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122:, he argued against Sunday performance. It may have been a literary exercise in an established genre; in any case within a few years Rankins was a playwright. The work is allegorical, with main conceit a demonic parody of a wedding
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The
English Ape, the Italian imitation, the Foote-steppes of Fraunce. Wherein is explained the wilfull blindnesse of subtill mischiefe, the striuing for Starres, the catching of Mooneshine, and the Secrete Sounde of many hollowe
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Seaven
Satyres applyed to the weeke, including the worlds ridiculous follyes. True felicity described in the Phœnix. Maulgre. Whereunto is annexed the wandring Satyre
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criticisms, he was involved in some fashion with the theatre beforehand and afterwards. It has been suggested that he was insincere, and that, as a
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Mirrour of
Monsters, wherein is plainly described the manifold vices and spotted enormities that are caused by the infectious sight of Playes
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are three seven-line stanzas, "A Sonnet to the Muse's Garden" by
Rankins; who also contributed anonymously to the anthology
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336:, Critical Survey Vol. 9, No. 3 (1997), pp. 59–77 at p. 66. Published by: Berghahn Books. Stable URL:
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in 1587, and Mary
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334:"He hath changed his coppy": Anti-Theatrical Writing and the Turncoat Player
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Baptised 1565, Rankins was the elder son of Henry Rankyn, master of the
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464: This article incorporates text from a publication now in the
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98:, London, 1587, a savage attack on the theatre, in the manner of
80:, he was paid for the pamphlet by the City of London corporation.
201:, a religious poem, is with seven satires, in seven-line stanzas.
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Rankins is regarded as a professional writer. Indeed, while his
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182:(1588), against the imitation of foreign fashions, and
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Martin
Wiggins; Catherine Teresa Richardson (2014).
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Martin
Wiggins; Catherine Teresa Richardson (2014).
166:; the same team produced c.1600 a comic play, and
433:British Drama (1533–1642): A Catalogue. 1598–1602
406:British Drama (1533–1642): A Catalogue. 1598–1602
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38:(1598) as one of the three leading contemporary
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136:in 1598, likely an adaptation; the subject was
28:1587) was an English author. He was classed by
18:16th-century English pamphleteer and playwright
483:. Vol. 38. London: Smith, Elder & Co.
254:. Vol. 38. London: Smith, Elder & Co.
276:(online ed.). Oxford University Press.
312:. Cambridge University Press. p. 167.
355:. Princeton University Press. p. 28.
301:
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436:. Oxford University Press. p. 275.
409:. Oxford University Press. p. 275.
189:Dedicated to John Salisbury of Lleweni,
309:English Professional Theatre, 1530-1660
273:Oxford Dictionary of National Biography
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306:Glynne Wickham; Herbert Berry (2000).
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168:The Conquest of Spain by John of Gaunt
338:https://www.jstor.org/stable/41561727
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270:Cerasano, S. P. "Rankins, William".
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72:of 1587 apparently allied him with
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507:English dramatists and playwrights
349:Russell A. Fraser (8 March 2015).
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376:Henry S. Turner (December 2013).
170:. None of these plays are extant.
158:, play written for Henslowe with
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290:UK public library membership
184:My Roughcast Conceit of Hell
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379:Early Modern Theatricality
143:Historia Regum Britanniae
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60:Barber–Surgeons' Company
245:"William Rankins"
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352:The War Against Poetry
282:10.1093/ref:odnb/23134
175:Sir Christopher Hatton
149:Holinshed's Chronicles
83:Rankins died in 1609.
173:Works dedicated to
156:Hannibal and Scipio
132:, a play bought by
130:Mulmutius Dunwallow
497:English male poets
193:(1598), publisher
502:English satirists
443:978-0-19-926574-9
416:978-0-19-926574-9
389:978-0-19-964135-2
362:978-1-4008-6903-9
319:978-0-521-23012-4
288:(Subscription or
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110:. Like also
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512:1609 deaths
471:Lee, Sidney
455:Attribution
240:Lee, Sidney
215:Plato's Cap
205:Before the
116:John Norden
78:hack writer
44:Joseph Hall
491:Categories
292:required.)
209:(1600) by
112:John Field
217:of 1604.
207:Belvedere
40:satirists
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180:heartes
74:Puritan
70:Mirrour
42:, with
32:in his
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221:Notes
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411:ISBN
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