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wounded shepherd, Leuthold, who killed one of Gesler's soldiers to defend his daughter and is fleeing the governor's forces. He seeks to escape to the opposite shore, but the cowardly Ruodi refuses to take him in his boat, fearing that the current and the rocks make approaching the opposite bank impossible. Tell returns from searching for the departed Arnold just in time: even as the soldiers approach, calling for
Leuthold's blood, Tell takes Leuthold into the boat and out onto the water. Gesler's guards arrive, led by Rodolphe, who is further incensed by the villagers' prayers and their evident joy at the escape. Melchthal urges the villagers not to tell Rodolphe who it was who aided Leuthold, and is taken prisoner by the guards. As Rodolphe and the soldiers promise retribution (
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1046:– "Yes, you wring from my soul"), they recognise their mutual passion, but also the obstacles they face. Urging him to "return to the fields of glory", Mathilde assures him of the eventual acceptability of his suit, and leaves at the approach of Tell and Walter. They question Arnold as to why he loves Mathilde, a member of the oppressing Austrians. Arnold, offended by their spying, declares his intention to continue fighting for the Austrians, and thus gain glory, rather than liberty. However, when Walter tells him that Gesler has executed his father Melchthal, Arnold vows revenge (
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view, intent on recapturing Tell, who kills Gesler with a single shot and the cry, "Let
Switzerland breathe!" Walter and a group of confederates arrive, having seen the burning house. Tell informs them of Gesler's death, but cautions that Altdorf still stands. Arnold and his band enter, and break the happy news: they have taken Altdorf. Arnold sees Mathilde, who declares herself "disabused of false grandeur" and ready to join the fight for liberty at his side.
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fanfares herald the approach of Gesler, the
Austrian governor, whom the Swiss detest, and his entourage. Arnold moves off to greet their arrival, as Mathilde will accompany them, but is stopped by Tell. Inquiring as to where Arnold is going, Tell persuades him to consider joining the planned rebellion against the governor. The expressive duet in which this takes place again shows the tension Arnold feels between his love for Mathilde and the "fatherland" (
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dancing and singing to mark the century during which the empire has "deigned to sustain weakness", and a variety of dances and choruses follow. Soldiers have noticed Tell and his son in the crowd, refusing to pay homage to the hat, and drag him forward. Rodolphe recognises him as the man who assisted in
Leuthold's escape, and Gesler orders his arrest. In a complex choir and quartet, the soldiers express their hesitation at arresting this famed archer (
1131:– "You will not have him"). Gesler announces his intention to take Tell across Lake Lucerne to the fort at Kusnac/Küssnacht, and there to throw him to the reptiles in the lake. Rodolphe expresses concern at attempting a journey on the lake in the storm, but Gesler intends to force Tell, an expert boatman, to pilot the vessel. They leave, amid conflicting cries of "Anathema on Gesler" from the people, and "Long live Gesler" from the soldiers.
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1124:– "Stay completely still"), and the two separate. Finally, Tell draws his bow, shoots, and drives the arrow through the apple and into the stake. The people acclaim his victory, and Gesler is enraged. Noticing the second arrow, he demands to know what Tell intended for it. Tell confesses his desire to kill Gesler with the second arrow, and both he and Jemmy are seized for execution.
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1182:– "Save William! He dies a victim of his love for his country"). Leuthold arrives, telling the assembled villagers that the boat carrying Tell, Gesler and the soldiers is being driven towards the rocks by a storm that has broken over the lake – Leuthold believes that the chains have been removed from Tell's hands, so that he might pilot the boat to safety.
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The boat pulls into view, and Tell jumps ashore before pushing the boat back. He is amazed to see his house burning in the distance. Jemmy tells him that, for want of a beacon, he set fire to their home but, before doing so, he retrieved his father's bow and arrows. Gesler and the soldiers come into
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The villagers then reassemble, and
Melchthal blesses the couples. The blessing is followed by singing, dancing and an archery contest that Tell's young son Jemmy wins with his first shot – a result of his "paternal heritage". It is Jemmy who notices the hurried approach of the pale, trembling and
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According to an anecdote, when an admirer told the composer that he had heard his opera the previous night, Rossini replied "What? The whole of it?". Another version of the story refers only to act 2. In 1864 Offenbach quoted the patriotic trio from act 2, "Lorsque la Grèce est un champ de carnage"
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The day is the hundredth anniversary of
Austrian rule in Switzerland. Soldiers sing of the glories of Gesler and the Emperor. In commemoration, Gesler has had his hat placed on top of a pole and the Swiss are ordered and then forced to pay homage to the hat. Gesler commands that there should be
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Hedwige is wandering by the lake, distraught. She tells the other women she intends to beg Gesler for Tell's life. In the distance, she hears Jemmy calling. Her son enters, along with
Mathilde, whom Hedwige entreats for assistance. In some versions, Mathilde, Jemmy and Hedwige sing a moving trio
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Gesler notices the affection Tell has for his son, and has Jemmy seized. Inspired, he devises his test: Tell must shoot an arrow through an apple balanced on Jemmy's head – should he refuse, both of them will die. The assembled Swiss are horrified at this cruelty, but Jemmy urges his father to
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A hunting party of ladies and gentlemen, accompanied by soldiers, hears the sound of the shepherds returning from the hills as night approaches. Hearing the
Governor's horns, they too take their leave. Mathilde, however, lingers, believing she has glimpsed Arnold in the vicinity. She is, like
999:– "Ah, Mathilde, idol of my soul...O my fatherland, my heart sacrifices to you..."). By the end of the exchange, Arnold is prepared to confront Gesler the moment he arrives; Tell persuades him to at least let the festival pass in peace, but knows he has gained a convert to the cause of freedom.
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on 3 August 1829, but within three performances cuts were being made and after a year only three acts were performed. The opera's length, roughly four hours of music, and casting requirements, such as the high range required for the tenor part, have contributed to the difficulty of producing the
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in the opera's overture). The horns also signal the arrival of
Melchthal, a respected elder of the canton. He is persuaded by Hedwige to bless the couples at the celebration. However, his son Arnold, though of marriageable age, is not participating and is evidently uncomfortable. The entire
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His father's rebuke provokes an outpouring of despair from Arnold: in his recitative we learn of his previous service in the forces of the
Austrian rulers, his rescue of Mathilde from an avalanche, and the conflict between his love for her and his shame at serving the "perfidious power". Horn
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Arnold has come to tell Mathilde that, instead of leaving for battle, he is staying to avenge his father, and thereby renouncing both glory and Mathilde. When he tells her that it was Gesler who had his father executed, she denounces his crime, and recognises the impossibility of their love
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967:– "What a serene day the sky foretells"). The fisherman, Ruodi, sings a gentle love song from his boat (to orchestral accompaniment from the harps and flutes). Tell stands apart from the general merriment, however: he is consumed with
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courage, and refuses to be tied up for the challenge. Resigned, Tell retrieves his bow from the soldiers, but takes two arrows from his quiver and hides one of them. He sings an anguished aria to Jemmy, instructing him (
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arrive, sharing and reinforcing his hope of vengeance. Revived, Arnold points them to the weapons cache that his father and Tell had prepared. Seeing the men armed, Arnold launches into a hugely demanding aria
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John MacLeod transcribed "La tua danza sì leggiera", a chorus part in the third act, to create the tune "The Green Hills of Tyrol", a well-known retreat march in the Scottish bagpipe tradition. The musician
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It is the day of the Shepherd Festival, in May, near Lake Lucerne. The action opens on an idyllic scene, with the local peasants busily preparing chalets for three newly wedded couples, singing as they work
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The clouds break, and the sun shines on a pastoral scene of wild beauty. The gathered Swiss fighters and women sing a paean to the magnificence of nature and the return of freedom in a lyrical C major aria
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to the opera is often heard independently of the complete work. Its high-energy finale, "March of the Swiss Soldiers", is particularly familiar through its use in the American radio and television shows of
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In Italy, because the work glorified a revolutionary figure against authority, the opera encountered difficulties with the Italian censors, and the number of productions in Italy was limited. The
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991:– "Let all celebrate, on this glorious day, work, marriage and love"). Tell invites Melchthal into his chalet; before they move off, Melchthal chides his son for his failure to marry.
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work. When performed, the opera is often cut. Performances have been given in both French and Italian. Political concerns have also contributed to the varying fortunes of the work.
1069:). The gathering is complete, and the tone and tempo of the finale rises as the men of the three cantons affirm their willingness to fight or die for the freedom of Switzerland (
1178:– "I return to your love a son worthy of you"). Jemmy tells his mother that Tell is no longer in Altdorf, but on the lake, at which point Hedwige begins precipitously to mourn (
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Manuscript letter with Rossini's autograph signature from Rossini to Valentino (Paris, 9 August 1829), thanking Valentino for preparing and conducting the orchestra (
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335:. This performance was of the French version, with some cuts to particularly the fourth act (which Pappano noted had been approved by Rossini himself). A live
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As the three men affirm their dedication – "to independence or death" – they hear the sound of someone else approaching. It is the men of the canton of
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327:(2003) as well as at the Sportspalace in Pesaro (lasting over 5 hours, 1995). In 2010 there was an important revival of the opera, when it opened the
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Arnold, aware of Tell's arrest, is dispirited, but, set on revenge, draws strength from being in his father's former home and sings a moving lament (
975:– "He sings, and Helvetia mourns her liberty"). His wife and son add their own interpretation of Ruodi's song, presaging the coming nautical dramas.
1219:"Quand l'Helvétie est un champs de supplice... Ses jours qu'ils ont osé proscire... Embrasons-nous d'un saint délire" (Tell, Arnold, Walter, act 2)
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1099:– "All hope for our love has gone"). Hearing preparations for the coming festival in the palace grounds, they bid a fond farewell to each other (
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1042:– "Somber forest, sad and savage wilderness"). Arnold appears, and each confesses to the other their desire for this meeting. In their duet (
1165:– "Friends, friends, assist my vengeance"), replete with multiple and sustained top Cs. Resolved, they leave to storm Altdorf and free Tell.
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1073:– "Let us swear, let us swear by our dangers"). Plans are made to arm the cantons and to rise up when "the beacons of vengeance burn".
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1116:– "It's that redoubtable archer"), Gesler forces them to act, and Tell urges Jemmy to flee, but he prefers to stay with his father.
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as Leuthold. The performance was very well reviewed, and marked the first full performance of the work in the history of the Proms.
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discovered the original orchestral score of the opera at a secondhand book seller's shop, resulting in its being acquired by the
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produced the opera in 1833, but then did not give another production for around 50 years. The first Venice production, at the
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Les Cancans de l'Opéra. Chroniques de l'Académie Royale de Musique et du théâtre, à Paris sous les deux restorations
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L'Académie impériale de musique: histoire littéraire, musicale, politique et galante de ce théâtre, de 1645 à 1855
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and the Metropolitan Opera New York of the opera in the original French opened at the Met in October 2016 with
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in four sections features a depiction of a storm and a vivacious finale, the "March of the Swiss Soldiers".
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1194:– "Everything is changing and growing grander in this place... Liberty, descend again from heaven") as the
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498:"The Storm" is a dynamic section played by the full orchestra, with backup from the trombones, in
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resounding from the hills (often performed by off-stage horns, and echoing in its theme the
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Arnold, anguished by the love she feels for her rescuer, and contemplates it as she sings (
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Mathilde enters and claims Jemmy in the name of the emperor, refusing to let a child die (
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of this concert performance was released in 2011, and the production was transferred to
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in London on 1 May 1830 (in English), with a production in Italian following in 1839 at
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coming to join the fight, and describing their journey in a rather gentle refrain (
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Cooper, Jeffrey; Ellis, Katharine (2001). "Valentino, Henri Justin Armand Joseph".
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legend. The opera was Rossini's last, although he lived for nearly 40 more years.
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1953:
Biographie universelle des musiciens et Bibliographie générale de la musique par
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The finale ("March of the Swiss Soldiers") is an ultra-dynamic "cavalry charge"
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1156:– "Do not abandon me, hope of vengeance... Home of my forefathers"). Would-be
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1228:"Asile héréditaire... Amis, amis, secondez ma vengeance" (Arnold, act 4)
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Ah! Mathilde, idole de mon âme!...Ô ma patrie, mon cœur te sacrifie...
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Peasants, shepherds, knights, pages, ladies, soldiers, bridal couples
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Portrait of the opera in the Online opera guide www.opera-inside.com
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Osborne, Richard (2004), "Rossini's Life", in Emanuele Senici (ed.)
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Tout change et grandit en ces lieux... Liberté, redescends des cieux
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Ne m'abandonne point, espoir de la vengeance... Asile héréditaire...
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Several portions of the overture were used prominently in the films
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835:
814:
629:
580:
443:
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19:
This article is about the Rossini opera. For the Grétry opera, see
1511:"Report from Santa Cecilia", 3 September 2010, on santacecilias.it
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quotes the main theme of the finale in the first movement of his
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to be his last opera even as he composed it. The often-performed
1343:, Vol. 39, 1900. on books.google.com. Retrieved 11 December 2013
288:
was first presented on 19 September 1831. It was revived at the
59:
Costume designs by Eugène Du Faget for the original production:
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1241:
added lyrics and the song in 1961 became a hit under the name "
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Scene 1: A ruined/deserted chapel in the Altdorf palace grounds
1061:). In quick succession, they are joined by the men of Schwyz (
877:
873:
856:
989:
CĂ©lebrons tous en ce beau jour, le travail, l'hymen et l'amour
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in that part of the world today. Characters portrayed on the
1222:"Pour notre amour... Sur la rive étrangère" (Mathilde, act 3)
885:
881:
802:
649:
525:
514:
480:
168:
42:
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1492:. International Institute of Social History. 1 November 2014
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Sauve Guillaume! Il meurt victime de son amour pour son pays
1005:
Que du ravage, que du pillage sur ce rivage pèse l'horreur!
893:
860:
806:
1216:"Oui, vous l'arrachez à mon âme" (Mathilde, Arnold, act 2)
311:
In the later 20th century there were major productions in
475:. The overture has four parts, each linked to the next:
1904:
The Bel Canto Operas of Rossini, Donizetti, and Bellini
1210:"Ah, Mathilde, je t'aime et je t'adore" (Arnold, act 1)
2333:
L'occasione fa il ladro, ossia Il cambio della valigia
1723:
347:
taking on the title role, Patricia Bardon as Hedwige,
268:
gave 422 performances over the years 1830 to 1907. As
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1959:. Vol. 2. Paris: Firmin-Didot. pp. 597–598.
2584:
Il viaggio a Reims, ossia L'albergo del Giglio d'Oro
2420:
Il barbiere di Siviglia, ossia L'inutile precauzione
1906:. London; Portland, Oregon: Methuen; Amadeus Press.
1815:; Brauner, Patricia (2001). "Gioachino Rossini". In
2857:
Conservatorio Statale di Musica "Gioachino Rossini"
2068:, Ithaca, New York: Northeastern University Press.
2545:Matilde di Shabran, ossia Bellezza e Cuor di Ferro
1085:Tell prepares to shoot the apple off Jemmy's head
942:Set design for act 1 in a 19th-century production
483:section (including parts for five soloists), the
3246:
2341:Il signor Bruschino, ossia Il figlio per azzardo
2309:Ciro in Babilonia, ossia La caduta di Baldassare
1268:are recognisable on the court cards and aces of
2600:MoĂŻse et Pharaon, ou Le passage de la mer rouge
2473:Adelaide di Borgogna, ossia Ottone, re d'Italia
1992:(2 volumes) (in French). Paris: CNRS Editions.
1970:The New Grove Dictionary of Music and Musicians
1860:
1823:. New York: Penguin Putnam. pp. 765–796.
1811:
1798:. Vol. 4. London: Macmillan. p. 214.
1670:BnF catalogue général – Notice bibliographique
1476:
1464:
2958:
2529:Bianca e Falliero, ossia Il consiglio dei tre
2433:La gazzetta, ossia Il matrimonio per concorso
2221:
1838:Kaminski, Piotr (2003). "Gioacchino Rossini,
509:", or "call to the dairy cows", features the
479:"The Prelude (Dawn)" is written only for the
1773:
1673:
1176:Je rends a votre amour un fils digne de vous
304:(Barcelona) in 1893, an anarchist threw two
3255:Operas based on works by Friedrich Schiller
1802:
1746:at i-p-c-s.org. Retrieved 29 November 2019.
1693:
1645:Kirby, Percival R., "Rossini's Overture to
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2268:
2228:
2214:
2014:(reprint 1987 ed.). New York: Knopf.
1415:
1355:
1353:
1351:
1349:
973:Il chante, et l'Helvétie pleure sa liberté
53:
3310:Music based on European myths and legends
2449:La Cenerentola, ossia La bontĂ in trionfo
2188:, 1837 publication, German, digitized by
2149:International Music Score Library Project
2006:
1886:
1709:
1705:
1581:
1409:
536:, and is played by the full orchestra in
3305:Opera world premieres at the Paris Opera
3212:Shooting an apple off one's child's head
1837:
1787:
1760:
1713:
1685:
1359:
1169:Scene 2: The rocky shore of Lake Lucerne
1143:
1080:
1023:
937:
922:
682:the Austrian Governor of the cantons of
232:
2177:, murashev.com (in French and English)]
2033:. Paris: Deposé au journal L'Entr'acte
1987:
1920:
1898:
1790:"Valentino, Henri Justin Armand Joseph"
1729:
1717:
1689:
1460:
1458:
1456:
1371:
1365:
1346:
971:at Switzerland's continued oppression (
323:(1989), Covent Garden (1990), and then
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2029:Wolff, Stéphane (1962; reprint 1983).
1943:
1743:Pattern Sheet 90 – Tell pattern Type I
1681:
1198:motif returns once again and finally.
1039:Sombre forêt, désert triste et sauvage
1020:, overlooking the Lake and the Cantons
978:The activities are interrupted by the
228:
2946:
2235:
2209:
2031:L'Opéra au Palais Garnier (1875–1962)
2028:
1963:
1893:
1890:(2001). "Habeneck, François-Antoine".
1806:
1701:
1264:Characters and scenes from the opera
1259:
3057:Chronicle of the Swiss Confederation
1453:
987:on-stage cast sings in celebration (
329:Accademia Nazionale di Santa Cecilia
3300:Cultural depictions of William Tell
2167:at Stanford OperaGlass (in Italian)
1973:(2nd ed.). London: Macmillan.
1795:A Dictionary of Music and Musicians
1783:. Vol. 2. Paris: Castil-Blaze.
1765:. L'Almanacco di Gherardo Casaglia
1107:Scene 2: The main square at Altdorf
272:, the opera was first performed at
13:
2158:at Stanford OperaGlass (in French)
2117:The Cambridge Companion to Rossini
2058:
1949:"Valentino (Henri-Justin-Joseph)""
1296:, Rudolf Harras and William Tell.
1103:– "Though upon a foreign shore").
1097:Pour notre amour, plus d'espérance
785:
392:
14:
3321:
2489:Adina, ossia Il califfo di Bagdad
2136:
2085:The New Grove Dictionary of Opera
1201:
1163:Amis, amis, secondez ma vengeance
551:Roles, voice types, premiere cast
171:in four acts by Italian composer
3232:
2972:
2927:
2926:
2620:
2441:Otello, ossia Il Moro di Venezia
2424:
2404:Elisabetta, regina d'Inghilterra
2082:", vol. 2, pp. 573–576, in
1622:– The Metropolitan Opera (2016)"
1213:"Sombre forĂŞt" (Mathilde, act 2)
965:Quel jour serein le ciel présage
433:Problems playing this file? See
408:
1872:. London and New York: Putnam.
1763:"Guillaume Tell, 3 August 1829"
1735:
1662:
1639:
1610:
1575:
1551:
1539:
1515:
1418:"Reviews of Records – Rossini:
1328:, rebroadcast on 18 March 2017.
1050:– "What do I hear? O crime!").
336:
319:(1979, 1991), La Scala (1988),
270:Hofer, or the Tell of the Tyrol
3290:Operas set in the 13th century
3157:The Adventures of William Tell
1504:
1482:
1331:
1311:
1276:and are still the most common
1140:Scene 1: Old Melchthal's house
1114:C'est lĂ cet archer redoutable
1071:Jurons, jurons par nos dangers
1044:Oui, vous l'arrachez à mon âme
206:said that Rossini planned for
1:
1696:. Some authors have credited
1299:
1248:
1225:"Sois immobile" (Tell, act 3)
181:Victor-Joseph Étienne de Jouy
25:William Tell (disambiguation)
1988:Tamvaco, Jean-Louis (2000).
1566:, Royal Albert Hall, London"
565:Premiere cast, 3 August 1829
198:which, in turn, drew on the
7:
3260:Operas by Gioachino Rossini
1923:Rossini: His Life and Works
1870:Kobbé's Complete Opera Book
1821:The New Penguin Opera Guide
1416:Braunstein, Joseph (1952).
1278:German-suited playing cards
902:
760:Jean-Étienne-Auguste Massol
379:
343:in July of that year, with
244:was first performed by the
10:
3326:
3181:The Legend of William Tell
3117:Adventures of William Tell
2122:Cambridge University Press
2078:Osborne, Richard (1996), "
1957:. Supplément et complément
1788:Chouquet, Gustave (1889).
1761:Casaglia, Gherardo (2005).
1477:Gossett & Brauner 2001
1465:Kobbé & Lascelles 1954
1440:10.1093/mq/xxxviii.4.667-b
1340:The Monthly Musical Record
1252:
419:Chicago Symphony Orchestra
383:
321:Théâtre des Champs-Élysées
237:1829 lithograph of Rossini
18:
16:Opera by Gioachino Rossini
3280:Operas set in Switzerland
3199:
3149:The Story of William Tell
3108:
3075:
3016:
2980:
2922:
2895:Duetto buffo di due gatti
2880:
2849:
2814:
2795:
2746:
2711:
2672:
2643:
2575:
2371:
2285:La cambiale di matrimonio
2261:
2243:
2064:Osborne, Richard (1990),
2045:. Paris: Slatkine (1983)
1921:Osborne, Richard (2007).
1587:"Review: A New, Abstract
1372:Fregosi, William (1993).
1148:Tell pushes the boat back
908:Place: Austrian-occupied
776:
752:Captain of Gesler's guard
491:, in a slow tempo and in
463:The Eagle Shooting Heroes
122:
105:
97:
76:
52:
41:
34:
2834:(1991 biographical film)
2826:(1942 biographical film)
2111:(subscription required).
1925:(2nd ed.). Oxford:
1255:William Tell discography
1134:
1129:Vous ne l'obtiendrez pas
1076:
1063:En ces temps de malheurs
1028:Set design for act 2 by
1010:
918:
790:The instrumentation is:
544:
67:as Arnold Melchtal, and
2736:Petite messe solennelle
2198:, Danish, digitized by
1927:Oxford University Press
1694:Cooper & Ellis 2001
1274:Austro-Hungarian Empire
1048:Qu'entends-je? Ă´ crime!
830:(2 in G and 2 in E), 4
513:(English horn) and the
358:A co-production by the
167:) is a French-language
127:3 August 1829
21:Guillaume Tell (Grétry)
3265:French-language operas
2867:Rossini Opera Festival
2681:Ecco, ridente in cielo
2325:La pietra del paragone
2293:L'equivoco stravagante
1526:"Proms take a bite of
1490:"Barcelona, 1893–1897"
1149:
1086:
1032:
1030:Charles-Antoine Cambon
943:
935:
934:, act 1 scene 1 (1899)
397:
284:in 1845. In New York,
238:
217:Paris Opéra archivist
162:
156:
23:. For other uses, see
3285:Operas based on plays
3098:William Tell Overture
2889:La boutique fantasque
2804:The Barber of Seville
2092:. London: Macmillan.
1427:The Musical Quarterly
1147:
1101:Sur la rive étrangère
1084:
1067:Guillaume, tu le vois
1027:
941:
926:
586:Henri-Bernard Dabadie
396:
386:William Tell Overture
302:Gran Teatre del Liceu
236:
3041:Chronicon Helveticum
3025:White Book of Sarnen
2785:Péchés de vieillesse
2592:Le siège de Corinthe
2380:Aureliano in Palmira
2357:L'italiana in Algeri
2248:List of compositions
2012:Rossini: A Biography
1692:, pp. 56, 619;
1378:. Gioachino Rossini"
1362:, pp. 1355–1358
1059:Nous avons su braver
640:Laure Cinti-Damoreau
620:Louise-Zulme Dabadie
569:Henri Valentino
360:Dutch National Opera
61:Laure Cinti-Damoreau
2901:Matinées musicales
2815:Cultural depictions
2769:La regata veneziana
2497:Ricciardo e Zoraide
2412:Torvaldo e Dorliska
2109:Oxford Music Online
1652:Music & Letters
1585:(19 October 2016).
1562:"Prom 2: Rossini –
1383:The Opera Quarterly
553:
469:Dmitri Shostakovich
366:in the title role.
298:Giovanni Martinelli
280:, and in French at
229:Performance history
223:Paris Conservatoire
3152:(1953 uncompleted)
3003:Werner Stauffacher
2872:Rossini in Wildbad
2754:Six string sonatas
2513:Eduardo e Cristina
2388:Il turco in Italia
2277:Demetrio e Polibio
2008:Weinstock, Herbert
1844:Mille et Un Opéras
1700:as the conductor:
1596:The New York Times
1583:Tommasini, Anthony
1560:, (17 July 2011),
1524:, (15 July 2011),
1467:, pp. 370–373
1396:10.1093/oq/9.4.259
1337:Charles Malherbe,
1322:Metropolitan Opera
1270:William Tell cards
1260:In popular culture
1243:A Scottish Soldier
1150:
1087:
1033:
1016:On the heights of
944:
936:
928:A Mountain Village
914:Time: 13th century
772:Beltrame Pouilley
549:
457:A Clockwork Orange
398:
290:Metropolitan Opera
266:Vienna Court Opera
239:
189:Friedrich Schiller
117:Friedrich Schiller
3220:
3219:
2998:Konrad Baumgarten
2940:
2939:
2907:Messa per Rossini
2850:Named for Rossini
2831:Rossini! Rossini!
2788:(1857–1868)
2688:Largo al factotum
2639:
2638:
2571:
2570:
2521:La donna del lago
2367:
2366:
2237:Gioachino Rossini
2051:978-2-05-000214-2
2021:978-0-87910-071-1
1999:978-2-271-05685-6
1980:978-1-56159-239-5
1936:978-0-19-518129-6
1879:978-0-399-11044-3
1866:Lascelles, George
1853:978-2-213-60017-8
1846:. Paris: Fayard.
1698:François Habeneck
1674:Castil-Blaze 1855
1659:(2): pp. 132–140.
1591:at the Met Opera"
1558:Seckerson, Edward
930:, set design for
898:On stage: 4 horns
783:
782:
712:Nicolas Levasseur
697:Alexandre Prévost
425:conducting (1959)
413:
331:'s season, under
250:Salle Le Peletier
173:Gioachino Rossini
148:
147:
139:Salle Le Peletier
69:Nicolas Levasseur
47:Gioachino Rossini
3317:
3237:
3236:
3228:
2993:Albrecht Gessler
2967:
2960:
2953:
2944:
2943:
2930:
2929:
2881:Related articles
2796:Film adaptations
2702:Una voce poco fa
2629:Ugo, re d'Italia
2624:
2573:
2572:
2428:
2369:
2368:
2317:La scala di seta
2301:L'inganno felice
2266:
2265:
2230:
2223:
2216:
2207:
2206:
2147:: Scores at the
2053:
2025:
2003:
1984:
1960:
1940:
1917:
1900:Osborne, Charles
1891:
1883:
1857:
1834:
1804:
1799:
1784:
1770:
1768:
1747:
1739:
1733:
1727:
1721:
1666:
1660:
1649:" (April 1952).
1643:
1637:
1636:
1634:
1632:
1614:
1608:
1607:
1605:
1603:
1579:
1573:
1555:
1549:
1543:
1537:
1522:Pappano, Antonio
1519:
1513:
1508:
1502:
1501:
1499:
1497:
1486:
1480:
1474:
1468:
1462:
1451:
1450:
1448:
1446:
1413:
1407:
1406:
1404:
1402:
1369:
1363:
1357:
1344:
1335:
1329:
1315:
947:By the shore of
744:Ferdinand Prévôt
646:Arnold Melchtal
554:
552:
548:
415:
414:
395:
351:as Gessler, and
308:in the theatre.
262:Teatro La Fenice
258:Teatro San Carlo
219:Charles Malherbe
142:
134:
132:
57:
32:
31:
3325:
3324:
3320:
3319:
3318:
3316:
3315:
3314:
3245:
3244:
3243:
3231:
3223:
3221:
3216:
3195:
3104:
3071:
3049:Urner Tellspiel
3012:
2976:
2971:
2941:
2936:
2918:
2876:
2845:
2839:Rossini's Ghost
2810:
2791:
2742:
2720:Messa di Gloria
2707:
2668:
2635:
2567:
2363:
2257:
2239:
2234:
2139:
2061:
2059:Further reading
2056:
2022:
2000:
1981:
1937:
1914:
1888:Macdonald, Hugh
1880:
1854:
1831:
1813:Gossett, Philip
1766:
1751:
1750:
1740:
1736:
1728:
1724:
1708:, p. 164;
1704:, p. 105;
1667:
1663:
1644:
1640:
1630:
1628:
1616:
1615:
1611:
1601:
1599:
1580:
1576:
1570:The Independent
1556:
1552:
1546:Patricia Bardon
1544:
1540:
1520:
1516:
1509:
1505:
1495:
1493:
1488:
1487:
1483:
1475:
1471:
1463:
1454:
1444:
1442:
1414:
1410:
1400:
1398:
1370:
1366:
1358:
1347:
1336:
1332:
1316:
1312:
1302:
1290:Hermann Gessler
1262:
1257:
1251:
1204:
1196:ranz des vaches
1137:
1079:
1013:
980:ranz des vaches
921:
905:
788:
786:Instrumentation
672:Monsieur Bonel
655:Adolphe Nourrit
566:
550:
547:
507:Ranz des Vaches
450:The Lone Ranger
440:
439:
431:
429:
428:
427:
426:
416:
409:
406:
399:
393:
388:
382:
373:La belle Hélène
349:Nicolas Courjal
345:Michele Pertusi
333:Antonio Pappano
231:
144:
143:
137:
135:
130:
128:
114:
93:
84:Étienne de Jouy
72:
71:as Walter Furst
65:Adolphe Nourrit
36:
28:
17:
12:
11:
5:
3323:
3313:
3312:
3307:
3302:
3297:
3292:
3287:
3282:
3277:
3272:
3267:
3262:
3257:
3242:
3241:
3218:
3217:
3215:
3214:
3209:
3203:
3201:
3197:
3196:
3194:
3193:
3185:
3177:
3169:
3161:
3153:
3145:
3137:
3129:
3121:
3112:
3110:
3106:
3105:
3103:
3102:
3088:
3084:Guillaume Tell
3079:
3077:
3073:
3072:
3070:
3069:
3061:
3053:
3045:
3037:
3029:
3020:
3018:
3014:
3013:
3011:
3010:
3005:
3000:
2995:
2990:
2984:
2982:
2978:
2977:
2970:
2969:
2962:
2955:
2947:
2938:
2937:
2935:
2934:
2923:
2920:
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2917:
2916:
2909:
2904:
2897:
2892:
2884:
2882:
2878:
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2874:
2869:
2864:
2859:
2853:
2851:
2847:
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2844:
2843:
2835:
2827:
2818:
2816:
2812:
2811:
2809:
2808:
2799:
2797:
2793:
2792:
2790:
2789:
2781:
2773:
2765:
2761:Edipo a Colono
2757:
2750:
2748:
2744:
2743:
2741:
2740:
2732:
2724:
2715:
2713:
2709:
2708:
2706:
2705:
2698:
2691:
2684:
2676:
2674:
2670:
2669:
2667:
2666:
2658:
2649:
2647:
2641:
2640:
2637:
2636:
2634:
2633:
2625:
2616:Guillaume Tell
2612:
2604:
2596:
2588:
2579:
2577:
2569:
2568:
2566:
2565:
2557:
2549:
2541:
2533:
2525:
2517:
2509:
2501:
2493:
2485:
2481:Mosè in Egitto
2477:
2469:
2461:
2457:La gazza ladra
2453:
2445:
2437:
2429:
2416:
2408:
2400:
2392:
2384:
2375:
2373:
2365:
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2353:
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2329:
2321:
2313:
2305:
2297:
2289:
2281:
2272:
2270:
2263:
2259:
2258:
2256:
2255:
2253:List of operas
2250:
2244:
2241:
2240:
2233:
2232:
2225:
2218:
2210:
2204:
2203:
2202:on archive.org
2193:
2192:on archive.org
2183:
2178:
2174:Guillaume Tell
2169:
2165:Guglielmo Tell
2160:
2156:Guillaume Tell
2151:
2144:Guillaume Tell
2138:
2137:External links
2135:
2134:
2133:
2112:
2080:Guillaume Tell
2076:
2060:
2057:
2055:
2054:
2026:
2020:
2004:
1998:
1985:
1979:
1967:, ed. (2001).
1965:Sadie, Stanley
1961:
1945:Pougin, Arthur
1941:
1935:
1918:
1912:
1896:
1884:
1878:
1858:
1852:
1840:Guillaume Tell
1835:
1829:
1809:
1800:
1785:
1771:
1757:
1749:
1748:
1734:
1732:, p. 131.
1722:
1720:, p. 110.
1710:Macdonald 2001
1706:Weinstock 1968
1661:
1638:
1620:Guillaume Tell
1609:
1589:Guillaume Tell
1574:
1550:
1538:
1514:
1503:
1481:
1479:, p. 794.
1469:
1452:
1434:(4): 667–671.
1408:
1390:(4): 259–264.
1376:Guglielmo Tell
1364:
1345:
1330:
1326:Guillaume Tell
1309:
1308:
1301:
1298:
1261:
1258:
1253:Main article:
1250:
1247:
1230:
1229:
1226:
1223:
1220:
1217:
1214:
1211:
1208:
1203:
1202:Noted excerpts
1200:
1158:"confederates"
1136:
1133:
1078:
1075:
1012:
1009:
984:ranz de vaches
932:Guglielmo Tell
920:
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576:Guillaume Tell
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384:Main article:
381:
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325:Opéra Bastille
242:Guillaume Tell
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208:Guillaume Tell
164:Guglielmo Tell
158:Guillaume Tell
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39:
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35:Guillaume Tell
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2159:
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2131:
2130:0-521-00195-1
2127:
2123:
2119:
2118:
2113:
2110:
2106:
2105:1-56159-228-5
2102:
2099:
2098:0-333-73432-7
2095:
2091:
2090:Stanley Sadie
2087:
2086:
2081:
2077:
2075:
2074:1-55553-088-5
2071:
2067:
2063:
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2017:
2013:
2009:
2005:
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1995:
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1966:
1962:
1958:
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1946:
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1913:0-931340-71-3
1909:
1905:
1901:
1897:
1895:
1889:
1885:
1881:
1875:
1871:
1867:
1863:
1862:Kobbé, Gustav
1859:
1855:
1849:
1845:
1841:
1836:
1832:
1830:0-14-029312-4
1826:
1822:
1818:
1817:Amanda Holden
1814:
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1719:
1715:
1714:Casaglia 2005
1711:
1707:
1703:
1699:
1695:
1691:
1687:
1686:Chouquet 1889
1683:
1679:
1675:
1671:
1665:
1658:
1654:
1653:
1648:
1642:
1627:
1623:
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1613:
1598:
1597:
1592:
1590:
1584:
1578:
1571:
1567:
1565:
1559:
1554:
1548:on Opera Rara
1547:
1542:
1535:
1531:
1529:
1523:
1518:
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1397:
1393:
1389:
1385:
1384:
1379:
1377:
1368:
1361:
1360:Kaminski 2003
1356:
1354:
1352:
1350:
1342:
1341:
1334:
1327:
1324:broadcast of
1323:
1320:
1319:Toll Brothers
1317:Interview on
1314:
1310:
1307:
1306:
1297:
1295:
1291:
1287:
1283:
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1209:
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1199:
1197:
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1187:
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1171:
1170:
1166:
1164:
1159:
1155:
1146:
1142:
1141:
1132:
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1125:
1123:
1122:Sois immobile
1117:
1115:
1109:
1108:
1104:
1102:
1098:
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1083:
1074:
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1021:
1019:
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1006:
1000:
998:
992:
990:
985:
981:
976:
974:
970:
966:
960:
959:
958:
957:canton of Uri
954:
950:
940:
933:
929:
925:
913:
911:
907:
906:
897:
895:
891:
890:double basses
887:
883:
879:
875:
871:
868:
866:
862:
858:
854:
850:
846:
842:
839:
837:
833:
829:
825:
822:
820:
816:
812:
809:(1st doubles
808:
804:
800:
796:
793:
792:
791:
779:
775:
771:
768:
765:
764:
761:
758:
755:
753:
749:
748:
745:
742:
739:
737:
733:
732:
729:
728:Alexis Dupont
726:
723:
721:
717:
716:
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710:
707:
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702:
701:
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690:
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685:
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664:
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648:
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638:
635:
633:
631:
625:
624:
621:
618:
616:
613:
611:
607:
606:
602:
600:
599:mezzo-soprano
597:
595:
591:
590:
587:
584:
582:
579:
577:
574:
573:
570:
564:
562:
559:
556:
555:
539:
535:
531:
527:
523:
520:
516:
512:
508:
504:
501:
497:
494:
490:
486:
485:double basses
482:
478:
477:
476:
474:
473:15th symphony
470:
467:in addition,
466:
464:
459:
458:
453:
451:
445:
438:
436:
424:
420:
405:
387:
377:
375:
374:
367:
365:
364:Gerald Finley
361:
356:
354:
350:
346:
342:
338:
334:
330:
326:
322:
318:
314:
309:
307:
303:
299:
295:
294:Rosa Ponselle
292:in 1923 with
291:
287:
283:
282:Covent Garden
279:
278:Her Majesty's
275:
271:
267:
263:
259:
254:
251:
247:
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140:
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104:
100:
96:
90:
89:Hippolyte Bis
87:
85:
82:
81:
79:
75:
70:
66:
63:as Mathilde,
62:
56:
51:
48:
44:
40:
33:
30:
26:
22:
3270:Grand operas
3189:William Tell
3187:
3179:
3172:
3165:William Tell
3164:
3155:
3147:
3141:William Tell
3139:
3133:William Tell
3132:
3125:William Tell
3124:
3115:
3096:
3092:William Tell
3091:
3090:
3083:
3068:(play, 1804)
3065:William Tell
3064:
3055:
3047:
3039:
3031:
3023:
2988:William Tell
2974:William Tell
2911:
2899:
2887:
2862:Prix Rossini
2837:
2829:
2821:
2803:
2783:
2775:
2767:
2759:
2739:(1864, 1867)
2734:
2731:(1831, 1841)
2728:Stabat mater
2726:
2718:
2712:Sacred music
2695:Sombre forĂŞt
2662:Robert Bruce
2660:
2652:
2632:(unfinished)
2627:
2615:
2614:
2608:Le comte Ory
2606:
2598:
2590:
2582:
2559:
2551:
2543:
2535:
2527:
2519:
2511:
2503:
2495:
2487:
2479:
2471:
2463:
2455:
2447:
2439:
2431:
2418:
2410:
2402:
2394:
2386:
2378:
2355:
2347:
2339:
2331:
2323:
2315:
2307:
2299:
2291:
2283:
2275:
2196:Wilhelm Tell
2186:Wilhelm Tell
2173:
2172:Libretto of
2164:
2163:Libretto of
2155:
2154:Libretto of
2143:
2115:
2088:, edited by
2083:
2079:
2065:
2030:
2011:
1989:
1968:
1952:
1922:
1903:
1869:
1843:
1839:
1820:
1793:
1779:
1775:Castil-Blaze
1767:(in Italian)
1753:
1752:
1742:
1737:
1730:Osborne 1994
1725:
1718:Osborne 2007
1690:Tamvaco 2000
1664:
1656:
1650:
1647:William Tell
1646:
1641:
1629:. Retrieved
1626:Opera Online
1625:
1619:
1612:
1600:. Retrieved
1594:
1588:
1577:
1569:
1564:William Tell
1563:
1553:
1541:
1534:The Guardian
1533:
1528:William Tell
1527:
1517:
1506:
1494:. Retrieved
1484:
1472:
1443:. Retrieved
1431:
1425:
1420:William Tell
1419:
1411:
1399:. Retrieved
1387:
1381:
1375:
1367:
1339:
1333:
1325:
1313:
1304:
1303:
1294:Walter FĂĽrst
1266:William Tell
1265:
1263:
1239:Andy Stewart
1231:
1195:
1191:
1188:
1184:
1179:
1175:
1172:
1168:
1167:
1162:
1153:
1151:
1139:
1138:
1128:
1126:
1121:
1118:
1113:
1110:
1106:
1105:
1100:
1096:
1093:
1089:
1088:
1070:
1066:
1062:
1058:
1052:
1047:
1043:
1038:
1034:
1015:
1014:
1004:
1001:
996:
993:
988:
983:
979:
977:
972:
968:
964:
961:
949:Lake Lucerne
946:
945:
931:
927:
789:
777:
751:
735:
719:
704:Walter Furst
681:
662:
627:
609:
593:
528:heralded by
461:
455:
448:
441:
432:
423:Fritz Reiner
371:
368:
357:
310:
306:Orsini bombs
286:William Tell
285:
269:
255:
241:
240:
216:
207:
200:William Tell
194:Wilhelm Tell
192:
163:
157:
152:William Tell
151:
150:
149:
111:Wilhelm Tell
109:
37:William Tell
29:
3275:1829 operas
3207:RĂĽtlischwur
2842:(1996 film)
2806:(1947 film)
2747:Other works
2576:Later works
2537:Maometto II
2269:Early works
1955:F.-J. FĂ©tis
1682:Pougin 1880
1234:Crimean War
1232:During the
1065:) and Uri (
1055:Unterwalden
910:Switzerland
886:violoncelli
834:in E and 3
817:in A and 2
811:cor anglais
720:a fisherman
567:Conductor:
517:. It is in
511:cor anglais
442:The famous
246:Paris Opéra
204:Fabio Luisi
187:, based on
161:; Italian:
3249:Categories
3033:Tellenlied
3017:Literature
2981:Characters
2913:Rossiniana
2561:Semiramide
2396:Sigismondo
1894:Sadie 2001
1807:Sadie 2001
1702:Wolff 1962
1676:, p.
1496:1 November
1445:21 October
1401:21 October
1300:References
1249:Recordings
841:Percussion
750:Rodolphe,
736:a shepherd
734:Leuthold,
663:his father
661:Melchtal,
626:Mathilde,
603:Mlle Mori
561:Voice type
487:, and the
435:media help
353:Mark Stone
274:Drury Lane
131:1829-08-03
77:Librettist
3176:(1987–90)
3160:(1958–59)
3044:(1550–70)
2645:Pastiches
2043:460748195
1572:(London).
1288:include:
876:, second
853:bass drum
836:trombones
815:clarinets
795:Woodwinds
769:baritone
766:A hunter
592:Hedwige,
341:The Proms
337:recording
225:in 1900.
185:L. F. Bis
155:(French:
3173:Crossbow
3095:(1829) (
3060:(1505–7)
2932:Category
2777:La Danza
2372:Maturity
2349:Tancredi
2010:(1968).
1947:(1880).
1902:(1994).
1868:(1954).
1777:(1855).
1536:(London)
1207:Overture
903:Synopsis
872:: first
849:triangle
832:trumpets
819:bassoons
636:soprano
632:princess
630:Habsburg
594:his wife
581:baritone
534:trumpets
444:overture
404:Overture
380:Overture
315:(1972),
313:Florence
212:overture
191:'s play
177:libretto
123:Premiere
106:Based on
98:Language
3036:(1470s)
2823:Rossini
2654:Ivanhoé
2619:(1829)
2553:Zelmira
2505:Ermione
2423:(1816)
2107:. Also
2066:Rossini
2039:7068320
1819:(ed.).
1754:Sources
1631:8 April
1602:8 April
955:in the
953:BĂĽrglen
878:violins
874:violins
870:Strings
865:tam-tam
857:cymbals
845:timpani
799:piccolo
718:Ruodi,
615:soprano
610:his son
608:Jemmy,
538:E major
519:G major
500:E minor
493:E major
489:timpani
248:at the
141:, Paris
129: (
3295:Operas
3225:Portal
3192:(2024)
3184:(1998)
3168:(1960)
3144:(1949)
3136:(1934)
3128:(1923)
3120:(1898)
3087:(1791)
3052:(1512)
3028:(1474)
2780:(1835)
2772:(1835)
2764:(1817)
2756:(1804)
2723:(1820)
2665:(1846)
2657:(1826)
2611:(1828)
2603:(1827)
2595:(1826)
2587:(1825)
2564:(1823)
2556:(1822)
2548:(1821)
2540:(1820)
2532:(1819)
2524:(1819)
2516:(1819)
2508:(1819)
2500:(1818)
2492:(1826)
2484:(1818)
2476:(1817)
2468:(1817)
2465:Armida
2460:(1817)
2452:(1817)
2444:(1816)
2436:(1816)
2415:(1815)
2407:(1815)
2399:(1814)
2391:(1814)
2383:(1813)
2360:(1813)
2352:(1813)
2344:(1813)
2336:(1812)
2328:(1812)
2320:(1812)
2312:(1812)
2304:(1812)
2296:(1811)
2288:(1810)
2280:(1812)
2262:Operas
2128:
2103:
2096:
2072:
2049:
2037:
2018:
1996:
1977:
1933:
1910:
1876:
1850:
1827:
1286:Unters
756:tenor
724:tenor
688:Schwyz
678:Gesler
317:Geneva
101:French
3239:Opera
3200:Other
3076:Opera
2673:Arias
1305:Notes
1282:Obers
1135:Act 4
1077:Act 3
1018:RĂĽtli
1011:Act 2
969:ennui
951:, at
919:Act 1
894:harps
882:viola
828:horns
824:Brass
813:), 2
807:oboes
803:flute
740:bass
708:bass
693:bass
650:tenor
557:Role
545:Roles
530:horns
526:galop
515:flute
505:The "
481:cello
175:to a
169:opera
43:Opera
3109:Film
2126:ISBN
2101:ISBN
2094:ISBN
2070:ISBN
2047:ISBN
2035:OCLC
2016:ISBN
1994:ISBN
1975:ISBN
1931:ISBN
1908:ISBN
1874:ISBN
1848:ISBN
1825:ISBN
1633:2018
1604:2018
1498:2014
1447:2007
1403:2007
1284:and
892:, 2
863:and
861:bell
843:: 2
826:: 4
805:, 2
801:, a
797:: a
686:and
668:bass
532:and
460:and
296:and
183:and
2200:BYU
2190:BYU
1892:in
1842:".
1805:in
1678:211
1672:);
1436:doi
1392:doi
1245:".
684:Uri
370:in
179:by
115:by
45:by
3251::
2124:.
2120:,
2041:,
1951:.
1929:.
1864:;
1792:.
1716:;
1712:;
1688:;
1684:;
1680:;
1657:33
1655:,
1624:.
1593:.
1568:,
1532:,
1455:^
1432:38
1430:.
1424:.
1386:.
1380:.
1348:^
1292:,
888:,
884:,
880:,
859:,
855:,
851:,
847:,
680:,
628:a
421:,
376:.
3227::
3101:)
2966:e
2959:t
2952:v
2704:"
2700:"
2697:"
2693:"
2690:"
2686:"
2683:"
2679:"
2229:e
2222:t
2215:v
2132:.
2024:.
2002:.
1983:.
1939:.
1916:.
1882:.
1856:.
1833:.
1769:.
1635:.
1618:"
1606:.
1530:"
1500:.
1449:.
1438::
1422:"
1405:.
1394::
1388:9
1374:"
1190:(
1174:(
1161:(
1095:(
963:(
540:.
521:.
502:.
495:.
465:;
452:.
437:.
196:,
133:)
27:.
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