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101:, and then obtained an engagement at an East-end theatre, and in the following year (1825) migrated to the Pavilion Theatre. Here he remained some years, playing small parts, which he raised into importance by the admirable expression of his pantomimic action. At Christmas he represented the character
109:. Payne would wear a partial mask, so contrived that the play of his features could be seen. This was little more than a nose and forehead, and sometimes a separate chin. On 26 December 1831 he made his first appearance at the
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in 1804, W H Payne was apprenticed to Isaac Cowen, a stockbroker; but in his eighteenth year he ran away, and joined a travelling theatrical company in the
Warwickshire circuit. He rose to play small parts at the
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at
Christmas 1854. Latterly the Payne family were regularly engaged for Covent Garden, where they became the chief actors and pantomimists in the openings, as well as the contrivers and performers of the
256:. Through the whole of his career Payne's private virtues commanded the respect of the profession. In his later years as his powers as a mime faded Payne moved into speaking roles in
158:, and unable to finish the part through illness, it was Payne, then acting Ludovico, who carried him off the stage. He prominently figured in grand ballet with
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so attractive that it was represented 125 nights consecutively. On leaving
Manchester he appeared with his sons at Sadler's Wells in the pantomime of the
217:, and here he remained seven years, increasing the annual run of the pantomime from its usual twenty-four nights to one hundred, and making
125:(afterwards Mrs German Reed) the Genius of the Harp. The next year he was still more successful in the pantomime produced on 26 December of
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in a ballet with his wife and his sister, Miss Annie Payne. In 1848 he was engaged by John
Knowles for the
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During his long career Payne played many parts, ranging from pantomime to tragedy. He was
Harlequin to
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He died at
Calstock House, Dover, on 18 December 1878 and was buried on the western side of
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The life and reminiscences of E. L. Blanchard, with notes from the diary of Wm. Blanchard
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By his first wife Payne had four children: Harriet
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209:, in the pantomime produced at Christmas. On 31 March 1847 he opened at
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said: ‘The last true mime has departed in the person of W. H. Payne.’
56:, who created much of the stage business connected with the character
140:'s Clown, and made a capital Clown himself. He acted in tragedy with
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485: This article incorporates text from a publication now in the
205:, and in 1841 he was back at Covent Garden and filled the rôle of
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505:. Vol. 44. London: Smith, Elder & Co. pp. 141–143.
136:'s Clown at Sadler's Wells in 1827; he was Dandy Lover to young
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In 1836 Payne was stage manager at the
Pavilion Theatre in
433:, Footlight Notes, 18 April 2014, accessed 27 October 2021
230:. They were also frequently seen at the Standard Theatre,
460:, 29 February 1880, p. 6; E. Reid and H. Compton, eds.,
398:, Oxford University Press, 2004, accessed 28 April 2018
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Bluebeard; or, Harlequin and
Freedom in Her Island Home
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Bluebeard; or, Harlequin and
Freedom in Her Island Home
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and other dancers of note, and played in state before
105:, with Miss Rountree (afterwards his first wife) as
248:At Christmas 1860 Payne played the title role in
52:(1804–18 December 1878) was an actor, dancer and
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241:Family grave of William Payne (pantomimist) in
357:. Vol. 44. London: Smith, Elder & Co.
392:Payne, William Henry Schofield (1803–1878)"
289:(1833–1895), pantomimist and Clown; and
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89:. Returning to London, he studied under
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396:Oxford Dictionary of National Biography
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115:Hop o' my Thumb and his Brothers
491:Boase, George Clement (1895). "
493:Payne, William Henry Schofield
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64:. He was the father of the
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470:Encyclopaedia of Pantomime
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315:'The Last of the Mimes'
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349:Lee, Sidney
203:Whitechapel
150:Edmund Kean
54:pantomimist
42:(left) and
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297:References
184:William IV
44:Fred Payne
556:Harlequin
541:Pantomime
507:Endnotes:
180:George IV
107:Columbine
58:Harlequin
24:Bluebeard
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