buttercup
1917:Build Me Up Buttercup
1422:done in the style of
1288:Edwin Hawkins Singers
1124:Build Me Up Buttercup
898:". On the same day,
848:Back on My Feet Again
614:pirate radio stations
585:They were noticed by
255:, which included the
227:Build Me Up Buttercup
18:Warren Davis (singer)
8232:Take a Girl Like You
8158:From the Foundations
7826:Page 220 FOUNDATIONS
7713:. 28 December 1995.
6886:, 29 January 1972 -
6729:on 27 September 2013
6685:, 10 October 1970 -
6542:BABY, I COULDN'T SEE
6523:BABY, I COULDN'T SEE
6242:, 18 October 1969 -
6227:, 1 November 1969 -
6212:, 25 October 1969 -
6149:Canadian News Report
5994:Page 4 Guitar stolen
5391:Second hand Songs -
5211:JOEY REPLACES CURTIS
5208:, October 5, 1968 -
4943:Second Hand Songs -
4882:Second Hand Songs -
4398:Page 60 Barry Class
4073:, 4 February 1967 -
3556:, Tue 28 Mar 2017 -
2858:Take a Girl Like You
2820:Baby, I Couldn't See
2459:(Uni 73043, 1968) β
2322:From the Foundations
2254:From the Foundations
1662:Take a Girl Like You
1648:Sonny Boy Williamson
1591:Baby, I Couldn't See
1434:Take a Girl Like You
1389:Take a Girl Like You
1268:From the Foundations
892:? and the Mysterians
753:From the Foundations
359:Disc and Music Echo,
8392:Uni Records artists
8382:Pye Records artists
8377:MCA Records artists
8271:We Are Happy People
8225:My Little Chickadee
8036:, 20 August 2023 -
8024:, 23 August 2023 -
8009:Clem Curtis website
7867:on 30 November 2012
7763:New Musical Express
7743:. 10 September 1969
7620:Disc and Music Echo
6852:The Strange Brew -
6798:on 2 September 2000
6703:Disc and Music Echo
6683:New Musical Express
6668:Disc and Music Echo
6586:, 3 January 1970 -
6489:Seventies Sevens -
6475:New Musical Express
6460:New Musical Express
6445:Disc and Music Echo
6273:New Musical Express
6197:, 4 October 1969 -
6182:, 4 October 1969 -
6078:, AUGUST 9, 1969 -
6076:Disc and Music Echo
6059:, 16 August 1969 -
6040:, 16 August 1969 -
5885:Disc and Music Echo
5852:Disc and Music Echo
5767:Disc and Music Echo
5718:New Musical express
5703:New Musical express
5647:New Musical express
5629:New Musical Express
5614:New Musical express
5599:New Musical Express
5319:, 4 January 1969 -
5290:Disc and Music Echo
5275:Disc and Music Echo
5260:Disc and Music Echo
5167:New Musical Express
5042:, 28 August 1968 -
5040:Disc and Music Echo
5024:, 24 August 1968 -
4962:, April 27, 1968 -
4960:Disc and Music Echo
4931:, April 26, 1968 -
4914:New Musical Express
4804:Disc and Music Echo
4774:New Musical Express
4759:New Musical Express
4714:, February, 1968 -
4630:New Musical Express
4612:New Musical Express
4585:New Musical Express
4550:New Musical Express
4495:New Musical Express
4480:Disc and Music Echo
4412:New Musical Express
4396:, April 26, 1969 -
4381:, 26 August 1967 -
4379:Disc and Music Echo
4244:Disc and Music Echo
4189:The Strange Brew -
4174:Radio London Ltd -
4144:, 7 January 1967 -
4123:New Musical Express
3923:New Musical Express
3722:Disc and Music Echo
3707:Disc and Music Echo
3692:Disc and Music Echo
3677:Disc and Music Echo
3662:Disc and Music Echo
3647:Disc and Music Echo
3587:Disc and Music Echo
3574:, 31 August 1968 -
3524:Disc and Music Echo
3486:Disc and Music Echo
2785:My Little Chickadee
2486:
2370:(PRT PYL 4003β1987)
2305:My Little Chickadee
2004:By April 1979, the
1800:Disc and Music Echo
1764:Disc and Music Echo
1710:New Musical Express
1708:It was reported by
1687:Disc and Music Echo
1552:New Musical Express
1518:New Musical Express
1473:Disc and Music Echo
1413:It was reported by
1338:Disc and Music Echo
1227:New Musical Express
1219:New Musical Express
1140:Disc and Music Echo
1110:Major Minor Records
1010:Disc and Music Echo
1000:It was reported by
970:Disc and Music Echo
966:We Are Happy People
955:New Musical Express
943:New Musical Express
873:Disc and Music Echo
852:New Musical Express
822:the Fifth Dimension
735:New Musical Express
713:New Musical Express
709:New Musical Express
700:New Musical Express
692:Disc and Music Echo
639:New Musical Express
635:New Musical Express
616:, charting on both
606:Disc and Music Echo
426:Disc and Music Echo
275:, which also owned
7452:Spirit of Metal -
7231:, 26 March 1977 -
7216:, 31 March 2017 -
7188:Eurovisionworld -
7176:, 28 March 2017 -
6982:, 26 March 1977 -
6952:, In The Beginning
6759:Austrian Charts -
6613:, 21 March 1970 -
6424:Philbrodieband.com
6400:on 26 October 2009
6244:Page 134 Cash Box
5965:, 21 March 1970 -
5899:Wayback Machine β
5839:, 26 April 1969 -
5818:, 26 April 1969 -
5750:, June 21, 1969 -
5601:, 19 April 1969 -
5559:, 26 April 1969 -
5544:, 29 March 1969 -
5529:, 29 March 1969 -
5514:, 29 March 1969 -
5364:, 15 March 1969 -
5294:Page 3 DISC TOP 30
5004:, July 27, 1968 -
4974:Official Charts -
4850:Page 1 THE RPM 100
4818:Official Charts -
4808:Page 3 DISC TOP 30
4744:Heatley, Michael.
4366:History Channel -
4191:The Ways and Means
4112:The Ways and Means
4011:47 . Tony Macauley
3925:, 22 March 1969 -
3375:on 18 October 2008
2484:
2315:UK original albums
1986:Stuck in a Wind Up
1854:AP-1567 in 1969.
1633:Further activities
1325:When their album,
882:Further activities
861:the Alan Price Set
686:Further activities
575:1000 UK No. 1 Hits
529:the Ways and Means
373:interior decorator
8329:
8328:
8035:
8023:
7941:Flavourofnz.co.nz
7677:Rice, Jo (1982).
7037:Terrellissacs.net
6856:By Nick Warburton
6705:, 4 March 1972 -
6626:Beat Instrumental
6447:, 20 June 1970 -
6426:. 2 February 1943
6116:Picks of the Week
6110:Page 30 Cash Box
5992:, 26 July 1969 -
5769:, July 5, 1969 -
5735:, June 7, 1969 -
5686:, May 14, 1969 -
5436:, 5 April 1969 -
5421:, 1 March 1969 -
5379:, 1 March 1969 -
5229:FOUNDATION SINGLE
5153:The Foundations,
5026:Page 4 NEWS EXTRA
4987:Beat Instrumental
4712:Beat Instrumental
4087:"The Foundations"
4041:Beat Instrumental
3823:978-1-4766-4690-9
3785:978-1-4766-2912-4
3764:Irish Rock.org -
3752:, 22 July 2011 -
3709:, July 5, 1969 -
3694:, July 5, 1969 -
3649:, July 5, 1969 -
3526:, July 5, 1969 -
3073:
3072:
3038:
2469:(Uni 73058, 1969)
1929:Hubert Montgomery
1655:Beat Instrumental
982:Beat Instrumental
921:ran a picture of
904:Dusty Springfield
633:October issue of
628:'s newly founded
442:, which included
196:
195:
63:, Peter MacBeth,
16:(Redirected from
8419:
8412:Restaurant staff
8319:
8318:
8303:The Ramong Sound
8281:Related articles
8067:
8060:
8053:
8044:
8043:
8033:
8021:
8005:
7977:
7976:
7974:
7972:
7958:
7952:
7951:
7949:
7947:
7933:
7927:
7926:
7924:
7922:
7908:
7902:
7901:
7899:
7897:
7883:
7877:
7876:
7874:
7872:
7851:
7840:
7834:
7828:
7811:
7805:
7804:
7802:
7800:
7787:
7781:
7780:
7774:
7766:
7759:
7753:
7752:
7750:
7748:
7733:
7727:
7726:
7724:
7722:
7706:
7699:
7693:
7692:
7674:
7653:
7647:
7638:
7632:
7626:
7617:
7611:
7610:
7608:
7606:
7595:
7586:
7582:Obits Jamaica -
7580:
7574:
7565:
7559:
7558:
7546:
7540:
7529:
7523:
7517:
7511:
7505:
7499:
7498:
7496:
7494:
7474:
7468:
7462:
7456:
7450:
7444:
7427:
7421:
7415:
7409:
7408:
7406:
7404:
7390:
7384:
7378:
7369:
7363:
7354:
7345:
7339:
7330:
7324:
7318:
7312:
7306:
7300:
7294:
7288:
7282:
7276:
7270:
7264:
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7259:
7245:
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7220:
7211:
7205:
7198:
7192:
7186:
7180:
7171:
7165:
7156:
7150:
7131:
7125:
7109:
7103:
7097:
7091:
7082:The Foundations
7078:
7072:
7066:
7060:
7054:
7048:
7047:
7045:
7043:
7029:
7023:
7022:
7020:
7018:
7012:Alwynwturner.com
7008:"John Springate"
7004:
6998:
6992:
6986:
6977:
6966:
6960:
6954:
6946:Music Metason -
6944:
6935:
6926:
6920:
6911:
6905:
6896:
6890:
6881:
6875:
6869:
6863:
6850:
6844:
6838:
6832:
6826:
6820:
6814:
6808:
6807:
6805:
6803:
6794:. Archived from
6792:Jbpco.freeuk.com
6784:
6778:
6774:, 5 June 1971 -
6769:
6763:
6757:
6751:
6745:
6739:
6738:
6736:
6734:
6715:
6709:
6700:
6689:
6680:
6674:
6665:
6659:
6653:
6647:
6638:
6632:
6623:
6617:
6608:
6602:
6596:
6590:
6581:
6575:
6574:
6567:
6561:
6557:, Jan 8, 2022 -
6552:
6546:
6533:
6527:
6514:
6508:
6502:
6493:
6487:
6481:
6472:
6466:
6457:
6451:
6442:
6436:
6435:
6433:
6431:
6416:
6410:
6409:
6407:
6405:
6390:
6384:
6378:
6372:
6366:
6360:
6354:
6348:
6342:
6336:
6330:
6324:
6318:
6312:
6306:
6300:
6297:
6291:
6285:
6279:
6277:Page 12 UNDER AΒ£
6270:
6264:
6260:, 4 July 1970 -
6255:
6249:
6237:
6231:
6222:
6216:
6207:
6201:
6192:
6186:
6177:
6171:
6162:
6156:
6140:
6134:
6125:
6119:
6103:
6097:
6088:
6082:
6073:
6067:
6054:
6048:
6035:
6029:
6020:
6014:
6002:
5996:
5987:
5981:
5977:Time and Date -
5975:
5969:
5960:
5954:
5948:
5942:
5930:
5924:
5918:
5912:
5897:
5891:
5887:, 5 July 1969 β
5882:
5873:
5867:
5858:
5854:, 5 July 1969 -
5849:
5843:
5834:
5828:
5813:
5807:
5798:
5792:
5784:, 5 July 1969 -
5779:
5773:
5764:
5758:
5745:
5739:
5730:
5724:
5720:, 17 May 1969 -
5715:
5709:
5705:, 17 May 1969 -
5700:
5694:
5681:
5675:
5667:, May 3, 1969 -
5662:
5653:
5649:, 17 May 1969 -
5644:
5635:
5626:
5620:
5616:, 17 May 1969 -
5611:
5605:
5596:
5590:
5589:
5587:
5585:
5572:
5563:
5554:
5548:
5539:
5533:
5524:
5518:
5509:
5503:
5494:
5485:
5476:
5470:
5461:
5455:
5446:
5440:
5431:
5425:
5416:
5410:
5401:
5395:
5389:
5383:
5374:
5368:
5359:
5353:
5344:
5338:
5329:
5323:
5314:
5308:
5302:
5296:
5287:
5281:
5277:, 5 July 1969 -
5272:
5266:
5257:
5251:
5238:
5232:
5220:
5214:
5203:
5197:
5193:Time and Date -
5191:
5185:
5179:
5173:
5164:
5158:
5151:
5145:
5141:, 28 Mar 2017 -
5136:
5130:
5121:
5110:
5104:
5098:
5092:
5086:
5077:
5071:
5070:
5068:
5066:
5052:
5046:
5037:
5028:
5019:
5013:
4999:
4993:
4984:
4978:
4972:
4966:
4957:
4951:
4941:
4935:
4926:
4920:
4911:
4905:
4896:
4890:
4880:
4874:
4873:
4871:
4869:
4858:
4852:
4843:
4837:
4828:
4822:
4816:
4810:
4801:
4795:
4786:
4780:
4771:
4765:
4756:
4750:
4749:
4741:
4730:
4724:
4718:
4709:
4700:
4691:
4685:
4684:
4682:
4680:
4657:
4651:
4642:
4636:
4627:
4621:
4609:
4603:
4582:
4576:
4567:
4556:
4547:
4541:
4532:
4526:
4525:
4507:
4501:
4492:
4486:
4477:
4471:
4462:
4456:
4443:
4437:
4428:
4422:
4409:
4403:
4391:
4385:
4376:
4370:
4364:
4358:
4357:
4349:
4343:
4342:
4336:
4328:
4321:
4315:
4314:
4308:
4300:
4293:
4287:
4286:
4284:
4282:
4276:Shaynezucker.com
4268:
4262:
4256:
4250:
4241:
4232:
4226:
4220:
4214:
4208:
4199:
4193:
4187:
4178:
4172:
4163:
4157:
4148:
4139:
4133:
4129:Enquiries :
4125:, 2 July 1965 -
4120:
4114:
4108:
4102:
4101:
4099:
4097:
4083:
4077:
4068:
4062:
4053:
4047:
4038:
4029:
4020:
4014:
4006:978-1-52463345-5
3995:
3989:
3988:
3972:
3962:
3953:
3947:
3941:
3935:
3929:
3920:
3914:
3910:, 22 Jan 2012 -
3905:
3899:
3890:
3884:
3878:
3872:
3866:
3860:
3851:
3845:
3835:
3829:
3812:
3806:
3800:
3791:
3774:
3768:
3762:
3756:
3747:
3728:
3719:
3713:
3704:
3698:
3689:
3683:
3674:
3668:
3659:
3653:
3644:
3635:
3626:
3620:
3611:
3605:
3599:
3593:
3584:
3578:
3569:
3560:
3551:
3545:
3539:
3530:
3521:
3515:
3498:
3492:
3483:
3470:
3455:
3449:
3443:
3437:
3436:
3434:
3432:
3418:
3412:
3403:
3397:
3391:
3385:
3384:
3382:
3380:
3365:
3359:
3355:Music Metason -
3353:
3347:
3338:
3332:
3325:
3300:
3299:
3281:
3262:
3261:
3259:
3257:
3242:
3036:
2487:
2483:
2473:The Very Best Of
2364:(PRT DOW7, 1983)
2362:Back to the Beat
2266:The Look of Love
2033:Former personnel
1978:Unchained Melody
1931:on lead vocals,
1804:In the Beginning
1208:It was noted by
995:Raymond Morrison
894:garage classic "
647:UK Singles Chart
469:Raymond Morrison
465:the Ramong Sound
440:the Black Eagles
167:Original line-up
163:
151:The Ramong Sound
99:
53:
39:
38:
21:
8427:
8426:
8422:
8421:
8420:
8418:
8417:
8416:
8342:The Foundations
8332:
8331:
8330:
8325:
8307:
8276:
8237:
8170:
8145:
8076:
8074:The Foundations
8071:
7997:discography at
7995:The Foundations
7986:
7981:
7980:
7970:
7968:
7960:
7959:
7955:
7945:
7943:
7935:
7934:
7930:
7920:
7918:
7910:
7909:
7905:
7895:
7893:
7885:
7884:
7880:
7870:
7868:
7853:
7852:
7843:
7835:
7831:
7812:
7808:
7798:
7796:
7795:. 26 April 1969
7789:
7788:
7784:
7768:
7767:
7761:
7760:
7756:
7746:
7744:
7735:
7734:
7730:
7720:
7718:
7710:The Independent
7701:
7700:
7696:
7689:
7675:
7656:
7648:
7641:
7633:
7629:
7618:
7614:
7604:
7602:
7597:
7596:
7589:
7581:
7577:
7566:
7562:
7548:
7547:
7543:
7533:Record Business
7530:
7526:
7518:
7514:
7506:
7502:
7492:
7490:
7475:
7471:
7463:
7459:
7451:
7447:
7428:
7424:
7416:
7412:
7402:
7400:
7392:
7391:
7387:
7379:
7372:
7364:
7357:
7346:
7342:
7331:
7327:
7319:
7315:
7307:
7303:
7295:
7291:
7283:
7279:
7271:
7267:
7257:
7255:
7247:
7246:
7242:
7227:
7223:
7212:
7208:
7200:Inlay notes to
7199:
7195:
7187:
7183:
7172:
7168:
7157:
7153:
7143:singles reviews
7132:
7128:
7110:
7106:
7098:
7094:
7079:
7075:
7067:
7063:
7055:
7051:
7041:
7039:
7031:
7030:
7026:
7016:
7014:
7006:
7005:
7001:
6993:
6989:
6978:
6969:
6961:
6957:
6945:
6938:
6927:
6923:
6912:
6908:
6897:
6893:
6882:
6878:
6870:
6866:
6851:
6847:
6840:hitparade.ch -
6839:
6835:
6827:
6823:
6815:
6811:
6801:
6799:
6786:
6785:
6781:
6770:
6766:
6758:
6754:
6746:
6742:
6732:
6730:
6717:
6716:
6712:
6701:
6692:
6681:
6677:
6666:
6662:
6654:
6650:
6639:
6635:
6624:
6620:
6609:
6605:
6597:
6593:
6582:
6578:
6569:
6568:
6564:
6553:
6549:
6534:
6530:
6515:
6511:
6503:
6496:
6488:
6484:
6473:
6469:
6458:
6454:
6443:
6439:
6429:
6427:
6418:
6417:
6413:
6403:
6401:
6392:
6391:
6387:
6379:
6375:
6370:Tomorrow (Live)
6367:
6363:
6355:
6351:
6343:
6339:
6331:
6327:
6319:
6315:
6307:
6303:
6298:
6294:
6286:
6282:
6271:
6267:
6256:
6252:
6238:
6234:
6223:
6219:
6208:
6204:
6193:
6189:
6178:
6174:
6163:
6159:
6141:
6137:
6126:
6122:
6104:
6100:
6089:
6085:
6074:
6070:
6055:
6051:
6036:
6032:
6021:
6017:
6003:
5999:
5988:
5984:
5976:
5972:
5961:
5957:
5949:
5945:
5931:
5927:
5919:
5915:
5905:
5898:
5894:
5883:
5876:
5868:
5861:
5850:
5846:
5835:
5831:
5814:
5810:
5799:
5795:
5780:
5776:
5765:
5761:
5746:
5742:
5731:
5727:
5716:
5712:
5701:
5697:
5682:
5678:
5663:
5656:
5645:
5638:
5627:
5623:
5612:
5608:
5597:
5593:
5583:
5581:
5580:. 26 April 1969
5574:
5573:
5566:
5555:
5551:
5540:
5536:
5525:
5521:
5510:
5506:
5495:
5488:
5477:
5473:
5462:
5458:
5447:
5443:
5432:
5428:
5417:
5413:
5402:
5398:
5390:
5386:
5375:
5371:
5360:
5356:
5345:
5341:
5330:
5326:
5315:
5311:
5303:
5299:
5288:
5284:
5273:
5269:
5258:
5254:
5239:
5235:
5221:
5217:
5204:
5200:
5192:
5188:
5180:
5176:
5165:
5161:
5152:
5148:
5137:
5133:
5122:
5113:
5105:
5101:
5093:
5089:
5078:
5074:
5064:
5062:
5054:
5053:
5049:
5038:
5031:
5020:
5016:
5000:
4996:
4989:, April 1968 -
4985:
4981:
4973:
4969:
4958:
4954:
4949:The Foundations
4942:
4938:
4927:
4923:
4912:
4908:
4897:
4893:
4888:The Foundations
4881:
4877:
4867:
4865:
4860:
4859:
4855:
4844:
4840:
4829:
4825:
4817:
4813:
4802:
4798:
4787:
4783:
4772:
4768:
4757:
4753:
4742:
4733:
4725:
4721:
4710:
4703:
4692:
4688:
4678:
4676:
4674:
4658:
4654:
4643:
4639:
4628:
4624:
4610:
4606:
4583:
4579:
4568:
4559:
4548:
4544:
4533:
4529:
4522:
4508:
4504:
4493:
4489:
4478:
4474:
4463:
4459:
4444:
4440:
4429:
4425:
4410:
4406:
4392:
4388:
4377:
4373:
4365:
4361:
4350:
4346:
4330:
4329:
4323:
4322:
4318:
4302:
4301:
4295:
4294:
4290:
4280:
4278:
4270:
4269:
4265:
4257:
4253:
4242:
4235:
4227:
4223:
4215:
4211:
4200:
4196:
4188:
4181:
4173:
4166:
4158:
4151:
4140:
4136:
4121:
4117:
4110:Strange Brew -
4109:
4105:
4095:
4093:
4091:Alan-warner.com
4085:
4084:
4080:
4069:
4065:
4054:
4050:
4039:
4032:
4021:
4017:
3996:
3992:
3985:
3963:
3956:
3948:
3944:
3936:
3932:
3921:
3917:
3906:
3902:
3891:
3887:
3879:
3875:
3870:The Foundations
3867:
3863:
3852:
3848:
3836:
3832:
3813:
3809:
3804:The Foundations
3801:
3794:
3775:
3771:
3763:
3759:
3748:
3731:
3720:
3716:
3705:
3701:
3690:
3686:
3675:
3671:
3660:
3656:
3645:
3638:
3627:
3623:
3612:
3608:
3600:
3596:
3585:
3581:
3570:
3563:
3552:
3548:
3540:
3533:
3522:
3518:
3499:
3495:
3484:
3473:
3456:
3452:
3444:
3440:
3430:
3428:
3420:
3419:
3415:
3404:
3400:
3392:
3388:
3378:
3376:
3367:
3366:
3362:
3354:
3350:
3339:
3335:
3327:Inlay notes to
3326:
3303:
3296:
3282:
3265:
3255:
3253:
3243:
3228:
3223:
3218:
3188:
3155:
3119:
3083:
3081:The Foundations
3078:
3037:(UK re-release)
2551:
2545:
2539:
2533:
2527:
2521:
2515:
2509:
2482:
2445:
2350:The Foundations
2346:
2317:
2216:
2193:
2144:tenor saxophone
2040:
2038:The Foundations
2035:
2027:Top of the Pops
2002:
1947:
1925:
1891:
1867:Eurovision 1977
1751:Graham Preskett
1742:
1737:
1680:Top of the Pops
1617:
1575:Record Retailer
1469:Penny Valentine
1396:and the other,
1273:Geno Washington
1163:
1088:New lead singer
1059:Sammy Davis Jr.
794:
782:Mighty Hannibal
778:Jerking the Dog
733:The readers of
509:
504:
457:
330:Terry Lightfoot
285:
199:The Foundations
189:
187:
185:
183:
179:
175:
173:
169:
161:
139:
97:
92:Soul, pop, rock
84:London, England
71:
44:
43:The Foundations
35:
28:
23:
22:
15:
12:
11:
5:
8425:
8415:
8414:
8409:
8404:
8399:
8394:
8389:
8384:
8379:
8374:
8369:
8364:
8359:
8354:
8349:
8344:
8327:
8326:
8324:
8323:
8312:
8309:
8308:
8306:
8305:
8300:
8298:Hue Montgomery
8295:
8290:
8284:
8282:
8278:
8277:
8275:
8274:
8267:
8260:
8257:Solomon Grundy
8253:
8245:
8243:
8239:
8238:
8236:
8235:
8228:
8221:
8214:
8207:
8200:
8193:
8186:
8178:
8176:
8172:
8171:
8169:
8168:
8161:
8153:
8151:
8147:
8146:
8144:
8143:
8140:
8135:
8130:
8124:
8123:
8116:
8111:
8106:
8101:
8096:
8089:
8086:Eric Allandale
8081:
8078:
8077:
8070:
8069:
8062:
8055:
8047:
8041:
8040:
8028:
8016:
8011:
8006:
7992:
7985:
7984:External links
7982:
7979:
7978:
7953:
7928:
7916:Dutchcharts.nl
7903:
7878:
7841:
7829:
7806:
7782:
7754:
7728:
7694:
7687:
7654:
7639:
7627:
7612:
7587:
7575:
7560:
7541:
7524:
7512:
7500:
7469:
7457:
7445:
7442:Page 110 PLUTO
7422:
7410:
7385:
7370:
7355:
7340:
7325:
7313:
7301:
7289:
7277:
7265:
7240:
7221:
7206:
7193:
7181:
7166:
7151:
7147:newcomer picks
7126:
7104:
7092:
7073:
7061:
7049:
7024:
6999:
6987:
6967:
6955:
6936:
6921:
6906:
6891:
6876:
6864:
6845:
6833:
6821:
6809:
6779:
6764:
6752:
6740:
6710:
6690:
6675:
6672:Page 2 Look in
6660:
6648:
6633:
6618:
6603:
6591:
6576:
6562:
6547:
6528:
6509:
6494:
6482:
6467:
6452:
6437:
6411:
6385:
6373:
6361:
6349:
6337:
6325:
6313:
6301:
6292:
6280:
6265:
6250:
6232:
6217:
6202:
6187:
6172:
6157:
6135:
6120:
6112:Record Reviews
6098:
6083:
6068:
6049:
6030:
6015:
5997:
5982:
5970:
5955:
5950:Who Sampled -
5943:
5925:
5913:
5910:By Rich Kraham
5892:
5874:
5859:
5844:
5829:
5808:
5793:
5774:
5759:
5740:
5725:
5710:
5695:
5676:
5654:
5636:
5621:
5606:
5591:
5564:
5549:
5534:
5519:
5504:
5486:
5471:
5456:
5441:
5426:
5411:
5396:
5384:
5369:
5354:
5339:
5324:
5309:
5297:
5282:
5267:
5252:
5233:
5215:
5198:
5186:
5174:
5159:
5146:
5131:
5111:
5099:
5087:
5072:
5060:Apple Podcasts
5047:
5029:
5014:
5009:MORRISON CLAIM
4994:
4979:
4967:
4952:
4936:
4921:
4906:
4891:
4875:
4853:
4838:
4823:
4811:
4796:
4781:
4766:
4751:
4731:
4719:
4701:
4686:
4672:
4652:
4637:
4622:
4604:
4577:
4557:
4542:
4527:
4521:978-0711990944
4520:
4502:
4487:
4472:
4457:
4438:
4423:
4404:
4386:
4371:
4359:
4344:
4316:
4288:
4272:"Shaynezucker"
4263:
4251:
4233:
4221:
4209:
4194:
4179:
4164:
4149:
4134:
4115:
4103:
4078:
4063:
4048:
4043:, Dec 1967 -
4030:
4015:
3990:
3983:
3954:
3942:
3930:
3915:
3900:
3885:
3873:
3861:
3846:
3830:
3807:
3792:
3769:
3757:
3729:
3714:
3699:
3684:
3669:
3654:
3636:
3621:
3606:
3594:
3579:
3561:
3546:
3531:
3516:
3493:
3471:
3450:
3438:
3413:
3398:
3386:
3360:
3348:
3333:
3301:
3294:
3263:
3225:
3224:
3222:
3219:
3217:
3216:
3215:Graham Cuttill
3213:
3210:
3207:
3204:
3201:
3198:
3194:
3193:
3189:
3187:
3186:
3183:
3180:
3177:
3174:
3171:
3168:
3165:
3164:Eric Allandale
3161:
3160:
3156:
3154:
3153:
3150:
3147:
3144:
3141:
3138:
3137:Tony Collinge
3135:
3132:
3129:
3128:Eric Allandale
3125:
3124:
3120:
3118:
3117:
3114:
3111:
3108:
3105:
3102:
3099:
3096:
3093:
3092:Eric Allandale
3089:
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3084:
3082:
3079:
3077:
3074:
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3029:
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3017:
3014:
3011:
3008:
3005:
3002:
2999:
2995:
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2989:
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2800:
2797:
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2557:
2553:
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2528:
2522:
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2510:
2503:
2502:
2500:Certifications
2497:
2494:
2491:
2481:
2478:
2477:
2476:
2470:
2464:
2452:
2444:
2441:
2440:
2439:
2434:
2433:(Castle, 2004)
2428:
2422:
2416:
2410:
2398:
2397:
2394:
2385:
2384:
2381:
2372:
2371:
2365:
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2358:(GH 574, 1973)
2353:
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2340:
2332:
2326:
2316:
2313:
2242:
2241:
2221:
2220:
2215:
2212:
2211:
2210:
2204:
2192:
2189:
2188:
2187:
2181:
2178:Tony Collinge
2175:
2164:Eric Allandale
2161:
2151:
2137:
2119:
2116:St John's Wood
2109:
2099:
2085:
2075:
2065:
2055:
2039:
2036:
2034:
2031:
2001:
1998:
1946:
1943:
1942:
1941:
1924:
1921:
1890:
1889:1980s to 1990s
1887:
1832:John Springate
1824:
1823:
1747:
1746:
1741:
1738:
1736:
1733:
1706:
1705:
1635:
1634:
1622:
1621:
1616:
1613:
1595:Eric Allendale
1577:reported that
1514:
1513:
1465:
1464:
1392:which starred
1384:
1383:
1323:
1322:
1184:
1183:
1168:
1167:
1162:
1159:
1136:
1135:
1090:
1089:
1074:Sam & Dave
1070:Wilson Pickett
1027:Paul McCartney
1018:
1017:
923:Louis Benjamin
884:
883:
844:
843:
793:
790:
731:
730:
716:States on the
688:
687:
622:Radio Caroline
595:
594:
545:Radio Caroline
508:
505:
503:
500:
456:
453:
452:
451:
432:
429:
422:
419:
416:Rico Rodriguez
397:Sonny Roberts'
376:
366:
363:Desmond Dekker
355:
302:Eric Allandale
284:
281:
194:
193:
171:Eric Allandale
164:
158:
157:
154:
153:
148:
144:
143:
134:
130:
129:
108:
104:
103:
100:
94:
93:
90:
86:
85:
82:
78:
77:
73:
72:
69:Eric Allandale
54:
46:
45:
42:
26:
9:
6:
4:
3:
2:
8424:
8413:
8410:
8408:
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8337:
8322:
8314:
8313:
8310:
8304:
8301:
8299:
8296:
8294:
8291:
8289:
8288:Tony Macaulay
8286:
8285:
8283:
8279:
8272:
8268:
8265:
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8258:
8254:
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8247:
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8179:
8177:
8173:
8167:
8166:
8162:
8160:
8159:
8155:
8154:
8152:
8148:
8142:Peter MacBeth
8141:
8139:
8136:
8134:
8131:
8129:
8126:
8125:
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8121:
8117:
8115:
8112:
8110:
8107:
8105:
8102:
8100:
8097:
8095:
8094:
8093:Steve Bingham
8090:
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8079:
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7882:
7866:
7862:
7861:
7856:
7850:
7848:
7846:
7839:
7833:
7827:
7823:
7822:1-85227-933-8
7819:
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7810:
7794:
7793:
7786:
7778:
7772:
7764:
7758:
7742:
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7705:
7698:
7690:
7688:0-85112-250-7
7684:
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7673:
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7573:
7569:
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7545:
7539:
7535:
7534:
7528:
7522:
7519:Top Charts -
7516:
7510:
7504:
7489:
7488:
7483:
7479:
7473:
7467:
7461:
7455:
7449:
7443:
7439:
7438:2-86227-411-9
7435:
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7399:
7395:
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6857:
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6825:
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6789:
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6768:
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6756:
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6708:
6704:
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6695:
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6684:
6679:
6673:
6669:
6664:
6658:
6652:
6646:
6642:
6637:
6631:
6628:, May 1970 -
6627:
6622:
6616:
6612:
6611:Record Mirror
6607:
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6185:
6181:
6176:
6170:
6166:
6161:
6155:
6154:
6150:
6144:
6139:
6133:
6129:
6128:Record Mirror
6124:
6118:
6117:
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5986:
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5974:
5968:
5964:
5963:Record Mirror
5959:
5953:
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5934:
5933:Record Mirror
5929:
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5801:Record Mirror
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5508:
5502:
5498:
5497:Melody marker
5493:
5491:
5484:
5480:
5475:
5469:
5465:
5460:
5454:
5450:
5445:
5439:
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5307:
5301:
5295:
5291:
5286:
5280:
5276:
5271:
5265:
5261:
5256:
5250:
5249:- bob dawbarn
5248:
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5231:
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4673:9780857123602
4669:
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4113:
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4061:
4057:
4056:Record Mirror
4052:
4046:
4042:
4037:
4035:
4028:
4024:
4019:
4013:
4012:
4007:
4003:
3999:
3994:
3986:
3984:0-214-20512-6
3980:
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3625:
3619:
3615:
3610:
3604:
3603:PLANETONE 7"S
3598:
3592:
3588:
3583:
3577:
3573:
3568:
3566:
3559:
3555:
3550:
3544:
3538:
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3525:
3520:
3514:
3510:
3509:9789198191684
3506:
3502:
3497:
3491:
3487:
3482:
3480:
3478:
3476:
3469:
3468:
3464:
3461:
3460:IRVING MARTIN
3454:
3448:
3442:
3427:
3423:
3417:
3411:
3407:
3402:
3396:
3390:
3374:
3370:
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3324:
3322:
3320:
3318:
3316:
3314:
3312:
3310:
3308:
3306:
3297:
3295:1-904994-10-5
3291:
3287:
3280:
3278:
3276:
3274:
3272:
3270:
3268:
3252:
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3202:
3199:
3196:
3195:
3191:
3190:
3184:
3181:
3178:
3175:
3172:
3169:
3167:Steve Bingham
3166:
3163:
3162:
3158:
3157:
3151:
3148:
3146:Peter MacBeth
3145:
3142:
3139:
3136:
3133:
3131:Steve Bingham
3130:
3127:
3126:
3122:
3121:
3115:
3113:Peter MacBeth
3112:
3109:
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3103:
3100:
3097:
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2931:
2928:
2927:Stoney Ground
2924:
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2917:
2914:
2911:
2908:
2905:
2902:
2899:
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2703:: 2Γ Platinum
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2298:
2297:I Can Feel It
2294:
2290:
2286:
2282:
2279:. This was a
2278:
2277:
2271:
2267:
2263:
2259:
2255:
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2247:
2239:
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2230:Stoney Ground
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2198:
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2110:
2107:
2103:
2102:Steve Bingham
2100:
2098:β (1966β1969)
2097:
2093:
2089:
2088:Peter Macbeth
2086:
2083:
2079:
2076:
2073:
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2049:
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2019:
2015:
2012:
2009:
2007:
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1991:
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1983:
1982:Record Mirror
1979:
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1808:Steve Bingham
1805:
1801:
1796:
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1782:Stoney Ground
1778:
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1685:According to
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1676:
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1663:
1658:
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1645:
1640:
1639:Record Mirror
1632:
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1619:
1618:
1612:
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1609:Steve Bingham
1606:
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1493:Record Mirror
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1404:Stanley Baker
1401:
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1395:
1391:
1390:
1381:
1380:
1379:
1376:
1374:
1373:Pickettywitch
1370:
1366:
1362:
1358:
1357:Chuck Bennett
1354:
1353:I Can Feel It
1350:
1346:
1345:Tony Macaulay
1341:
1339:
1335:
1330:
1329:
1321:
1318:
1317:
1316:
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1312:Record Mirror
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908:Madeline Bell
905:
901:
897:
893:
889:
881:
880:
879:
876:
874:
870:
866:
862:
858:
857:the Tremeloes
853:
849:
841:
840:
839:
837:
832:
830:
829:Trend Records
825:
823:
819:
815:
811:
810:Solomon Burke
807:
803:
799:
789:
787:
783:
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695:
693:
685:
684:
683:
680:
677:
676:
670:
668:
664:
660:
659:Massachusetts
656:
655:the Bee Gees'
652:
648:
644:
640:
636:
631:
627:
623:
619:
615:
611:
607:
602:
600:
592:
591:
590:
588:
587:Brian Epstein
583:
579:
576:
570:
566:
563:
559:
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552:
550:
546:
542:
538:
534:
530:
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516:
514:
499:
497:
492:
489:
484:
481:
478:shock rocker
477:
472:
470:
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449:
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430:
427:
423:
420:
417:
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398:
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386:
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377:
374:
370:
367:
364:
360:
356:
353:
349:
348:Irving Martin
345:
344:
339:
335:
331:
327:
323:
319:
315:
314:
313:
312:backgrounds.
311:
310:rock-and-roll
307:
303:
299:
296:consisted of
295:
291:
280:
278:
274:
270:
266:
262:
258:
254:
250:
246:
241:
239:
235:
233:
228:
224:
220:
216:
212:
211:White British
208:
204:
200:
192:
188:Peter MacBeth
182:
178:
172:
168:
165:
159:
155:
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145:
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91:
87:
83:
79:
74:
70:
66:
62:
58:
52:
47:
40:
37:
33:
19:
8293:John Macleod
8163:
8156:
8138:Mike Elliott
8128:Arthur Brown
8118:
8113:
8108:
8103:
8098:
8091:
8084:
8073:
8030:
8018:
7969:. Retrieved
7965:
7956:
7944:. Retrieved
7940:
7931:
7919:. Retrieved
7915:
7906:
7896:30 September
7894:. Retrieved
7890:
7881:
7871:21 September
7869:. Retrieved
7865:the original
7858:
7832:
7813:
7809:
7797:. Retrieved
7791:
7785:
7762:
7757:
7745:. Retrieved
7740:
7731:
7719:. Retrieved
7708:
7697:
7678:
7630:
7619:
7615:
7603:. Retrieved
7578:
7567:
7563:
7554:
7550:
7544:
7531:
7527:
7515:
7503:
7491:. Retrieved
7487:The Guardian
7485:
7472:
7460:
7448:
7429:
7425:
7413:
7401:. Retrieved
7397:
7388:
7347:
7343:
7332:
7328:
7316:
7304:
7292:
7280:
7272:Gripsweat -
7268:
7256:. Retrieved
7252:
7243:
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7228:
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7213:
7209:
7201:
7196:
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7173:
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7107:
7095:
7085:
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7076:
7064:
7052:
7040:. Retrieved
7036:
7027:
7015:. Retrieved
7011:
7002:
6990:
6979:
6958:
6949:
6948:ArtistInfo,
6928:
6924:
6913:
6909:
6898:
6894:
6883:
6879:
6867:
6859:
6855:
6848:
6836:
6824:
6812:
6800:. Retrieved
6796:the original
6791:
6782:
6771:
6767:
6755:
6743:
6731:. Retrieved
6727:the original
6722:
6713:
6702:
6682:
6678:
6667:
6663:
6651:
6640:
6636:
6625:
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6606:
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6522:
6518:
6512:
6485:
6474:
6470:
6459:
6455:
6444:
6440:
6428:. Retrieved
6423:
6414:
6404:21 September
6402:. Retrieved
6398:the original
6388:
6376:
6364:
6352:
6340:
6328:
6316:
6304:
6295:
6287:Last Dodo -
6283:
6272:
6268:
6257:
6253:
6245:
6239:
6235:
6224:
6220:
6209:
6205:
6194:
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6138:
6127:
6123:
6115:
6111:
6105:
6101:
6090:
6086:
6075:
6071:
6065:, Top Record
6063:record world
6062:
6057:Record World
6056:
6052:
6044:record world
6043:
6038:Record World
6037:
6033:
6023:Melody Maker
6022:
6018:
6010:
6005:Melody Maker
6004:
6000:
5990:Melody Maker
5989:
5985:
5973:
5962:
5958:
5946:
5938:
5932:
5928:
5916:
5907:
5901:
5895:
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5832:
5824:
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5815:
5811:
5800:
5796:
5787:
5781:
5777:
5766:
5762:
5753:
5747:
5743:
5733:Melody Maker
5732:
5728:
5717:
5713:
5702:
5698:
5689:
5683:
5679:
5670:
5664:
5646:
5628:
5624:
5613:
5609:
5598:
5594:
5582:. Retrieved
5576:
5556:
5552:
5542:Melody Maker
5541:
5537:
5527:Melody Maker
5526:
5522:
5512:Melody Maker
5511:
5507:
5496:
5478:
5474:
5463:
5459:
5448:
5444:
5433:
5429:
5419:Melody Maker
5418:
5414:
5404:Melody Maker
5403:
5399:
5387:
5377:Melody Maker
5376:
5372:
5361:
5357:
5346:
5342:
5331:
5327:
5316:
5312:
5300:
5289:
5285:
5274:
5270:
5259:
5255:
5246:
5241:Melody Maker
5240:
5236:
5228:
5223:Melody Maker
5222:
5218:
5210:
5206:Melody Maker
5205:
5201:
5189:
5181:Gripsweat -
5177:
5166:
5162:
5154:
5149:
5138:
5134:
5124:Melody Maker
5123:
5102:
5090:
5080:Melody Maker
5079:
5075:
5063:. Retrieved
5059:
5050:
5039:
5022:Melody Maker
5021:
5017:
5008:
5007:
5002:Melody Maker
5001:
4997:
4986:
4982:
4970:
4959:
4955:
4946:
4939:
4929:Melody Maker
4928:
4924:
4913:
4909:
4898:
4894:
4885:
4878:
4866:. Retrieved
4856:
4845:
4841:
4830:
4826:
4814:
4803:
4799:
4789:Melody Maker
4788:
4784:
4773:
4769:
4758:
4754:
4745:
4722:
4711:
4693:
4689:
4677:. Retrieved
4662:
4655:
4644:
4640:
4629:
4625:
4617:
4611:
4607:
4600:Jimi Hendrix
4599:
4596:
4593:
4590:
4584:
4580:
4570:Melody Maker
4569:
4549:
4545:
4535:Melody Maker
4534:
4530:
4511:
4505:
4494:
4490:
4479:
4475:
4465:Story of Pop
4464:
4460:
4451:
4446:Melody Maker
4445:
4441:
4431:Melody Maker
4430:
4426:
4417:
4411:
4407:
4399:
4393:
4389:
4378:
4374:
4362:
4353:
4347:
4324:
4319:
4296:
4291:
4279:. Retrieved
4275:
4266:
4254:
4243:
4224:
4212:
4201:
4197:
4142:Melody Maker
4141:
4137:
4128:
4122:
4118:
4106:
4094:. Retrieved
4090:
4081:
4071:Melody Maker
4070:
4066:
4055:
4051:
4040:
4023:Melody Maker
4022:
4018:
4010:
3997:
3993:
3968:
3945:
3933:
3922:
3918:
3907:
3903:
3892:
3888:
3876:
3864:
3853:
3849:
3840:
3833:
3814:
3810:
3776:
3772:
3766:Black Eagles
3760:
3749:
3721:
3717:
3706:
3702:
3691:
3687:
3676:
3672:
3661:
3657:
3646:
3628:
3624:
3613:
3609:
3597:
3586:
3582:
3572:Melody Maker
3571:
3554:The Guardian
3553:
3549:
3523:
3519:
3500:
3496:
3485:
3466:
3462:
3459:
3453:
3441:
3429:. Retrieved
3425:
3416:
3406:Kaleidoscope
3405:
3401:
3389:
3379:21 September
3377:. Retrieved
3373:the original
3363:
3351:
3340:
3336:
3328:
3285:
3254:. Retrieved
3250:
3245:Bruce Eder.
3212:Keith Waites
3206:Andy Bennett
3179:Paul Lockey
3104:Mike Elliott
3095:Arthur Brown
2472:
2466:
2454:
2448:
2436:
2430:
2424:
2418:
2412:
2406:
2400:
2399:
2387:
2386:
2374:
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2355:
2349:
2334:
2328:
2320:
2308:
2288:
2284:
2274:
2261:
2257:
2253:
2249:
2245:
2243:
2222:
2206:
2196:
2183:
2177:
2163:
2154:Mike Elliott
2153:
2139:
2121:
2111:
2101:
2096:North London
2087:
2077:
2068:Arthur Brown
2067:
2057:
2043:
2029:radio show.
2026:
2022:
2020:
2016:
2013:
2010:
2003:
1981:
1971:
1964:
1948:
1926:
1910:
1907:
1903:
1892:
1882:
1879:
1874:
1864:
1856:
1848:
1843:White Plains
1840:
1828:
1825:
1812:Jean Roussel
1803:
1799:
1797:
1789:
1785:
1779:
1774:
1768:
1763:
1755:Jean Roussel
1748:
1725:Robert Plant
1722:
1719:
1709:
1707:
1697:
1695:Ed Stewart's
1686:
1684:
1679:
1677:
1670:Hayley Mills
1659:
1654:
1652:
1638:
1636:
1626:
1623:
1607:
1583:John Worsley
1574:
1572:
1568:
1564:Phil Coulter
1551:
1549:
1545:
1539:
1530:
1521:
1517:
1515:
1505:
1501:
1496:
1492:
1490:
1484:
1480:
1472:
1466:
1457:Record World
1456:
1454:
1451:
1439:
1432:
1430:
1423:
1414:
1412:
1397:
1394:Hayley Mills
1387:
1385:
1377:
1364:
1349:John Macleod
1342:
1337:
1333:
1326:
1324:
1319:
1311:
1306:
1304:
1300:
1292:Oh Happy Day
1283:
1281:
1277:
1267:
1264:Melody Maker
1263:
1261:
1258:
1254:
1248:
1243:
1232:
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1224:
1218:
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1207:
1203:
1199:Melody Maker
1198:
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1191:Melody Maker
1190:
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1169:
1155:Melody Maker
1154:
1148:
1143:
1139:
1137:
1121:
1117:
1114:
1106:Melody Maker
1105:
1103:
1098:Soul Buster!
1097:
1091:
1063:
1051:Warren Davis
1047:Melody Maker
1046:
1043:Mike Elliott
1039:Melody Maker
1038:
1036:
1022:Melody Maker
1021:
1019:
1009:
1005:
1002:Melody Maker
1001:
999:
991:Melody Maker
990:
988:
980:
978:
975:
969:
959:
954:
952:
947:
941:
938:
934:Queen Mother
930:Melody Maker
929:
927:
918:
916:
911:
885:
877:
872:
869:Melody Maker
868:
851:
845:
836:Bouton Rouge
835:
833:
826:
802:Maxine Brown
795:
786:Rufus Thomas
757:
751:
748:Jimi Hendrix
747:
744:
741:
738:
734:
732:
723:
712:
708:
705:Melody Maker
704:
699:
696:
691:
689:
681:
675:Melody Maker
673:
671:
663:Melody Maker
662:
651:Melody Maker
650:
638:
634:
610:Sea of Faces
605:
603:
596:
584:
580:
574:
571:
567:
564:
560:
553:
533:Sea of Faces
520:
517:
513:Melody Maker
512:
510:
493:
485:
480:Arthur Brown
473:
458:
448:Brian Downey
425:
412:Rico's Combo
393:Tommy Steele
385:Ronnie Scott
358:
343:Kaleidoscope
341:
294:horn section
290:Mike Elliott
286:
245:Motown Sound
242:
238:multi-racial
231:
203:British soul
198:
197:
181:Mike Elliott
166:
162:Past members
98:Years active
65:Mike Elliott
36:
27:UK soul band
8242:Other songs
8133:Clem Curtis
8120:Colin Young
8114:Alan Warner
7921:17 February
7741:Discogs.com
7235:CRACKERJACK
7174:Digital Spy
5939:PETER JONES
4594:Foundations
3463:PRODUCTIONS
3426:Discogs.com
3203:Vince Cross
3200:Alan Warner
3197:Clem Curtis
3185:Colin Young
3182:Alan Warner
3152:Colin Young
3149:Alan Warner
3116:Alan Warner
3101:Clem Curtis
2437:Live on Air
2281:compilation
2270:Marble Arch
2250:Sound Basis
2214:Discography
2207:John Mcleod
2184:Paul Lockey
2078:Alan Warner
2058:Colin Young
2052:West Indies
2044:Clem Curtis
2023:Live on Air
2000:Later years
1974:Clem Curtis
1933:Alan Warner
1899:On Broadway
1860:George Kerr
1759:Colin Young
1729:Band of Joy
1715:Development
1691:Miki Antony
1666:Oliver Reed
1587:Trend label
1579:David Myers
1560:Bill Martin
1535:Colin Young
1526:Marble Arch
1522:Foundations
1442:Chuck Berry
1371:as well as
1361:Mac Kissoon
1172:Chris Welch
1094:Colin Young
1032:Alan Warner
806:Tim Buckley
742:Foundations
729:Debut album
645:one in the
630:BBC Radio 1
488:Rod Stewart
476:psychedelic
444:Phil Lynott
436:Alan Warner
381:Tubby Hayes
369:Clem Curtis
326:Edmundo Ros
207:West Indian
191:Alan Warner
186:Tim Harris
177:Clem Curtis
137:Development
61:Clem Curtis
57:Alan Warner
8336:Categories
8109:Tim Harris
8104:Tony Gomez
7891:Tsort.info
7836:Popsike -
7799:30 January
7747:30 January
7721:30 January
7568:Music Week
7478:Val Wilmer
7380:Discogs -
7365:Discogs -
7348:Music Week
7333:Music Week
7320:Discogs -
7308:Popsike -
7296:Popsike -
7284:Popsike -
7258:30 January
7229:Music Week
7112:Music Week
7042:30 January
7017:30 January
6994:Popsike -
6980:Music Week
6962:Popsike -
6828:Popsike -
6802:30 January
6733:30 January
6430:30 January
6320:Popsike -
6308:Popsike -
5869:Discogs -
5692:, NEW YORK
5673:, NEW YORK
5584:30 January
5479:RPM Weekly
5464:RPM Weekly
5065:15 January
4868:30 January
4846:RPM Weekly
4831:RPM Weekly
4591:New LPs by
4281:30 January
3825:(ebook) -
3787:(ebook) -
3256:30 January
3221:References
3176:Tim Harris
3173:Tony Gomez
3143:Tim Harris
3140:Tony Gomez
3110:Tim Harris
3107:Tony Gomez
2549:US R&B
2543:US Hot 100
2388:UK EPs 12"
2201:Betchworth
2197:Mike D'Abo
2122:Tony Gomez
2112:Tim Harris
2092:Marylebone
2082:Paddington
1990:Lord Large
1967:Tim Harris
1875:Music Week
1775:Billboard'
1477:Mike d'Abo
1419:Snow White
1365:Souled Out
1290:had with "
1076:, playing
739:New LPs by
618:Radio City
541:Radio City
434:Guitarist
389:Cabin Boys
334:Alex Welsh
283:Background
265:Parlophone
215:Sri Lankan
184:Tony Gomez
147:Spinoff of
127:Repertoire
8099:Pat Burke
7966:bpi.co.uk
7771:cite book
7253:45cat.com
7159:Billboard
7099:Shazam -
6914:Billboard
6899:Billboard
6772:Billboard
6584:Billboard
6535:Top 40 -
6516:Top 40 -
6380:Amazon -
6225:Billboard
6210:Billboard
6195:Billboard
6180:Billboard
6165:Billboard
6143:Billboard
6091:Billboard
5920:Amazon β
5837:Billboard
5816:Billboard
5782:Billboard
5557:Billboard
5434:Billboard
5362:Billboard
5347:Billboard
5317:Billboard
4899:Billboard
4694:Billboard
4394:Billboard
4333:cite book
4305:cite book
3431:3 October
3422:"Romeo Z"
3341:Jazz News
3209:Tee Green
3170:Pat Burke
3159:1970β1971
3134:Pat Burke
3123:1968β1970
3098:Pat Burke
3087:1966β1968
2443:US albums
2375:UK EPs 7"
2309:Billboard
2140:Pat Burke
2134:Sri Lanka
2006:Flashback
1972:In 1975,
1893:In 1984,
1790:Billboard
1627:Billboard
1603:Tipparade
1524:album on
1502:Billboard
1497:Billboard
1481:Billboard
1402:starring
1399:The Games
1334:Billboard
1307:Billboard
1176:Billboard
1151:Tom Jones
1144:Billboard
1078:Las Vegas
919:Billboard
900:PP Arnold
888:John Peel
814:the Byrds
770:Joe Tex's
762:Four Tops
657:single, "
496:Bayswater
400:Planetone
346:, and an
232:Billboard
174:Pat Burke
102:1966β1970
8321:Category
7946:29 March
7860:AllMusic
7715:Archived
7605:27 March
7493:26 April
7464:45Cat -
7403:25 April
7139:cash box
7134:Cash Box
7068:45Cat -
6884:Cash Box
6816:45Cat -
6555:Blues.Gr
6504:45Cat -
6258:Cash Box
6240:Cash Box
6147:Page 74
6106:Cash Box
6061:Page 60
6042:Page 60
5820:Page 60
5786:Page 74
5752:Page 49
5748:Cash Box
5688:Page 36
5684:Cash Box
5669:Page 26
5665:Cash Box
4679:28 March
4645:Cash Box
4096:28 March
3251:AllMusic
3076:Line ups
2172:Dominica
2168:trombone
2148:Kingston
2106:Solihull
2062:Barbados
2048:Trinidad
1836:Heatwave
1786:Cash Box
1506:Cash Box
1485:Cash Box
1284:Cash Box
1249:Cash Box
1244:Cash Box
896:96 Tears
525:AllMusic
391:(led by
354:in 1967.
298:Jamaican
267:labels,
261:Columbia
133:Spinoffs
8175:Singles
8034:FM103.7
8022:FM103.7
7999:Discogs
7971:15 June
6931:.com -
6929:MusicVF
6630:Page 16
6153:TORONTO
6009:Page 8
5841:Page 44
5483:RPM 100
5451:.com -
5449:MusicVF
5334:.com -
5332:MusicVF
5227:Page 5
5006:Page 4
4616:Page 4
4589:Page 1
4416:Page 4
3975:220β221
3618:Page 19
2480:Singles
2368:Best Of
2209:: piano
2158:Jamaica
2132:β (now
2126:Colombo
1698:Stewpot
1644:Help Me
1556:Donovan
1240:Cheetah
1053:of the
776:" and "
774:Show Me
766:Call Me
667:R&B
556:2NUR FM
461:R&B
338:Romeo Z
277:Fontana
273:Philips
234:Hot 100
201:were a
8150:Albums
7820:
7685:
7436:
7120:*Note:
7033:"Home"
6479:Page 8
6246:Canada
5247:Talent
5139:8 Days
4670:
4518:
4418:NEW to
4008:(e) -
4004:
3981:
3893:Louder
3821:
3783:
3629:DJ Mag
3507:
3292:
2493:Title
2463:No. 92
2401:UK CDs
2191:Guests
2130:Ceylon
2072:Whitby
1994:iTunes
1940:1970s.
1869:with "
1822:Others
788:song.
643:number
502:Career
455:Origin
408:reggae
387:, the
271:, and
115:Castle
107:Labels
89:Genres
81:Origin
7086:Note:
6491:TREND
3032:1998
2998:1978
2960:1977
2922:1971
2853:1970
2710:1969
2594:1968
2556:1967
2490:Year
1952:Pluto
1923:2000s
1852:Astor
1771:Trend
1646:" by
1080:with
865:BBC-1
780:", a
549:label
535:" on
269:Decca
123:Astor
8031:2NUR
8019:2NUR
7973:2024
7948:2017
7923:2014
7898:2016
7873:2023
7818:ISBN
7801:2014
7777:link
7749:2014
7723:2014
7683:ISBN
7607:2017
7495:2009
7434:ISBN
7405:2024
7260:2014
7044:2014
7019:2014
6804:2014
6735:2014
6641:2NUR
6432:2014
6406:2023
5586:2014
5067:2024
4870:2014
4681:2017
4668:ISBN
4516:ISBN
4339:link
4311:link
4283:2014
4202:2NUR
4098:2017
4002:ISBN
3979:ISBN
3854:2NUR
3819:ISBN
3781:ISBN
3616:, -
3505:ISBN
3433:2023
3381:2023
3290:ISBN
3258:2014
3192:1993
2299:", "
2295:", "
2226:Lulu
1956:Dawn
1673:film
1668:and
1615:1970
1581:and
1562:and
1425:Hair
1347:and
1235:Copa
1161:1969
1072:and
1066:club
906:and
859:and
820:and
792:1968
620:and
507:1967
446:and
406:and
383:and
332:and
308:and
306:jazz
263:and
213:and
4597:and
4454:(2)
3041:71
2808:99
2796:68
2755:46
2738:51
2735:20
2726:23
2701:BPI
2686:12
2654:20
2639:48
2622:59
2616:32
2613:18
2610:29
2604:18
2587:33
2584:11
2581:16
2578:13
2569:21
2531:NLD
2525:IRE
2519:CAN
2513:AUS
1960:Pye
1727:in
1693:on
1599:Pye
1296:Pye
1215:NME
1210:NME
948:NME
758:NME
745:and
718:Uni
703:of
626:BBC
537:Pye
404:ska
352:CBS
279:).
257:HMV
253:EMI
249:Pye
119:Uni
111:Pye
8338::
7964:.
7939:.
7914:.
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3229:^
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3059:β
3056:β
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3025:β
3022:β
3019:β
3016:β
3013:β
3010:β
3007:β
3004:β
2991:β
2988:β
2985:β
2982:β
2979:β
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2507:UK
2461:US
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