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Rice, the main staple of the
Vietnamese diet, is usually grown in paddy fields. The original water puppet festivals were literally held inside a rice paddy, with a pagoda built on top to hide the puppeteers who stand in the waist-deep water. The water acts as the stage for the puppets and as a
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Modern water puppetry is performed in a pool of water four meters square, with the water surface being the stage. Performance today occurs in one of three settings—on traditional ponds in villages, where a staging area has been set up; on portable tanks built for traveling performers; or in a
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184:(a form of opera originating in northern Vietnam) sing songs that tell the story being acted out by the puppets. The musicians and the puppets interact during the performance; the musicians may yell a word of warning to a puppet in danger or a word of encouragement to one in need.
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Up to eight puppeteers stand behind a split-bamboo screen, decorated to resemble a temple facade, and control the puppets using long bamboo rods and string mechanism hidden beneath the water surface. The puppets are carved out of wood and often weigh up to 15 kg (33 lb).
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The theme of the skits is rural and has a strong reference to
Vietnamese folklore. It tells of day-to-day living in rural Vietnam and Vietnamese folk tales that are told by grandparents to their grandchildren. Stories of the harvest, of fishing, and of festivals are highlighted.
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means "laugh" in ancient
Vietnamese. He is a jester who provides witty comments on political and social topics, especially officials' corruption. His appearance is of a smiling boy who often wears nothing but a simple
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symbolic link to the rice harvest. It also hides the puppet strings and puppeteer movements, improves the musical and vocal acoustics, and provides a shimmering lighting effect.
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Legends and national history are also told through short skits. Many of the skits, especially those involving the tales of day-to-day living, often have a humorous twist.
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A traditional
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means uncle, man, boy, or Mr. in
Vietnamese) is a recurrent and the most notable character in water puppetry.
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Eckersley. M.(ed.) 2009. Drama from the Rim: Asian
Pacific Drama Book. Drama Victoria. Melbourne. 2009. (p44)
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A water puppet theater show in Hanoi, Vietnam. The players present themselves at the end of the show.
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The puppets enter from either side of the stage or emerge from the murky depths of the water.
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Spotlights and colorful flags adorn the stage and create a festive atmosphere.
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An orchestra accompanies the performance with traditional music and song.
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Water puppeteers Phan Tranh Liem and his wife in waders, Hanoi, 2017
470:"Chống quan tham sân khấu Sẽ phải "nghỉ hưu" theo chế độ hiện hành"
448:"Chống quan tham sân khấu Sẽ phải "nghỉ hưu" theo chế độ hiện hành"
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specialized building where a pool stage has been constructed.
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Performance of the water puppet theatre Thăng Long, in
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513:. Hanoi: Thế Giới Publishers. p. 79.
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406:VietNamNet
368:References
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103:lacquered
589:Puppetry
220:zongjiao
246:Gallery
227:Chú Tễu
194:Content
171:đàn bầu
75:puppets
73:Making
55:Chữ Nôm
475:27 May
453:27 May
302:dance
218:, or
175:gongs
62:𦨂𦇒渃
27:Hanoi
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