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stance, the right leg is load-bearing, while the left is free, barely touching the ground with its toes. The left arm hangs free, the right hand is held out at shoulder height. The head is turned slightly to the right, following the gesture of the right hand.
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work of Roman idealised sculpture and was made in the first half of the first century BC. Its model was the Greek sculptures of the fifth and fourth centuries BC. Probably it is a copy of a work from the school of
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An identification as the image of a god cannot be made on the basis of the statue itself or the inscription. Therefore, there are a variety of interpretations. These range from athlete, through torchbearer
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The statue was found in 1502 by a farmer beside the river on a terrace south of the mountaintop. It came into the possession of
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in 1551, after which a cast had been made, which remained in
Salzburg and came to Vienna in 1806. The original was moved to
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dating to the first century BC, missing since approximately 1810 and now presumed lost, that was discovered in 1502 at the
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Der JĂĽngling vom
Magdalensberg – Ein Forschungsprojekt der Antikensammlung des Kunsthistorischen Museums in Wien
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in 1662 and 1786. From the beginning of the nineteenth century, the location of the original statue is unknown.
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and local Celtic slave of the same family. One of the two donors of the Youth itself was also from this family.
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from the old name for
Magdalensberg. The youth is the only ancient full-size bronze statue known from the
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A gilt round shield found together with the Youth, which is now lost, bore this inscription:
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Griechische und römische
Statuetten und GroĂźbronzen. Akten der 9. Tagung ĂĽber antike Bronzen
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360:(= Ă–sterreichische Geschichte bis 15. v. Chr.). Ueberreuter Verlag, Wien 2003, p. 364,
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The donors of the shield, therefore were a free Celt, a freedman of the North
Italian
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Der JĂĽngling vom
Magdalensberg in Aranjuez. Die Suche nach dem verschollenen Original
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303:. Verlag Carinthia, Klagenfurt 1974, pp. 47–52 Chapter "Der Jüngling vom Helenenberg"
149:(M Gallicinus, son of Vindilus; L Barb Philoterus, fr of L; Craxsantus, s of Barbi P)
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84:(Inventory # VI 1), which until 1986 was mistakenly regarded as the original.
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415:. Verlag des Landesmuseums für Kärnten, Klagenfurt 2003, pp. 7ff, 27ff.
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The fate of the original is not known with certainty. As documents of the
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M. Gallicinus
Vindili f L Barb L l Philoterus pr / Craxsantus / Barbi P s.
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This is the dedication of two freedmen, who were probably active in the
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Youth of
Magdalensberg in the database of the Kunsthistorisches Museum
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Recent interpretations see the statue as the cult statue of a Celtic
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standing still, of about life size (1.85 metres high, 6'1"). In its
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Two illustrations of the original are known. The first comes from
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Until the twentieth century, the statue was also known as the
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Der lange Weg zur
Geschichte. Die Urgeschichte Ă–sterreichs.
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from the sanctuary on the mountaintop, or as a priest of
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72:. It is known today primarily from a sixteenth-century
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95:and therefore is of great significance in Austria.
68:, once a major late Celtic and early Roman city of
399:Jahrbuch der Kunsthistorischen Sammlungen in Wien
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249:reveal, it came into the possession of Emperor
115:An inscription is incised on the right thigh:
257:, where it is attested in the gardens of the
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314:Die besten Skulpturen der Austria Romana
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320:, 5. Aufl. Klagenfurt 2003, pp. 18–19.
226:soon afterward. He took it with him to
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465:Archaeological discoveries in Austria
270:Inscriptiones Sacrosanctae Vetustatis
411:, with supplements by Heimo Dolenz,
401:89/90 (1993/1994), p. 311–339.
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23:The Youth of Magdalensberg in the
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103:The bronze statue shows a naked
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38:Copy in the collection of the
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470:Hellenistic and Roman bronzes
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460:Ancient Roman Republican art
390:. Wien 1988, pp. 16–27.
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216:Matthäus Lang von Wellenburg
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280:in the chapel aisle of the
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135:Stadt auf dem Magdalensberg
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316:, in Wolbert Ebner (Ed.),
301:Kärnten im Mosaik der Erde
272:of 1534, the other from a
247:Salzburg cathedral chapter
185:which stood in the town's
268:and Bartholemew Amand's
259:Royal Palace of Aranjuez
78:Kunsthistorisches Museum
25:Kunsthistorisches Museum
455:Ancient Roman sculpture
230:in 1519 when he became
238:in 1806 following the
232:Archbishop of Salzburg
125:Ti Barbius Q P l Tiber
48:Youth of Magdalensberg
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120:A Poblicius D l Antio
93:Eastern Alpine region
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89:Youth of Helenenberg
40:Landesmuseum Kärnten
16:Ancient Roman statue
312:Gernot Piccottini,
438:2014-01-02 at the
393:Kurt Gschwantler,
282:Landshut Residence
240:Peace of Pressburg
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405:Gernot Piccottini
197:The statue is an
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380:Kurt Gschwantler
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76:now held at the
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109:contrapposto
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284:from 1542.
266:Peter Apian
251:Ferdinand I
204:Polykleitos
155:Gens Barbia
99:Description
449:Categories
374:References
210:Provenance
62:Carinthian
345:III, 4815
288:Footnotes
64:mountain
436:Archived
228:Salzburg
224:humanist
199:eclectic
183:Mercury
70:Noricum
50:was an
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364:
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274:fresco
236:Vienna
222:and a
218:, the
179:Noreia
82:Vienna
58:statue
55:bronze
29:Vienna
397:, in
386:, in
255:Spain
187:forum
105:youth
417:ISBN
362:ISBN
322:ISBN
175:Mars
74:cast
46:The
341:CIL
276:of
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