346:. As Heron explains, "...we were touring maybe six months of the year and by that time we all lived together, in eight cottages joined together in this place called Glen Row. When we were not on the road we were either in the studio or playing each other songs we'd written. So it came out of the experience of just being in each other's company all the time". With their recent exposure to the musical style of the U.S., the band returned to Britain hoping to incorporate both their British and American influences. The internal politics of the band also changed as Heron and Williamson each desired to have a say on one another's arrangements. More important was the emergence of Simpson balancing out the role of McKechnie, which further developed into a positive effect on the band. With the incorporation of the two new personnel, live performances could more closely resemble album pieces, which was in the band's mind as
397:. This affected sales and chart position in the U.S., but, more importantly, it diluted the single thematic continuum the band had expected the album would express. The front and back covers were featured as both covers and lyric sheets as the design simply showed the lyrics of all the tracks. For the individual albums, there are images of Williamson and Heron posing in a garden. The inside of the gatefold sleeve presents a poem by Williamson along with accompanying pictures on each fold. Upon release, the album, again, earned the band success in the UK, but after the decision by Elektra's American office to split the album, the sales fared less successfully. Still,
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373:. Heron and Williamson's interaction on each other's compositions also played a large role, noticeable on the instrumental development of the tracks. The whole process was completed with less overdubbing than on past albums, due to the more standard arrangements and lengthier recording period.
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Williamson explained the title as follows: "I saw a man with a huge big dog, we knew somebody called Wee Tam, in
Edinburgh. It seemed like it was a good idea in terms of one person looking up at the stars; Wee Tam and the Big Huge. Just like the vastness of the universe".
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The
Incredible String Band were fairly busy in the latter half of 1968. With their popularity and reputation growing on both sides of the Atlantic, they began selling out large venues like the
369:, like on past albums, exudes a specific message of serenity, harmony, and overall well-being. The album had an optimistic outlook on life, nature, and the universe while retaining a sense of
313:, the album features eclectic arrangements and structures. Around 15 instruments were employed, played mainly by Williamson and Heron but occasionally, in supporting roles, by
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as EKL 4036. In the UK, the album was released as a double LP, but in the U.S. the album was released individually as
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as both a double LP (in Europe) and separate single LPs (in the US) known individually as
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Recording took place between April and August 1968 on an intermittent basis at
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Bogdanov, Vladimir; Woodstra, Chris; Erlewine, Stephen Thomas (2002).
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All Music Guide to Rock: The
Definitive Guide to Rock, Pop, and Soul
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Seasons They Change: The Story of Acid and
Psychedelic Folk
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the incredible string band wee tam and the big huge.
1341:"Incredible String Band – Wee Tam and the Big Huge"
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Electric Eden: Unearthing
Britain's Visionary Music
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1138:. San Francisco: Straight Arrow Publishers, Inc.
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1155:Be Glad: The Incredible String Band Compendium
350:was simpler in comparison to its predecessor.
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801:(1, 4, 7, 9, 10, 12-14, 16, 18)
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561:"The Half-Remarkable Question"
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409:also charted at number 180.
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1588:Albums produced by Joe Boyd
665:"The Son of Noah's Brother"
508:"Log Cabin Home in the Sky"
10:
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1474:The Incredible String Band
1413:The Incredible String Band
1316:"Wee Tam and the Big Huge"
760:"Douglas Traherne Harding"
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288:the Incredible String Band
150:The Incredible String Band
44:the Incredible String Band
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919:(2, 5, 6, 8, 11, 15, 17)
774:"The Circle Is Unbroken"
383:Wee Tam and the Big Huge
367:Wee Tam and the Big Huge
348:Wee Tam and the Big Huge
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275:Wee Tam and the Big Huge
172:Wee Tam and the Big Huge
24:Wee Tam and the Big Huge
1174:Jeanette Leech (2010).
1583:Elektra Records albums
1121:Pitchfork Media review
808:(1, 2, 4, 7, 9-13, 16)
290:, released in 1968 by
1368:, 1955–1996; p. 366.
693:"The Mountain of God"
926:(2, 5, 6, 8, 15, 17)
732:"Cousin Caterpillar"
196:Professional ratings
132:/ Warner Music Group
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679:"Lordly Nightshade"
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1457:Malcolm Le Maistre
1447:Licorice McKechnie
1004:Licorice McKechnie
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547:"You Get Brighter"
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494:"The Yellow Snake"
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381:In November 1968,
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589:"Ducks on a Pond"
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344:Royal Albert Hall
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62:April–August 1968
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480:"Beyond the See"
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385:was released by
355:Sound Techniques
307:Robin Williamson
284:psychedelic folk
282:by the Scottish
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1135:Rolling Stone
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452:"Job's Tears"
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413:Track listing
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403:Billboard 200
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261:Rolling Stone
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201:Review scores
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54:November 1968
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1452:Rose Simpson
1439:Clive Palmer
1437:
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1360:
1348:. Retrieved
1344:
1335:
1323:. Retrieved
1320:allmusic.com
1319:
1314:Thom Jurek.
1309:
1297:. Retrieved
1282:
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1263:. Retrieved
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1229:. Retrieved
1226:allmusic.com
1225:
1204:
1197:. Retrieved
1177:
1169:
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1116:
1105:
1083:The Big Huge
1082:
1076:
1062:
1055:
995:(10, 15, 16)
981:Rose Simpson
605:The Big Huge
604:
419:
407:The Big Huge
406:
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395:The Big Huge
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315:Rose Simpson
304:
300:The Big Huge
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179:
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99:English folk
39:Studio album
15:
1573:1968 albums
1509:I Looked Up
1345:discogs.com
951:harpsichord
937:bass guitar
916:lead vocals
847:harpsichord
812:bass guitar
798:lead vocals
371:eclecticism
357:Studios in
1567:Categories
1425:Mike Heron
1374:0898201179
1097:References
1015:Irish harp
1008:percussion
992:percussion
965:percussion
912:Mike Heron
896:Irish harp
826:percussion
777:Williamson
749:Williamson
696:Williamson
682:Williamson
668:Williamson
640:Williamson
603:Disc two (
592:Williamson
564:Williamson
497:Williamson
455:Williamson
418:Disc one (
334:Background
311:Mike Heron
266:(positive)
152:chronology
1537:Earthspan
1222:"Wee Tam"
1077:Billboard
1056:Billboard
1048:position
972:harmonica
958:washboard
889:harmonica
788:Personnel
721:Writer(s)
626:Writer(s)
536:Writer(s)
466:"Puppies"
441:Writer(s)
1350:15 March
1325:15 March
1299:15 March
1265:15 March
1231:15 March
1199:29 March
1157:, 2003,
1011:(10, 16)
342:and the
340:Fillmore
255:(8.1/10)
215:Allmusic
143:Joe Boyd
138:Producer
59:Recorded
51:Released
41: by
1063:Wee Tam
968:(9, 13)
882:whistle
857:(9, 13)
843:(5, 17)
833:sarangi
819:guimbri
420:Wee Tam
399:Wee Tam
391:Wee Tam
377:Release
359:Chelsea
296:Wee Tam
185:(1969)
176:(1968)
167:(1968)
130:Elektra
75:Chelsea
1466:Albums
1372:
1290:
1256:
1190:
1161:
1038:Album
1035:Chart
985:violin
923:guitar
840:violin
822:(2, 3)
805:guitar
724:Length
708:Side B
637:"Maya"
629:Length
613:Side A
539:Length
523:Side B
444:Length
428:Side A
405:, and
363:London
286:group
209:Rating
206:Source
108:Length
79:London
67:Studio
1043:date
1041:Entry
944:organ
930:sitar
903:drums
875:kazoo
868:flute
854:piano
763:Heron
735:Heron
718:Title
654:Heron
623:Title
578:Heron
575:"Air"
550:Heron
533:Title
511:Heron
483:Heron
469:Heron
438:Title
325:Title
280:album
125:Label
86:Genre
1370:ISBN
1352:2015
1327:2015
1301:2015
1288:ISBN
1267:2015
1254:ISBN
1233:2015
1201:2015
1188:ISBN
1159:ISBN
1090:180
1079:200
1075:The
1070:174
1053:The
1046:Peak
1018:(16)
906:(13)
899:(18)
892:(11)
864:(14)
780:4:47
766:6:15
752:6:33
738:5:15
699:1:51
685:5:13
671:0:16
657:3:30
643:9:24
595:9:17
581:3:12
567:5:01
553:5:44
514:4:00
500:2:04
486:2:16
472:5:30
458:6:40
393:and
317:and
309:and
298:and
1058:200
988:(5)
975:(9)
961:(5)
954:(3)
940:(2)
878:(9)
871:(8)
850:(6)
836:(4)
714:No.
619:No.
529:No.
434:No.
321:.
1569::
1343:.
1318:.
1286:.
1252:.
1224:.
1212:^
1203:.
1186:.
1184:87
1144:^
1020:,
1013:,
1006:–
997:,
990:,
983:–
970:,
963:,
956:,
949:,
942:,
935:,
928:,
921:,
914:–
901:,
894:,
887:,
880:,
873:,
866:,
859:,
852:,
845:,
838:,
831:,
824:,
817:,
810:,
803:,
796:–
771:4.
757:3.
743:2.
729:1.
690:5.
676:4.
662:3.
648:2.
634:1.
586:4.
572:3.
558:2.
544:1.
505:5.
491:4.
477:3.
463:2.
449:1.
361:,
302:.
117:48
113:86
77:,
73:,
1516:U
1405:e
1398:t
1391:v
1354:.
1329:.
1303:.
1269:.
1235:.
607:)
422:)
115::
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