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1098:, Jon Harrington praised the album's "superb" sound and the skilled and inventive musicianship, but considered the record to be patchy. He found the spoken-word monologues to be "dated and misjudged", but praised the singles and several other songs which he said "show that the album could have been much better had the experimentation been reined in and more made of Burdon's singing."
686:-style trumpet. An autobiographical song, "Good Times" is characterised by Weider's violin while Burdon "considers the good times that he wasted having good times", while the gentle "Anything" is another exercise in social commentary. The closing song, "It's All Meat" is a driving rock song influenced by Hendrix with lyrics from Burdon that mention
1081:, Bruce Eder highlighted it for opening the group's "psychedelic era" and commented that "It's All Meat" calls to mind "an aspect of this band that a lot of scholars in earlier years overlooked – the fact that Briggs, Weider, et al. had the skills to make music in style that was convincing and that worked on record, on their terms."
1094:, semi-spoken album of freaker stories set against rhythmic tracks or psychy drones... which will be OK for some, but not all." He said that besides the two singles, the only other highlights are "Hotel Hell" and "It's All Meat", the latter possessing "some attack and variety" lacking elsewhere on the record. Also for
461:
hand-in-hand. Discussing the recording, the magazine wrote that Wilson "spent long hours in April through July in three different cities around the world to come up with the finished product. The release of the album was preceded by several non-album singles that showcased the group's new direction, such as "
576:
and
Hendrix. Describing the record, he stated: "It sounds big-headed, but it is on the verge of creating ultimate music. From the cover to every track and every sound – it's all for everybody. I suppose every musician wants to give himself away, but this is how I feel about the album." He rejected
31:
460:
reported that the lengthy recording sessions for the album were representative of pop music becoming "serious" music, noting that produces and performers "are spending longer hours in the studio seeking for artistic triumphs as well as commercial success – and there is evidence that the two go
829:
as "one of the most individual albums for many months." He stated that while there are no dramatic innovations, all of the songs still exude conviction, and added: "Mr. Burdon is genuinely treating his music as a personal crusade for a better world, and at the same time being entertaining."
860:
described the music as "very good", drawing attention to the meaningful, if sombre lyrics and the "sensational" music by the New
Animals. However, they dismissed Burdon's sleeve notes as pretentious and criticised his album dedications to George Harrison and "all the lads at
740:, where it spent eleven weeks. The following single was "San Franciscan Nights", with "Good Times" as the American B-side and "Gratefully Dead" as the British B-side. The song reached number seven on the UK Singles Chart where it spent ten weeks, and number nine on the US
601:, among other major figures in rock, jazz and blues; Burdon had previously worked with Zappa on "The Other Side of This Life" (1966). "Poem by the Sea" is another recitation by Burdon, delivered "amid a swirl of echo-drenched instruments" The only
865:", as well as him "telling us he loves us"; they stated that these are Burdon's personal problems and that "we only care about the music". They concluded: "Keep punching out the music and leave us to think our own thoughts". Mike Ledgerwood of
1057:
argued that the "petty pretentious" album represented the start of Burdon's creative downfall, adding that although the singer's new band were good, most of the material was "terrible". Reviewing the 1971 reissue, Valerie Mabbs of
910:
exploitation" of "San
Francisco Nights", and added that while Burdon can be a great singer, it was unfortunate that his "past success apparently has deluded him into thinking he is a person of many talents, which he is not."
879:; he wrote of the band: "They're true believers. They know their inner feelings, what they want, and how to get it–irrespective of others", and added that listeners would either love the album as a piece of "musical and
1064:
commented that most of the album's content is "pretty poor narrative" and found it hard to take the record sincerely, concluding that "with the current enthusiasm over War, was best left where it was." However, in the
1111:
of psychedelic rock", commenting that his move to
California resulted in "one of pop's great voyages of delusion, with Burdon's four San Francisco albums with his American Animals a hobnail-booted approximation of
732:
philosophy following a visit to India the previous year Burdon cited as an inspiration. Writers have highlighted the
Harrison dedication in particular, which reads: "From whom I learn from being in the same room".
836:
deemed the album "a good one" and wrote that the package "is designed to stress the new bag Eric Burdon and his new
Animals are in", saying: "It's very timely and the teen fans will cotton to it." A reviewer for
769:
was re-released in
Holland. In the UK, it was re-released by MGM in 1971, by which point Burdon had achieved renewed fame through his collaborations with War. CD versions of the album include those released by
1768:
906:", deeming it a "terrible album insufficiently brightened by a few good numbers". They panned the "semi-coherent" liner notes, lyrical inanities, "wind-blasted echoey narration" on the title song and "
2178:
670:
psychedelic scene". The lengthy "Man-Woman" is centred on
Jenkins' percussion and Burdon's lyrics, referencing nights of drug use, which the singer delivers in a scansion that has been compared to
1582:
2207:
2097:
533:
is divided into two distinct sides, the first containing the more conceptual and adventurous "psychedelic mood pieces" and the second comprising more conventionally structured songs based in
2018:
1846:
1090:
wrote that aside from the singles "Good Times" and "San
Franciscan Nights", which he described as "deservedly" evocative of the summer of 1967, the record is otherwise "a decidedly
902:, describing them both as experimental albums that depart from their makers' mainly blues stylings. However, they considered the Animals' record to ably demonstrate "the dangers of
654:", which had not yet been released when Burdon's answer song was recorded. Containing more spoken word vocals, the track also incorporates a change of tempo mid-way through. A
556:
is "dedicated to love and humanity" and to "everybody in the music business from the turn of the century to today–the people whom I think have left an important mark", citing
1664:
593:, including washing waves, while Burdon's spoken word vocals are drenched in reverb. The musician's calmly recited lyrics are a list of his influences, ranging from
2924:
2949:
1548:
2944:
1896:
2939:
794:, namely two alternate mixes and the rock songs "Ain't That So" and "Gratefully Dead". In 2020, Eric Burdon & the Animals' MGM work was re-released by
2934:
1965:
1518:
2706:
871:
considered Burdon to have "gone overboard" in what he describes as "often boring, narrative-type numbers", despite praising the singer for being
2317:
2152:
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1225:
526:
366:
249:
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was the first true album by Eric Burdon & the
Animals. The lineup was entirely different from the Animals except for Burdon and drummer
1732:
2837:
2236:
736:
The album's first single, "Good Times", was released in August 1967 with "Ain't That So" as the B-side. It peaked at number 20 on the
509:
pieces with sparse instrumentation", with the record being characterised by semi-spoken stories set against rhythms or psychedelic
403:(March 1967), credited to "Eric Burdon & the Animals", though its musical personnel consisted of orchestral musicians from the
2385:
525:, sporting "philosophic lyrics and poetic narratives ('Winds of Change,' 'The Black Plague') and personal confessions by Burdon ('
1805:
1107:
ranked the album at number 80 in their list of "The 101 Weirdest Albums of All Time"; contributor Jim Wirth called Burdon the "
639:' "Still I'm Sad" (1965). It has been referred to it as a "gothic drama", while Burdon himself described it "a blues about the
2795:
2746:
2425:
2697:
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389:, broke up in late 1966 following numerous personnel changes that saw many members being replaced. Following this, singer
354:
to sparse, psychedelic backings. The singer dedicated the album to a range of musicians. On release, the album missed the
610:
847:
wrote that the Animals not only keep pace with changes in pop but "even bolt ahead", and considered the record to fuse "
1815:
2300:
1996:
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described the album as "eleven rock outings on a potent package" and predicted it would have "monster" success.
2781:
2774:
2721:
2588:
1116:". He added that "The Black Plague", "Yes I Am Experienced" and "San Franciscan Nights" exemplify "a premature
662:" moves from a heavy electric intro to a calmer, acoustic section in which Burdon's spoken lyrics refer to the
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notions that he had abandoned blues, considering the record to present the "blues of my mind, 1967 blues".
43:
2954:
2929:
2919:
2553:
1382:
Spicer, Al (1999). "The Animals". In Buckley, Jonathan; Duane, Orla; Ellingham, Mark; Spicer, Al (eds.).
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in June 1967; Tom Wilson released it against the band's wishes, although Burdon later re-recorded it for
489:
style, with Burdon's move to California and the lineup change having inspired a musical transition from
2126:
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album, following the advancement of Burdon's drug experiences several months earlier with his first
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875:. However, he selected it as one of the magazine's "albums of the month" due to its rejection of
462:
627:
version is characterised by Weider's electric violin, Briggs' guitar and Burdon's lengthy vocal
2767:
1740:
631:. "The Black Plague", another track built around Burdon's surreal spoken vocals, begins with a
1635:
2830:
1212:
888:
659:
628:
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370:
324:
262:
131:
1665:"Albums from Bobbie Gentry, Aretha Franklin, Big Brother, Captain Beefheart and the Animals"
2914:
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2636:
2483:
2411:
1988:
1981:
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456:
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218:
169:
8:
2714:
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522:
1897:"Eric Burdon & The Animals – 'When I Was Young-The MGM Recordings 1967-1968' (2020)"
1138:
ranked the album at number 346 in their list of "The 500 Greatest Albums of the 1960s".
724:. As listed on the sleeve, Burdon dedicated the album to numerous people. Among them is
666:
of San Francisco, in what has been described as the singer's "joyous celebration of the
377:
have been divided on the merits of the album, which has been re-released several times.
2788:
2047:
1331:– "stepped in on some tracks to deputise on bass after Danny McCulloch broke his wrist"
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and "moody-late night street imagery" in an arrangement reminiscent evocative of
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541:. Among the instruments that the album introduces to the group's sound are the
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295:. The album was recorded following the 1966 dissolution of the original group
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at number 44 in their list of "The 50 best psychedelic rock albums of the
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in 2013. The 2008 release features sleeve notes from David Wells and adds
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progression", or loathe its abandonment of the Animals' earlier style.
620:
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561:
420:
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151:
30:
1549:"When I Was Young: The MGM Recordings - Eric Burdon & The Animals"
679:
585:
The opening title track is a folky psychedelic rock song with highly
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518:
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443:
747:, becoming the New Animals' only transatlantic Top 10 hit. However,
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is considered "perhaps high-water mark." Reviewing the album for
1924:"Eric Burdon & The Animals – When I Was Young – album review"
903:
373:", were British hits, while the latter was also a US Top 10 hit.
1257:"A Girl Named Sandoz" (UK Single B-Side) (Burdon, Weider) – 3:05
497:. Indeed, the record is considered the Animals' first genuinely
327:
and arranged by Briggs in sessions that spanned several months.
2403:
1477:"Chrome Oxide - Music Collectors pages - Animals - 05/12/2018"
851:" music with "bitter, caustic comments on contemporary life."
542:
486:
331:
38:
2127:"Winds Of Change - Eric Burdon & The Animals - Releases"
1698:"The 50 best psychedelic rock albums of the Summer of Love"
586:
350:
album that features Burdon reciting lyrics and stories in
671:
619:(1970), his last collaborative album with American group
806:
on its first disc and a mono version on its fifth disc.
2318:"His Group Is Gone, But Eric Burdon's LPs Go On and ON"
1507:(liner). Eric Burdon & The Animals. Rev-Ola. 2008.
1386:(2nd ed.). London: Rough Guides. pp. 28–29.
18:
1967 studio album by Eric Burdon & the Animals
2380:
2378:
2376:
2374:
2372:
1810:. Hackensack, New Jersey: Salem Press. p. 33.
1695:
552:In a contemporary interview, Burdon commented that
505:. The group's "rave-ups" are replaced with "almost
485:album that departs from the Animals' predominately
1980:
1954:(liner). Eric Burdon & The Animals. MCA. 1967.
1733:"Winds Of Change - Eric Burdon & The Animals"
2906:
2707:The Greatest Hits of Eric Burdon and the Animals
2369:
2016:
1691:
1689:
1687:
1685:
2925:Albums produced by Tom Wilson (record producer)
1964:: CS1 maint: others in cite AV media (notes) (
1517:: CS1 maint: others in cite AV media (notes) (
1266:"San Franciscan Nights" (single version) – 3:19
1469:
1426:. Edinburgh: Canongate Books. pp. 27–28.
1349:Ed Kramer – recording engineer, remix engineer
1242:
943:
2950:Experimental music albums by American artists
2419:
2341:
2339:
2200:
1682:
311:formed the new Animals lineup with musicians
2945:Experimental music albums by English artists
2315:
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1538:
1536:
1534:
1532:
1530:
1528:
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981:
755:on release, but reached number 42 on the US
646:"Yes I Am Experienced" was one of the first
454:) and arranged by Briggs. In December 1967,
419:left in 1966 – who were joined by guitarist
287:is the debut album by British-American band
2940:Psychedelic rock albums by American artists
2243:. Vol. 83, no. 5. 30 January 1971
802:, featuring a remastered stereo version of
650:; it was written in response to Hendrix's "
517:said the album is often "best described as
380:
2935:Psychedelic rock albums by English artists
2426:
2412:
2336:
1946:
1944:
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1838:
1836:
1834:
1799:
1797:
1795:
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914:
609:", which the Animals had performed at the
29:
1978:
1762:
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1758:
1726:
1724:
1722:
1720:
1718:
1658:
1656:
1525:
1422:Strong, Martin C. (2006). "The Animals".
2386:"Winds Of Change - MGM LP USA E/SE-4484"
2361:"The Greatest 500 Albums of the 1960s".
2012:
2010:
2008:
1807:Popular Musicians Volume 1: Abba-Donovan
1576:
1574:
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1415:
1413:
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819:In a contemporary review, Alan Jones of
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605:on the album is of the Rolling Stones' "
1941:
1891:
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1831:
1803:
1790:
1662:
1629:
1627:
1494:
814:
434:Recorded between February–August 1967,
2907:
2290:
2284:
2237:"Album Reviews (originally from 1967)"
2171:
1987:. New York, NY: McGraw-Hill. pp.
1889:
1887:
1885:
1883:
1881:
1879:
1877:
1875:
1873:
1871:
1755:
1730:
1715:
1653:
1636:"Winds of Change Review by Bruce Eder"
1625:
1623:
1621:
1619:
1617:
1615:
1613:
1611:
1609:
1607:
1452:"The Animals Biography by Mark Deming"
1421:
1381:
2407:
2150:
2144:
2005:
1921:
1571:
1440:
1400:
1366:
924:
809:
529:')." According to critic Bruce Eder,
415:– the latter of whom had joined when
2670:Before We Were So Rudely Interrupted
2295:. London: Virgin Books. p. 45.
2293:Virgin Encyclopedia of Popular Music
2255:
2017:The MM Pop Panel (2 December 1967).
1696:BrooklynVegan Staff (16 June 2017).
1580:
1260:"Good Times" (single version) – 2:58
894:Captain Beefheart and His Magic Band
800:When I Was Young: The MGM Recordings
2346:"101 Weirdest Albums of All Time".
2316:O'Connor, Rory (22 February 1969).
2040:
1868:
1663:Johnson, Pete (10 September 1967).
1604:
1583:"Pop Trend: Sophisticated, Serious"
1547:Harrington, Jon (21 January 2020).
945:
611:Monterey International Pop Festival
589:guitar, sitar, electric violin and
473:
427:, and guitarist/electric violinist
13:
1766:
1449:
728:of the Beatles, whose espousal of
635:section that has been compared to
14:
2971:
2291:Larkin, Colin (1997). "Animals".
1581:Hall, Claude (2 September 1967).
1021:
983:
2888:
2887:
2151:Jones, Alan (11 December 1967).
1731:Abbott, Kingsley (31 May 2008).
1633:
1278:Adapted from the liner notes of
1141:
1040:
1035:
1030:
1025:
1020:
1002:
997:
992:
987:
982:
964:
959:
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949:
944:
720:was released in October 1967 by
358:but reached number 42 on the US
342:moves Burdon and the group into
2433:
2354:
2229:
2119:
2090:
2065:
1972:
1922:Canty, Ian (18 February 2020).
1915:
1901:It's Psychedelic Baby! Magazine
1845:Dawbarn, Bob (7 October 1967).
1346:Ami Hadani – recording engineer
346:territory. It is a diverse and
2775:We Gotta Get Out of This Place
2272:. 18 November 1967. p. 13
468:
291:, released in October 1967 by
1:
2761:Don't Let Me Be Misunderstood
1359:
1300:– guitar, piano, arrangements
1286:Eric Burdon & the Animals
1199:"Yes I Am Experienced" – 3:38
1120:set to music". Also in 2017,
976:Encyclopedia of Popular Music
521:set to music". The record is
289:Eric Burdon & the Animals
188:Eric Burdon & the Animals
139:Eric Burdon & the Animals
44:Eric Burdon & the Animals
1979:Schaffner, Nicholas (1978).
1804:Hochman, Steve, ed. (2010).
1273:
323:. The album was produced by
7:
2747:The House of the Rising Sun
2614:Eric Burdon and the Animals
1243:Bonus tracks (2003 reissue)
1203:
1169:
10:
2976:
2722:Absolute Animals 1964–1968
2363:Uncut Ultimate Music Guide
2208:"Album Reviews: Pop Picks"
2179:"Album Reviews: Pick Hits"
1424:The Great Rock Discography
1071:Popular Musicians Volume 1
1051:In 1969, Rory O'Connor of
397:and released a new album,
2882:
2861:
2740:Baby Let Me Take You Home
2731:
2690:
2661:
2613:
2545:
2538:
2452:(1962–1966, 1977, 1983):
2441:
1343:– director of engineering
1196:"The Black Plague" – 5:58
932:
929:
442:(known for his work with
276:
242:
231:
194:
186:
182:
145:
137:
125:
113:
97:
66:
58:
50:
37:
28:
23:
2662:The Animals (1977, 1983)
1767:M., V. (17 April 1971).
1269:"Gratefully Dead" – 3:59
1249:
1178:"Poem by the Sea" – 2:15
1175:"Winds of Change" – 3:59
674:. "Hotel Hell" features
580:
448:the Mothers of Invention
381:Background and recording
2874:Eric Burdon discography
2869:The Animals discography
2699:The Best of the Animals
2546:The Animals (1962–1966)
2217:: 16. 16 September 1967
2188:: 12. 23 September 1967
2073:"San Franciscan Nights"
1384:The Rough Guide to Rock
1210:
915:Retrospective appraisal
307:, where he and drummer
2960:Progressive pop albums
2768:Bring It On Home to Me
2388:. Ericburdonalbums.com
2350:(238): 70. March 2017.
1282:, except where noted.
1263:"Ain't That So" – 3:27
1238:"It's All Meat" – 2:01
1166:, except where noted.
892:reviewed it alongside
714:
643:of the 14th century."
616:The Black-Man's Burdon
393:moved from England to
338:sound of the Animals,
2831:San Franciscan Nights
2496:Eric Burdon & The
2107:: 70. 6 December 1969
1847:"The Ultimate Burdon"
1294:– vocals, liner notes
1213:San Franciscan Nights
1146:All songs written by
889:The Los Angeles Times
868:Disc & Music Echo
705:
698:Release and promotion
660:San Franciscan Nights
452:Simon & Garfunkel
371:San Franciscan Nights
268:Released: August 1967
263:San Franciscan Nights
255:Released: August 1967
2637:The Twain Shall Meet
2153:"New discs: LP Spot"
1323:Additional personnel
920:Professional ratings
815:Contemporary reviews
652:Are You Experienced?
407:Orchestra. Instead,
219:The Twain Shall Meet
170:The Twain Shall Meet
62:February–August 1967
2796:Don't Bring Me Down
2715:The Most of Animals
2583:The Animals on Tour
1983:The Beatles Forever
1960:cite AV media notes
1769:"Eric's Poor Story"
1513:cite AV media notes
1221:"Hotel Hell" – 4:46
1084:Kingsley Abbott of
921:
796:Esoteric Recordings
713:is partly dedicated
385:The original band,
2955:Spoken word albums
2930:MGM Records albums
2920:The Animals albums
2789:Inside-Looking Out
2365:. 27 October 2022.
2270:Disc and Music Ech
2098:"Cash Box Holland"
1218:"Man—Woman" – 5:29
919:
854:The pop panel for
810:Critical reception
778:in 2003 and 2006,
776:Repertoire Records
715:
574:the Rolling Stones
2902:
2901:
2686:
2685:
2322:The Tampa Tribune
2157:Lincolnshire Echo
1669:Los Angeles Times
1054:The Tampa Tribune
1049:
1048:
822:Lincolnshire Echo
676:social commentary
535:hard, bluesy rock
280:
279:
227:
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178:
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2890:
2862:Related articles
2817:When I Was Young
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2112:
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2094:
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2087:
2085:
2083:
2069:
2063:
2062:
2060:
2058:
2044:
2038:
2037:
2035:
2033:
2023:
2019:"New Pop Albums"
2014:
2003:
2002:
1986:
1976:
1970:
1969:
1963:
1955:
1948:
1939:
1938:
1936:
1934:
1919:
1913:
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1910:
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1893:
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1851:
1842:
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1801:
1788:
1787:
1785:
1783:
1773:
1764:
1753:
1752:
1750:
1748:
1743:on 20 April 2023
1739:. Archived from
1737:Record Collector
1728:
1713:
1712:
1710:
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1677:
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1651:
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1602:
1601:
1599:
1597:
1592:. pp. 1, 10
1587:
1578:
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1566:
1564:
1559:on 20 April 2023
1555:. Archived from
1553:Record Collector
1544:
1523:
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1508:
1501:
1492:
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1489:
1487:
1473:
1467:
1466:
1464:
1462:
1447:
1438:
1437:
1419:
1398:
1397:
1379:
1355:– remix engineer
1306:– guitar, violin
1252:When I Was Young
1096:Record Collector
1087:Record Collector
1045:
1044:
1043:
1039:
1038:
1034:
1033:
1029:
1028:
1024:
1023:
1014:Record Collector
1007:
1006:
1005:
1001:
1000:
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986:
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969:
968:
967:
963:
962:
958:
957:
953:
952:
948:
947:
922:
918:
886:Pete Johnson of
738:UK Singles Chart
709:(1968), to whom
495:psychedelic rock
491:rhythm and blues
474:Style and themes
463:When I Was Young
438:was produced by
365:. Two singles, "
269:
266:
256:
253:
237:Winds of Change
196:
195:
147:
146:
109:
108:
104:
75:Psychedelic rock
33:
21:
20:
2975:
2974:
2970:
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2966:
2965:
2964:
2905:
2904:
2903:
2898:
2878:
2857:
2727:
2682:
2657:
2644:Every One of Us
2630:Winds of Change
2609:
2572:
2534:
2515:Danny McCulloch
2437:
2432:
2402:
2401:
2391:
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2337:
2327:
2325:
2314:
2310:
2303:
2289:
2285:
2275:
2273:
2265:
2263:"Album Reviews"
2261:
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2256:
2246:
2244:
2235:
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2220:
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2125:
2124:
2120:
2110:
2108:
2100:
2096:
2095:
2091:
2081:
2079:
2077:Official Charts
2071:
2070:
2066:
2056:
2054:
2052:Official Charts
2046:
2045:
2041:
2031:
2029:
2021:
2015:
2006:
1999:
1977:
1973:
1957:
1956:
1952:Winds of Change
1950:
1949:
1942:
1932:
1930:
1928:Louder Than War
1920:
1916:
1906:
1904:
1903:. 18 March 2020
1895:
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1595:
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1560:
1545:
1526:
1510:
1509:
1505:Winds of Change
1503:
1502:
1495:
1485:
1483:
1481:Chromeoxide.com
1475:
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1458:
1448:
1441:
1434:
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1401:
1394:
1380:
1367:
1362:
1310:Danny McCulloch
1280:Winds of Change
1276:
1245:
1206:
1172:
1164:Danny McCulloch
1144:
1128:Winds of Change
1118:mid-life crisis
1075:Winds of Change
1041:
1036:
1031:
1026:
1003:
998:
993:
988:
965:
960:
955:
950:
917:
849:love generation
827:Winds of Change
817:
812:
804:Winds of Change
798:as the box set
784:Rev-Ola Records
772:One Way Records
767:Winds of Change
753:UK Albums Chart
749:Winds of Change
726:George Harrison
718:Winds of Change
711:Winds of Change
707:George Harrison
700:
633:Gregorian chant
625:Winds of Change
583:
554:Winds of Change
547:electric violin
531:Winds of Change
513:. Music critic
479:Winds of Change
476:
471:
436:Winds of Change
425:Danny McCulloch
409:Winds of Change
383:
356:UK Albums Chart
340:Winds of Change
317:Danny McCulloch
284:Winds of Change
272:
267:
260:
259:
254:
247:
246:
222:
213:
210:Winds of Change
204:
173:
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161:Winds of Change
155:
106:
102:
101:
90:progressive pop
46:
24:Winds of Change
19:
12:
11:
5:
2973:
2963:
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2640:
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2593:
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2540:
2536:
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2533:
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2527:
2522:
2517:
2512:
2509:
2506:
2492:
2491:
2486:
2481:
2476:
2471:
2466:
2464:Mick Gallagher
2461:
2456:
2442:
2439:
2438:
2431:
2430:
2423:
2416:
2408:
2400:
2399:
2368:
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2308:
2301:
2283:
2254:
2228:
2199:
2170:
2143:
2118:
2089:
2064:
2039:
2004:
1997:
1971:
1940:
1914:
1867:
1830:
1817:978-0893569877
1816:
1789:
1754:
1714:
1681:
1652:
1603:
1570:
1524:
1493:
1468:
1450:Deming, Mark.
1439:
1432:
1399:
1392:
1364:
1363:
1361:
1358:
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1350:
1347:
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1307:
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1295:
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1255:
1248:
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1241:
1240:
1239:
1236:
1229:
1222:
1219:
1216:
1209:
1205:
1202:
1201:
1200:
1197:
1194:
1191:Keith Richards
1183:Paint It Black
1179:
1176:
1171:
1168:
1143:
1140:
1132:Summer of Love
1047:
1046:
1017:
1009:
1008:
979:
971:
970:
941:
935:
934:
931:
927:
926:
916:
913:
816:
813:
811:
808:
780:Spectrum Music
699:
696:
664:counterculture
641:Bubonic Plague
607:Paint It Black
582:
579:
558:Robert Johnson
537:comparable to
475:
472:
470:
467:
465:" (May 1967).
382:
379:
330:Eschewing the
278:
277:
274:
273:
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35:
34:
26:
25:
17:
9:
6:
4:
3:
2:
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2821:
2818:
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2811:
2807:
2804:
2803:See See Rider
2800:
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2776:
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2627:
2624:
2623:
2619:
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2616:
2612:
2606:
2605:
2601:
2599:
2598:
2597:Animalization
2594:
2592:
2591:
2590:Animal Tracks
2587:
2585:
2584:
2580:
2578:
2577:
2571:
2570:
2566:
2564:
2563:
2562:Animal Tracks
2559:
2557:
2556:
2551:
2550:
2548:
2544:
2541:
2539:Studio albums
2537:
2531:
2528:
2526:
2523:
2521:
2518:
2516:
2513:
2511:Barry Jenkins
2510:
2507:
2505:
2502:(1966–1969):
2501:
2497:
2494:
2493:
2490:
2487:
2485:
2482:
2480:
2479:Dave Rowberry
2477:
2475:
2472:
2470:
2469:Barry Jenkins
2467:
2465:
2462:
2460:
2459:Chas Chandler
2457:
2455:
2451:
2447:
2444:
2443:
2440:
2436:
2429:
2424:
2422:
2417:
2415:
2410:
2409:
2406:
2387:
2381:
2379:
2377:
2375:
2373:
2364:
2357:
2349:
2342:
2340:
2323:
2319:
2312:
2304:
2302:1-85227 745 9
2298:
2294:
2287:
2271:
2264:
2258:
2242:
2238:
2232:
2216:
2209:
2203:
2187:
2180:
2174:
2158:
2154:
2147:
2132:
2128:
2122:
2106:
2099:
2093:
2078:
2074:
2068:
2053:
2049:
2043:
2027:
2020:
2013:
2011:
2009:
2000:
1998:0-07-055087-5
1994:
1990:
1985:
1984:
1975:
1967:
1961:
1953:
1947:
1945:
1929:
1925:
1918:
1902:
1898:
1892:
1890:
1888:
1886:
1884:
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1848:
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1776:Record Mirror
1770:
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1761:
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1742:
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1734:
1727:
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1723:
1721:
1719:
1703:
1702:BrooklynVegan
1699:
1692:
1690:
1688:
1686:
1670:
1666:
1659:
1657:
1641:
1637:
1634:Eder, Bruce.
1630:
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1618:
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1614:
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1506:
1500:
1498:
1482:
1478:
1472:
1457:
1453:
1446:
1444:
1435:
1433:1-84195-860-3
1429:
1425:
1418:
1416:
1414:
1412:
1410:
1408:
1406:
1404:
1395:
1393:1-85828-457-0
1389:
1385:
1378:
1376:
1374:
1372:
1370:
1365:
1354:
1353:Gary Kellgren
1351:
1348:
1345:
1342:
1339:
1336:
1333:
1330:
1327:
1326:
1325:
1324:
1317:
1316:Barry Jenkins
1314:
1311:
1308:
1305:
1302:
1299:
1296:
1293:
1290:
1289:
1288:
1287:
1283:
1281:
1268:
1265:
1262:
1259:
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1253:
1247:
1246:
1237:
1234:
1230:
1227:
1223:
1220:
1217:
1214:
1208:
1207:
1198:
1195:
1192:
1188:
1184:
1180:
1177:
1174:
1173:
1167:
1165:
1161:
1160:Barry Jenkins
1157:
1153:
1149:
1142:Track listing
1139:
1137:
1133:
1129:
1125:
1124:
1123:BrooklynVegan
1119:
1115:
1110:
1106:
1105:
1099:
1097:
1093:
1089:
1088:
1082:
1080:
1076:
1072:
1068:
1063:
1062:
1061:Record Mirror
1056:
1055:
1018:
1016:
1015:
1011:
1010:
980:
978:
977:
973:
972:
942:
940:
937:
936:
928:
925:Review scores
923:
912:
909:
905:
901:
900:
895:
891:
890:
884:
882:
878:
877:commercialism
874:
870:
869:
864:
859:
858:
852:
850:
846:
842:
841:
835:
834:
828:
824:
823:
807:
805:
801:
797:
793:
789:
785:
781:
777:
773:
768:
763:
761:
759:
754:
750:
746:
744:
739:
734:
731:
727:
723:
719:
712:
708:
704:
695:
693:
689:
685:
681:
677:
673:
669:
665:
661:
657:
653:
649:
644:
642:
638:
637:the Yardbirds
634:
630:
629:improvisation
626:
622:
618:
617:
612:
608:
604:
603:cover version
600:
596:
592:
591:sound effects
588:
578:
575:
571:
567:
563:
559:
555:
550:
548:
544:
540:
536:
532:
528:
524:
520:
516:
515:Valerie Mabbs
512:
508:
504:
500:
496:
492:
488:
484:
480:
466:
464:
459:
458:
453:
449:
445:
441:
437:
432:
430:
426:
422:
418:
414:
413:Barry Jenkins
410:
406:
402:
401:
396:
395:San Francisco
392:
388:
378:
376:
375:Music critics
372:
368:
364:
362:
357:
353:
349:
345:
341:
337:
333:
328:
326:
322:
318:
314:
310:
309:Barry Jenkins
306:
305:San Francisco
302:
298:
294:
290:
286:
285:
275:
264:
258:
251:
245:
244:
241:
238:
234:
230:
221:
220:
216:
212:
211:
207:
203:
202:
198:
197:
193:
190:US chronology
189:
185:
181:
172:
171:
167:
163:
162:
158:
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153:
149:
148:
144:
141:UK chronology
140:
136:
133:
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128:
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121:
118:
116:
112:
100:
96:
91:
88:
86:
83:
81:
78:
76:
73:
72:
71:
69:
65:
61:
57:
53:
49:
45:
40:
36:
32:
27:
22:
16:
2886:
2810:Help Me Girl
2782:It's My Life
2720:
2713:
2705:
2698:
2691:Compilations
2676:
2668:
2651:
2642:
2635:
2629:
2628:
2622:Eric Is Here
2620:
2603:
2595:
2589:
2581:
2575:
2567:
2561:
2554:
2525:Andy Summers
2499:
2495:
2449:
2445:
2390:. Retrieved
2362:
2356:
2347:
2326:. Retrieved
2321:
2311:
2292:
2286:
2276:15 September
2274:. Retrieved
2269:
2257:
2245:. Retrieved
2240:
2231:
2219:. Retrieved
2214:
2202:
2190:. Retrieved
2186:Record World
2185:
2173:
2161:. Retrieved
2156:
2146:
2134:. Retrieved
2130:
2121:
2109:. Retrieved
2104:
2092:
2080:. Retrieved
2076:
2067:
2055:. Retrieved
2051:
2042:
2030:. Retrieved
2026:Melody Maker
2025:
1982:
1974:
1951:
1931:. Retrieved
1927:
1917:
1905:. Retrieved
1900:
1858:. Retrieved
1854:Melody Maker
1853:
1821:. Retrieved
1806:
1780:. Retrieved
1775:
1745:. Retrieved
1741:the original
1736:
1705:. Retrieved
1701:
1672:. Retrieved
1668:
1643:. Retrieved
1639:
1594:. Retrieved
1589:
1561:. Retrieved
1557:the original
1552:
1504:
1484:. Retrieved
1480:
1471:
1459:. Retrieved
1455:
1423:
1383:
1341:Val Valentin
1337:– production
1322:
1321:
1285:
1284:
1279:
1277:
1145:
1135:
1134:". In 2022,
1127:
1121:
1114:flower power
1109:Jimmy Pursey
1102:
1100:
1095:
1085:
1083:
1074:
1070:
1059:
1052:
1050:
1012:
974:
908:flower child
899:Safe as Milk
897:
887:
885:
866:
863:West Central
857:Melody Maker
855:
853:
844:
838:
833:Record World
831:
826:
820:
818:
803:
799:
792:bonus tracks
786:in 2008 and
766:
764:
757:
748:
742:
735:
717:
716:
710:
692:Muhammed Ali
688:Eric Clapton
648:answer songs
645:
624:
614:
584:
553:
551:
539:Jimi Hendrix
530:
483:experimental
478:
477:
455:
435:
433:
408:
405:Benny Golson
400:Eric Is Here
398:
384:
360:
348:experimental
339:
329:
283:
282:
281:
236:
217:
209:
208:
201:Eric Is Here
199:
168:
160:
159:
150:
80:experimental
54:October 1967
39:Studio album
15:
2915:1967 albums
2732:Hit singles
2576:The Animals
2555:The Animals
2530:John Weider
2508:Eric Burdon
2454:Eric Burdon
2448:(Original)
2435:The Animals
1329:Keith Olsen
1304:John Weider
1292:Eric Burdon
1187:Mick Jagger
1156:John Weider
1148:Eric Burdon
1067:Salem Press
873:progressive
751:missed the
722:MGM Records
599:Frank Zappa
597:singers to
570:the Beatles
566:King Oliver
507:spoken word
499:psychedelic
469:Composition
429:John Weider
391:Eric Burdon
387:the Animals
352:spoken word
344:psychedelic
321:John Weider
303:'s move to
301:Eric Burdon
299:and singer
297:the Animals
293:MGM Records
2909:Categories
2824:Good Times
2754:I'm Crying
2569:Animalisms
2520:Zoot Money
2504:Vic Briggs
2484:John Steel
2474:Alan Price
1360:References
1335:Tom Wilson
1298:Vic Briggs
1226:Good Times
1152:Vic Briggs
1092:left-field
825:described
668:West Coast
595:1950s jazz
562:Chick Webb
527:Good Times
440:Tom Wilson
423:, bassist
421:Vic Briggs
417:John Steel
367:Good Times
325:Tom Wilson
313:Vic Briggs
250:Good Times
152:Animalisms
132:Tom Wilson
2852:The Night
2845:Sky Pilot
2647:(US only)
2625:(US only)
2604:Animalism
2241:Billboard
2048:"Animals"
1590:Billboard
1274:Personnel
1101:In 2017,
845:Billboard
788:Universal
782:in 2004,
774:in 1995,
765:In 1969,
758:Billboard
743:Billboard
680:jazz-rock
519:narrative
503:acid trip
457:Billboard
444:Bob Dylan
361:Billboard
85:narrative
2893:Category
2838:Monterey
2328:20 April
2247:23 April
2221:20 April
2215:Cash Box
2192:20 April
2163:20 April
2136:23 April
2131:AllMusic
2111:20 April
2105:Cash Box
2082:23 April
2057:23 April
2032:20 April
1933:23 April
1907:23 April
1860:20 April
1823:23 April
1782:20 April
1747:20 April
1707:23 April
1674:20 April
1645:23 April
1640:AllMusic
1596:20 April
1563:20 April
1461:23 April
1456:AllMusic
1254:" – 2:59
1235:" – 3:19
1233:Anything
1228:" – 2:58
1215:" – 3:18
1204:Side two
1193:) – 5:57
1170:Side one
1079:AllMusic
1073:(1999),
939:AllMusic
840:Cash Box
684:mariachi
656:folk pop
127:Producer
59:Recorded
51:Released
41: by
2652:Love Is
2500:Animals
2450:Animals
2392:27 June
1318:– drums
1126:ranked
904:novelty
762:chart.
760:Top LPs
745:Hot 100
682:, with
658:song, "
523:diverse
369:" and "
363:Top LPs
336:R&B
233:Singles
223:(1968)
214:(1967)
205:(1967)
174:(1968)
165:(1967)
156:(1966)
2710:(1969)
2701:(1966)
2498:(New)
2324:: 14-A
2299:
1995:
1814:
1486:18 May
1430:
1390:
1312:– bass
933:Rating
930:Source
623:. The
587:echoed
511:drones
481:is an
98:Length
2573:(US)
2552:(UK)
2348:Uncut
2266:(PDF)
2211:(PDF)
2182:(PDF)
2101:(PDF)
2022:(PDF)
1989:67–68
1850:(PDF)
1772:(PDF)
1586:(PDF)
1136:Uncut
1104:Uncut
1069:book
730:Hindu
581:Songs
543:sitar
487:blues
332:blues
235:from
115:Label
68:Genre
2394:2014
2330:2023
2297:ISBN
2278:2021
2249:2023
2223:2023
2194:2023
2165:2023
2138:2023
2113:2023
2084:2023
2059:2023
2034:2023
2028:: 21
1993:ISBN
1966:link
1935:2023
1909:2023
1862:2023
1825:2023
1812:ISBN
1784:2023
1778:: 19
1749:2023
1709:2023
1676:2023
1647:2023
1598:2023
1565:2023
1519:link
1488:2021
1463:2023
1428:ISBN
1388:ISBN
690:and
545:and
450:and
334:and
319:and
2677:Ark
2446:The
2159:: 6
1856:(5)
1185:" (
896:'s
881:pop
672:rap
621:War
493:to
120:MGM
2911::
2371:^
2338:^
2320:.
2268:.
2239:.
2213:.
2184:.
2155:.
2129:.
2103:.
2075:.
2050:.
2024:.
2007:^
1991:.
1962:}}
1958:{{
1943:^
1926:.
1899:.
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1852:.
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1774:.
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1735:.
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1700:.
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1667:.
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1588:.
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1551:.
1527:^
1515:}}
1511:{{
1496:^
1479:.
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1442:^
1402:^
1368:^
1189:,
1162:,
1158:,
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1150:,
694:.
572:,
568:,
564:,
560:,
549:.
446:,
431:.
315:,
107:29
103:44
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2427:e
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2086:.
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2036:.
2001:.
1968:)
1937:.
1911:.
1864:.
1827:.
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1521:)
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1436:.
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1250:"
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1224:"
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105::
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