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William Payne (pantomimist)

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238: 31: 19: 482: 101:, and then obtained an engagement at an East-end theatre, and in the following year (1825) migrated to the Pavilion Theatre. Here he remained some years, playing small parts, which he raised into importance by the admirable expression of his pantomimic action. At Christmas he represented the character 109:. Payne would wear a partial mask, so contrived that the play of his features could be seen. This was little more than a nose and forehead, and sometimes a separate chin. On 26 December 1831 he made his first appearance at the 84:
in 1804, W H Payne was apprenticed to Isaac Cowen, a stockbroker; but in his eighteenth year he ran away, and joined a travelling theatrical company in the Warwickshire circuit. He rose to play small parts at the
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at Christmas 1854. Latterly the Payne family were regularly engaged for Covent Garden, where they became the chief actors and pantomimists in the openings, as well as the contrivers and performers of the
256:. Through the whole of his career Payne's private virtues commanded the respect of the profession. In his later years as his powers as a mime faded Payne moved into speaking roles in 158:, and unable to finish the part through illness, it was Payne, then acting Ludovico, who carried him off the stage. He prominently figured in grand ballet with 221:
so attractive that it was represented 125 nights consecutively. On leaving Manchester he appeared with his sons at Sadler's Wells in the pantomime of the
217:, and here he remained seven years, increasing the annual run of the pantomime from its usual twenty-four nights to one hundred, and making 125:(afterwards Mrs German Reed) the Genius of the Harp. The next year he was still more successful in the pantomime produced on 26 December of 545: 426: 530: 343: 550: 314: 501: 353: 237: 183: 179: 468:, ed. C. W. Scott and C. Howard, 2 vols. (1891), i. 57, 127, 214, 303, 318, ii. 444; and D. Pickering, ed., 213:
in a ballet with his wife and his sister, Miss Annie Payne. In 1848 he was engaged by John Knowles for the
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During his long career Payne played many parts, ranging from pantomime to tragedy. He was Harlequin to
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He died at Calstock House, Dover, on 18 December 1878 and was buried on the western side of
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The life and reminiscences of E. L. Blanchard, with notes from the diary of Wm. Blanchard
456: 368: 257: 141: 410: 293:(1841–1880), pantomimist and Harlequin; both sons performed with their father at times. 555: 540: 231: 264: 253: 242: 110: 106: 285:(both were opera singers); Annie, a dancer and actress, who married William Turner; 210: 122: 121:, in which he played Madoc Mawr, the Welsh ogre, Miss Poole being Little Jack, and 175: 133: 102: 90: 391: 187: 167: 159: 145: 137: 118: 81: 69: 35: 18: 514: 486: 319: 269: 171: 163: 152:, and on Kean's last appearance (Covent Garden, 25 March 1833), when playing 65: 431:, with W.H. Payne in the title role, Covent Garden Theatre, Christmas, 1860" 129:, in which his character was Tasnar, chief of the Long Heads and No Bodies. 282: 227: 191: 94: 61: 202: 149: 281:
By his first wife Payne had four children: Harriet Farrell, who married
209:, in the pantomime produced at Christmas. On 31 March 1847 he opened at 496: 348: 30: 273:
said: ‘The last true mime has departed in the person of W. H. Payne.’
56:, who created much of the stage business connected with the character 140:'s Clown, and made a capital Clown himself. He acted in tragedy with 57: 53: 485: This article incorporates text from a publication now in the 205:, and in 1841 he was back at Covent Garden and filled the rôle of 154: 505:. Vol. 44. London: Smith, Elder & Co. pp. 141–143. 136:'s Clown at Sadler's Wells in 1827; he was Dandy Lover to young 201:
In 1836 Payne was stage manager at the Pavilion Theatre in
433:, Footlight Notes, 18 April 2014, accessed 27 October 2021 230:. They were also frequently seen at the Standard Theatre, 460:, 29 February 1880, p. 6; E. Reid and H. Compton, eds., 398:, Oxford University Press, 2004, accessed 28 April 2018 429:
Bluebeard; or, Harlequin and Freedom in Her Island Home
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Bluebeard; or, Harlequin and Freedom in Her Island Home
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and other dancers of note, and played in state before
105:, with Miss Rountree (afterwards his first wife) as 248:At Christmas 1860 Payne played the title role in 52:(1804–18 December 1878) was an actor, dancer and 512: 241:Family grave of William Payne (pantomimist) in 357:. Vol. 44. London: Smith, Elder & Co. 392:Payne, William Henry Schofield (1803–1878)" 289:(1833–1895), pantomimist and Clown; and 236: 89:. Returning to London, he studied under 29: 17: 396:Oxford Dictionary of National Biography 513: 384: 382: 380: 378: 344:"Payne, William Henry Schofield"  310: 308: 306: 490: 337: 333: 331: 329: 415:(1836) - East London Theatre Archive 375: 303: 13: 326: 75: 14: 567: 546:19th-century English male actors 502:Dictionary of National Biography 480: 354:Dictionary of National Biography 115:Hop o' my Thumb and his Brothers 491:Boase, George Clement (1895). " 493:Payne, William Henry Schofield 449: 436: 419: 404: 361: 323:, 28 December 1878, pp. 1633–4 1: 413:The Blind Beggar of Bethnal n 296: 50:William Henry Schofield Payne 531:Burials at Highgate Cemetery 7: 64:. He was the father of the 22:Payne in the title role in 10: 572: 470:Encyclopaedia of Pantomime 551:English male stage actors 276: 215:Theatre Royal, Manchester 87:Theatre Royal, Birmingham 400:(subscription required) 372:22 December 1878, p. 12 315:'The Last of the Mimes' 245: 99:Sadler's Wells Theatre 46: 27: 339:Boase, George Clement 254:Covent Garden Theatre 240: 111:Covent Garden Theatre 68:pantomime clowns the 33: 21: 462:The Dramatic Peerage 234:, and other places. 207:Guy, Earl of Warwick 464:, 1891, pp. 185–6; 446:, (1881), ii. 204–5 258:Victorian burlesque 142:Charles Mayne Young 246: 232:the Crystal Palace 47: 36:The Payne Brothers 28: 265:Highgate Cemetery 243:Highgate Cemetery 113:in the pantomime 563: 506: 484: 483: 473: 453: 447: 440: 434: 423: 417: 408: 402: 401: 386: 373: 365: 359: 358: 346: 335: 324: 312: 211:Vauxhall Gardens 123:Priscilla Horton 60:in 19th-century 571: 570: 566: 565: 564: 562: 561: 560: 511: 510: 481: 477: 476: 472:(1993), 152, 82 454: 450: 441: 437: 424: 420: 409: 405: 399: 387: 376: 366: 362: 336: 327: 313: 304: 299: 279: 219:Robinson Crusoe 196:Empress Eugénie 176:Therese Elssler 134:Joseph Grimaldi 78: 76:Life and career 12: 11: 5: 569: 559: 558: 553: 548: 543: 538: 536:English clowns 533: 528: 523: 509: 508: 475: 474: 448: 444:Old Drury Lane 435: 418: 403: 374: 360: 325: 301: 300: 298: 295: 278: 275: 267:. A writer in 168:Carlotta Grisi 160:Pauline Leroux 146:Charles Kemble 138:J. S. Grimaldi 119:Charles Farley 82:City of London 77: 74: 70:Payne Brothers 34:Payne's sons, 9: 6: 4: 3: 2: 568: 557: 554: 552: 549: 547: 544: 542: 539: 537: 534: 532: 529: 527: 524: 522: 519: 518: 516: 504: 503: 498: 494: 488: 487:public domain 479: 478: 471: 467: 463: 459: 458: 452: 445: 442:E. Stirling, 439: 432: 430: 425:Culme, John. 422: 416: 414: 407: 397: 393: 390: 385: 383: 381: 379: 371: 370: 364: 356: 355: 350: 345: 340: 334: 332: 330: 322: 321: 320:The Spectator 316: 311: 309: 307: 302: 294: 292: 288: 284: 274: 272: 271: 270:The Spectator 266: 261: 259: 255: 251: 244: 239: 235: 233: 229: 228:harlequinades 224: 223:Forty Thieves 220: 216: 212: 208: 204: 199: 197: 193: 189: 185: 181: 177: 173: 169: 165: 164:Fanny Cerrito 161: 157: 156: 151: 147: 143: 139: 135: 130: 128: 127:Puss in Boots 124: 120: 116: 112: 108: 104: 100: 96: 92: 88: 83: 73: 71: 67: 66:Victorian era 63: 62:harlequinades 59: 55: 51: 45: 41: 37: 32: 25: 20: 16: 500: 469: 465: 461: 455: 451: 443: 438: 428: 421: 412: 406: 395: 389:Boase, G. C. 367: 363: 352: 318: 283:Aynsley Cook 280: 268: 262: 249: 247: 222: 218: 200: 192:Napoleon III 153: 131: 126: 114: 80:Born in the 79: 49: 48: 23: 15: 526:1878 deaths 521:1804 births 497:Lee, Sidney 349:Lee, Sidney 203:Whitechapel 150:Edmund Kean 54:pantomimist 42:(left) and 515:Categories 297:References 184:William IV 44:Fred Payne 556:Harlequin 541:Pantomime 507:Endnotes: 180:George IV 107:Columbine 58:Harlequin 24:Bluebeard 411:Cast of 341:(1895). 194:and the 188:Victoria 91:Grimaldi 499:(ed.). 489::  457:The Era 369:The Era 351:(ed.). 252:at the 155:Othello 95:Bologna 495:". In 277:Family 26:(1860) 347:. In 287:Harry 172:Fanny 103:Clown 40:Harry 291:Fred 174:and 148:and 93:and 117:by 97:at 517:: 394:, 377:^ 328:^ 317:, 305:^ 260:. 198:. 190:, 186:, 182:, 170:, 166:, 162:, 144:, 72:. 38:: 427:"

Index



The Payne Brothers
Harry
Fred Payne
pantomimist
Harlequin
harlequinades
Victorian era
Payne Brothers
City of London
Theatre Royal, Birmingham
Grimaldi
Bologna
Sadler's Wells Theatre
Clown
Columbine
Covent Garden Theatre
Charles Farley
Priscilla Horton
Joseph Grimaldi
J. S. Grimaldi
Charles Mayne Young
Charles Kemble
Edmund Kean
Othello
Pauline Leroux
Fanny Cerrito
Carlotta Grisi
Fanny

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